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Showing 50 of 1997 articles
By , 05 August 2022
05 Aug 2022
July at Bachtrack: English reviews highlights
By Bachtrack
By , 01 August 2022
01 Aug 2022
Max Emanuel Cenčić: staging rare operas at Bayreuth Baroque
By Laura Servidei
By , 13 July 2022
13 Jul 2022
The helicopter view: Opera Europa's Nicholas Payne
By David Karlin
By , 08 July 2022
08 Jul 2022
June at Bachtrack: English reviews highlights
By Bachtrack
By , 08 July 2022
08 Jul 2022
Maxim Vengerov: on stage with friends to celebrate 40 years of music
By Kevin W Ng
By , 04 July 2022
04 Jul 2022
Barnabás Kelemen and Katalin Kokas on the Festival Academy Budapest
By George Jahn
By , 01 July 2022
01 Jul 2022
Hans Graf appointed as Music Director of the Singapore Symphony
By Cameron Kelsall
By , 30 June 2022
30 Jun 2022
Meeting the Maestro: in conversation with Fabio Luisi
By Elena Luporini
By , 27 June 2022
27 Jun 2022
CMIM 2022: Joyful energy and extraordinary talent
By Elena Luporini
By , 24 June 2022
24 Jun 2022
Summer 2022 in France: 15 festivals to tempt you
By Tristan Labouret
By , 24 June 2022
24 Jun 2022
Star conductors and hidden gems in Bamberg Symphony's 2022-23 Season
By Bachtrack
By , 22 June 2022
22 Jun 2022
Sugar-coating the sinister: ETA Hoffmann at the ballet
By Jenifer Sarver
By , 22 June 2022
22 Jun 2022
Master of the fantastical: the life and work of ETA Hoffmann
By Alexandra Richter
22 Jun 2022
Bachtrack top ten: ETA Hoffmann
By Mark Pullinger & Elisabeth Schwarz
By , 22 June 2022
22 Jun 2022
Drunk on love and wine: Jacques Offenbach's Les Contes d’Hoffmann
By Elodie Olson-Coons
By , 15 June 2022
15 Jun 2022
Aristocracy of the heart: René Martin on the Festival de la Grange de Meslay
By Tristan Labouret
By , 13 June 2022
13 Jun 2022
Eclectic voices and programming in Saffron Hall's Autumn-Winter Season
By Bachtrack
By , 10 June 2022
10 Jun 2022
May at Bachtrack: English reviews highlights
By Bachtrack
By , 08 June 2022
08 Jun 2022
Gábor Zoboki, architect of Müpa Budapest
By David Karlin
By , 02 June 2022
02 Jun 2022
Gloriana: a Platinum Jubilee playlist
By Bachtrack
By , 27 May 2022
27 May 2022
Discover Estonia: Music festivals in unusual places
By Kurt Gottschalk
By , 26 May 2022
26 May 2022
Bachtrack top ten: Haydn symphonies
By Mark Pullinger
By , 23 May 2022
23 May 2022
Harmony across generations: Suntory Hall's 2022 Chamber Music Garden
By Bachtrack
By , 20 May 2022
20 May 2022
Stars and hidden treasures shine in Müpa Budapest 2022-23 season
By Bachtrack
By , 18 May 2022
18 May 2022
Orchestra Sinfonica di Milano: back to the future
By James Imam
By , 13 May 2022
13 May 2022
The Bamberg Workshop: Wagner concerts in focus
By Alexandra Richter
By , 12 May 2022
12 May 2022
Early music on demand: new EMTV video platform
By Laurence Vittes
By , 10 May 2022
10 May 2022
András Keller on Concerto Budapest's first UK tour
By Stephen Pritchard
By , 06 May 2022
06 May 2022
April at Bachtrack: English reviews highlights
By Bachtrack
By , 05 May 2022
05 May 2022
A voice of one’s own: Ingrid Fliter at the piano
By Elena Luporini
By , 29 April 2022
29 Apr 2022
One for the curious: the Bach-Mendelssohn Connection festival
By Hilary Stroh
By , 22 April 2022
22 Apr 2022
A 25th anniversary as the New National Theatre, Tokyo
By Bachtrack
By , 21 April 2022
21 Apr 2022
Four to watch: Quartet Integra
By Nahoko Gotoh
By , 20 April 2022
20 Apr 2022
The ICCM: Contemporary music and fresh cakes to London’s West End
By Kurt Gottschalk
By , 13 April 2022
13 Apr 2022
La Liberté? Focus on freedom in Dutch National Opera’s new season
By Bachtrack
By , 11 April 2022
11 Apr 2022
Hungarian State Opera and Hungarian National Ballet's 2022-23 season
By Bachtrack
By , 08 April 2022
08 Apr 2022
Six contemporary women composers in Estonia
By Kevin W Ng
By , 07 April 2022
07 Apr 2022
Gävle Symphony Orchestra: from Sweden to the world
By Cameron Kelsall
By , 06 April 2022
06 Apr 2022
The Kyiv Soloists: music-making for peace
By Zenaida des Aubris
By , 06 April 2022
06 Apr 2022
Soprano on hold: Danielle de Niese on filming La Voix humaine
By Mark Pullinger
By , 01 April 2022
01 Apr 2022
March at Bachtrack: English reviews highlights
By Bachtrack
By , 01 April 2022
01 Apr 2022
Cheltenham Music Festival: from intimate to monumental
By Bachtrack
By , 29 March 2022
29 Mar 2022
The Return of The Ring: Zurich Ballet and Opera's 2022-23 season
By Bachtrack
By , 29 March 2022
29 Mar 2022
Opinion: can we just drop star ratings, please?
By Mark Pullinger
By , 24 March 2022
24 Mar 2022
Elenora Hu – Living in the moment
By Zenaida des Aubris
By , 22 March 2022
22 Mar 2022
In the footsteps of a giant: the Svetlanov Competition
By David Karlin
By , 21 March 2022
21 Mar 2022
Alone Together: Jennifer Koh on new commissions and telling stories
By Kurt Gottschalk
By , 15 March 2022
15 Mar 2022
Springtime in Barcelona, an entwining of extraordinary voices
By Juan José Freijo
By , 10 March 2022
10 Mar 2022
Hungarian State Opera: the rebirth of a giant
By George Jahn
By , 04 March 2022
04 Mar 2022
February at Bachtrack: English reviews highlights
By Bachtrack