Performer: Georg Zeppenfeld| Date | Event | Composers, Works, Performers |
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| Saturday 15-Jun-13 07:00pm |
 Semperoper, DresdenDer fliegende Holländer |
Dresden State Opera Constantin Trinks, Conductor Florentine Klepper, Director Martina Segna, Set Designer Anna Sofia Tuma, Costume Designer Bernd Purkrabek, Lighting Designer Pablo Assante, Choirmaster Markus Marquardt, Bass-baritone: Dutchman Marjorie Owens, Soprano: Senta Georg Zeppenfeld, Bass: Daland Tichina Vaughn, Contralto: Mary Wookyung Kim, Tenor: Erik Simeon Esper, Tenor: The Steersman Saxon State Opera Choir Sinfoniechor Dresden Staatskapelle Dresden |
| More info... | ||
| Semperoper, Dresden, Theaterplatz 2, 01067 Dresden, Germany Saturday 15-Jun-13 07:00pm Constantin Trinks, Conductor Florentine Klepper, Director Martina Segna, Set Designer Anna Sofia Tuma, Costume Designer Bernd Purkrabek, Lighting Designer Pablo Assante, Choirmaster Markus Marquardt, Bass-baritone: Dutchman Marjorie Owens, Soprano: Senta Georg Zeppenfeld, Bass: Daland Tichina Vaughn, Contralto: Mary Wookyung Kim, Tenor: Erik Simeon Esper, Tenor: The Steersman Saxon State Opera Choir Sinfoniechor Dresden Staatskapelle Dresden | ||
| Tuesday 29-Oct-13 07:00pm |
National Theatre, Munich Rusalka |
Bavarian State Opera Tomas Hanus, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Heike Grötzinger, Mezzo-soprano: Foreign Princess Kristine Opolais, Soprano: Rusalka Helena Zubanovich, Mezzo-soprano: Jezibaba, the Witch Yulia Sokolik, Mezzo-soprano: Kitchen Boy Ulrich Ress, Tenor: Gamekeeper Dmytro Popov, Tenor: Prince Alina Buratti, Soprano: The Hunter Georg Zeppenfeld, Bass: Vodnik, the water goblin |
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| National Theatre, Munich, Munich, Germany Tuesday 29-Oct-13 07:00pm Rusalka feels trapped in a world from which there is no escape. She is ready to put her immortality on the line in return for a human soul, so she can gain the love of a handsome prince. But she must pay for it with her voice. Muted and liberated from her dark world, she is forced to watch as the prince rejects her in favor of a foreign princess – dooming them both. She cannot live, she cannot die, yet nevertheless at the end, she helps the prince find his death with a “rescuing” kiss.
In their opera Rusalka, which premièred in 1901, Antonin Dvořák and his librettist Jaroslav Kvapil mixed the Slavic myth of the undead vengeful woman from the water with such storybook characters as Friedrich de la Motte Fouqué’s Undine and Hans Christian Andersen’s Little Mermaid. The fascinating musical worlds, the lyrical and highly dramatic moments came together to make Rusalka one of the most successful Czech operas ever written. Sung in Czech with German surtitles Tomas Hanus, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Heike Grötzinger, Mezzo-soprano: Foreign Princess Kristine Opolais, Soprano: Rusalka Helena Zubanovich, Mezzo-soprano: Jezibaba, the Witch Yulia Sokolik, Mezzo-soprano: Kitchen Boy Ulrich Ress, Tenor: Gamekeeper Dmytro Popov, Tenor: Prince Alina Buratti, Soprano: The Hunter Georg Zeppenfeld, Bass: Vodnik, the water goblin | ||
| Friday 1-Nov-13 06:00pm |
National Theatre, Munich Rusalka |
Bavarian State Opera Tomas Hanus, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Heike Grötzinger, Mezzo-soprano: Foreign Princess Kristine Opolais, Soprano: Rusalka Helena Zubanovich, Mezzo-soprano: Jezibaba, the Witch Yulia Sokolik, Mezzo-soprano: Kitchen Boy Ulrich Ress, Tenor: Gamekeeper Dmytro Popov, Tenor: Prince Alina Buratti, Soprano: The Hunter Georg Zeppenfeld, Bass: Vodnik, the water goblin |
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| National Theatre, Munich, Munich, Germany Friday 1-Nov-13 06:00pm Rusalka feels trapped in a world from which there is no escape. She is ready to put her immortality on the line in return for a human soul, so she can gain the love of a handsome prince. But she must pay for it with her voice. Muted and liberated from her dark world, she is forced to watch as the prince rejects her in favor of a foreign princess – dooming them both. She cannot live, she cannot die, yet nevertheless at the end, she helps the prince find his death with a “rescuing” kiss.
In their opera Rusalka, which premièred in 1901, Antonin Dvořák and his librettist Jaroslav Kvapil mixed the Slavic myth of the undead vengeful woman from the water with such storybook characters as Friedrich de la Motte Fouqué’s Undine and Hans Christian Andersen’s Little Mermaid. The fascinating musical worlds, the lyrical and highly dramatic moments came together to make Rusalka one of the most successful Czech operas ever written. Sung in Czech with German surtitles Tomas Hanus, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Heike Grötzinger, Mezzo-soprano: Foreign Princess Kristine Opolais, Soprano: Rusalka Helena Zubanovich, Mezzo-soprano: Jezibaba, the Witch Yulia Sokolik, Mezzo-soprano: Kitchen Boy Ulrich Ress, Tenor: Gamekeeper Dmytro Popov, Tenor: Prince Alina Buratti, Soprano: The Hunter Georg Zeppenfeld, Bass: Vodnik, the water goblin | ||
| Monday 4-Nov-13 07:00pm |
National Theatre, Munich Rusalka |
Bavarian State Opera Tomas Hanus, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Heike Grötzinger, Mezzo-soprano: Foreign Princess Kristine Opolais, Soprano: Rusalka Helena Zubanovich, Mezzo-soprano: Jezibaba, the Witch Yulia Sokolik, Mezzo-soprano: Kitchen Boy Ulrich Ress, Tenor: Gamekeeper Dmytro Popov, Tenor: Prince Alina Buratti, Soprano: The Hunter Georg Zeppenfeld, Bass: Vodnik, the water goblin |
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| National Theatre, Munich, Munich, Germany Monday 4-Nov-13 07:00pm Rusalka feels trapped in a world from which there is no escape. She is ready to put her immortality on the line in return for a human soul, so she can gain the love of a handsome prince. But she must pay for it with her voice. Muted and liberated from her dark world, she is forced to watch as the prince rejects her in favor of a foreign princess – dooming them both. She cannot live, she cannot die, yet nevertheless at the end, she helps the prince find his death with a “rescuing” kiss.
In their opera Rusalka, which premièred in 1901, Antonin Dvořák and his librettist Jaroslav Kvapil mixed the Slavic myth of the undead vengeful woman from the water with such storybook characters as Friedrich de la Motte Fouqué’s Undine and Hans Christian Andersen’s Little Mermaid. The fascinating musical worlds, the lyrical and highly dramatic moments came together to make Rusalka one of the most successful Czech operas ever written. Sung in Czech with German surtitles Tomas Hanus, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Heike Grötzinger, Mezzo-soprano: Foreign Princess Kristine Opolais, Soprano: Rusalka Helena Zubanovich, Mezzo-soprano: Jezibaba, the Witch Yulia Sokolik, Mezzo-soprano: Kitchen Boy Ulrich Ress, Tenor: Gamekeeper Dmytro Popov, Tenor: Prince Alina Buratti, Soprano: The Hunter Georg Zeppenfeld, Bass: Vodnik, the water goblin | ||
| Friday 8-Nov-13 07:00pm |
National Theatre, Munich Rusalka |
Bavarian State Opera Tomas Hanus, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Heike Grötzinger, Mezzo-soprano: Foreign Princess Kristine Opolais, Soprano: Rusalka Helena Zubanovich, Mezzo-soprano: Jezibaba, the Witch Yulia Sokolik, Mezzo-soprano: Kitchen Boy Ulrich Ress, Tenor: Gamekeeper Dmytro Popov, Tenor: Prince Alina Buratti, Soprano: The Hunter Georg Zeppenfeld, Bass: Vodnik, the water goblin |
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| National Theatre, Munich, Munich, Germany Friday 8-Nov-13 07:00pm Rusalka feels trapped in a world from which there is no escape. She is ready to put her immortality on the line in return for a human soul, so she can gain the love of a handsome prince. But she must pay for it with her voice. Muted and liberated from her dark world, she is forced to watch as the prince rejects her in favor of a foreign princess – dooming them both. She cannot live, she cannot die, yet nevertheless at the end, she helps the prince find his death with a “rescuing” kiss.
In their opera Rusalka, which premièred in 1901, Antonin Dvořák and his librettist Jaroslav Kvapil mixed the Slavic myth of the undead vengeful woman from the water with such storybook characters as Friedrich de la Motte Fouqué’s Undine and Hans Christian Andersen’s Little Mermaid. The fascinating musical worlds, the lyrical and highly dramatic moments came together to make Rusalka one of the most successful Czech operas ever written. Sung in Czech with German surtitles Tomas Hanus, Conductor Martin Kusej, Director Martin Zehetgruber, Set Designer Heike Grötzinger, Mezzo-soprano: Foreign Princess Kristine Opolais, Soprano: Rusalka Helena Zubanovich, Mezzo-soprano: Jezibaba, the Witch Yulia Sokolik, Mezzo-soprano: Kitchen Boy Ulrich Ress, Tenor: Gamekeeper Dmytro Popov, Tenor: Prince Alina Buratti, Soprano: The Hunter Georg Zeppenfeld, Bass: Vodnik, the water goblin | ||
