Valletta International Baroque Festival: Italian sacred polyphony in 17th-century Malta

By Anthony Hart, 21 January 2013

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Reviewed at St Nicholas (All Souls) Church, Valletta on 16 January 2013

Foggia, Vanitas

Foggia, Missa in Die Laetitiae

Asola, Lapidaverunt Stephanum

Asola, Te gloriosus Apostolorum

Works by Bassani

Leonarda, Ave Regina Coelorum

Rubino, O quam suavis est

Monteverdi, Salve Regina

Cappella Sanctae Catherinae

Russian Spring: Elder and the Hallé reunite in glorious style

Leighton Jones, 7th May

The music of Glinka, Stravinsky, Rachmaninov and Tchaikovsky fills Manchester’s Bridgewater Hall with mystery, intrigue and jollity.

****1

Classical grace and Romantic eloquence from the Philharmonia

Christopher Woodley, 7th May

The contrasting delights of Schumann, Brahms and Dvořák are powerfully evoked in performances of charm, eloquence and high drama from the Philharmonia, continuing the orchestra’s 80th anniversary celebrations.

****1

Spacious Prokofiev from Seong-Jin Cho and the Munich Philharmonic

SangKwon Lee, 6th May

Seong-Jin Cho’s premise in Prokofiev is compelling – to reconcile Russian gravitational attack and monumental construction with clarity, colour and contrapuntal legibility.

***11

Marc-André Hamelin surveys two centuries of piano sonatas

Sam Jacobson, 5th May

From Haydn and Beethoven to Weinberg and Rachmaninov, Marc-André Hamelin reveals the piano sonata as a form of breadth, flexibility and expressive power.

****1

LA Phil celebrates the California spirit with Andrés Orozco-Estrada

Cameron Kelsall, 3rd May

The program features Maria Dueñas in Korngold's Violin Concerto and a moving tribute to LA native Michael Tilson Thomas

****1

Subtle magic: Zubin Mehta celebrates his 90th birthday in Berlin

Zenaida des Aubris, 3rd May

Zubin Mehta celebrates his 90th birthday with a concert at the Staatsoper Berlin.

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Anthony Hart

Anthony Hart, born in the UK, now lives in Malta. He was presented papers for Società Italiana di Musicologia and the International Musicological Society. He a Licentiate of the London College of Music. He has had papers published in Early Music, Studi Musicali and Fonti Musicali Italiane.