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Two works premiered in Paris in 1913 – Lili Boulanger's Faust et Hélène and Stravinsky The Rite of Spring – excite the Edinburgh International Festival audience... but spark no riots. 

San Francisco’s Splinter Reeds, echoing the traditional wind quintet but eschews the non-reed instruments, makes its second ever New York City appearance, part of the Earle Brown Foundation’s Time:Spans Festival.  

Returning to the Edinburgh International Festival after their astonishing Peter Grimes, the Bergen Philharmonic and Edward Gardner bring another opera, Richard Strauss' murderous Salome. 

Six decades after Charles Munch finished revamping the BSO’s sound, his shadow seems to smile benevolently on the current crop of musicians when playing French music.

Sir Donald Runnicles led a vivid account of The Pines of Rome and an exciting yet thoughtful performance of Carmina Burana with three superb soloists.

Amid an uncertain future for the Mostly Mozart Festival, conductor Louis Langrée led a fiery program that overflowed with rage rather than grief.

Despite some forgivable excesses, Nicola Alaimo and Cecilia Bartoli led a dream cast for a fun, engaging performance of Rossini's classic.