| Date and venue | Title | Submitted by |
|---|---|---|
| 21-Mar-2013 Opéra Bastille | A German in Paris: Siegfried at the Opéra Bastille | David Karlin |
 For those who view Wagner’s Ring Cycle in symphonic terms, Siegfried is often described as the third movement Scherzo: an episode of comedy in between the existential musings of Die Walküre and the action-packed, apocalyptic Götterdämerung. Last night’s performance at the Opéra Bastille in Paris gave us plenty of high comedy and much more besides.
Read full review... | ||
| 26-Aug-2012 Felsenreitschule | Zimmermann's Die Soldaten at the Salzburg Festival | Zwölftöner |
 The German thinker Theodor Adorno once wrote that a musical setting of Georg Büchner’s play Woyzeck, considered in its own literary right a masterpiece, may well have proved redundant. The reason Berg’s opera Wozzeck succeeded, he argued, was not simply because Berg was Berg, but also because he had acquired the necessary historical distance to begin adapting the text to his own musical ends. Almost a century separates the play and the opera, and as Adorno puts it, ‘what Berg composed is simply what matured in Büchner in the intervening decades of obscurity’.Read full review... | ||
| 26-Jun-2011 Sage: Hall One | Das Rheingold: a concert perfomance full of drama | Jane Shuttleworth |
 The first lesson I learnt from this evening’s stunning performance by Opera North of Das Rheingold to a completely full Hall One at the Sage is that however much you listen to Wagner's opera, absolutely nothing can prepare you for the physical and emotional impact of seeing a live performance, with the sheer power of the orchestra and the dramatic force of the music.
Read full review... | ||
