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Welcome to Bachtrack
The classical music website

Norwegian National Ballet’s Hedda Gabler: intense physicality
© Erik Berg
Study in Scarlet: Rubies crown Balanchine’s Jewels at the Wiener Staatsballett
© Wiener Staatsballett | Ashley Taylor
Taken for a ride: an energetic revival of Così fan tutte at English National Opera
© James Glossop
NYCB: Ratmansky’s Naked King may not be satire, but it’s jolly good fun
© Erin Baiano
At home in Hamburg: Munich Philharmonic at the Elbphilharmonie
© Claudia Hoehne
Fine Lindberg and Stravinsky double bill from the BBC Symphony
© BBC | Mark Allan
Aušrinė Stundytė magnetic in Lille’s The Makropulos Case
© Frédéric Iovino
Rockin’ at the Rudolfinum: the Czech Phil plays Bryce Dessner
© Petra Hajská
Canadian Opera Company’s Barber of Seville proves as fresh as ever
© Michael Cooper
Opera by committee: Opera Philadelphia premieres Complications in Sue
© Steven Pisano
World ballet stars and future talents on offer at Ballet Nights Decadance
© Deborah Jaffe
Vampires, Disney and Donald Trump: Monster’s Paradise in Hamburg
© Tanja Dorendorf
The Ring returns to the Rhine: Götterdämmerung at La Scala
© Brescia e Amisano | Teatro alla Scala
Schumann from the inside out: Yunchan Lim and the Staatskapelle Dresden in Seoul
© Vincero | Won Hee Lee
Barrie Kosky directs a ferocious new Lady Macbeth of Mtsensk at Komische Oper
© Monika Rittershaus
Sir Bryn Terfel’s craggy Boris Godunov returns to Covent Garden
© The Royal Opera | Mihaela Bodlovic
Sebastian Fagerlund’s interpretation of The Morning Star dawns over Helsinki
© Ilkka Saastamoinen
Lyricism and drama from Maria Dueñas, Manfred Honeck and the New York Philharmonic
© Chris Lee
“They fuck you up, your mum and dad”: Alden’s Rigoletto returns to Canadian Opera Company
© Michael Cooper
Paul Taylor Dance Company in London: musicality reigns supreme
© Whitney Browne
Benvenuto Cellini: Strassberger loses the plot, but La Monnaie still makes beautiful music
© Simon Van Rompay
Humperdinck hobbled in Opera Australia revival
© Carlita Sari
Paul Taylor Dance Company at the Linbury: exhilarating in new and legacy works
© Ron Thiele
Between ecstasy and abyss: Korngold’s Violanta at the Deutsche Oper Berlin
© Marcus Lieberenz
Sir David McVicar’s psychologically driven Salome arrives in Chicago
© Kyle Flubacker
End of an era: Jurowski and the LPO’s Mahler cycle reaches a momentous climax
© Mark Allan
Dreamt identities: Último helecho at the Haus der Berliner Festspiele
© Thaïs Breton
The dangerous allure of fantasy: Semele at Dutch National Opera
© Bart Grietens
An Idomeneo shattered to pieces at the Wiener Staatsoper
© Michael Pöhn
Norwegian National Ballet’s Hedda Gabler: intense physicality
© Erik Berg
Study in Scarlet: Rubies crown Balanchine’s Jewels at the Wiener Staatsballett
© Wiener Staatsballett | Ashley Taylor
Taken for a ride: an energetic revival of Così fan tutte at English National Opera
© James Glossop
NYCB: Ratmansky’s Naked King may not be satire, but it’s jolly good fun
© Erin Baiano
At home in Hamburg: Munich Philharmonic at the Elbphilharmonie
© Claudia Hoehne
Fine Lindberg and Stravinsky double bill from the BBC Symphony
© BBC | Mark Allan
Aušrinė Stundytė magnetic in Lille’s The Makropulos Case
© Frédéric Iovino
Rockin’ at the Rudolfinum: the Czech Phil plays Bryce Dessner
© Petra Hajská
Canadian Opera Company’s Barber of Seville proves as fresh as ever
© Michael Cooper
Opera by committee: Opera Philadelphia premieres Complications in Sue
© Steven Pisano
World ballet stars and future talents on offer at Ballet Nights Decadance
© Deborah Jaffe
Vampires, Disney and Donald Trump: Monster’s Paradise in Hamburg
© Tanja Dorendorf
The Ring returns to the Rhine: Götterdämmerung at La Scala
© Brescia e Amisano | Teatro alla Scala
Schumann from the inside out: Yunchan Lim and the Staatskapelle Dresden in Seoul
© Vincero | Won Hee Lee
Barrie Kosky directs a ferocious new Lady Macbeth of Mtsensk at Komische Oper
© Monika Rittershaus
Sir Bryn Terfel’s craggy Boris Godunov returns to Covent Garden
© The Royal Opera | Mihaela Bodlovic
Sebastian Fagerlund’s interpretation of The Morning Star dawns over Helsinki
© Ilkka Saastamoinen
Lyricism and drama from Maria Dueñas, Manfred Honeck and the New York Philharmonic
© Chris Lee
“They fuck you up, your mum and dad”: Alden’s Rigoletto returns to Canadian Opera Company
© Michael Cooper
Paul Taylor Dance Company in London: musicality reigns supreme
© Whitney Browne
Benvenuto Cellini: Strassberger loses the plot, but La Monnaie still makes beautiful music
© Simon Van Rompay
Humperdinck hobbled in Opera Australia revival
© Carlita Sari
Paul Taylor Dance Company at the Linbury: exhilarating in new and legacy works
© Ron Thiele
Between ecstasy and abyss: Korngold’s Violanta at the Deutsche Oper Berlin
© Marcus Lieberenz
Sir David McVicar’s psychologically driven Salome arrives in Chicago
© Kyle Flubacker
End of an era: Jurowski and the LPO’s Mahler cycle reaches a momentous climax
© Mark Allan
Dreamt identities: Último helecho at the Haus der Berliner Festspiele
© Thaïs Breton
The dangerous allure of fantasy: Semele at Dutch National Opera
© Bart Grietens
An Idomeneo shattered to pieces at the Wiener Staatsoper
© Michael Pöhn
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The world over: Bachtrack’s Classical Music Statistics 2025

Analysing over 31,000 listings, what did we discover about the classical music world in the past year?

Bachtrack Editions February 2026: our curated selection of reviews, stories and images from the past month.

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