Work: La Bohème| Date | Event | Composers, Works, Performers |
|---|---|---|
| Saturday 22-Jun-13 06:30pm |
 The London ColiseumLa Bohème |
English National Opera Jonathan Miller, Director Natascha Metherell, Revival Director Isabella Bywater, Set Designer Gwyn Hughes Jones, Tenor: Rodolfo Kate Valentine, Soprano: Mimì Richard Burkhard, Baritone: Marcello Angel Blue, Soprano: Musetta Andrew Craig Brown, Bass: Colline Duncan Rock, Baritone: Schaunard Simon Butteriss, Bass: Benoît |
 | ||
| The London Coliseum, St. Martin's Lane, London WC2N 4ES, United Kingdom Saturday 22-Jun-13 06:30pm Puccini’s gift for writing emotional music is brought to the fore in La bohème’s tale of doomed love in poverty-stricken Paris. One of the world’s most recognised and widely performed operas, it focuses on two central relationships: that of the poet Rodolfo, who falls in love with the pretty but consumptive seamstress Mimì; and the painter Marcello, who has a glamorous and popular on-off mistress, Musetta.
Jonathan Miller’s production for ENO has quickly become a company classic and here receives its second revival since its 2009 premiere. Inspired by Brassaï’s photographs of the Paris Left Bank in the 1930s, Miller modernises the original bohemian setting to evoke the stark poverty of the day, creating a highly effective contemporary resonance, citing the film Withnail and I as an inspiration. Playing Mimì is Kate Valentine, who in recent seasons has played the Countess in Fiona Shaw’s production of The Marriage of Figaro and an ‘excellent’ (The Times) Helena in Christopher Alden’s Olivier Award-nominated A Midsummer Night’s Dream. Gwyn Hughes Jones returns to the role of Rodolfo following his great success in ENO’s 2010 production, and recent acclaimed Pinkerton in Madam Butterfly.Jonathan Miller, Director Natascha Metherell, Revival Director Isabella Bywater, Set Designer Gwyn Hughes Jones, Tenor: Rodolfo Kate Valentine, Soprano: Mimì Richard Burkhard, Baritone: Marcello Angel Blue, Soprano: Musetta Andrew Craig Brown, Bass: Colline Duncan Rock, Baritone: Schaunard Simon Butteriss, Bass: Benoît | ||
| Saturday 29-Jun-13 03:00pm |
The London Coliseum La Bohème |
English National Opera Jonathan Miller, Director Natascha Metherell, Revival Director Isabella Bywater, Set Designer Gwyn Hughes Jones, Tenor: Rodolfo Kate Valentine, Soprano: Mimì Richard Burkhard, Baritone: Marcello Angel Blue, Soprano: Musetta Andrew Craig Brown, Bass: Colline Duncan Rock, Baritone: Schaunard Simon Butteriss, Bass: Benoît |
| ||
| The London Coliseum, St. Martin's Lane, London WC2N 4ES, United Kingdom Saturday 29-Jun-13 03:00pm Puccini’s gift for writing emotional music is brought to the fore in La bohème’s tale of doomed love in poverty-stricken Paris. One of the world’s most recognised and widely performed operas, it focuses on two central relationships: that of the poet Rodolfo, who falls in love with the pretty but consumptive seamstress Mimì; and the painter Marcello, who has a glamorous and popular on-off mistress, Musetta.
Jonathan Miller’s production for ENO has quickly become a company classic and here receives its second revival since its 2009 premiere. Inspired by Brassaï’s photographs of the Paris Left Bank in the 1930s, Miller modernises the original bohemian setting to evoke the stark poverty of the day, creating a highly effective contemporary resonance, citing the film Withnail and I as an inspiration. Playing Mimì is Kate Valentine, who in recent seasons has played the Countess in Fiona Shaw’s production of The Marriage of Figaro and an ‘excellent’ (The Times) Helena in Christopher Alden’s Olivier Award-nominated A Midsummer Night’s Dream. Gwyn Hughes Jones returns to the role of Rodolfo following his great success in ENO’s 2010 production, and recent acclaimed Pinkerton in Madam Butterfly.Jonathan Miller, Director Natascha Metherell, Revival Director Isabella Bywater, Set Designer Gwyn Hughes Jones, Tenor: Rodolfo Kate Valentine, Soprano: Mimì Richard Burkhard, Baritone: Marcello Angel Blue, Soprano: Musetta Andrew Craig Brown, Bass: Colline Duncan Rock, Baritone: Schaunard Simon Butteriss, Bass: Benoît | ||
| Thursday 12-Dec-13 07:30pm |
Deutsche Oper, Berlin La Bohème |
Deutsche Oper Berlin Karel Mark Chichon, Conductor Götz Friedrich, Director Peter Sykora, Set Designer Svetlana Ignatovich, Soprano: Mimì Pretty Yende, Soprano: Musetta Wookyung Kim, Tenor: Rodolfo Étienne Dupuis, Baritone: Marcello Paul Kaufmann, Tenor: Parpignol John Chest, Baritone: Schaunard Jörg Schörner, Tenor: Benoît Marko Mimica, Bass: Colline |
-Bettina-Stöß.jpg "Image credit: Bettina-Stöß") | ||
| Deutsche Oper, Berlin, Bismarckstraße 35, Berlin, Germany Thursday 12-Dec-13 07:30pm In Italian with German surtitles.
Puccini had already proved his ability as a brilliant musical colourist with EDGAR (1889) and MANON LESCAUT, but it was only with LA BOHÈME that a perfect marriage of subject matter and musical interpretation was finally achieved: Claude Debussy enthusiastically commented, "no one has described the Paris of these days as aptly as Puccini in his LA BOHÈME". Puccini's impressionistic sound artistry combines subjective emotion with objective tone painting. His tonal elements, his musical descriptions of the ambience and the local colour of his aural tapestry begin to work their magic from the very first scene, when Rodolfo and Marcello set fire to their manuscript and the poet sprinkles drops of water on the face of the unconscious Mimi, and in the second scene, when the chorus, in its role as crowd, is contrasted with the stage orchestra as military parade, and also in the third scene, when economical use is made of carefully selected musical elements to create the atmosphere of a cold winter's morning. A frosty winter´s day in a Paris garret. Rodolfo, the writer, and Marcello, the painter, are trying to work. They are hungry and without fuel for heating or money to pay their rent. Colline, the philosopher has tried and failed to pawn some books. The musician Schaunard has been more fortunate; he arrives with food, firewood, cigarettes and money. Rodolfo wants to work and his friends depart for Café Momus. His work is interrupted by a neighbour, who is searching for a means to light her dwelling. While making her request she faints and loses the keys to her lodgings. So it is that Rodolfo falls in love with Mimi, the embroiderer who is hopelessly ill with tuberculosis. Two months later he deserts her, unable to look helplessly on while Mimi's illness worsens in his poor, cold hovel. Six months later Musetta, the former mistress of Marcello, brings back the dying Mimi. Musetta sacrifices her earrings for the purchase of medicine, Colline donates his coat. Mimi is grateful and happy. Rodolfo believes that she has fallen into a curative sleep, but Mimi is dead. From a dramaturgical viewpoint LA BOHÈME retains the strands of an experiment that has remained unique in Puccini's body of work. Libretto authors Ilica and Giacose formed a libretto out of a loose sequence of episodes from Louis Henri Murger's novel. Their artistic maxim consisted in preserving the protagonists and ambience of the novel while allowing a degree of flexibility in the selection and treatment of episodes. They structured their sourcebook into "quadri", images that are held together only by the love story between Rodolfo and Mimi. The relationship between Musetta and Marcello serves as counterpoint. "LA BOHÈME always addresses and challenges our innermost private feelings - intellectual snobs and frustrated, sniping critics should stay at home! I can only say from my personal point of view: I'm 30 years older now and I have an even stronger desire now to explore hope and despair, the dreams and pain of youth, and to reflect them on stage, in the form of images, action and sound. Coming to this work afresh reflects a kind of pining for one's own youth. I think this is the open secret of Puccini's LA BOHÈME, why it is still so vibrant and topical today." (Götz Friedrich in 1988) Image credit: Bettina-Stöß Karel Mark Chichon, Conductor Götz Friedrich, Director Peter Sykora, Set Designer Svetlana Ignatovich, Soprano: Mimì Pretty Yende, Soprano: Musetta Wookyung Kim, Tenor: Rodolfo Étienne Dupuis, Baritone: Marcello Paul Kaufmann, Tenor: Parpignol John Chest, Baritone: Schaunard Jörg Schörner, Tenor: Benoît Marko Mimica, Bass: Colline | ||
| Sunday 15-Dec-13 03:00pm |
Deutsche Oper, Berlin La Bohème |
Deutsche Oper Berlin Karel Mark Chichon, Conductor Götz Friedrich, Director Peter Sykora, Set Designer Anita Hartig, Soprano: Mimì Martina Welschenbach, Soprano: Musetta Teodor Ilincai, Tenor: Rodolfo Markus Brück, Baritone: Marcello Matthew Newlin, Tenor: Parpignol Simon Pauly, Baritone: Schaunard Jörg Schörner, Tenor: Benoît Tobias Kehrer, Bass: Colline |
| ||
| Deutsche Oper, Berlin, Bismarckstraße 35, Berlin, Germany Sunday 15-Dec-13 03:00pm In Italian with German surtitles.
Puccini had already proved his ability as a brilliant musical colourist with EDGAR (1889) and MANON LESCAUT, but it was only with LA BOHÈME that a perfect marriage of subject matter and musical interpretation was finally achieved: Claude Debussy enthusiastically commented, "no one has described the Paris of these days as aptly as Puccini in his LA BOHÈME". Puccini's impressionistic sound artistry combines subjective emotion with objective tone painting. His tonal elements, his musical descriptions of the ambience and the local colour of his aural tapestry begin to work their magic from the very first scene, when Rodolfo and Marcello set fire to their manuscript and the poet sprinkles drops of water on the face of the unconscious Mimi, and in the second scene, when the chorus, in its role as crowd, is contrasted with the stage orchestra as military parade, and also in the third scene, when economical use is made of carefully selected musical elements to create the atmosphere of a cold winter's morning. A frosty winter´s day in a Paris garret. Rodolfo, the writer, and Marcello, the painter, are trying to work. They are hungry and without fuel for heating or money to pay their rent. Colline, the philosopher has tried and failed to pawn some books. The musician Schaunard has been more fortunate; he arrives with food, firewood, cigarettes and money. Rodolfo wants to work and his friends depart for Café Momus. His work is interrupted by a neighbour, who is searching for a means to light her dwelling. While making her request she faints and loses the keys to her lodgings. So it is that Rodolfo falls in love with Mimi, the embroiderer who is hopelessly ill with tuberculosis. Two months later he deserts her, unable to look helplessly on while Mimi's illness worsens in his poor, cold hovel. Six months later Musetta, the former mistress of Marcello, brings back the dying Mimi. Musetta sacrifices her earrings for the purchase of medicine, Colline donates his coat. Mimi is grateful and happy. Rodolfo believes that she has fallen into a curative sleep, but Mimi is dead. From a dramaturgical viewpoint LA BOHÈME retains the strands of an experiment that has remained unique in Puccini's body of work. Libretto authors Ilica and Giacose formed a libretto out of a loose sequence of episodes from Louis Henri Murger's novel. Their artistic maxim consisted in preserving the protagonists and ambience of the novel while allowing a degree of flexibility in the selection and treatment of episodes. They structured their sourcebook into "quadri", images that are held together only by the love story between Rodolfo and Mimi. The relationship between Musetta and Marcello serves as counterpoint. "LA BOHÈME always addresses and challenges our innermost private feelings - intellectual snobs and frustrated, sniping critics should stay at home! I can only say from my personal point of view: I'm 30 years older now and I have an even stronger desire now to explore hope and despair, the dreams and pain of youth, and to reflect them on stage, in the form of images, action and sound. Coming to this work afresh reflects a kind of pining for one's own youth. I think this is the open secret of Puccini's LA BOHÈME, why it is still so vibrant and topical today." (Götz Friedrich in 1988) Image credit: Bettina-Stöß Karel Mark Chichon, Conductor Götz Friedrich, Director Peter Sykora, Set Designer Anita Hartig, Soprano: Mimì Martina Welschenbach, Soprano: Musetta Teodor Ilincai, Tenor: Rodolfo Markus Brück, Baritone: Marcello Matthew Newlin, Tenor: Parpignol Simon Pauly, Baritone: Schaunard Jörg Schörner, Tenor: Benoît Tobias Kehrer, Bass: Colline | ||
| Sunday 15-Dec-13 07:00pm |
National Theatre, Munich La Bohème |
Bavarian State Opera Asher Fisch, Conductor Otto Schenk, Director Rudolf Heinrich, Set Designer Ana Maria Martinez, Soprano: Mimì Anna Virovlansky, Soprano: Musetta Charles Castronovo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello Andrea Borghini, Baritone: Schaunard Christian Rieger, Bass: Benoît Tareq Nazmi, Bass: Colline |
 | ||
| National Theatre, Munich, Munich, Germany Sunday 15-Dec-13 07:00pm Asher Fisch, Conductor Otto Schenk, Director Rudolf Heinrich, Set Designer Ana Maria Martinez, Soprano: Mimì Anna Virovlansky, Soprano: Musetta Charles Castronovo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello Andrea Borghini, Baritone: Schaunard Christian Rieger, Bass: Benoît Tareq Nazmi, Bass: Colline | ||
| Sunday 15-Dec-13 07:30pm |
Deutsche Oper, Berlin La Bohème |
Deutsche Oper Berlin Karel Mark Chichon, Conductor Götz Friedrich, Director Peter Sykora, Set Designer Svetlana Ignatovich, Soprano: Mimì Pretty Yende, Soprano: Musetta Wookyung Kim, Tenor: Rodolfo Étienne Dupuis, Baritone: Marcello Paul Kaufmann, Tenor: Parpignol John Chest, Baritone: Schaunard Jörg Schörner, Tenor: Benoît Marko Mimica, Bass: Colline |
| ||
| Deutsche Oper, Berlin, Bismarckstraße 35, Berlin, Germany Sunday 15-Dec-13 07:30pm In Italian with German surtitles.
Puccini had already proved his ability as a brilliant musical colourist with EDGAR (1889) and MANON LESCAUT, but it was only with LA BOHÈME that a perfect marriage of subject matter and musical interpretation was finally achieved: Claude Debussy enthusiastically commented, "no one has described the Paris of these days as aptly as Puccini in his LA BOHÈME". Puccini's impressionistic sound artistry combines subjective emotion with objective tone painting. His tonal elements, his musical descriptions of the ambience and the local colour of his aural tapestry begin to work their magic from the very first scene, when Rodolfo and Marcello set fire to their manuscript and the poet sprinkles drops of water on the face of the unconscious Mimi, and in the second scene, when the chorus, in its role as crowd, is contrasted with the stage orchestra as military parade, and also in the third scene, when economical use is made of carefully selected musical elements to create the atmosphere of a cold winter's morning. A frosty winter´s day in a Paris garret. Rodolfo, the writer, and Marcello, the painter, are trying to work. They are hungry and without fuel for heating or money to pay their rent. Colline, the philosopher has tried and failed to pawn some books. The musician Schaunard has been more fortunate; he arrives with food, firewood, cigarettes and money. Rodolfo wants to work and his friends depart for Café Momus. His work is interrupted by a neighbour, who is searching for a means to light her dwelling. While making her request she faints and loses the keys to her lodgings. So it is that Rodolfo falls in love with Mimi, the embroiderer who is hopelessly ill with tuberculosis. Two months later he deserts her, unable to look helplessly on while Mimi's illness worsens in his poor, cold hovel. Six months later Musetta, the former mistress of Marcello, brings back the dying Mimi. Musetta sacrifices her earrings for the purchase of medicine, Colline donates his coat. Mimi is grateful and happy. Rodolfo believes that she has fallen into a curative sleep, but Mimi is dead. From a dramaturgical viewpoint LA BOHÈME retains the strands of an experiment that has remained unique in Puccini's body of work. Libretto authors Ilica and Giacose formed a libretto out of a loose sequence of episodes from Louis Henri Murger's novel. Their artistic maxim consisted in preserving the protagonists and ambience of the novel while allowing a degree of flexibility in the selection and treatment of episodes. They structured their sourcebook into "quadri", images that are held together only by the love story between Rodolfo and Mimi. The relationship between Musetta and Marcello serves as counterpoint. "LA BOHÈME always addresses and challenges our innermost private feelings - intellectual snobs and frustrated, sniping critics should stay at home! I can only say from my personal point of view: I'm 30 years older now and I have an even stronger desire now to explore hope and despair, the dreams and pain of youth, and to reflect them on stage, in the form of images, action and sound. Coming to this work afresh reflects a kind of pining for one's own youth. I think this is the open secret of Puccini's LA BOHÈME, why it is still so vibrant and topical today." (Götz Friedrich in 1988) Image credit: Bettina-Stöß Karel Mark Chichon, Conductor Götz Friedrich, Director Peter Sykora, Set Designer Svetlana Ignatovich, Soprano: Mimì Pretty Yende, Soprano: Musetta Wookyung Kim, Tenor: Rodolfo Étienne Dupuis, Baritone: Marcello Paul Kaufmann, Tenor: Parpignol John Chest, Baritone: Schaunard Jörg Schörner, Tenor: Benoît Marko Mimica, Bass: Colline | ||
| Tuesday 17-Dec-13 07:00pm |
National Theatre, Munich La Bohème |
Bavarian State Opera Asher Fisch, Conductor Otto Schenk, Director Rudolf Heinrich, Set Designer Ana Maria Martinez, Soprano: Mimì Anna Virovlansky, Soprano: Musetta Charles Castronovo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello Andrea Borghini, Baritone: Schaunard Christian Rieger, Bass: Benoît Tareq Nazmi, Bass: Colline |
| ||
| National Theatre, Munich, Munich, Germany Tuesday 17-Dec-13 07:00pm Asher Fisch, Conductor Otto Schenk, Director Rudolf Heinrich, Set Designer Ana Maria Martinez, Soprano: Mimì Anna Virovlansky, Soprano: Musetta Charles Castronovo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello Andrea Borghini, Baritone: Schaunard Christian Rieger, Bass: Benoît Tareq Nazmi, Bass: Colline | ||
| Wednesday 18-Dec-13 07:30pm |
Deutsche Oper, Berlin La Bohème |
Deutsche Oper Berlin Karel Mark Chichon, Conductor Götz Friedrich, Director Peter Sykora, Set Designer Anita Hartig, Soprano: Mimì Martina Welschenbach, Soprano: Musetta Teodor Ilincai, Tenor: Rodolfo Markus Brück, Baritone: Marcello Matthew Newlin, Tenor: Parpignol Simon Pauly, Baritone: Schaunard Jörg Schörner, Tenor: Benoît Tobias Kehrer, Bass: Colline |
| ||
| Deutsche Oper, Berlin, Bismarckstraße 35, Berlin, Germany Wednesday 18-Dec-13 07:30pm In Italian with German surtitles.
Puccini had already proved his ability as a brilliant musical colourist with EDGAR (1889) and MANON LESCAUT, but it was only with LA BOHÈME that a perfect marriage of subject matter and musical interpretation was finally achieved: Claude Debussy enthusiastically commented, "no one has described the Paris of these days as aptly as Puccini in his LA BOHÈME". Puccini's impressionistic sound artistry combines subjective emotion with objective tone painting. His tonal elements, his musical descriptions of the ambience and the local colour of his aural tapestry begin to work their magic from the very first scene, when Rodolfo and Marcello set fire to their manuscript and the poet sprinkles drops of water on the face of the unconscious Mimi, and in the second scene, when the chorus, in its role as crowd, is contrasted with the stage orchestra as military parade, and also in the third scene, when economical use is made of carefully selected musical elements to create the atmosphere of a cold winter's morning. A frosty winter´s day in a Paris garret. Rodolfo, the writer, and Marcello, the painter, are trying to work. They are hungry and without fuel for heating or money to pay their rent. Colline, the philosopher has tried and failed to pawn some books. The musician Schaunard has been more fortunate; he arrives with food, firewood, cigarettes and money. Rodolfo wants to work and his friends depart for Café Momus. His work is interrupted by a neighbour, who is searching for a means to light her dwelling. While making her request she faints and loses the keys to her lodgings. So it is that Rodolfo falls in love with Mimi, the embroiderer who is hopelessly ill with tuberculosis. Two months later he deserts her, unable to look helplessly on while Mimi's illness worsens in his poor, cold hovel. Six months later Musetta, the former mistress of Marcello, brings back the dying Mimi. Musetta sacrifices her earrings for the purchase of medicine, Colline donates his coat. Mimi is grateful and happy. Rodolfo believes that she has fallen into a curative sleep, but Mimi is dead. From a dramaturgical viewpoint LA BOHÈME retains the strands of an experiment that has remained unique in Puccini's body of work. Libretto authors Ilica and Giacose formed a libretto out of a loose sequence of episodes from Louis Henri Murger's novel. Their artistic maxim consisted in preserving the protagonists and ambience of the novel while allowing a degree of flexibility in the selection and treatment of episodes. They structured their sourcebook into "quadri", images that are held together only by the love story between Rodolfo and Mimi. The relationship between Musetta and Marcello serves as counterpoint. "LA BOHÈME always addresses and challenges our innermost private feelings - intellectual snobs and frustrated, sniping critics should stay at home! I can only say from my personal point of view: I'm 30 years older now and I have an even stronger desire now to explore hope and despair, the dreams and pain of youth, and to reflect them on stage, in the form of images, action and sound. Coming to this work afresh reflects a kind of pining for one's own youth. I think this is the open secret of Puccini's LA BOHÈME, why it is still so vibrant and topical today." (Götz Friedrich in 1988) Image credit: Bettina-Stöß Karel Mark Chichon, Conductor Götz Friedrich, Director Peter Sykora, Set Designer Anita Hartig, Soprano: Mimì Martina Welschenbach, Soprano: Musetta Teodor Ilincai, Tenor: Rodolfo Markus Brück, Baritone: Marcello Matthew Newlin, Tenor: Parpignol Simon Pauly, Baritone: Schaunard Jörg Schörner, Tenor: Benoît Tobias Kehrer, Bass: Colline | ||
| Friday 20-Dec-13 07:00pm |
National Theatre, Munich La Bohème |
Bavarian State Opera Asher Fisch, Conductor Otto Schenk, Director Rudolf Heinrich, Set Designer Ana Maria Martinez, Soprano: Mimì Anna Virovlansky, Soprano: Musetta Charles Castronovo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello Andrea Borghini, Baritone: Schaunard Christian Rieger, Bass: Benoît Tareq Nazmi, Bass: Colline |
| ||
| National Theatre, Munich, Munich, Germany Friday 20-Dec-13 07:00pm Asher Fisch, Conductor Otto Schenk, Director Rudolf Heinrich, Set Designer Ana Maria Martinez, Soprano: Mimì Anna Virovlansky, Soprano: Musetta Charles Castronovo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello Andrea Borghini, Baritone: Schaunard Christian Rieger, Bass: Benoît Tareq Nazmi, Bass: Colline | ||
| Friday 20-Dec-13 07:30pm |
Staatsoper at Schiller Theater, Berlin La Bohème |
Staatsoper Berlin Josep Caballé-Domenech, Conductor Lindy Hume, Director Dan Potra, Set Designer Anna Samuil, Soprano: Mimì Adriane Queiroz, Soprano: Musetta Alexey Dolgov, Tenor: Rodolfo Alfredo Daza, Baritone: Marcello Arttu Kataja, Bass: Schaunard Jan Martinik, Bass: Colline Staatskapelle Berlin Staatsopernchor Berlin Kinderchor der Staatsoper Unter den Linden |
 | ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Friday 20-Dec-13 07:30pm Sung in Italian with German surtitles2:20 h | including 1 interval Prices 20 to 84 EUR Josep Caballé-Domenech, Conductor Lindy Hume, Director Dan Potra, Set Designer Anna Samuil, Soprano: Mimì Adriane Queiroz, Soprano: Musetta Alexey Dolgov, Tenor: Rodolfo Alfredo Daza, Baritone: Marcello Arttu Kataja, Bass: Schaunard Jan Martinik, Bass: Colline Staatskapelle Berlin Staatsopernchor Berlin Kinderchor der Staatsoper Unter den Linden | ||
| Sunday 22-Dec-13 07:00pm |
Opernhaus, Zürich La Bohème |
Zurich Opera Nello Santi, Conductor Philippe Sireuil, Director Vincent Lemaire, Set Designer Ekaterina Scherbachenko, Soprano: Mimì Ivana Rusko, Soprano: Musetta Giuseppe Filianoti, Tenor: Rodolfo Ruben Drole, Baritone: Marcello Elliot Madore, Baritone: Schaunard Scott Conner, Bass: Colline Tomasz Slawinski, Bass: Benoît Valery Murga, Bass: Alcindoro |
 | ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 22-Dec-13 07:00pm In Italian with German and English surtitles. Running time 2 hours 30 minutes.Tickets 230 - 35 CHF.Nello Santi, Conductor Philippe Sireuil, Director Vincent Lemaire, Set Designer Ekaterina Scherbachenko, Soprano: Mimì Ivana Rusko, Soprano: Musetta Giuseppe Filianoti, Tenor: Rodolfo Ruben Drole, Baritone: Marcello Elliot Madore, Baritone: Schaunard Scott Conner, Bass: Colline Tomasz Slawinski, Bass: Benoît Valery Murga, Bass: Alcindoro | ||
| Monday 23-Dec-13 07:00pm |
National Theatre, Munich La Bohème |
Bavarian State Opera Asher Fisch, Conductor Otto Schenk, Director Rudolf Heinrich, Set Designer Ana Maria Martinez, Soprano: Mimì Anna Virovlansky, Soprano: Musetta Charles Castronovo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello Andrea Borghini, Baritone: Schaunard Christian Rieger, Bass: Benoît Tareq Nazmi, Bass: Colline |
| ||
| National Theatre, Munich, Munich, Germany Monday 23-Dec-13 07:00pm Asher Fisch, Conductor Otto Schenk, Director Rudolf Heinrich, Set Designer Ana Maria Martinez, Soprano: Mimì Anna Virovlansky, Soprano: Musetta Charles Castronovo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello Andrea Borghini, Baritone: Schaunard Christian Rieger, Bass: Benoît Tareq Nazmi, Bass: Colline | ||
| Monday 23-Dec-13 07:30pm |
Staatsoper at Schiller Theater, Berlin La Bohème |
Staatsoper Berlin Josep Caballé-Domenech, Conductor Lindy Hume, Director Dan Potra, Set Designer Anna Samuil, Soprano: Mimì Adriane Queiroz, Soprano: Musetta Alexey Dolgov, Tenor: Rodolfo Alfredo Daza, Baritone: Marcello Arttu Kataja, Bass: Schaunard Jan Martinik, Bass: Colline Staatskapelle Berlin Staatsopernchor Berlin Kinderchor der Staatsoper Unter den Linden |
| ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Monday 23-Dec-13 07:30pm Sung in Italian with German surtitles2:20 h | including 1 interval Prices 20 to 84 EUR Josep Caballé-Domenech, Conductor Lindy Hume, Director Dan Potra, Set Designer Anna Samuil, Soprano: Mimì Adriane Queiroz, Soprano: Musetta Alexey Dolgov, Tenor: Rodolfo Alfredo Daza, Baritone: Marcello Arttu Kataja, Bass: Schaunard Jan Martinik, Bass: Colline Staatskapelle Berlin Staatsopernchor Berlin Kinderchor der Staatsoper Unter den Linden | ||
| Wednesday 25-Dec-13 07:30pm |
Staatsoper at Schiller Theater, Berlin La Bohème |
Staatsoper Berlin Josep Caballé-Domenech, Conductor Lindy Hume, Director Dan Potra, Set Designer Anna Samuil, Soprano: Mimì Adriane Queiroz, Soprano: Musetta Alexey Dolgov, Tenor: Rodolfo Alfredo Daza, Baritone: Marcello Arttu Kataja, Bass: Schaunard Jan Martinik, Bass: Colline Staatskapelle Berlin Staatsopernchor Berlin Kinderchor der Staatsoper Unter den Linden |
| ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Wednesday 25-Dec-13 07:30pm Sung in Italian with German surtitles2:20 h | including 1 interval Prices 20 to 84 EUR Josep Caballé-Domenech, Conductor Lindy Hume, Director Dan Potra, Set Designer Anna Samuil, Soprano: Mimì Adriane Queiroz, Soprano: Musetta Alexey Dolgov, Tenor: Rodolfo Alfredo Daza, Baritone: Marcello Arttu Kataja, Bass: Schaunard Jan Martinik, Bass: Colline Staatskapelle Berlin Staatsopernchor Berlin Kinderchor der Staatsoper Unter den Linden | ||
| Thursday 26-Dec-13 07:30pm |
Opernhaus, Zürich La Bohème |
Zurich Opera Nello Santi, Conductor Philippe Sireuil, Director Vincent Lemaire, Set Designer Ekaterina Scherbachenko, Soprano: Mimì Ivana Rusko, Soprano: Musetta Giuseppe Filianoti, Tenor: Rodolfo Ruben Drole, Baritone: Marcello Elliot Madore, Baritone: Schaunard Scott Conner, Bass: Colline Tomasz Slawinski, Bass: Benoît Valery Murga, Bass: Alcindoro |
| ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Thursday 26-Dec-13 07:30pm In Italian with German and English surtitles. Running time 2 hours 30 minutes.Nello Santi, Conductor Philippe Sireuil, Director Vincent Lemaire, Set Designer Ekaterina Scherbachenko, Soprano: Mimì Ivana Rusko, Soprano: Musetta Giuseppe Filianoti, Tenor: Rodolfo Ruben Drole, Baritone: Marcello Elliot Madore, Baritone: Schaunard Scott Conner, Bass: Colline Tomasz Slawinski, Bass: Benoît Valery Murga, Bass: Alcindoro | ||
| Saturday 28-Dec-13 07:00pm |
Opernhaus, Zürich La Bohème |
Zurich Opera Nello Santi, Conductor Philippe Sireuil, Director Vincent Lemaire, Set Designer Ekaterina Scherbachenko, Soprano: Mimì Ivana Rusko, Soprano: Musetta Giuseppe Filianoti, Tenor: Rodolfo Ruben Drole, Baritone: Marcello Elliot Madore, Baritone: Schaunard Scott Conner, Bass: Colline Tomasz Slawinski, Bass: Benoît Valery Murga, Bass: Alcindoro |
| ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Saturday 28-Dec-13 07:00pm In Italian with German and English surtitles. Running time 2 hours 30 minutes.Tickets 230 - 35 CHF.Nello Santi, Conductor Philippe Sireuil, Director Vincent Lemaire, Set Designer Ekaterina Scherbachenko, Soprano: Mimì Ivana Rusko, Soprano: Musetta Giuseppe Filianoti, Tenor: Rodolfo Ruben Drole, Baritone: Marcello Elliot Madore, Baritone: Schaunard Scott Conner, Bass: Colline Tomasz Slawinski, Bass: Benoît Valery Murga, Bass: Alcindoro | ||
| Saturday 28-Dec-13 07:30pm |
Deutsche Oper, Berlin La Bohème |
Deutsche Oper Berlin Karel Mark Chichon, Conductor Götz Friedrich, Director Peter Sykora, Set Designer Svetlana Ignatovich, Soprano: Mimì Pretty Yende, Soprano: Musetta Wookyung Kim, Tenor: Rodolfo Étienne Dupuis, Baritone: Marcello Paul Kaufmann, Tenor: Parpignol John Chest, Baritone: Schaunard Jörg Schörner, Tenor: Benoît Marko Mimica, Bass: Colline |
| ||
| Deutsche Oper, Berlin, Bismarckstraße 35, Berlin, Germany Saturday 28-Dec-13 07:30pm In Italian with German surtitles.
Puccini had already proved his ability as a brilliant musical colourist with EDGAR (1889) and MANON LESCAUT, but it was only with LA BOHÈME that a perfect marriage of subject matter and musical interpretation was finally achieved: Claude Debussy enthusiastically commented, "no one has described the Paris of these days as aptly as Puccini in his LA BOHÈME". Puccini's impressionistic sound artistry combines subjective emotion with objective tone painting. His tonal elements, his musical descriptions of the ambience and the local colour of his aural tapestry begin to work their magic from the very first scene, when Rodolfo and Marcello set fire to their manuscript and the poet sprinkles drops of water on the face of the unconscious Mimi, and in the second scene, when the chorus, in its role as crowd, is contrasted with the stage orchestra as military parade, and also in the third scene, when economical use is made of carefully selected musical elements to create the atmosphere of a cold winter's morning. A frosty winter´s day in a Paris garret. Rodolfo, the writer, and Marcello, the painter, are trying to work. They are hungry and without fuel for heating or money to pay their rent. Colline, the philosopher has tried and failed to pawn some books. The musician Schaunard has been more fortunate; he arrives with food, firewood, cigarettes and money. Rodolfo wants to work and his friends depart for Café Momus. His work is interrupted by a neighbour, who is searching for a means to light her dwelling. While making her request she faints and loses the keys to her lodgings. So it is that Rodolfo falls in love with Mimi, the embroiderer who is hopelessly ill with tuberculosis. Two months later he deserts her, unable to look helplessly on while Mimi's illness worsens in his poor, cold hovel. Six months later Musetta, the former mistress of Marcello, brings back the dying Mimi. Musetta sacrifices her earrings for the purchase of medicine, Colline donates his coat. Mimi is grateful and happy. Rodolfo believes that she has fallen into a curative sleep, but Mimi is dead. From a dramaturgical viewpoint LA BOHÈME retains the strands of an experiment that has remained unique in Puccini's body of work. Libretto authors Ilica and Giacose formed a libretto out of a loose sequence of episodes from Louis Henri Murger's novel. Their artistic maxim consisted in preserving the protagonists and ambience of the novel while allowing a degree of flexibility in the selection and treatment of episodes. They structured their sourcebook into "quadri", images that are held together only by the love story between Rodolfo and Mimi. The relationship between Musetta and Marcello serves as counterpoint. "LA BOHÈME always addresses and challenges our innermost private feelings - intellectual snobs and frustrated, sniping critics should stay at home! I can only say from my personal point of view: I'm 30 years older now and I have an even stronger desire now to explore hope and despair, the dreams and pain of youth, and to reflect them on stage, in the form of images, action and sound. Coming to this work afresh reflects a kind of pining for one's own youth. I think this is the open secret of Puccini's LA BOHÈME, why it is still so vibrant and topical today." (Götz Friedrich in 1988) Image credit: Bettina-Stöß Karel Mark Chichon, Conductor Götz Friedrich, Director Peter Sykora, Set Designer Svetlana Ignatovich, Soprano: Mimì Pretty Yende, Soprano: Musetta Wookyung Kim, Tenor: Rodolfo Étienne Dupuis, Baritone: Marcello Paul Kaufmann, Tenor: Parpignol John Chest, Baritone: Schaunard Jörg Schörner, Tenor: Benoît Marko Mimica, Bass: Colline | ||
| Tuesday 31-Dec-13 03:00pm |
Deutsche Oper, Berlin La Bohème |
Deutsche Oper Berlin Ivan Repusic, Conductor Götz Friedrich, Director Peter Sykora, Set Designer Anita Hartig, Soprano: Mimì Martina Welschenbach, Soprano: Musetta Teodor Ilincai, Tenor: Rodolfo Markus Brück, Baritone: Marcello Matthew Newlin, Tenor: Parpignol Simon Pauly, Baritone: Schaunard Jörg Schörner, Tenor: Benoît Tobias Kehrer, Bass: Colline |
| ||
| Deutsche Oper, Berlin, Bismarckstraße 35, Berlin, Germany Tuesday 31-Dec-13 03:00pm In Italian with German surtitles.
Puccini had already proved his ability as a brilliant musical colourist with EDGAR (1889) and MANON LESCAUT, but it was only with LA BOHÈME that a perfect marriage of subject matter and musical interpretation was finally achieved: Claude Debussy enthusiastically commented, "no one has described the Paris of these days as aptly as Puccini in his LA BOHÈME". Puccini's impressionistic sound artistry combines subjective emotion with objective tone painting. His tonal elements, his musical descriptions of the ambience and the local colour of his aural tapestry begin to work their magic from the very first scene, when Rodolfo and Marcello set fire to their manuscript and the poet sprinkles drops of water on the face of the unconscious Mimi, and in the second scene, when the chorus, in its role as crowd, is contrasted with the stage orchestra as military parade, and also in the third scene, when economical use is made of carefully selected musical elements to create the atmosphere of a cold winter's morning. A frosty winter´s day in a Paris garret. Rodolfo, the writer, and Marcello, the painter, are trying to work. They are hungry and without fuel for heating or money to pay their rent. Colline, the philosopher has tried and failed to pawn some books. The musician Schaunard has been more fortunate; he arrives with food, firewood, cigarettes and money. Rodolfo wants to work and his friends depart for Café Momus. His work is interrupted by a neighbour, who is searching for a means to light her dwelling. While making her request she faints and loses the keys to her lodgings. So it is that Rodolfo falls in love with Mimi, the embroiderer who is hopelessly ill with tuberculosis. Two months later he deserts her, unable to look helplessly on while Mimi's illness worsens in his poor, cold hovel. Six months later Musetta, the former mistress of Marcello, brings back the dying Mimi. Musetta sacrifices her earrings for the purchase of medicine, Colline donates his coat. Mimi is grateful and happy. Rodolfo believes that she has fallen into a curative sleep, but Mimi is dead. From a dramaturgical viewpoint LA BOHÈME retains the strands of an experiment that has remained unique in Puccini's body of work. Libretto authors Ilica and Giacose formed a libretto out of a loose sequence of episodes from Louis Henri Murger's novel. Their artistic maxim consisted in preserving the protagonists and ambience of the novel while allowing a degree of flexibility in the selection and treatment of episodes. They structured their sourcebook into "quadri", images that are held together only by the love story between Rodolfo and Mimi. The relationship between Musetta and Marcello serves as counterpoint. "LA BOHÈME always addresses and challenges our innermost private feelings - intellectual snobs and frustrated, sniping critics should stay at home! I can only say from my personal point of view: I'm 30 years older now and I have an even stronger desire now to explore hope and despair, the dreams and pain of youth, and to reflect them on stage, in the form of images, action and sound. Coming to this work afresh reflects a kind of pining for one's own youth. I think this is the open secret of Puccini's LA BOHÈME, why it is still so vibrant and topical today." (Götz Friedrich in 1988) Image credit: Bettina-Stöß Ivan Repusic, Conductor Götz Friedrich, Director Peter Sykora, Set Designer Anita Hartig, Soprano: Mimì Martina Welschenbach, Soprano: Musetta Teodor Ilincai, Tenor: Rodolfo Markus Brück, Baritone: Marcello Matthew Newlin, Tenor: Parpignol Simon Pauly, Baritone: Schaunard Jörg Schörner, Tenor: Benoît Tobias Kehrer, Bass: Colline | ||
| Tuesday 31-Dec-13 07:30pm |
Deutsche Oper, Berlin La Bohème |
Deutsche Oper Berlin Karel Mark Chichon, Conductor Götz Friedrich, Director Peter Sykora, Set Designer Svetlana Ignatovich, Soprano: Mimì Pretty Yende, Soprano: Musetta Wookyung Kim, Tenor: Rodolfo Étienne Dupuis, Baritone: Marcello Paul Kaufmann, Tenor: Parpignol John Chest, Baritone: Schaunard Jörg Schörner, Tenor: Benoît Marko Mimica, Bass: Colline |
| ||
| Deutsche Oper, Berlin, Bismarckstraße 35, Berlin, Germany Tuesday 31-Dec-13 07:30pm In Italian with German surtitles.
Puccini had already proved his ability as a brilliant musical colourist with EDGAR (1889) and MANON LESCAUT, but it was only with LA BOHÈME that a perfect marriage of subject matter and musical interpretation was finally achieved: Claude Debussy enthusiastically commented, "no one has described the Paris of these days as aptly as Puccini in his LA BOHÈME". Puccini's impressionistic sound artistry combines subjective emotion with objective tone painting. His tonal elements, his musical descriptions of the ambience and the local colour of his aural tapestry begin to work their magic from the very first scene, when Rodolfo and Marcello set fire to their manuscript and the poet sprinkles drops of water on the face of the unconscious Mimi, and in the second scene, when the chorus, in its role as crowd, is contrasted with the stage orchestra as military parade, and also in the third scene, when economical use is made of carefully selected musical elements to create the atmosphere of a cold winter's morning. A frosty winter´s day in a Paris garret. Rodolfo, the writer, and Marcello, the painter, are trying to work. They are hungry and without fuel for heating or money to pay their rent. Colline, the philosopher has tried and failed to pawn some books. The musician Schaunard has been more fortunate; he arrives with food, firewood, cigarettes and money. Rodolfo wants to work and his friends depart for Café Momus. His work is interrupted by a neighbour, who is searching for a means to light her dwelling. While making her request she faints and loses the keys to her lodgings. So it is that Rodolfo falls in love with Mimi, the embroiderer who is hopelessly ill with tuberculosis. Two months later he deserts her, unable to look helplessly on while Mimi's illness worsens in his poor, cold hovel. Six months later Musetta, the former mistress of Marcello, brings back the dying Mimi. Musetta sacrifices her earrings for the purchase of medicine, Colline donates his coat. Mimi is grateful and happy. Rodolfo believes that she has fallen into a curative sleep, but Mimi is dead. From a dramaturgical viewpoint LA BOHÈME retains the strands of an experiment that has remained unique in Puccini's body of work. Libretto authors Ilica and Giacose formed a libretto out of a loose sequence of episodes from Louis Henri Murger's novel. Their artistic maxim consisted in preserving the protagonists and ambience of the novel while allowing a degree of flexibility in the selection and treatment of episodes. They structured their sourcebook into "quadri", images that are held together only by the love story between Rodolfo and Mimi. The relationship between Musetta and Marcello serves as counterpoint. "LA BOHÈME always addresses and challenges our innermost private feelings - intellectual snobs and frustrated, sniping critics should stay at home! I can only say from my personal point of view: I'm 30 years older now and I have an even stronger desire now to explore hope and despair, the dreams and pain of youth, and to reflect them on stage, in the form of images, action and sound. Coming to this work afresh reflects a kind of pining for one's own youth. I think this is the open secret of Puccini's LA BOHÈME, why it is still so vibrant and topical today." (Götz Friedrich in 1988) Image credit: Bettina-Stöß Karel Mark Chichon, Conductor Götz Friedrich, Director Peter Sykora, Set Designer Svetlana Ignatovich, Soprano: Mimì Pretty Yende, Soprano: Musetta Wookyung Kim, Tenor: Rodolfo Étienne Dupuis, Baritone: Marcello Paul Kaufmann, Tenor: Parpignol John Chest, Baritone: Schaunard Jörg Schörner, Tenor: Benoît Marko Mimica, Bass: Colline | ||
| Friday 3-Jan-14 08:00pm |
Opernhaus, Zürich La Bohème |
Zurich Opera Nello Santi, Conductor Philippe Sireuil, Director Vincent Lemaire, Set Designer Ekaterina Scherbachenko, Soprano: Mimì Ivana Rusko, Soprano: Musetta Giuseppe Filianoti, Tenor: Rodolfo Ruben Drole, Baritone: Marcello Elliot Madore, Baritone: Schaunard Scott Conner, Bass: Colline Tomasz Slawinski, Bass: Benoît Valery Murga, Bass: Alcindoro |
| ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Friday 3-Jan-14 08:00pm In Italian with German and English surtitles. Running time 2 hours 30 minutes.Tickets 230 - 35 CHF.Nello Santi, Conductor Philippe Sireuil, Director Vincent Lemaire, Set Designer Ekaterina Scherbachenko, Soprano: Mimì Ivana Rusko, Soprano: Musetta Giuseppe Filianoti, Tenor: Rodolfo Ruben Drole, Baritone: Marcello Elliot Madore, Baritone: Schaunard Scott Conner, Bass: Colline Tomasz Slawinski, Bass: Benoît Valery Murga, Bass: Alcindoro | ||
| Tuesday 14-Jan-14 07:30pm |
Lincoln Center: Metropolitan Opera House, New York City, NY La Bohème |
Metropolitan Opera Stefano Ranzani, Conductor Franco Zeffirelli, Director Maija Kovalevska, Soprano: Mimì Irina Lungu, Soprano: Musetta Joseph Calleja, Tenor: Rodolfo Alexei Markov, Baritone: Marcello |
| More info... | ||
| Lincoln Center: Metropolitan Opera House, New York City, NY, New York City, 10023, United States Tuesday 14-Jan-14 07:30pm Stefano Ranzani, Conductor Franco Zeffirelli, Director Maija Kovalevska, Soprano: Mimì Irina Lungu, Soprano: Musetta Joseph Calleja, Tenor: Rodolfo Alexei Markov, Baritone: Marcello | ||
| Thursday 16-Jan-14 07:30pm |
Staatsoper at Schiller Theater, Berlin La Bohème |
Staatsoper Berlin Josep Caballé-Domenech, Conductor Lindy Hume, Director Dan Potra, Set Designer Anna Samuil, Soprano: Mimì Adriane Queiroz, Soprano: Musetta Alexey Dolgov, Tenor: Rodolfo Alfredo Daza, Baritone: Marcello Arttu Kataja, Bass: Schaunard Jan Martinik, Bass: Colline Staatskapelle Berlin Staatsopernchor Berlin Kinderchor der Staatsoper Unter den Linden |
| ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Thursday 16-Jan-14 07:30pm Sung in Italian with German surtitles2:20 h | including 1 interval Prices 20 to 84 EUR Josep Caballé-Domenech, Conductor Lindy Hume, Director Dan Potra, Set Designer Anna Samuil, Soprano: Mimì Adriane Queiroz, Soprano: Musetta Alexey Dolgov, Tenor: Rodolfo Alfredo Daza, Baritone: Marcello Arttu Kataja, Bass: Schaunard Jan Martinik, Bass: Colline Staatskapelle Berlin Staatsopernchor Berlin Kinderchor der Staatsoper Unter den Linden | ||
| Saturday 18-Jan-14 08:30pm |
Lincoln Center: Metropolitan Opera House, New York City, NY La Bohème |
Metropolitan Opera Stefano Ranzani, Conductor Franco Zeffirelli, Director Maija Kovalevska, Soprano: Mimì Irina Lungu, Soprano: Musetta Joseph Calleja, Tenor: Rodolfo Alexei Markov, Baritone: Marcello |
| More info... | ||
| Lincoln Center: Metropolitan Opera House, New York City, NY, New York City, 10023, United States Saturday 18-Jan-14 08:30pm Stefano Ranzani, Conductor Franco Zeffirelli, Director Maija Kovalevska, Soprano: Mimì Irina Lungu, Soprano: Musetta Joseph Calleja, Tenor: Rodolfo Alexei Markov, Baritone: Marcello | ||
| Sunday 19-Jan-14 06:00pm |
Staatsoper at Schiller Theater, Berlin La Bohème |
Staatsoper Berlin Josep Caballé-Domenech, Conductor Lindy Hume, Director Dan Potra, Set Designer Anna Samuil, Soprano: Mimì Adriane Queiroz, Soprano: Musetta Alexey Dolgov, Tenor: Rodolfo Alfredo Daza, Baritone: Marcello Arttu Kataja, Bass: Schaunard Jan Martinik, Bass: Colline Staatskapelle Berlin Staatsopernchor Berlin Kinderchor der Staatsoper Unter den Linden |
| ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Sunday 19-Jan-14 06:00pm Sung in Italian with German surtitles2:20 h | including 1 interval Prices 20 to 84 EUR Josep Caballé-Domenech, Conductor Lindy Hume, Director Dan Potra, Set Designer Anna Samuil, Soprano: Mimì Adriane Queiroz, Soprano: Musetta Alexey Dolgov, Tenor: Rodolfo Alfredo Daza, Baritone: Marcello Arttu Kataja, Bass: Schaunard Jan Martinik, Bass: Colline Staatskapelle Berlin Staatsopernchor Berlin Kinderchor der Staatsoper Unter den Linden | ||
| Wednesday 22-Jan-14 07:30pm |
Lincoln Center: Metropolitan Opera House, New York City, NY La Bohème |
Metropolitan Opera Stefano Ranzani, Conductor Franco Zeffirelli, Director Maija Kovalevska, Soprano: Mimì Irina Lungu, Soprano: Musetta Joseph Calleja, Tenor: Rodolfo Alexei Markov, Baritone: Marcello |
| More info... | ||
| Lincoln Center: Metropolitan Opera House, New York City, NY, New York City, 10023, United States Wednesday 22-Jan-14 07:30pm Stefano Ranzani, Conductor Franco Zeffirelli, Director Maija Kovalevska, Soprano: Mimì Irina Lungu, Soprano: Musetta Joseph Calleja, Tenor: Rodolfo Alexei Markov, Baritone: Marcello | ||
| Saturday 25-Jan-14 08:00pm |
Lincoln Center: Metropolitan Opera House, New York City, NY La Bohème |
Metropolitan Opera Stefano Ranzani, Conductor Franco Zeffirelli, Director Maija Kovalevska, Soprano: Mimì Irina Lungu, Soprano: Musetta Joseph Calleja, Tenor: Rodolfo Alexei Markov, Baritone: Marcello |
| More info... | ||
| Lincoln Center: Metropolitan Opera House, New York City, NY, New York City, 10023, United States Saturday 25-Jan-14 08:00pm Stefano Ranzani, Conductor Franco Zeffirelli, Director Maija Kovalevska, Soprano: Mimì Irina Lungu, Soprano: Musetta Joseph Calleja, Tenor: Rodolfo Alexei Markov, Baritone: Marcello | ||
| Thursday 30-Jan-14 08:00pm |
Lincoln Center: Metropolitan Opera House, New York City, NY La Bohème |
Metropolitan Opera Stefano Ranzani, Conductor Franco Zeffirelli, Director Maija Kovalevska, Soprano: Mimì Irina Lungu, Soprano: Musetta Joseph Calleja, Tenor: Rodolfo Alexei Markov, Baritone: Marcello |
| More info... | ||
| Lincoln Center: Metropolitan Opera House, New York City, NY, New York City, 10023, United States Thursday 30-Jan-14 08:00pm Stefano Ranzani, Conductor Franco Zeffirelli, Director Maija Kovalevska, Soprano: Mimì Irina Lungu, Soprano: Musetta Joseph Calleja, Tenor: Rodolfo Alexei Markov, Baritone: Marcello | ||
| Saturday 15-Mar-14 07:30pm |
Opéra Bastille, Paris La Bohème |
Opéra de Paris Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Maria Agresta, Soprano: Mimì Brigitta Kele, Soprano: Musetta Stefano Secco, Tenor: Rodolfo Ludovic Tézier, Baritone: Marcello Igor Gnidii, Baritone: Schaunard Ante Jerkunica, Bass: Colline |
 | ||
| Opéra Bastille, Paris, 120 rue de Lyon, 75012 Paris, France Saturday 15-Mar-14 07:30pm In Paris, a young man and a young woman meet, fall in love, are separated by life and then reunited again before the ultimate separation. Each phrase of La Bohème touches us for ever.Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Maria Agresta, Soprano: Mimì Brigitta Kele, Soprano: Musetta Stefano Secco, Tenor: Rodolfo Ludovic Tézier, Baritone: Marcello Igor Gnidii, Baritone: Schaunard Ante Jerkunica, Bass: Colline | ||
| Tuesday 18-Mar-14 07:30pm |
Opéra Bastille, Paris La Bohème |
Opéra de Paris Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Maria Agresta, Soprano: Mimì Brigitta Kele, Soprano: Musetta Stefano Secco, Tenor: Rodolfo Ludovic Tézier, Baritone: Marcello Igor Gnidii, Baritone: Schaunard Ante Jerkunica, Bass: Colline |
| ||
| Opéra Bastille, Paris, 120 rue de Lyon, 75012 Paris, France Tuesday 18-Mar-14 07:30pm In Paris, a young man and a young woman meet, fall in love, are separated by life and then reunited again before the ultimate separation. Each phrase of La Bohème touches us for ever.Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Maria Agresta, Soprano: Mimì Brigitta Kele, Soprano: Musetta Stefano Secco, Tenor: Rodolfo Ludovic Tézier, Baritone: Marcello Igor Gnidii, Baritone: Schaunard Ante Jerkunica, Bass: Colline | ||
| Wednesday 19-Mar-14 08:00pm |
Lincoln Center: Metropolitan Opera House, New York City, NY La Bohème |
Metropolitan Opera Stefano Ranzani, Conductor Franco Zeffirelli, Director Anita Hartig, Soprano: Mimì Jennifer Rowley, Soprano: Musetta Vittorio Grigolo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello |
| More info... | ||
| Lincoln Center: Metropolitan Opera House, New York City, NY, New York City, 10023, United States Wednesday 19-Mar-14 08:00pm Stefano Ranzani, Conductor Franco Zeffirelli, Director Anita Hartig, Soprano: Mimì Jennifer Rowley, Soprano: Musetta Vittorio Grigolo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello | ||
| Friday 21-Mar-14 07:30pm |
Opéra Bastille, Paris La Bohème |
Opéra de Paris Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Maria Agresta, Soprano: Mimì Brigitta Kele, Soprano: Musetta Stefano Secco, Tenor: Rodolfo Ludovic Tézier, Baritone: Marcello Igor Gnidii, Baritone: Schaunard Ante Jerkunica, Bass: Colline |
| ||
| Opéra Bastille, Paris, 120 rue de Lyon, 75012 Paris, France Friday 21-Mar-14 07:30pm In Paris, a young man and a young woman meet, fall in love, are separated by life and then reunited again before the ultimate separation. Each phrase of La Bohème touches us for ever.Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Maria Agresta, Soprano: Mimì Brigitta Kele, Soprano: Musetta Stefano Secco, Tenor: Rodolfo Ludovic Tézier, Baritone: Marcello Igor Gnidii, Baritone: Schaunard Ante Jerkunica, Bass: Colline | ||
| Saturday 22-Mar-14 08:00pm |
Lincoln Center: Metropolitan Opera House, New York City, NY La Bohème |
Metropolitan Opera Stefano Ranzani, Conductor Franco Zeffirelli, Director Anita Hartig, Soprano: Mimì Jennifer Rowley, Soprano: Musetta Vittorio Grigolo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello |
| More info... | ||
| Lincoln Center: Metropolitan Opera House, New York City, NY, New York City, 10023, United States Saturday 22-Mar-14 08:00pm Stefano Ranzani, Conductor Franco Zeffirelli, Director Anita Hartig, Soprano: Mimì Jennifer Rowley, Soprano: Musetta Vittorio Grigolo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello | ||
| Monday 24-Mar-14 07:30pm |
Opéra Bastille, Paris La Bohème |
Opéra de Paris Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Maria Agresta, Soprano: Mimì Brigitta Kele, Soprano: Musetta Stefano Secco, Tenor: Rodolfo Ludovic Tézier, Baritone: Marcello Igor Gnidii, Baritone: Schaunard Ante Jerkunica, Bass: Colline |
| ||
| Opéra Bastille, Paris, 120 rue de Lyon, 75012 Paris, France Monday 24-Mar-14 07:30pm In Paris, a young man and a young woman meet, fall in love, are separated by life and then reunited again before the ultimate separation. Each phrase of La Bohème touches us for ever.Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Maria Agresta, Soprano: Mimì Brigitta Kele, Soprano: Musetta Stefano Secco, Tenor: Rodolfo Ludovic Tézier, Baritone: Marcello Igor Gnidii, Baritone: Schaunard Ante Jerkunica, Bass: Colline | ||
| Wednesday 26-Mar-14 07:30pm |
Lincoln Center: Metropolitan Opera House, New York City, NY La Bohème |
Metropolitan Opera Stefano Ranzani, Conductor Franco Zeffirelli, Director Anita Hartig, Soprano: Mimì Jennifer Rowley, Soprano: Musetta Vittorio Grigolo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello |
| More info... | ||
| Lincoln Center: Metropolitan Opera House, New York City, NY, New York City, 10023, United States Wednesday 26-Mar-14 07:30pm Stefano Ranzani, Conductor Franco Zeffirelli, Director Anita Hartig, Soprano: Mimì Jennifer Rowley, Soprano: Musetta Vittorio Grigolo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello | ||
| Thursday 27-Mar-14 07:30pm |
Opéra Bastille, Paris La Bohème |
Opéra de Paris Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Angela Gheorghiu, Soprano: Mimì Brigitta Kele, Soprano: Musetta Piotr Beczala, Tenor: Rodolfo Ludovic Tézier, Baritone: Marcello Igor Gnidii, Baritone: Schaunard Ante Jerkunica, Bass: Colline |
| ||
| Opéra Bastille, Paris, 120 rue de Lyon, 75012 Paris, France Thursday 27-Mar-14 07:30pm In Paris, a young man and a young woman meet, fall in love, are separated by life and then reunited again before the ultimate separation. Each phrase of La Bohème touches us for ever.Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Angela Gheorghiu, Soprano: Mimì Brigitta Kele, Soprano: Musetta Piotr Beczala, Tenor: Rodolfo Ludovic Tézier, Baritone: Marcello Igor Gnidii, Baritone: Schaunard Ante Jerkunica, Bass: Colline | ||
| Saturday 29-Mar-14 08:00pm |
Lincoln Center: Metropolitan Opera House, New York City, NY La Bohème |
Metropolitan Opera Stefano Ranzani, Conductor Franco Zeffirelli, Director Anita Hartig, Soprano: Mimì Jennifer Rowley, Soprano: Musetta Vittorio Grigolo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello |
| More info... | ||
| Lincoln Center: Metropolitan Opera House, New York City, NY, New York City, 10023, United States Saturday 29-Mar-14 08:00pm Stefano Ranzani, Conductor Franco Zeffirelli, Director Anita Hartig, Soprano: Mimì Jennifer Rowley, Soprano: Musetta Vittorio Grigolo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello | ||
| Monday 31-Mar-14 07:30pm |
Opéra Bastille, Paris La Bohème |
Opéra de Paris Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Angela Gheorghiu, Soprano: Mimì Brigitta Kele, Soprano: Musetta Piotr Beczala, Tenor: Rodolfo Ludovic Tézier, Baritone: Marcello Igor Gnidii, Baritone: Schaunard Ante Jerkunica, Bass: Colline |
| ||
| Opéra Bastille, Paris, 120 rue de Lyon, 75012 Paris, France Monday 31-Mar-14 07:30pm In Paris, a young man and a young woman meet, fall in love, are separated by life and then reunited again before the ultimate separation. Each phrase of La Bohème touches us for ever.Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Angela Gheorghiu, Soprano: Mimì Brigitta Kele, Soprano: Musetta Piotr Beczala, Tenor: Rodolfo Ludovic Tézier, Baritone: Marcello Igor Gnidii, Baritone: Schaunard Ante Jerkunica, Bass: Colline | ||
| Wednesday 2-Apr-14 08:00pm |
Lincoln Center: Metropolitan Opera House, New York City, NY La Bohème |
Metropolitan Opera Stefano Ranzani, Conductor Franco Zeffirelli, Director Anita Hartig, Soprano: Mimì Susanna Phillips, Soprano: Musetta Vittorio Grigolo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello |
| More info... | ||
| Lincoln Center: Metropolitan Opera House, New York City, NY, New York City, 10023, United States Wednesday 2-Apr-14 08:00pm Stefano Ranzani, Conductor Franco Zeffirelli, Director Anita Hartig, Soprano: Mimì Susanna Phillips, Soprano: Musetta Vittorio Grigolo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello | ||
| Friday 4-Apr-14 07:30pm |
Opéra Bastille, Paris La Bohème |
Opéra de Paris Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Angela Gheorghiu, Soprano: Mimì Brigitta Kele, Soprano: Musetta Piotr Beczala, Tenor: Rodolfo Ludovic Tézier, Baritone: Marcello Igor Gnidii, Baritone: Schaunard Ante Jerkunica, Bass: Colline |
| ||
| Opéra Bastille, Paris, 120 rue de Lyon, 75012 Paris, France Friday 4-Apr-14 07:30pm In Paris, a young man and a young woman meet, fall in love, are separated by life and then reunited again before the ultimate separation. Each phrase of La Bohème touches us for ever.Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Angela Gheorghiu, Soprano: Mimì Brigitta Kele, Soprano: Musetta Piotr Beczala, Tenor: Rodolfo Ludovic Tézier, Baritone: Marcello Igor Gnidii, Baritone: Schaunard Ante Jerkunica, Bass: Colline | ||
| Saturday 5-Apr-14 01:00pm |
Lincoln Center: Metropolitan Opera House, New York City, NY La Bohème |
Metropolitan Opera Stefano Ranzani, Conductor Franco Zeffirelli, Director Anita Hartig, Soprano: Mimì Susanna Phillips, Soprano: Musetta Vittorio Grigolo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello |
| More info... | ||
| Lincoln Center: Metropolitan Opera House, New York City, NY, New York City, 10023, United States Saturday 5-Apr-14 01:00pm Stefano Ranzani, Conductor Franco Zeffirelli, Director Anita Hartig, Soprano: Mimì Susanna Phillips, Soprano: Musetta Vittorio Grigolo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello | ||
| Monday 7-Apr-14 07:30pm |
Opéra Bastille, Paris La Bohème |
Opéra de Paris Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Angela Gheorghiu, Soprano: Mimì Brigitta Kele, Soprano: Musetta Piotr Beczala, Tenor: Rodolfo Ludovic Tézier, Baritone: Marcello Igor Gnidii, Baritone: Schaunard Ante Jerkunica, Bass: Colline |
| ||
| Opéra Bastille, Paris, 120 rue de Lyon, 75012 Paris, France Monday 7-Apr-14 07:30pm In Paris, a young man and a young woman meet, fall in love, are separated by life and then reunited again before the ultimate separation. Each phrase of La Bohème touches us for ever.Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Angela Gheorghiu, Soprano: Mimì Brigitta Kele, Soprano: Musetta Piotr Beczala, Tenor: Rodolfo Ludovic Tézier, Baritone: Marcello Igor Gnidii, Baritone: Schaunard Ante Jerkunica, Bass: Colline | ||
| Thursday 10-Apr-14 08:00pm |
Lincoln Center: Metropolitan Opera House, New York City, NY La Bohème |
Metropolitan Opera Stefano Ranzani, Conductor Franco Zeffirelli, Director Barbara Frittoli, Soprano: Mimì Jennifer Rowley, Soprano: Musetta Vittorio Grigolo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello |
| More info... | ||
| Lincoln Center: Metropolitan Opera House, New York City, NY, New York City, 10023, United States Thursday 10-Apr-14 08:00pm Stefano Ranzani, Conductor Franco Zeffirelli, Director Barbara Frittoli, Soprano: Mimì Jennifer Rowley, Soprano: Musetta Vittorio Grigolo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello | ||
| Friday 11-Apr-14 07:30pm |
Opéra Bastille, Paris La Bohème |
Opéra de Paris Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Angela Gheorghiu, Soprano: Mimì Brigitta Kele, Soprano: Musetta Piotr Beczala, Tenor: Rodolfo Ludovic Tézier, Baritone: Marcello Igor Gnidii, Baritone: Schaunard Ante Jerkunica, Bass: Colline |
| ||
| Opéra Bastille, Paris, 120 rue de Lyon, 75012 Paris, France Friday 11-Apr-14 07:30pm In Paris, a young man and a young woman meet, fall in love, are separated by life and then reunited again before the ultimate separation. Each phrase of La Bohème touches us for ever.Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Angela Gheorghiu, Soprano: Mimì Brigitta Kele, Soprano: Musetta Piotr Beczala, Tenor: Rodolfo Ludovic Tézier, Baritone: Marcello Igor Gnidii, Baritone: Schaunard Ante Jerkunica, Bass: Colline | ||
| Monday 14-Apr-14 08:00pm |
Lincoln Center: Metropolitan Opera House, New York City, NY La Bohème |
Metropolitan Opera Stefano Ranzani, Conductor Franco Zeffirelli, Director Barbara Frittoli, Soprano: Mimì Jennifer Rowley, Soprano: Musetta Vittorio Grigolo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello |
| More info... | ||
| Lincoln Center: Metropolitan Opera House, New York City, NY, New York City, 10023, United States Monday 14-Apr-14 08:00pm Stefano Ranzani, Conductor Franco Zeffirelli, Director Barbara Frittoli, Soprano: Mimì Jennifer Rowley, Soprano: Musetta Vittorio Grigolo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello | ||
| Friday 18-Apr-14 08:00pm |
Lincoln Center: Metropolitan Opera House, New York City, NY La Bohème |
Metropolitan Opera Stefano Ranzani, Conductor Franco Zeffirelli, Director Barbara Frittoli, Soprano: Mimì Jennifer Rowley, Soprano: Musetta Vittorio Grigolo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello |
| More info... | ||
| Lincoln Center: Metropolitan Opera House, New York City, NY, New York City, 10023, United States Friday 18-Apr-14 08:00pm Stefano Ranzani, Conductor Franco Zeffirelli, Director Barbara Frittoli, Soprano: Mimì Jennifer Rowley, Soprano: Musetta Vittorio Grigolo, Tenor: Rodolfo Massimo Cavalletti, Baritone: Marcello | ||
| Sunday 4-May-14 07:00pm |
National Theatre, Munich La Bohème |
Bavarian State Opera Marco Armiliato, Conductor Otto Schenk, Director Rudolf Heinrich, Set Designer Anita Hartig, Soprano: Mimì Laura Tatulescu, Soprano: Musetta Teodor Ilincai, Tenor: Rodolfo Levente Molnár, Baritone: Marcello Andrea Borghini, Baritone: Schaunard Christian Rieger, Bass: Benoît Goran Juric, Bass: Colline |
| ||
| National Theatre, Munich, Munich, Germany Sunday 4-May-14 07:00pm Heartache, heartbreak, the whole nine yards – four starving artists – love in a shabby attic loft – the swank boulevards where people live life with a capital "L", but Mimi is destined to die. Her tiny hand: ice cold! Otto Schenk's incredibly opulent, eternally valid production continues to fascinate audiences. All of Paris is magically transported onto the stage here. So beautiful you could cry!
In Italian with German surtitles Marco Armiliato, Conductor Otto Schenk, Director Rudolf Heinrich, Set Designer Anita Hartig, Soprano: Mimì Laura Tatulescu, Soprano: Musetta Teodor Ilincai, Tenor: Rodolfo Levente Molnár, Baritone: Marcello Andrea Borghini, Baritone: Schaunard Christian Rieger, Bass: Benoît Goran Juric, Bass: Colline | ||
| Wednesday 7-May-14 07:00pm |
National Theatre, Munich La Bohème |
Bavarian State Opera Marco Armiliato, Conductor Otto Schenk, Director Rudolf Heinrich, Set Designer Anita Hartig, Soprano: Mimì Laura Tatulescu, Soprano: Musetta Teodor Ilincai, Tenor: Rodolfo Levente Molnár, Baritone: Marcello Andrea Borghini, Baritone: Schaunard Christian Rieger, Bass: Benoît Goran Juric, Bass: Colline |
| ||
| National Theatre, Munich, Munich, Germany Wednesday 7-May-14 07:00pm Heartache, heartbreak, the whole nine yards – four starving artists – love in a shabby attic loft – the swank boulevards where people live life with a capital "L", but Mimi is destined to die. Her tiny hand: ice cold! Otto Schenk's incredibly opulent, eternally valid production continues to fascinate audiences. All of Paris is magically transported onto the stage here. So beautiful you could cry!
In Italian with German surtitles Marco Armiliato, Conductor Otto Schenk, Director Rudolf Heinrich, Set Designer Anita Hartig, Soprano: Mimì Laura Tatulescu, Soprano: Musetta Teodor Ilincai, Tenor: Rodolfo Levente Molnár, Baritone: Marcello Andrea Borghini, Baritone: Schaunard Christian Rieger, Bass: Benoît Goran Juric, Bass: Colline | ||
| Saturday 10-May-14 07:00pm |
National Theatre, Munich La Bohème |
Bavarian State Opera Marco Armiliato, Conductor Otto Schenk, Director Rudolf Heinrich, Set Designer Anita Hartig, Soprano: Mimì Laura Tatulescu, Soprano: Musetta Teodor Ilincai, Tenor: Rodolfo Levente Molnár, Baritone: Marcello Andrea Borghini, Baritone: Schaunard Christian Rieger, Bass: Benoît Goran Juric, Bass: Colline |
| ||
| National Theatre, Munich, Munich, Germany Saturday 10-May-14 07:00pm Heartache, heartbreak, the whole nine yards – four starving artists – love in a shabby attic loft – the swank boulevards where people live life with a capital "L", but Mimi is destined to die. Her tiny hand: ice cold! Otto Schenk's incredibly opulent, eternally valid production continues to fascinate audiences. All of Paris is magically transported onto the stage here. So beautiful you could cry!
In Italian with German surtitles Marco Armiliato, Conductor Otto Schenk, Director Rudolf Heinrich, Set Designer Anita Hartig, Soprano: Mimì Laura Tatulescu, Soprano: Musetta Teodor Ilincai, Tenor: Rodolfo Levente Molnár, Baritone: Marcello Andrea Borghini, Baritone: Schaunard Christian Rieger, Bass: Benoît Goran Juric, Bass: Colline | ||
| Sunday 29-Jun-14 07:30pm |
Opéra Bastille, Paris La Bohème |
Opéra de Paris Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Anita Hartig, Soprano: Mimì Elena Tsallagova, Soprano: Musetta Massimo Giordano, Tenor Ludovic Tézier, Baritone: Marcello Lionel Lhote, Baritone: Schaunard Nahuel di Pierro, Bass: Colline |
| ||
| Opéra Bastille, Paris, 120 rue de Lyon, 75012 Paris, France Sunday 29-Jun-14 07:30pm In Paris, a young man and a young woman meet, fall in love, are separated by life and then reunited again before the ultimate separation. Each phrase of La Bohème touches us for ever.Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Anita Hartig, Soprano: Mimì Elena Tsallagova, Soprano: Musetta Massimo Giordano, Tenor Ludovic Tézier, Baritone: Marcello Lionel Lhote, Baritone: Schaunard Nahuel di Pierro, Bass: Colline | ||
| Wednesday 2-Jul-14 07:30pm |
Opéra Bastille, Paris La Bohème |
Opéra de Paris Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Anita Hartig, Soprano: Mimì Elena Tsallagova, Soprano: Musetta Massimo Giordano, Tenor Ludovic Tézier, Baritone: Marcello Lionel Lhote, Baritone: Schaunard Nahuel di Pierro, Bass: Colline |
| ||
| Opéra Bastille, Paris, 120 rue de Lyon, 75012 Paris, France Wednesday 2-Jul-14 07:30pm In Paris, a young man and a young woman meet, fall in love, are separated by life and then reunited again before the ultimate separation. Each phrase of La Bohème touches us for ever.Daniel Oren, Conductor Jonathan Miller, Director Choeurs de l'Opéra National de Paris Orchestre de l'Opéra National de Paris Anita Hartig, Soprano: Mimì Elena Tsallagova, Soprano: Musetta Massimo Giordano, Tenor Ludovic Tézier, Baritone: Marcello Lionel Lhote, Baritone: Schaunard Nahuel di Pierro, Bass: Colline | ||
