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Young artists

Work type: Choral

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LondonProm 44: Ethel Smyth’s Mass in D major

BBC Proms
Debussy, Smyth
BBC Symphony Orchestra; Sakari Oramo; Nardus Williams; Bethan Langford; Robert Murray; Božidar Smiljanić

GstaadRare symphonic gems – Beethoven 250 Lozakovich, Moreau, Babayan, Royal Philharmonic & Petrenko

Menuhin Festival Gstaad
Royal Philharmonic Orchestra; Vasily Petrenko; Dmitry Smirnov; Edgar Moreau; Sergei Babayan; Zürcher Sing-Akademie

EdinburghCzech Philharmonic 1

Czech Philharmonic
Dvořák, Martinů, Janáček
Czech Philharmonic; Semyon Bychkov; Katia Labèque; Marielle Labèque; Evelina Dobračeva; Lucie Hilscherová

ThiréConcert aux chandelles – Jephté

Les Arts Florissants
Carissimi, Draghi
Paul Agnew; Lauren Lodge-Campbell; Natasha Schnur; Blandine de Sansal

LondonProm 50: The Sixteen perform Tallis’ Spem in alium

BBC Proms
Plainsong, Tavener, Tallis, MacMillan, Tye, Górecki, Sheppard, Byrd
Harry Christophers; The Sixteen

Saint-Jean-de-LuzMartinů, Janáček

Czech Philharmonic
Martinů, Janáček
Czech Philharmonic; Semyon Bychkov; Orfeón Donostiarra; Jose Antonio Sainz Alfaro; Katia Labèque; Marielle Labèque
Latest reviewsSee more...

Paris 1913 brought to life by Les Siècles and François-Xavier Roth

Two works premiered in Paris in 1913 – Lili Boulanger's Faust et Hélène and Stravinsky The Rite of Spring – excite the Edinburgh International Festival audience... but spark no riots. 

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Transcendent programme from the BBCSO and Ryan Wigglesworth

The BBC Symphony Orchestra and conductor Ryan Wigglesworth were heaven-storming in Prom 33, offering celestial visions from Strauss and Holst.
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Finally back indoors: a thrilling EIF opening concert

Sir Donald Runnicles led a vivid account of The Pines of Rome and an exciting yet thoughtful performance of Carmina Burana with three superb soloists.

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Mostly Mozart Festival Orchestra offers a Requiem for itself

Amid an uncertain future for the Mostly Mozart Festival, conductor Louis Langrée led a fiery program that overflowed with rage rather than grief.

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Bluebeard as psychothriller in Castellucci's mismatched double bill

Romeo Castellucci's intense production of Bartók's opera reaps its rewards in the performance under Teodor Currentzis, but Carl Orff's opera-oratorio De temporum fine comoedia feels little more than a drab filler. 
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A conflicted evening at the Three Choirs Festival

Elizabeth Watts gives an unforgettably powerful performance of Finzi’s Dies Natalis in an otherwise problematic concert, marred by Adrian Partington’s uncertain approach.
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