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  • Stockholms Konserthuset © Jan-Olav Wedin
  • Catch up with our latest reviews
    Bachtrack Digest: 15 May
    Two Great Gatsbys, two Dialogues des Carmélites, two Kissin recitals and a Ring cycle. Take a read of some of the highlights from the last few weeks of reviews on Bachtrack here in our fourth Bachtrack Digest.
    Read more here...
  • Ravishing Handel masterpiece in London
    Lufthansa Festival
    After Friday’s sublime performance of Handel’s L’Allegro, il Penseroso ed il Moderato at the opening concert of 2013 Lufthansa Festival of Baroque Music, I am puzzled why this ravishing masterpiece doesn’t enjoy wider popularity.
    Read Nahoko Gotoh's review...
  • Casi-Casa © Mats Ek
  • José Cura as Andrea Chénier © Wiener Staatsoper / Michael Pöhn
  • Sydney Symphony Orchestra
    Ashkenazy's Beethoven
    There are only a handful of composers whose music can provide enough variety to last a whole program. Beethoven is one of those composers. And this program showed that Ashkenazy, Beethoven and the Sydney Symphony Orchestra are a match made in heaven.
    Read Oliver Brett's review...
  • New UK contemporary music group
    Ensemble 7Bridges debut
    Ensemble 7Bridges, directed by Richard Rijnvos and conducted by James Weeks, brings together some of the North East’s specialist professional performers of contemporary music with the aim of contributing to the development of new music in the North East.
    Read Jane Shuttleworth's review...
  • © Gene Schiavone
  • © Royal Academy of Music
  • Marc-André Hamelin in Chicago
    Hamelin, the technician
    Anyone who knows the name Marc-André Hamelin will know him foremost for his technique. It is, to use a crude expression, what his brand is built upon. Yet the fact of his technique obscures its place – in fact, its obscuring place – in his musicianship.
    Read Dan Wang's review...
  • Piazzolla's María de Buenos Aires
    Tango in Edinburgh
    Mr McFall’s Chamber successfully brought Piazzolla’s difficult work to life. The performance won over a sizeable audience, possibly searching for some South American warmth after what has been a long, cold Edinburgh winter.
    Read David Smythe's review...
  • Rosie Aldridge, Sam Furness in The Pirates of Penzance, Scottish Opera, D’Oyly Carte, © KK Dundas
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