| Date and venue | Title | Submitted by |
|---|---|---|
| 13-Nov-2012 Royal Opera House, Covent Garden | Donizetti's elixir is still a winning formula at Covent Garden | David Karlin |
 ASHMORE-bt.jpg) Take one hapless but lovable hero, one capricious but ultimately vulnerable heroine, a doctor and an army officer straight out of commedia dell’arte, a couple of basso buffo patter songs, at least one memorable romantic ballad, and stir the lot into a good lashing of boisterous Italian music with a sprinkling of furtive tears. Donizetti’s formula for L’Elisir d’Amore may not have made all the girls fall at his feet, it did bring him money and enduring fame beyond even the wildest predictions that could have been made by the quack Dr. Dulcamara.
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| 15-Sep-2012 AT&T Ballpark | Opera in the ballpark: Rigoletto at the home of the San Francisco Giants | Jeffery S McMillan |
 The Metropolitan Opera’s Live in HD simulcasts to movie theaters all over the world have been one of the biggest stories in the opera world in recent years and an undoubted hit with opera fans. Whether the program’s audience-building potential is commensurate with its box office hauls, however, is still a matter of debate. San Francisco Opera has also invested in technology to connect with new audiences by making performances available in what they call Opera Vision.Read full review... | ||
| 11-Feb-2012 Royal Opera House, Covent Garden | Figaro's wedding makes perfect comedy | David Karlin |
 There's no such thing as a perfect comic opera, and I know it's wrong to describe any work of art as perfect. But seeing Mozart and da Ponte's Le Nozze di Figaro last night, I found this a difficult principle to accept: this opera is about as close as you can get.
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| 18-Jan-2011 Royal Opera House, Covent Garden | Aleksandra Kurzak shines as Rossini's Rosina | David Karlin |
HOBAN.jpg) Rossini's The Barber of Seville has been his most enduringly well-loved opera. It's in the top ten of operas performed worldwide today, and it has stayed at the top of the most-played lists even when many of his other works were little played. This isn't an accident: it's an easy-going romantic comedy which doesn't demand much and leaves you feeling good and humming the tunes - most particularly, Figaro's bombastic, fast-talking Largo al factotum, which has to be one of the greatest theatrical entrances ever.
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