Performer: Orlin AnastassovFrom today| Date | Event | Composers, Works, Performers |
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| Thursday 23-May-13 07:30pm |
 Opéra Bastille, ParisLa Gioconda |
Opéra de Paris Daniel Oren, Conductor Pier Luigi Pizzi, Director Violeta Urmana, Soprano: La Gioconda Elena Bocharova, Mezzo-soprano: Laura Adorno Orlin Anastassov, Bass: Alvise Badoero Maria Jos Montiel, Contralto: La Cieca Marcelo Álvarez, Tenor: Enzo Grimaldo Sergey Murzaev, Baritone: Barnaba |
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| Opéra Bastille, Paris, 120 rue de Lyon, 75012 Paris, France Thursday 23-May-13 07:30pm Hearts are broken and destinies shattered in 17th century Venice: Violeta Urmana, Lucianan D’Intino, Marcelo Alvarez and Sergey Murzaev appear together in this rare and spectacular masterpiece. Performed in Italian. Daniel Oren, Conductor Pier Luigi Pizzi, Director Violeta Urmana, Soprano: La Gioconda Elena Bocharova, Mezzo-soprano: Laura Adorno Orlin Anastassov, Bass: Alvise Badoero Maria Jos Montiel, Contralto: La Cieca Marcelo Álvarez, Tenor: Enzo Grimaldo Sergey Murzaev, Baritone: Barnaba | ||
| Sunday 26-May-13 02:30pm |
Opéra Bastille, Paris La Gioconda |
Opéra de Paris Daniel Oren, Conductor Pier Luigi Pizzi, Director Violeta Urmana, Soprano: La Gioconda Elena Bocharova, Mezzo-soprano: Laura Adorno Orlin Anastassov, Bass: Alvise Badoero Maria Jos Montiel, Contralto: La Cieca Marcelo Álvarez, Tenor: Enzo Grimaldo Sergey Murzaev, Baritone: Barnaba |
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| Opéra Bastille, Paris, 120 rue de Lyon, 75012 Paris, France Sunday 26-May-13 02:30pm Hearts are broken and destinies shattered in 17th century Venice: Violeta Urmana, Lucianan D’Intino, Marcelo Alvarez and Sergey Murzaev appear together in this rare and spectacular masterpiece. Performed in Italian. Daniel Oren, Conductor Pier Luigi Pizzi, Director Violeta Urmana, Soprano: La Gioconda Elena Bocharova, Mezzo-soprano: Laura Adorno Orlin Anastassov, Bass: Alvise Badoero Maria Jos Montiel, Contralto: La Cieca Marcelo Álvarez, Tenor: Enzo Grimaldo Sergey Murzaev, Baritone: Barnaba | ||
| Friday 31-May-13 07:30pm |
Opéra Bastille, Paris La Gioconda |
Opéra de Paris Daniel Oren, Conductor Pier Luigi Pizzi, Director Violeta Urmana, Soprano: La Gioconda Elena Bocharova, Mezzo-soprano: Laura Adorno Orlin Anastassov, Bass: Alvise Badoero Maria Jos Montiel, Contralto: La Cieca Marcelo Álvarez, Tenor: Enzo Grimaldo Sergey Murzaev, Baritone: Barnaba |
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| Opéra Bastille, Paris, 120 rue de Lyon, 75012 Paris, France Friday 31-May-13 07:30pm Hearts are broken and destinies shattered in 17th century Venice: Violeta Urmana, Lucianan D’Intino, Marcelo Alvarez and Sergey Murzaev appear together in this rare and spectacular masterpiece. Performed in Italian. Daniel Oren, Conductor Pier Luigi Pizzi, Director Violeta Urmana, Soprano: La Gioconda Elena Bocharova, Mezzo-soprano: Laura Adorno Orlin Anastassov, Bass: Alvise Badoero Maria Jos Montiel, Contralto: La Cieca Marcelo Álvarez, Tenor: Enzo Grimaldo Sergey Murzaev, Baritone: Barnaba | ||
| Friday 27-Sep-13 08:15pm |
Concertgebouw: Main Hall, Amsterdam Royal Conertgebouw Orchestra in Verdi's Requiem |
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| Concertgebouw: Main Hall, Amsterdam, Amsterdam, Netherlands Friday 27-Sep-13 08:15pm Royal Conertgebouw Orchestra in Verdi's Requiem Image credit: Anja Harteros © Brinkhoff Moegenburg | ||
| Sunday 29-Sep-13 02:15pm |
Concertgebouw: Main Hall, Amsterdam Royal Conertgebouw Orchestra in Verdi's Requiem |
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| Concertgebouw: Main Hall, Amsterdam, Amsterdam, Netherlands Sunday 29-Sep-13 02:15pm Royal Conertgebouw Orchestra in Verdi's Requiem Image credit: Anja Harteros © Brinkhoff Moegenburg | ||
| Thursday 19-Dec-13 07:30pm |
Deutsche Oper, Berlin Nabucco |
Deutsche Oper Berlin Andrea Battistoni, Conductor Keith Warner, Director Tilo Steffens, Set Designer Anna Smirnova, Mezzo-soprano: Abigaille Ronnita Miller, Mezzo-soprano: Fenena Yosep Kang, Tenor: Ismaele Johan Reuter, Baritone: Nabucco Orlin Anastassov, Bass: Zaccaria |
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| Deutsche Oper, Berlin, Bismarckstraße 35, Berlin, Germany Thursday 19-Dec-13 07:30pm In Italian language with German Surtitles.
“Va, pensiero, sull’ali dorate” – Take flight, thought, on golden wings”. When those words first rang out in the Milan Scala on 9th March 1842, sung by the Hebrew slaves chorus in the third act of NABUCCO, Giuseppe Verdi's new opera, the master was making history. The “Slaves Chorus” was quickly adopted as the unofficial national anthem of a not-yet-unified Italy and the hopes of a generation of opera-goers were suddenly vested in the young composer. The dramatic tale of Israelite subjugation under the Babylonian yoke of King Nebuchadnezzar remains one of Verdi's best-known operas and was last staged at the Deutsche Oper Berlin by Hans Neuenfels 13 years ago. In Verdi's anniversary year the material is now being rendered by Keith Warner, one of the big names in international opera. The Englishman has directed LOHENGRIN at the Bayreuth Festival and THE RING OF THE NIBELUNG at Covent Garden and more recently for the Copenhagen Opera. Set in the same period that the piece was written, a time of transition from feudalism to a bourgeois, industrialising society, Warner's NABUCCO focuses on the opposing natures of two nations – the modern Hebrews, whose culture is informed by a script and by education as a democratic ideal, and the militaristic Babylonians, whose concept of a state is founded in autocratic rule. Image credit: Miklos Szabo Andrea Battistoni, Conductor Keith Warner, Director Tilo Steffens, Set Designer Anna Smirnova, Mezzo-soprano: Abigaille Ronnita Miller, Mezzo-soprano: Fenena Yosep Kang, Tenor: Ismaele Johan Reuter, Baritone: Nabucco Orlin Anastassov, Bass: Zaccaria | ||
| Sunday 22-Dec-13 06:00pm |
Deutsche Oper, Berlin Nabucco |
Deutsche Oper Berlin Andrea Battistoni, Conductor Keith Warner, Director Tilo Steffens, Set Designer Anna Smirnova, Mezzo-soprano: Abigaille Ronnita Miller, Mezzo-soprano: Fenena Yosep Kang, Tenor: Ismaele Johan Reuter, Baritone: Nabucco Orlin Anastassov, Bass: Zaccaria |
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| Deutsche Oper, Berlin, Bismarckstraße 35, Berlin, Germany Sunday 22-Dec-13 06:00pm In Italian language with German Surtitles.
“Va, pensiero, sull’ali dorate” – Take flight, thought, on golden wings”. When those words first rang out in the Milan Scala on 9th March 1842, sung by the Hebrew slaves chorus in the third act of NABUCCO, Giuseppe Verdi's new opera, the master was making history. The “Slaves Chorus” was quickly adopted as the unofficial national anthem of a not-yet-unified Italy and the hopes of a generation of opera-goers were suddenly vested in the young composer. The dramatic tale of Israelite subjugation under the Babylonian yoke of King Nebuchadnezzar remains one of Verdi's best-known operas and was last staged at the Deutsche Oper Berlin by Hans Neuenfels 13 years ago. In Verdi's anniversary year the material is now being rendered by Keith Warner, one of the big names in international opera. The Englishman has directed LOHENGRIN at the Bayreuth Festival and THE RING OF THE NIBELUNG at Covent Garden and more recently for the Copenhagen Opera. Set in the same period that the piece was written, a time of transition from feudalism to a bourgeois, industrialising society, Warner's NABUCCO focuses on the opposing natures of two nations – the modern Hebrews, whose culture is informed by a script and by education as a democratic ideal, and the militaristic Babylonians, whose concept of a state is founded in autocratic rule. Image credit: Miklos Szabo Andrea Battistoni, Conductor Keith Warner, Director Tilo Steffens, Set Designer Anna Smirnova, Mezzo-soprano: Abigaille Ronnita Miller, Mezzo-soprano: Fenena Yosep Kang, Tenor: Ismaele Johan Reuter, Baritone: Nabucco Orlin Anastassov, Bass: Zaccaria | ||
