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Date and venueTitleSubmitted by
17-Oct-2012
The London Coliseum
Rufus Norris' Don Giovanni returns to ENOJulia Savage
Image credit: Don Giovanni: Darren Jeffery, Katherine Broderick, Sarah Tynan, John Molloy, Ben Johnson © Richard Hubert SmithThree years ago, John Berry, ENO’s Artistic Director, invited acclaimed theatre director Rufus Norris to reinvent Mozart’s Don Giovanni. Unfortunately, it was not much of a success, and was panned by critics. This year, the production has returned to ENO, with some changes, albeit none that are particularly remarkable.
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10-Aug-2012
Royal Albert Hall
Prom 37: Elgar's The Apostles with The HalléKatherine Dixson, katherinedixson.co.uk
Image credit: Sir Mark Elder © Simon DoddsIf you’ve never been to a grand-scale choral work at the Royal Albert Hall, I’d urge you to do so at the earliest opportunity. This wasn’t my first visit to the Proms, and I’ve experienced oratorios, requiems and passions galore in other places, but to hear hundreds of accomplished singers filling this vast circular space was new territory for me. The hall seemed made for the occasion.
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29-Jul-2012
Southbank Centre: Royal Festival Hall
Beijing comes to London: Beijing Symphony Orchestra at the Royal Festival HallMadelaine Jones
Image credit: Tan Lihua © courtesy Albion MediaMention Beijing in London at the moment and some allusion to opening ceremonies, sports or medals will undoubtedly follow (with an optional grumble about the transport system tagged on the end). But at the Southbank Centre, a mention of Beijing would evoke an entirely more unique response, given the recent visit of the Beijing Symphony Orchestra in partnership with the Centre’s resident London Philharmonic Orchestra.
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5-May-2012
Bridgewater Hall
Elder's apostolic Elgar: The Apostles at the Bridgewater HallAndrew H. King
Image credit: Edward Elgar in the early 1900sElgar’s oratorios The Apostles (1903) and The Kingdom (1906) are the manifestation of a fascination that he had held since his childhood in Worcester. When alerted by one of his schoolmasters that at the time of their calling into the service of Christ, the twelve apostles were perhaps no more intelligent than those assembled in that school room, Elgar’s imagination swelled and mused on thoughts of the Apostles’ youth and humanity; their faith, their weaknesses, their astonishment in Christ’s miracles and their grief at his crucifixion.
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12-Sep-2011
Royal Opera House, Covent Garden
Pappano's Trittico makes a storming season openerDavid Karlin
Image credit: The Donati family cluster around BuosoMurder. Suicide. Grand larceny. Puccini's triptych of short operas, two tragedies followed by a riotous farce, always makes for an evening of variety, with the potential for many snatches of greatness. Antonio Pappano is a fan - he recorded Il Trittico with the LSO in 1998, and featured Gianni Schicchi in his BBC series on Italian opera - and undoubtedly had a large hand in its being chosen to open the Royal Opera's 2011-12 season.
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