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The classical music website

Asmik Grigorian’s Tatyana strengthens the Met’s revival of Eugene Onegin
© Evan Zimmerman | Met Opera
A dream of a Gerontius from Antonio Pappano, the LSO and Chorus
© LSO | Mark Allan
At half mast: Peter Stein's Simon Boccanegra revived at the Wiener Staatsoper
© Wiener Staatsoper | Michael Pöhn
Benedetti ablaze and Mӑcelaru rides the crest of great waves with the Philharmonia
© Philharmonia Orchestra | David McCaffrey
Netrebko shines in Vienna’s timeless Tosca
© Wiener Staatsoper | Michael Pöhn
The Royal Ballet and Wayne McGregor: stunning dancing but nothing really new
© 2026 RBO. Photographed by Andrej Uspenski
Weinberg’s The Passenger paints the horror of Auschwitz in a different light
© Dutch National Opera | Monika Rittershaus
Frauenliebe und -sterben: Tobias Kratzer’s triple bill at Staatsoper Hamburg
© Matthias Baus
Autumnal introspection to oceanic majesty: Tarmo Peltokoski conducts the Hallé
© Sharyn Bellemakers | The Hallé
Johnny Loves Johann, unevenly at the Joyce Theater
© Erin Baiano
Diamonds and steel: Anna Pirozzi rules in La Scala’s Turandot revival
© Teatro alla Scala | Brescia e Amisano
Poetry and precision: Seong-Jin Cho returns to Carnegie Hall
© Chris Lee
French mezzo Marianne Crebassa is potent and versatile at Leeds Song
© Apple and Biscuit Productions
Seconds out! Regents Opera’s Salome lands a knockout punch at York Hall
© Steve Gregson
Rafael Payare finds artistry at full throttle with the Pittsburgh Symphony
© Josh Milteer
Art imitates art in English Touring Opera’s bracing new Pagliacci
© Richard Hubert Smith
Andris Nelsons and the BSO arrive in New York, with baggage in tow
© Chris Lee
Martha Graham Dance Company celebrates 100 years in New York
© Steven Pisano
Kazuki Yamada shines with CBSO in Bartók and Rachmaninov
© Jude Radley
Now you see it, now you don’t: Parsifal without the hocus-pocus in Lower Bavaria
© Peter Litvai
The Australian Ballet and Bangarra Dance Theatre in Flora: roots, rupture and renewal
© Daniel Boud
After three centuries, Handel’s Il trionfo del tempo e del disinganno returns to Rome
© Fabrizio Sansoni
Pina Bausch’s Kontakthof – Echoes of ‘78: poignant reality
© Ursula Kaufmann
The unbearable darkness of Innocence: Saariaho’s final opera receives New York premiere
© Karen Almond | Met Opera
Hervé Koubi’s Les nuits barbares: spectacle and showmanship
© Didier Philispart
Atlanta Ballet shines in a mixed contemporary program
© Shoccara Marcus
Asmik Grigorian’s Tatyana strengthens the Met’s revival of Eugene Onegin
© Evan Zimmerman | Met Opera
A dream of a Gerontius from Antonio Pappano, the LSO and Chorus
© LSO | Mark Allan
At half mast: Peter Stein's Simon Boccanegra revived at the Wiener Staatsoper
© Wiener Staatsoper | Michael Pöhn
Benedetti ablaze and Mӑcelaru rides the crest of great waves with the Philharmonia
© Philharmonia Orchestra | David McCaffrey
Netrebko shines in Vienna’s timeless Tosca
© Wiener Staatsoper | Michael Pöhn
The Royal Ballet and Wayne McGregor: stunning dancing but nothing really new
© 2026 RBO. Photographed by Andrej Uspenski
Weinberg’s The Passenger paints the horror of Auschwitz in a different light
© Dutch National Opera | Monika Rittershaus
Frauenliebe und -sterben: Tobias Kratzer’s triple bill at Staatsoper Hamburg
© Matthias Baus
Autumnal introspection to oceanic majesty: Tarmo Peltokoski conducts the Hallé
© Sharyn Bellemakers | The Hallé
Johnny Loves Johann, unevenly at the Joyce Theater
© Erin Baiano
Diamonds and steel: Anna Pirozzi rules in La Scala’s Turandot revival
© Teatro alla Scala | Brescia e Amisano
Poetry and precision: Seong-Jin Cho returns to Carnegie Hall
© Chris Lee
French mezzo Marianne Crebassa is potent and versatile at Leeds Song
© Apple and Biscuit Productions
Seconds out! Regents Opera’s Salome lands a knockout punch at York Hall
© Steve Gregson
Rafael Payare finds artistry at full throttle with the Pittsburgh Symphony
© Josh Milteer
Art imitates art in English Touring Opera’s bracing new Pagliacci
© Richard Hubert Smith
Andris Nelsons and the BSO arrive in New York, with baggage in tow
© Chris Lee
Martha Graham Dance Company celebrates 100 years in New York
© Steven Pisano
Kazuki Yamada shines with CBSO in Bartók and Rachmaninov
© Jude Radley
Now you see it, now you don’t: Parsifal without the hocus-pocus in Lower Bavaria
© Peter Litvai
The Australian Ballet and Bangarra Dance Theatre in Flora: roots, rupture and renewal
© Daniel Boud
After three centuries, Handel’s Il trionfo del tempo e del disinganno returns to Rome
© Fabrizio Sansoni
Pina Bausch’s Kontakthof – Echoes of ‘78: poignant reality
© Ursula Kaufmann
The unbearable darkness of Innocence: Saariaho’s final opera receives New York premiere
© Karen Almond | Met Opera
Hervé Koubi’s Les nuits barbares: spectacle and showmanship
© Didier Philispart
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Bachtrack Editions April 2026: our curated selection of reviews, stories and images from the past month.

Bachtrack is introducing a Registration Wall, affecting reviews, listings and some articles. This is not a paywall, and the site will remain free to use.

Analysing over 31,000 listings, what did we discover about the classical music world in the past year?

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