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  • Stockholms Konserthuset © Jan-Olav Wedin
  • Catch up with our latest reviews
    Bachtrack Digest: 15 May
    Two Great Gatsbys, two Dialogues des Carmélites, two Kissin recitals and a Ring cycle. Take a read of some of the highlights from the last few weeks of reviews on Bachtrack here in our fourth Bachtrack Digest.
    Read more here...
  • The return of the maestro
    James Levine
    With a gleaming, glistening chord of purest A major, the man New Yorkers love to call “the Maestro” returned to the concert stage. It was apt that it was Wagner with which the Maestro returned, in a shining evocation of the sacred land of the Holy Grail.
    Read David Allen's review...
  • Casi-Casa © Mats Ek
  • José Cura as Andrea Chénier © Wiener Staatsoper / Michael Pöhn
  • An evening to remember in Bristol
    Philip Glass at the piano
    Glass had a friendly nature on stage. He spoke gently into a microphone to introduce each piece and smiled. This was a performance with no pretension or bravado about stage presence. In front of us sat a humble man who wanted to share a piece of who he was.
    Read Alexandra Hamilton-Ayres...
  • New UK contemporary music group
    Ensemble 7Bridges debut
    Ensemble 7Bridges, directed by Richard Rijnvos and conducted by James Weeks, brings together some of the North East’s specialist professional performers of contemporary music with the aim of contributing to the development of new music in the North East.
    Read Jane Shuttleworth's review...
  • © Gene Schiavone
  • © Royal Academy of Music
  • Marc-André Hamelin in Chicago
    Hamelin, the technician
    Anyone who knows the name Marc-André Hamelin will know him foremost for his technique. It is, to use a crude expression, what his brand is built upon. Yet the fact of his technique obscures its place – in fact, its obscuring place – in his musicianship.
    Read Dan Wang's review...
  • Piazzolla's María de Buenos Aires
    Tango in Edinburgh
    Mr McFall’s Chamber successfully brought Piazzolla’s difficult work to life. The performance won over a sizeable audience, possibly searching for some South American warmth after what has been a long, cold Edinburgh winter.
    Read David Smythe's review...
  • Rosie Aldridge, Sam Furness in The Pirates of Penzance, Scottish Opera, D’Oyly Carte, © KK Dundas
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