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  • Les Azuriales Festival in Cap Ferrat
  • Vadym Kholodenko wins
    Van Cliburn 2013
    The 14th Van Cliburn International Piano Festival, and the first to take place since its founder’s death earlier this year, has been won by Ukrainian pianist Vadym Kholodenko. Evan Mitchell reports on the competition from Fort Worth, Texas.
    Read more here...
  • Il Prigioniero with Alan Gilbert
    NY Phil play Dallapiccola
    Alan Gilbert’s last few seasons at the New York Philharmonic have featured an opera in June. This year’s installment, Luigi Dallapiccola’s Il prigioniero, was performed in concert. For this particular work, which was written for radio broadcast, this seems only appropriate.
    Read Zerbinetta's review...
  • WNO Wagner Dream Buddha (David Stout) © David Massey
  • © Monika Rittershaus
  • Stunning Schumann in Sydney
    Mahler Chamber Orchestra
    “Europe’s answer to the ACO” was how composer Brett Dean described the MCO before its first Sydney concert. Despite the similarity in names, the two are very different. But this still a concert which got steadily better, with Daniel Harding and soloist Christian Tetzlaff.
    Read David Larkin's review...
  • Joyful dissonance in Vienna
    RSO Wien play Mackey
    Though the Petrushka was a disappointment, it was well worth hearing Anthony Marwood in his Wiener Konzerthaus debut, performing such a nuanced interpretation of Steven Mackey’s Beautiful Passing.
    Read Caitlin Smith's review...
  • © courtesy of Opera Philadelphia; photo by Kelly & Massa
  • Sian Davies as Anna in Maometto secondo, Garsington Opera 2013 © Mike Hoban
  • Art of fear, or fear of art?
    Schoenberg and after
    Young pianist Karim Said will certainly have a lot to offer music culture in future years. It is a rare occurrence to find concerts that are marked by both creative insight and intellectual precision, and hopefully we can look forward to more of them from this artist.
    Read Ninfea's review...
  • Re-defining the string quartet?
    Scottish Ensemble
    I was delighted with this programme, both for the playing and for its alerting me to previously hidden similarities between two favourite composers; through their soundworlds of troubled beauty runs a seam of defiant strength which prompts constant revisiting.
    Read Alan Coady's review...
  • © Cory Weaver
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