Bachtrack logo
What's on
All eventsConcertsOperaDanceKids eventsMasterclassesCompetitionsFestivals
Reviews
All reviewsConcert reviewsOpera reviewsDance reviews
Articles
All articlesFeaturesInterviewsOpinionPlaylists
News
Video
Video homeAll videoStreamed eventsConcertsOperaDanceKids eventsMasterclassesPublishers
Site
About usContact usLink to usConditions of useCookiesPrivacy
Young artists
Travel
EventsReviewsArticlesVideo

Baring all: joyous abandon from Opera Naked at the St James Theatre

By Charlotte Valori, 21 October 2013
Loading, please wait...
See full listing
Reviewed at St James Theatre, London on 18 October 2013
Programme
Unknown, Unknown programme - opera
Performers
Nadine Mortimer-Smith, Soprano
Ciara Hendrick, Mezzo-soprano
Philip Spendley, Bass
Robert Bottriell, Piano
Alex Tsilogiannis, Tenor
More Opera reviews
The triumph of virtue: Rossini’s Cenerentola in Brisbane
Sandra Bowdler, 29th April
Margarita Gritskova leads a fine ensemble performance of Rossini’s most under-appreciated opera by Opera Queensland. 
****1
Grigolo shines in a mixed new Roméo et Juliette at the Opera di Roma
Pia Maltri, 28th April
With its 1940s setting, Luca Del Fusco’s direction alienates in a new production of Gounod's Shakespeare-inspired opera. 
***11
Chiaroscuro extinguished: a self-indulgent Poppea in Copenhagen
Mengguang Huang, 26th April

Christoph Marthaler’s staging of Monteverdi’s Poppea for the Royal Danish Opera is a study in boredom. 

**111
Romeo Castellucci directs a new Pelléas et Mélisande at La Scala
Laura Servidei, 26th April

The Italian director makes his long-awaited Italian operatic debut at the Teatro alla Scala in a production which perfectly mirrors Debussy’s most enigmatic creation.

****1
Lepage’s Bluebeard and Erwartung pairing remains compelling theatre
John Gilks, 25th April
Some 30 years after its first appearance, Robert Lepage’s double bill of Duke Bluebeards Castle and Erwartung is still strikingly effective and very modern-looking music theatre.
*****
Wretches like us: the LPO’s concert Wozzeck cuts to the quick
Peter Quantrill, 25th April
Beautifully prepared singing and playing brings out the tender side to Berg's modernist classic as part of the Southbank Centre’s Multitudes festival. 
****1
More reviews...
Read reviews of
Alex TsilogiannisCiara HendrickPaul HopwoodPhilip Spendley
Related articles
Loading image...
Street-smart and subversive: Ailish Tynan talks Così fan tutte
Loading image...
Family affairs: Catharine Woodward on singing Brünnhilde in Regents Opera’s Ring
Loading image...
Songs from home: Magdalena Kožená in conversation
Loading image...
Beyond the fever dream: Nadine Sierra reclaims her narrative
Charlotte Valori
Charlotte Valori
Charlotte Valori read Classics at Christ Church, Oxford. As a classicist, her main interest is Greek tragedy and its reception by later cultures, which has led to a continuing passion for theatre and opera. Charlotte reviews for several online magazines, and won the Bachtrack Opera Award 2015 for Best Written English Review. Follow her on Twitter @operissima.