Antonia Bembo’s Ercole amante wins hearts at the Opéra de Paris
© Opéra national de Paris | Bernd Uhlig
Neither rescue nor transcendence: Jurowski marks Henze’s centenary at the Elbphilharmonie
© Sebastian Madej
Chasing the American Dream: UK premiere for Missy Mazzoli’s Proving Up
© David Monteith-Hodge
Kissin, Bell and Isserlis explore remembrance and loss at Carnegie Hall
© Fadi Kheir
Nordic masters and the mischievous Pan at Hong Kong Sinfonietta’s French May
© HK Sinfonietta Ltd
Longborough Festival Opera season starts slow with Handel’s Orlando
© Matthew Williams-Ellis
It’s a hero’s life for Dudamel at Disney Hall
© Timothy Norris
Viennese splendour in Garsington Opera’s Rosenkavalier revival
© Julian Guidera
Bang! Mozart’s volcano erupts in Opera Holland Park’s Così fan tutte
© Craig Fuller
Mallwitz and the Konzerthausorchester Berlin conquer Mahler’s Fifth in Hamburg
© Gesche Jäger
An end-of-term Mahler 6 from the Hallé
© Alex Burns | The Hallé
Václav Luks and the OAE deliver creative colour and operatic scale in Haydn’s Creation
© Mark Allan
From raindrops to royalty: Elim Chan takes the New York Philharmonic to the ball
© Brandon Patoc
Garsington’s new La traviata ticks every musical and dramatic box
© Julian Guidera
Gold dust: Opera Holland Park makes a convincing case for La fanciulla del West
© Craig Fuller
A witty hotel Don Giovanni opens Blackwater Valley Festival
© Frances Marshall
Dada Masilo’s Hamlet at Sadler’s Wells: inimitable mix of wisdom and audacity
© Lauge Sorensen
From Charles X to La Ceci: a birthday reimagining of Il viaggio a Reims in Salzburg
© SF | Monika Rittershaus
In his directorial debut, Matthias Goerne strikes gold with Salome in Toulouse
© Mirco Magliocca
The Met Opera’s Frida y Diego proves visually stunning, musically thrilling
© Marty Sohl | Met Opera
A deli-cious revival of Rossini’s Il turco in Italia at Glyndebourne
© Glyndebourne Productions Ltd. Photo: ASH
A noble Norma trapped in a hollow dystopia at Irish National Opera
© Ruth Medjber
Glorious debuts in Ashton’s La Fille mal gardée at The Royal Ballet
© Andrej Uspenski | RBO 2026
Superb musical performances in Pinchgut’s Scarlatti rarity in Sydney
© Anna Kučera
At NYCB, Fairchild bids adieu in her final performances of Coppélia
© Erin Baiano
The ears have it: Purcell’s Dido and Aeneas on the Cutty Sark
© Paul Marc Mitchell
Glyndebourne’s first ever Tosca: vocally strong but dramatically imperfect
© Glyndebourne Productions Ltd | Richard Hubert Smith
Heavenly Mahler – and Strauss – from Lucy Crowe, Simon Rattle and the LSO
© LSO | Mark Allan
© Opéra national de Paris | Bernd Uhlig
© Sebastian Madej
© David Monteith-Hodge
© Fadi Kheir
© HK Sinfonietta Ltd
© Matthew Williams-Ellis
© Timothy Norris
© Julian Guidera
© Craig Fuller
© Gesche Jäger
© Alex Burns | The Hallé
© Mark Allan
© Brandon Patoc
© Julian Guidera
© Craig Fuller
© Frances Marshall
© Lauge Sorensen
© SF | Monika Rittershaus
© Mirco Magliocca
© Marty Sohl | Met Opera
© Glyndebourne Productions Ltd. Photo: ASH
© Ruth Medjber
© Andrej Uspenski | RBO 2026
© Anna Kučera
© Erin Baiano
© Paul Marc Mitchell
© Glyndebourne Productions Ltd | Richard Hubert Smith
© LSO | Mark Allan
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