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The classical music website

English National Opera’s Mahagonny: biting, bleak, brilliantly executed satire
© Tristram Kenton
Laurent Pelly’s Falstaff passes the Naples test with flying colours
© Luciano Romano
Les Ballets de Monte-Carlo in Cannes: Cendrillon through a psychological lens
© Alice Blangero
Heroes and beasts: Die Frau ohne Schatten in Warsaw
© Krzysztof Bieliński
The Royal Ballet: Peter Wright’s Giselle is as near perfection as you can get
© 2026 Helen Maybanks
Barbara Hannigan surveys American voices with The Cleveland Orchestra
© Roger Mastroianni, courtesy of The Cleveland Orchestra
Hilary Hahn returns to the stage with the Philadelphia Orchestra
© Jessica Griffin
John Findon triumphs in the return of Opera North’s Peter Grimes
© James Glossop
Hofesh Shechter Company: lucid dance states in Theatre of Dreams at Holland Dance Festival
© Tom Visser
Seong-Jin Cho back in town at newly opened LSO St Luke’s
© Kevin Leighton
East meets West in Dai Fujikura’s The Great Wave at Scottish Opera
© Mihaela Bodlovic
Reincarnation of Baroque ecstasy: Giulio Cesare at the Elbphilharmonie
© Sophie Wolter
Borodin in the symphonic limelight: Gianandrea Noseda with Seong-Jin Cho and the LSO
© LSO | Mark Allan
Dutch National Ballet brings some much needed heat to this winter season
© Altin Kaftira
Pierrot Lunaire revival at The Royal Ballet: highly expressive performances
© Camilla Nervi
The art of connection: Toronto Symphony and Kopatchinskaja in Vienna
© Allan Cabral
Shock, spectacle and endurance: Yuja Wang and Thomas Adès at full tilt
© Elizabeth Asher
Norwegian National Ballet’s Hedda Gabler: intense physicality
© Erik Berg
Study in Scarlet: Rubies crown Balanchine’s Jewels at the Wiener Staatsballett
© Wiener Staatsballett | Ashley Taylor
Taken for a ride: an energetic revival of Così fan tutte at English National Opera
© James Glossop
NYCB: Ratmansky’s Naked King may not be satire, but it’s jolly good fun
© Erin Baiano
At home in Hamburg: Munich Philharmonic at the Elbphilharmonie
© Claudia Hoehne
Fine Lindberg and Stravinsky double bill from the BBC Symphony
© BBC | Mark Allan
Aušrinė Stundytė magnetic in Lille’s The Makropulos Case
© Frédéric Iovino
Rockin’ at the Rudolfinum: the Czech Phil plays Bryce Dessner
© Petra Hajská
Canadian Opera Company’s Barber of Seville proves as fresh as ever
© Michael Cooper
English National Opera’s Mahagonny: biting, bleak, brilliantly executed satire
© Tristram Kenton
Laurent Pelly’s Falstaff passes the Naples test with flying colours
© Luciano Romano
Les Ballets de Monte-Carlo in Cannes: Cendrillon through a psychological lens
© Alice Blangero
Heroes and beasts: Die Frau ohne Schatten in Warsaw
© Krzysztof Bieliński
The Royal Ballet: Peter Wright’s Giselle is as near perfection as you can get
© 2026 Helen Maybanks
Barbara Hannigan surveys American voices with The Cleveland Orchestra
© Roger Mastroianni, courtesy of The Cleveland Orchestra
Hilary Hahn returns to the stage with the Philadelphia Orchestra
© Jessica Griffin
John Findon triumphs in the return of Opera North’s Peter Grimes
© James Glossop
Hofesh Shechter Company: lucid dance states in Theatre of Dreams at Holland Dance Festival
© Tom Visser
Seong-Jin Cho back in town at newly opened LSO St Luke’s
© Kevin Leighton
East meets West in Dai Fujikura’s The Great Wave at Scottish Opera
© Mihaela Bodlovic
Reincarnation of Baroque ecstasy: Giulio Cesare at the Elbphilharmonie
© Sophie Wolter
Borodin in the symphonic limelight: Gianandrea Noseda with Seong-Jin Cho and the LSO
© LSO | Mark Allan
Dutch National Ballet brings some much needed heat to this winter season
© Altin Kaftira
Pierrot Lunaire revival at The Royal Ballet: highly expressive performances
© Camilla Nervi
The art of connection: Toronto Symphony and Kopatchinskaja in Vienna
© Allan Cabral
Shock, spectacle and endurance: Yuja Wang and Thomas Adès at full tilt
© Elizabeth Asher
Norwegian National Ballet’s Hedda Gabler: intense physicality
© Erik Berg
Study in Scarlet: Rubies crown Balanchine’s Jewels at the Wiener Staatsballett
© Wiener Staatsballett | Ashley Taylor
Taken for a ride: an energetic revival of Così fan tutte at English National Opera
© James Glossop
NYCB: Ratmansky’s Naked King may not be satire, but it’s jolly good fun
© Erin Baiano
At home in Hamburg: Munich Philharmonic at the Elbphilharmonie
© Claudia Hoehne
Fine Lindberg and Stravinsky double bill from the BBC Symphony
© BBC | Mark Allan
Aušrinė Stundytė magnetic in Lille’s The Makropulos Case
© Frédéric Iovino
Rockin’ at the Rudolfinum: the Czech Phil plays Bryce Dessner
© Petra Hajská
Canadian Opera Company’s Barber of Seville proves as fresh as ever
© Michael Cooper
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The world over: Bachtrack’s Classical Music Statistics 2025

Analysing over 31,000 listings, what did we discover about the classical music world in the past year?

Bachtrack Editions February 2026: our curated selection of reviews, stories and images from the past month.

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