Our privacy policy was last updated on Friday 31 January 2020View it hereDismiss
Click here to follow the Eva Marton Competition
Sign in
Bachtrack logo
What's on
Reviews
Articles
Video
Site
Young artists
Travel
EventsReviewsArticlesVideo

Find articles | Interview

Category:Interview
Showing 50 of 621 articles
By , 19 August 2022
19 Aug 2022
Anna Clyne’s Sound and Fury finally arrives in Hong Kong
By Simon Cummings
By , 01 August 2022
01 Aug 2022
Max Emanuel Cenčić: staging rare operas at Bayreuth Baroque
By Laura Servidei
By , 13 July 2022
13 Jul 2022
The helicopter view: Opera Europa's Nicholas Payne
By David Karlin
By , 08 July 2022
08 Jul 2022
Maxim Vengerov: on stage with friends to celebrate 40 years of music
By Kevin W Ng
By , 04 July 2022
04 Jul 2022
Barnabás Kelemen and Katalin Kokas on the Festival Academy Budapest
By George Jahn
By , 01 July 2022
01 Jul 2022
Hans Graf appointed as Music Director of the Singapore Symphony
By Cameron Kelsall
By , 30 June 2022
30 Jun 2022
Meeting the Maestro: in conversation with Fabio Luisi
By Elena Luporini
By , 15 June 2022
15 Jun 2022
Aristocracy of the heart: René Martin on the Festival de la Grange de Meslay
By Tristan Labouret
By , 08 June 2022
08 Jun 2022
Gábor Zoboki, architect of Müpa Budapest
By David Karlin
By , 18 May 2022
18 May 2022
Orchestra Sinfonica di Milano: back to the future
By James Imam
By , 13 May 2022
13 May 2022
The Bamberg Workshop: Wagner concerts in focus
By Alexandra Richter
By , 12 May 2022
12 May 2022
Early music on demand: new EMTV video platform
By Laurence Vittes
By , 10 May 2022
10 May 2022
András Keller on Concerto Budapest's first UK tour
By Stephen Pritchard
By , 05 May 2022
05 May 2022
A voice of one’s own: Ingrid Fliter at the piano
By Elena Luporini
By , 29 April 2022
29 Apr 2022
One for the curious: the Bach-Mendelssohn Connection festival
By Hilary Stroh
By , 21 April 2022
21 Apr 2022
Four to watch: Quartet Integra
By Nahoko Gotoh
By , 20 April 2022
20 Apr 2022
The ICCM: Contemporary music and fresh cakes to London’s West End
By Kurt Gottschalk
By , 07 April 2022
07 Apr 2022
Gävle Symphony Orchestra: from Sweden to the world
By Cameron Kelsall
By , 06 April 2022
06 Apr 2022
Soprano on hold: Danielle de Niese on filming La Voix humaine
By Mark Pullinger
By , 24 March 2022
24 Mar 2022
Elenora Hu – Living in the moment
By Zenaida des Aubris
By , 22 March 2022
22 Mar 2022
In the footsteps of a giant: the Svetlanov Competition
By David Karlin
By , 21 March 2022
21 Mar 2022
Alone Together: Jennifer Koh on new commissions and telling stories
By Kurt Gottschalk
By , 28 February 2022
28 Feb 2022
Peter Eötvös: Sleepless and the hope for a better world
By Zenaida des Aubris
By , 17 February 2022
17 Feb 2022
Keeping the Kuhmo spirit: Minna Pensola and Antti Tikkanen
By David Karlin
By , 28 January 2022
28 Jan 2022
From municipal band player to trumpet virtuoso: Marc Geujon
By Jean Landras
By , 26 January 2022
26 Jan 2022
Hidden warmth: Hans Abrahamsen in focus at NTR ZaterdagMatinee
By Kurt Gottschalk
By , 04 January 2022
04 Jan 2022
Emőke Baráth: a Baroque reference voice looking at bel canto
By Laura Servidei
By , 22 December 2021
22 Dec 2021
Stepping into Petipa’s shoes: Tamara Rojo on creating a new Raymonda
By Mark Pullinger
By , 10 December 2021
10 Dec 2021
Rare Baroque treasure at the ZaterdagMatinee
By Jenny Camilleri
By , 22 November 2021
22 Nov 2021
Alondra de la Parra: a baton to connect different worlds
By Irene Littfack
By , 18 November 2021
18 Nov 2021
The Rotterdam Philharmonic Orchestra's journey into the digital space
By Cameron Kelsall
By , 05 November 2021
05 Nov 2021
Berlin's new Ring: in conversation with Sir Donald Runnicles
By Alexandra Richter
By , 04 November 2021
04 Nov 2021
Azrieli Music Prize laureates: Harlap, Habibi, Ueda
By Kurt Gottschalk
By , 02 November 2021
02 Nov 2021
ChanHee Cho – Hard work and resilience
By George Jahn
By , 01 November 2021
01 Nov 2021
Inna Demenkova - Passion and responsibility
By Laura Servidei
By , 29 October 2021
29 Oct 2021
Łukaszewski on the “Joy and Devotion” festival
By David Karlin
By , 29 October 2021
29 Oct 2021
Maksym Nazarenko – The art of perseverance
By Elena Luporini
By , 28 October 2021
28 Oct 2021
Claire Antoine – Poetry and humanity
By Stéphane Lelièvre
By , 27 October 2021
27 Oct 2021
Adam Rogala – The joy of collaboration
By Simon Cummings
By , 26 October 2021
26 Oct 2021
Maya Yahav Gour – A multi-tasking flow of talent
By Zenaida des Aubris
By , 25 October 2021
25 Oct 2021
Orliński and Biel: celebrating the beauty of Polish music
By Cameron Kelsall
By , 25 October 2021
25 Oct 2021
Ian Castro – Growing anew in the Old World
By Frank Kuznik
By , 15 October 2021
15 Oct 2021
Jakub Hrůša and the Bamberg Symphony’s ongoing musical travel
By Alexander Hall
By , 13 October 2021
13 Oct 2021
Path of rediscovery: Książek Piano Duo at the Polish Music Competition
By Laurence Vittes
By , 13 October 2021
13 Oct 2021
A unique flavor: Carter Johnson at the Polish Music Competition
By Sam Jacobson
By , 12 October 2021
12 Oct 2021
The language of music: Nicola Luisotti and Suntory Hall
By Stephen Pritchard
By , 04 October 2021
04 Oct 2021
Geister Duo wins the 2021 ARD International Music Competition
By Cameron Kelsall
By , 28 September 2021
28 Sep 2021
Éva Marton on serving the arts and her namesake competition
By George Jahn
By , 16 September 2021
16 Sep 2021
Divine intervention: Wayne McGregor on choreographing Dante
By Sarah Kirkup
By , 14 September 2021
14 Sep 2021
Mary Ellen Woodside on the Zwischentöne Chamber Music Festival
By Cameron Kelsall