Performer: Nadia KrastevaFrom today| Date | Event | Composers, Works, Performers |
|---|---|---|
| Wednesday 17-Jul-13 07:00pm |
 National Theatre, MunichRigoletto Munich Opera Festival |
Bavarian State Opera Fabio Luisi, Conductor Árpád Schilling, Director Joseph Calleja, Tenor: The Duke of Mantua Franco Vassallo, Baritone: Rigoletto Patricia Petibon, Soprano: Gilda Dimitry Ivashchenko, Bass: Sparafucile Nadia Krasteva, Mezzo-soprano: Maddalena |
 | ||
| National Theatre, Munich, Munich, Germany Wednesday 17-Jul-13 07:00pm The first performance of the first opera in Verdi's legendary "trilogia popolare" at the Teatro La Fenice in Venice was preceded by a tricky battle with the censor. After all, the play by Victor Hugo on which it was based, about the cynical hedonism of an aristocrat, had been a hot potato throughout Europe since 1832, when it was banned immediately after its first performance in Paris. Verdi was interested less in criticism of the ruling classes and more in the tragedy of the court jester whose existence is devastated. The deformed entertainer in a world of men who consume women pulls out all the stops in his sarcasm and yet believes that he will remain unharmed by his public actions if he merely separates them cleanly from his private happiness. But when his daughter, imprisoned in a remote location for her own protection, follows her own longing, she becomes the victim of his double existence. A lonely, pitiable clown? "An amoral petty bourgeois man", thinks Arpad Schilling, "who dreams of innocence. A husband mourning for his wife and filled with a thirst for revenge. A great actor to whom success is more important than his own daughter. The fool of a noble lord who has been cheated by his own happiness. Verdi can do what Shakespeare does: He can tell a story in such a way as to make us shudder."
New productionIn Italian with German surtitles.Fabio Luisi, Conductor Árpád Schilling, Director Joseph Calleja, Tenor: The Duke of Mantua Franco Vassallo, Baritone: Rigoletto Patricia Petibon, Soprano: Gilda Dimitry Ivashchenko, Bass: Sparafucile Nadia Krasteva, Mezzo-soprano: Maddalena | ||
| Saturday 20-Jul-13 07:00pm |
National Theatre, Munich Rigoletto Munich Opera Festival |
Bavarian State Opera Fabio Luisi, Conductor Árpád Schilling, Director Joseph Calleja, Tenor: The Duke of Mantua Franco Vassallo, Baritone: Rigoletto Patrizia Ciofi, Soprano: Gilda Dimitry Ivashchenko, Bass: Sparafucile Nadia Krasteva, Mezzo-soprano: Maddalena |
| ||
| National Theatre, Munich, Munich, Germany Saturday 20-Jul-13 07:00pm The first performance of the first opera in Verdi's legendary "trilogia popolare" at the Teatro La Fenice in Venice was preceded by a tricky battle with the censor. After all, the play by Victor Hugo on which it was based, about the cynical hedonism of an aristocrat, had been a hot potato throughout Europe since 1832, when it was banned immediately after its first performance in Paris. Verdi was interested less in criticism of the ruling classes and more in the tragedy of the court jester whose existence is devastated. The deformed entertainer in a world of men who consume women pulls out all the stops in his sarcasm and yet believes that he will remain unharmed by his public actions if he merely separates them cleanly from his private happiness. But when his daughter, imprisoned in a remote location for her own protection, follows her own longing, she becomes the victim of his double existence. A lonely, pitiable clown? "An amoral petty bourgeois man", thinks Arpad Schilling, "who dreams of innocence. A husband mourning for his wife and filled with a thirst for revenge. A great actor to whom success is more important than his own daughter. The fool of a noble lord who has been cheated by his own happiness. Verdi can do what Shakespeare does: He can tell a story in such a way as to make us shudder."
New productionIn Italian with German surtitles.Fabio Luisi, Conductor Árpád Schilling, Director Joseph Calleja, Tenor: The Duke of Mantua Franco Vassallo, Baritone: Rigoletto Patrizia Ciofi, Soprano: Gilda Dimitry Ivashchenko, Bass: Sparafucile Nadia Krasteva, Mezzo-soprano: Maddalena | ||
| Wednesday 24-Jul-13 07:00pm |
National Theatre, Munich Rigoletto Munich Opera Festival |
Bavarian State Opera Marco Armiliato, Conductor Árpád Schilling, Director Joseph Calleja, Tenor: The Duke of Mantua Franco Vassallo, Baritone: Rigoletto Patrizia Ciofi, Soprano: Gilda Dimitry Ivashchenko, Bass: Sparafucile Nadia Krasteva, Mezzo-soprano: Maddalena |
| ||
| National Theatre, Munich, Munich, Germany Wednesday 24-Jul-13 07:00pm The first performance of the first opera in Verdi's legendary "trilogia popolare" at the Teatro La Fenice in Venice was preceded by a tricky battle with the censor. After all, the play by Victor Hugo on which it was based, about the cynical hedonism of an aristocrat, had been a hot potato throughout Europe since 1832, when it was banned immediately after its first performance in Paris. Verdi was interested less in criticism of the ruling classes and more in the tragedy of the court jester whose existence is devastated. The deformed entertainer in a world of men who consume women pulls out all the stops in his sarcasm and yet believes that he will remain unharmed by his public actions if he merely separates them cleanly from his private happiness. But when his daughter, imprisoned in a remote location for her own protection, follows her own longing, she becomes the victim of his double existence. A lonely, pitiable clown? "An amoral petty bourgeois man", thinks Arpad Schilling, "who dreams of innocence. A husband mourning for his wife and filled with a thirst for revenge. A great actor to whom success is more important than his own daughter. The fool of a noble lord who has been cheated by his own happiness. Verdi can do what Shakespeare does: He can tell a story in such a way as to make us shudder."
New productionIn Italian with German surtitles.Marco Armiliato, Conductor Árpád Schilling, Director Joseph Calleja, Tenor: The Duke of Mantua Franco Vassallo, Baritone: Rigoletto Patrizia Ciofi, Soprano: Gilda Dimitry Ivashchenko, Bass: Sparafucile Nadia Krasteva, Mezzo-soprano: Maddalena | ||
| Friday 25-Oct-13 07:30pm |
La Scala, Milan Aida |
Teatro alla Scala Gianandrea Noseda, Conductor Franco Zeffirelli, Director Nadia Krasteva, Mezzo-soprano: Amneris Hui He, Soprano: Aida Marco Berti, Tenor: Radamès Ambrogio Maestri, Baritone: Amonasro |
| More info... | ||
| La Scala, Milan, 20121 Milan, Italy Friday 25-Oct-13 07:30pm Gianandrea Noseda, Conductor Franco Zeffirelli, Director Nadia Krasteva, Mezzo-soprano: Amneris Hui He, Soprano: Aida Marco Berti, Tenor: Radamès Ambrogio Maestri, Baritone: Amonasro | ||
| Monday 28-Oct-13 07:30pm |
La Scala, Milan Aida |
Teatro alla Scala Gianandrea Noseda, Conductor Franco Zeffirelli, Director Nadia Krasteva, Mezzo-soprano: Amneris Hui He, Soprano: Aida Marco Berti, Tenor: Radamès Ambrogio Maestri, Baritone: Amonasro |
| More info... | ||
| La Scala, Milan, 20121 Milan, Italy Monday 28-Oct-13 07:30pm Gianandrea Noseda, Conductor Franco Zeffirelli, Director Nadia Krasteva, Mezzo-soprano: Amneris Hui He, Soprano: Aida Marco Berti, Tenor: Radamès Ambrogio Maestri, Baritone: Amonasro | ||
| Thursday 31-Oct-13 07:30pm |
La Scala, Milan Aida |
Teatro alla Scala Gianandrea Noseda, Conductor Franco Zeffirelli, Director Nadia Krasteva, Mezzo-soprano: Amneris Hui He, Soprano: Aida Marco Berti, Tenor: Radamès Ambrogio Maestri, Baritone: Amonasro |
| More info... | ||
| La Scala, Milan, 20121 Milan, Italy Thursday 31-Oct-13 07:30pm Gianandrea Noseda, Conductor Franco Zeffirelli, Director Nadia Krasteva, Mezzo-soprano: Amneris Hui He, Soprano: Aida Marco Berti, Tenor: Radamès Ambrogio Maestri, Baritone: Amonasro | ||
| Tuesday 5-Nov-13 07:30pm |
La Scala, Milan Aida |
Teatro alla Scala Gianandrea Noseda, Conductor Franco Zeffirelli, Director Nadia Krasteva, Mezzo-soprano: Amneris Hui He, Soprano: Aida Marco Berti, Tenor: Radamès Željko Lučić, Baritone: Amonasro |
| More info... | ||
| La Scala, Milan, 20121 Milan, Italy Tuesday 5-Nov-13 07:30pm Gianandrea Noseda, Conductor Franco Zeffirelli, Director Nadia Krasteva, Mezzo-soprano: Amneris Hui He, Soprano: Aida Marco Berti, Tenor: Radamès Željko Lučić, Baritone: Amonasro | ||
| Saturday 16-Nov-13 07:30pm |
La Scala, Milan Aida |
Teatro alla Scala Gianandrea Noseda, Conductor Franco Zeffirelli, Director Nadia Krasteva, Mezzo-soprano: Amneris Hui He, Soprano: Aida Marco Berti, Tenor: Radamès Željko Lučić, Baritone: Amonasro |
| More info... | ||
| La Scala, Milan, 20121 Milan, Italy Saturday 16-Nov-13 07:30pm Gianandrea Noseda, Conductor Franco Zeffirelli, Director Nadia Krasteva, Mezzo-soprano: Amneris Hui He, Soprano: Aida Marco Berti, Tenor: Radamès Željko Lučić, Baritone: Amonasro | ||
| Tuesday 19-Nov-13 07:30pm |
La Scala, Milan Aida |
Teatro alla Scala Gianandrea Noseda, Conductor Franco Zeffirelli, Director Nadia Krasteva, Mezzo-soprano: Amneris Liudmyla Monastyrska, Soprano: Aida Marco Berti, Tenor: Radamès Željko Lučić, Baritone: Amonasro |
| More info... | ||
| La Scala, Milan, 20121 Milan, Italy Tuesday 19-Nov-13 07:30pm Gianandrea Noseda, Conductor Franco Zeffirelli, Director Nadia Krasteva, Mezzo-soprano: Amneris Liudmyla Monastyrska, Soprano: Aida Marco Berti, Tenor: Radamès Željko Lučić, Baritone: Amonasro | ||
| Sunday 22-Dec-13 06:00pm |
National Theatre, Munich La Forza del Destino (The Force of Destiny) |
Bavarian State Opera Asher Fisch, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Anja Harteros, Soprano: Leonora Nadia Krasteva, Mezzo-soprano: Preziosilla Jonas Kaufmann, Tenor: Don Alvaro Ludovic Tézier, Baritone: Don Carlo Vitalij Kowaljow, Bass: Padre Guardiano Francesco Petrozzi, Tenor: Trabuco Renato Girolami, Bass: Fra Melitone Vitalij Kowaljow, Bass: Marquis of Calatrava |
 Wilfried Hösl.jpg "Image credit: © Wilfried Hösl") | ||
| National Theatre, Munich, Munich, Germany Sunday 22-Dec-13 06:00pm Second version adapted 1869
La forza del destino – what is the meaning of the destiny that Verdi uses so forcefully for the title of this family tale of various outlaws in his opera of 1862, revised in 1869? Who forces Leonora, and Alvaro as the murderer of her father, to enter the hermitage of a monastery – and confronts them there, in a mighty showdown, with the brother who is full of hatred and cannot forgive? Is it a declaration of war against God's promise of redemption? The heavenly cantilena of a solo violin rises at the end of the opera – in the face of the death of the hero's lover and brother. Those who withdraw into the consoling twilight of a divine peace here are only trying to deny one thing: the force of destiny. In Italian with German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Anja Harteros, Soprano: Leonora Nadia Krasteva, Mezzo-soprano: Preziosilla Jonas Kaufmann, Tenor: Don Alvaro Ludovic Tézier, Baritone: Don Carlo Vitalij Kowaljow, Bass: Padre Guardiano Francesco Petrozzi, Tenor: Trabuco Renato Girolami, Bass: Fra Melitone Vitalij Kowaljow, Bass: Marquis of Calatrava | ||
| Wednesday 25-Dec-13 06:00pm |
National Theatre, Munich La Forza del Destino (The Force of Destiny) |
Bavarian State Opera Asher Fisch, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Anja Harteros, Soprano: Leonora Nadia Krasteva, Mezzo-soprano: Preziosilla Jonas Kaufmann, Tenor: Don Alvaro Ludovic Tézier, Baritone: Don Carlo Vitalij Kowaljow, Bass: Padre Guardiano Francesco Petrozzi, Tenor: Trabuco Renato Girolami, Bass: Fra Melitone Vitalij Kowaljow, Bass: Marquis of Calatrava |
| ||
| National Theatre, Munich, Munich, Germany Wednesday 25-Dec-13 06:00pm Second version adapted 1869
La forza del destino – what is the meaning of the destiny that Verdi uses so forcefully for the title of this family tale of various outlaws in his opera of 1862, revised in 1869? Who forces Leonora, and Alvaro as the murderer of her father, to enter the hermitage of a monastery – and confronts them there, in a mighty showdown, with the brother who is full of hatred and cannot forgive? Is it a declaration of war against God's promise of redemption? The heavenly cantilena of a solo violin rises at the end of the opera – in the face of the death of the hero's lover and brother. Those who withdraw into the consoling twilight of a divine peace here are only trying to deny one thing: the force of destiny. In Italian with German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Anja Harteros, Soprano: Leonora Nadia Krasteva, Mezzo-soprano: Preziosilla Jonas Kaufmann, Tenor: Don Alvaro Ludovic Tézier, Baritone: Don Carlo Vitalij Kowaljow, Bass: Padre Guardiano Francesco Petrozzi, Tenor: Trabuco Renato Girolami, Bass: Fra Melitone Vitalij Kowaljow, Bass: Marquis of Calatrava | ||
| Saturday 28-Dec-13 06:00pm |
National Theatre, Munich La Forza del Destino (The Force of Destiny) |
Bavarian State Opera Asher Fisch, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Anja Harteros, Soprano: Leonora Nadia Krasteva, Mezzo-soprano: Preziosilla Jonas Kaufmann, Tenor: Don Alvaro Ludovic Tézier, Baritone: Don Carlo Vitalij Kowaljow, Bass: Padre Guardiano Francesco Petrozzi, Tenor: Trabuco Renato Girolami, Bass: Fra Melitone Vitalij Kowaljow, Bass: Marquis of Calatrava |
| ||
| National Theatre, Munich, Munich, Germany Saturday 28-Dec-13 06:00pm Second version adapted 1869
La forza del destino – what is the meaning of the destiny that Verdi uses so forcefully for the title of this family tale of various outlaws in his opera of 1862, revised in 1869? Who forces Leonora, and Alvaro as the murderer of her father, to enter the hermitage of a monastery – and confronts them there, in a mighty showdown, with the brother who is full of hatred and cannot forgive? Is it a declaration of war against God's promise of redemption? The heavenly cantilena of a solo violin rises at the end of the opera – in the face of the death of the hero's lover and brother. Those who withdraw into the consoling twilight of a divine peace here are only trying to deny one thing: the force of destiny. In Italian with German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Anja Harteros, Soprano: Leonora Nadia Krasteva, Mezzo-soprano: Preziosilla Jonas Kaufmann, Tenor: Don Alvaro Ludovic Tézier, Baritone: Don Carlo Vitalij Kowaljow, Bass: Padre Guardiano Francesco Petrozzi, Tenor: Trabuco Renato Girolami, Bass: Fra Melitone Vitalij Kowaljow, Bass: Marquis of Calatrava | ||
| Thursday 2-Jan-14 07:00pm |
National Theatre, Munich La Forza del Destino (The Force of Destiny) |
Bavarian State Opera Asher Fisch, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Anja Harteros, Soprano: Leonora Nadia Krasteva, Mezzo-soprano: Preziosilla Jonas Kaufmann, Tenor: Don Alvaro Ludovic Tézier, Baritone: Don Carlo Vitalij Kowaljow, Bass: Padre Guardiano Francesco Petrozzi, Tenor: Trabuco Renato Girolami, Bass: Fra Melitone Vitalij Kowaljow, Bass: Marquis of Calatrava |
| ||
| National Theatre, Munich, Munich, Germany Thursday 2-Jan-14 07:00pm Second version adapted 1869
La forza del destino – what is the meaning of the destiny that Verdi uses so forcefully for the title of this family tale of various outlaws in his opera of 1862, revised in 1869? Who forces Leonora, and Alvaro as the murderer of her father, to enter the hermitage of a monastery – and confronts them there, in a mighty showdown, with the brother who is full of hatred and cannot forgive? Is it a declaration of war against God's promise of redemption? The heavenly cantilena of a solo violin rises at the end of the opera – in the face of the death of the hero's lover and brother. Those who withdraw into the consoling twilight of a divine peace here are only trying to deny one thing: the force of destiny. In Italian with German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Anja Harteros, Soprano: Leonora Nadia Krasteva, Mezzo-soprano: Preziosilla Jonas Kaufmann, Tenor: Don Alvaro Ludovic Tézier, Baritone: Don Carlo Vitalij Kowaljow, Bass: Padre Guardiano Francesco Petrozzi, Tenor: Trabuco Renato Girolami, Bass: Fra Melitone Vitalij Kowaljow, Bass: Marquis of Calatrava | ||
| Sunday 5-Jan-14 06:00pm |
National Theatre, Munich La Forza del Destino (The Force of Destiny) |
Bavarian State Opera Asher Fisch, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Anja Harteros, Soprano: Leonora Nadia Krasteva, Mezzo-soprano: Preziosilla Jonas Kaufmann, Tenor: Don Alvaro Ludovic Tézier, Baritone: Don Carlo Vitalij Kowaljow, Bass: Padre Guardiano Francesco Petrozzi, Tenor: Trabuco Renato Girolami, Bass: Fra Melitone Vitalij Kowaljow, Bass: Marquis of Calatrava |
| ||
| National Theatre, Munich, Munich, Germany Sunday 5-Jan-14 06:00pm Second version adapted 1869
La forza del destino – what is the meaning of the destiny that Verdi uses so forcefully for the title of this family tale of various outlaws in his opera of 1862, revised in 1869? Who forces Leonora, and Alvaro as the murderer of her father, to enter the hermitage of a monastery – and confronts them there, in a mighty showdown, with the brother who is full of hatred and cannot forgive? Is it a declaration of war against God's promise of redemption? The heavenly cantilena of a solo violin rises at the end of the opera – in the face of the death of the hero's lover and brother. Those who withdraw into the consoling twilight of a divine peace here are only trying to deny one thing: the force of destiny. In Italian with German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Anja Harteros, Soprano: Leonora Nadia Krasteva, Mezzo-soprano: Preziosilla Jonas Kaufmann, Tenor: Don Alvaro Ludovic Tézier, Baritone: Don Carlo Vitalij Kowaljow, Bass: Padre Guardiano Francesco Petrozzi, Tenor: Trabuco Renato Girolami, Bass: Fra Melitone Vitalij Kowaljow, Bass: Marquis of Calatrava | ||
| Wednesday 8-Jan-14 07:00pm |
National Theatre, Munich La Forza del Destino (The Force of Destiny) |
Bavarian State Opera Asher Fisch, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Anja Harteros, Soprano: Leonora Nadia Krasteva, Mezzo-soprano: Preziosilla Jonas Kaufmann, Tenor: Don Alvaro Ludovic Tézier, Baritone: Don Carlo Vitalij Kowaljow, Bass: Padre Guardiano Francesco Petrozzi, Tenor: Trabuco Renato Girolami, Bass: Fra Melitone Vitalij Kowaljow, Bass: Marquis of Calatrava |
| ||
| National Theatre, Munich, Munich, Germany Wednesday 8-Jan-14 07:00pm Second version adapted 1869
La forza del destino – what is the meaning of the destiny that Verdi uses so forcefully for the title of this family tale of various outlaws in his opera of 1862, revised in 1869? Who forces Leonora, and Alvaro as the murderer of her father, to enter the hermitage of a monastery – and confronts them there, in a mighty showdown, with the brother who is full of hatred and cannot forgive? Is it a declaration of war against God's promise of redemption? The heavenly cantilena of a solo violin rises at the end of the opera – in the face of the death of the hero's lover and brother. Those who withdraw into the consoling twilight of a divine peace here are only trying to deny one thing: the force of destiny. In Italian with German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Anja Harteros, Soprano: Leonora Nadia Krasteva, Mezzo-soprano: Preziosilla Jonas Kaufmann, Tenor: Don Alvaro Ludovic Tézier, Baritone: Don Carlo Vitalij Kowaljow, Bass: Padre Guardiano Francesco Petrozzi, Tenor: Trabuco Renato Girolami, Bass: Fra Melitone Vitalij Kowaljow, Bass: Marquis of Calatrava | ||
| Saturday 11-Jan-14 07:00pm |
National Theatre, Munich La Forza del Destino (The Force of Destiny) |
Bavarian State Opera Asher Fisch, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Anja Harteros, Soprano: Leonora Nadia Krasteva, Mezzo-soprano: Preziosilla Jonas Kaufmann, Tenor: Don Alvaro Ludovic Tézier, Baritone: Don Carlo Vitalij Kowaljow, Bass: Padre Guardiano Francesco Petrozzi, Tenor: Trabuco Renato Girolami, Bass: Fra Melitone Vitalij Kowaljow, Bass: Marquis of Calatrava |
| ||
| National Theatre, Munich, Munich, Germany Saturday 11-Jan-14 07:00pm Second version adapted 1869
La forza del destino – what is the meaning of the destiny that Verdi uses so forcefully for the title of this family tale of various outlaws in his opera of 1862, revised in 1869? Who forces Leonora, and Alvaro as the murderer of her father, to enter the hermitage of a monastery – and confronts them there, in a mighty showdown, with the brother who is full of hatred and cannot forgive? Is it a declaration of war against God's promise of redemption? The heavenly cantilena of a solo violin rises at the end of the opera – in the face of the death of the hero's lover and brother. Those who withdraw into the consoling twilight of a divine peace here are only trying to deny one thing: the force of destiny. In Italian with German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Anja Harteros, Soprano: Leonora Nadia Krasteva, Mezzo-soprano: Preziosilla Jonas Kaufmann, Tenor: Don Alvaro Ludovic Tézier, Baritone: Don Carlo Vitalij Kowaljow, Bass: Padre Guardiano Francesco Petrozzi, Tenor: Trabuco Renato Girolami, Bass: Fra Melitone Vitalij Kowaljow, Bass: Marquis of Calatrava | ||
| Saturday 15-Feb-14 07:30pm |
Staatsoper at Schiller Theater, Berlin Aida |
Staatsoper Berlin Zubin Mehta, Conductor Pet Halmen, Director/Set Designer Liudmyla Monastyrska, Soprano: Aida Nadia Krasteva, Mezzo-soprano: Amneris Fabio Sartori, Tenor: Radamès Franco Vassallo, Baritone: Amonasro Evelin Novak, Mezzo-soprano: Priestess Stephen Chambers, Tenor: A messenger Jan Martinik, Bass: King of Egypt Alexey Tikhomirov, Bass-baritone: Ramfis Staatsopernchor Berlin Staatskapelle Berlin |
 | ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Saturday 15-Feb-14 07:30pm Sung in Italian with German surtitles3:00 h | including 1 interval Prices from 20 to 84 EUR Image credit: Staatsoper Berlin Zubin Mehta, Conductor Pet Halmen, Director/Set Designer Liudmyla Monastyrska, Soprano: Aida Nadia Krasteva, Mezzo-soprano: Amneris Fabio Sartori, Tenor: Radamès Franco Vassallo, Baritone: Amonasro Evelin Novak, Mezzo-soprano: Priestess Stephen Chambers, Tenor: A messenger Jan Martinik, Bass: King of Egypt Alexey Tikhomirov, Bass-baritone: Ramfis Staatsopernchor Berlin Staatskapelle Berlin | ||
| Wednesday 19-Feb-14 07:30pm |
Staatsoper at Schiller Theater, Berlin Aida |
Staatsoper Berlin Zubin Mehta, Conductor Pet Halmen, Director/Set Designer Liudmyla Monastyrska, Soprano: Aida Nadia Krasteva, Mezzo-soprano: Amneris Fabio Sartori, Tenor: Radamès Franco Vassallo, Baritone: Amonasro Evelin Novak, Mezzo-soprano: Priestess Stephen Chambers, Tenor: A messenger Jan Martinik, Bass: King of Egypt Alexey Tikhomirov, Bass-baritone: Ramfis Staatsopernchor Berlin Staatskapelle Berlin |
| ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Wednesday 19-Feb-14 07:30pm Sung in Italian with German surtitles3:00 h | including 1 interval Prices from 20 to 84 EUR Image credit: Staatsoper Berlin Zubin Mehta, Conductor Pet Halmen, Director/Set Designer Liudmyla Monastyrska, Soprano: Aida Nadia Krasteva, Mezzo-soprano: Amneris Fabio Sartori, Tenor: Radamès Franco Vassallo, Baritone: Amonasro Evelin Novak, Mezzo-soprano: Priestess Stephen Chambers, Tenor: A messenger Jan Martinik, Bass: King of Egypt Alexey Tikhomirov, Bass-baritone: Ramfis Staatsopernchor Berlin Staatskapelle Berlin | ||
| Saturday 22-Feb-14 07:30pm |
Staatsoper at Schiller Theater, Berlin Aida |
Staatsoper Berlin Zubin Mehta, Conductor Pet Halmen, Director/Set Designer Liudmyla Monastyrska, Soprano: Aida Nadia Krasteva, Mezzo-soprano: Amneris Fabio Sartori, Tenor: Radamès Franco Vassallo, Baritone: Amonasro Evelin Novak, Mezzo-soprano: Priestess Stephen Chambers, Tenor: A messenger Jan Martinik, Bass: King of Egypt Alexey Tikhomirov, Bass-baritone: Ramfis Staatsopernchor Berlin Staatskapelle Berlin |
| ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Saturday 22-Feb-14 07:30pm Sung in Italian with German surtitles3:00 h | including 1 interval Prices from 20 to 84 EUR Image credit: Staatsoper Berlin Zubin Mehta, Conductor Pet Halmen, Director/Set Designer Liudmyla Monastyrska, Soprano: Aida Nadia Krasteva, Mezzo-soprano: Amneris Fabio Sartori, Tenor: Radamès Franco Vassallo, Baritone: Amonasro Evelin Novak, Mezzo-soprano: Priestess Stephen Chambers, Tenor: A messenger Jan Martinik, Bass: King of Egypt Alexey Tikhomirov, Bass-baritone: Ramfis Staatsopernchor Berlin Staatskapelle Berlin | ||
| Friday 25-Jul-14 06:00pm |
National Theatre, Munich La Forza del Destino (The Force of Destiny) |
Bavarian State Opera Asher Fisch, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Anja Harteros, Soprano: Leonora Nadia Krasteva, Mezzo-soprano: Preziosilla Jonas Kaufmann, Tenor: Don Alvaro Ludovic Tézier, Baritone: Don Carlo Vitalij Kowaljow, Bass: Padre Guardiano Francesco Petrozzi, Tenor: Trabuco Renato Girolami, Bass: Fra Melitone Vitalij Kowaljow, Bass: Marquis of Calatrava |
| ||
| National Theatre, Munich, Munich, Germany Friday 25-Jul-14 06:00pm Second version adapted 1869
La forza del destino – what is the meaning of the destiny that Verdi uses so forcefully for the title of this family tale of various outlaws in his opera of 1862, revised in 1869? Who forces Leonora, and Alvaro as the murderer of her father, to enter the hermitage of a monastery – and confronts them there, in a mighty showdown, with the brother who is full of hatred and cannot forgive? Is it a declaration of war against God's promise of redemption? The heavenly cantilena of a solo violin rises at the end of the opera – in the face of the death of the hero's lover and brother. Those who withdraw into the consoling twilight of a divine peace here are only trying to deny one thing: the force of destiny. In Italian with German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Anja Harteros, Soprano: Leonora Nadia Krasteva, Mezzo-soprano: Preziosilla Jonas Kaufmann, Tenor: Don Alvaro Ludovic Tézier, Baritone: Don Carlo Vitalij Kowaljow, Bass: Padre Guardiano Francesco Petrozzi, Tenor: Trabuco Renato Girolami, Bass: Fra Melitone Vitalij Kowaljow, Bass: Marquis of Calatrava | ||
| Monday 28-Jul-14 06:00pm |
National Theatre, Munich La Forza del Destino (The Force of Destiny) |
Bavarian State Opera Asher Fisch, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Anja Harteros, Soprano: Leonora Nadia Krasteva, Mezzo-soprano: Preziosilla Jonas Kaufmann, Tenor: Don Alvaro Ludovic Tézier, Baritone: Don Carlo Vitalij Kowaljow, Bass: Padre Guardiano Francesco Petrozzi, Tenor: Trabuco Renato Girolami, Bass: Fra Melitone Vitalij Kowaljow, Bass: Marquis of Calatrava |
| ||
| National Theatre, Munich, Munich, Germany Monday 28-Jul-14 06:00pm Second version adapted 1869
La forza del destino – what is the meaning of the destiny that Verdi uses so forcefully for the title of this family tale of various outlaws in his opera of 1862, revised in 1869? Who forces Leonora, and Alvaro as the murderer of her father, to enter the hermitage of a monastery – and confronts them there, in a mighty showdown, with the brother who is full of hatred and cannot forgive? Is it a declaration of war against God's promise of redemption? The heavenly cantilena of a solo violin rises at the end of the opera – in the face of the death of the hero's lover and brother. Those who withdraw into the consoling twilight of a divine peace here are only trying to deny one thing: the force of destiny. In Italian with German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Anja Harteros, Soprano: Leonora Nadia Krasteva, Mezzo-soprano: Preziosilla Jonas Kaufmann, Tenor: Don Alvaro Ludovic Tézier, Baritone: Don Carlo Vitalij Kowaljow, Bass: Padre Guardiano Francesco Petrozzi, Tenor: Trabuco Renato Girolami, Bass: Fra Melitone Vitalij Kowaljow, Bass: Marquis of Calatrava | ||
| Thursday 31-Jul-14 06:00pm |
National Theatre, Munich La Forza del Destino (The Force of Destiny) |
Bavarian State Opera Asher Fisch, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Anja Harteros, Soprano: Leonora Nadia Krasteva, Mezzo-soprano: Preziosilla Jonas Kaufmann, Tenor: Don Alvaro Ludovic Tézier, Baritone: Don Carlo Vitalij Kowaljow, Bass: Padre Guardiano Francesco Petrozzi, Tenor: Trabuco Renato Girolami, Bass: Fra Melitone Vitalij Kowaljow, Bass: Marquis of Calatrava |
| ||
| National Theatre, Munich, Munich, Germany Thursday 31-Jul-14 06:00pm Second version adapted 1869
La forza del destino – what is the meaning of the destiny that Verdi uses so forcefully for the title of this family tale of various outlaws in his opera of 1862, revised in 1869? Who forces Leonora, and Alvaro as the murderer of her father, to enter the hermitage of a monastery – and confronts them there, in a mighty showdown, with the brother who is full of hatred and cannot forgive? Is it a declaration of war against God's promise of redemption? The heavenly cantilena of a solo violin rises at the end of the opera – in the face of the death of the hero's lover and brother. Those who withdraw into the consoling twilight of a divine peace here are only trying to deny one thing: the force of destiny. In Italian with German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Anja Harteros, Soprano: Leonora Nadia Krasteva, Mezzo-soprano: Preziosilla Jonas Kaufmann, Tenor: Don Alvaro Ludovic Tézier, Baritone: Don Carlo Vitalij Kowaljow, Bass: Padre Guardiano Francesco Petrozzi, Tenor: Trabuco Renato Girolami, Bass: Fra Melitone Vitalij Kowaljow, Bass: Marquis of Calatrava | ||
