| Date | Event | Composers, Works, Performers |
|---|---|---|
| Wednesday 19-Jun-13 05:10pm |
Glyndebourne Opera HouseLe nozze di Figaro Glyndebourne |
Glyndebourne Opera Jérémie Rhorer, Conductor London Philharmonic Orchestra Michael Grandage, Director Christopher Oram, Set Designer Adam Plachetka, Bass-baritone: Figaro Laura Tatulescu, Soprano: Susanna Amanda Majeski, Soprano: Countess Almaviva Joshua Hopkins, Baritone: Count Almaviva Luciano di Pasquale, Bass: Doctor Bartolo Anne Mason, Mezzo-soprano: Marcellina Lydia Teuscher, Soprano: Cherubino Timothy Robinson, Tenor: Don Basilio |
| More info... | ||
| Glyndebourne Opera House, Glyndebourne BN8 5UU, United Kingdom Wednesday 19-Jun-13 05:10pm Le nozze di Figaro Jérémie Rhorer, Conductor London Philharmonic Orchestra Michael Grandage, Director Christopher Oram, Set Designer Adam Plachetka, Bass-baritone: Figaro Laura Tatulescu, Soprano: Susanna Amanda Majeski, Soprano: Countess Almaviva Joshua Hopkins, Baritone: Count Almaviva Luciano di Pasquale, Bass: Doctor Bartolo Anne Mason, Mezzo-soprano: Marcellina Lydia Teuscher, Soprano: Cherubino Timothy Robinson, Tenor: Don Basilio | ||
| Wednesday 19-Jun-13 06:00pm |
Opéra Bastille, ParisDie Walküre |
Opéra de Paris Philippe Jordan, Conductor Günter Krämer, Director Stuart Skelton, Tenor: Siegmund Günther Groissböck, Bass: Hunding Egils Silins, Bass-baritone: Wotan Martina Serafin, Soprano: Sieglinde Janice Baird, Soprano: Brünnhilde Sophie Koch, Mezzo-soprano: Fricka Kelly God, Soprano: Gerhilde Carola Höhn, Soprano: Ortlinde Silvia Hablowetz, Mezzo-soprano: Waltraute Wiebke Lehmkuhl, Contralto: Schwertleite Barbara Morihien, Soprano: Helmwige Heleme Ranada, Mezzo-soprano: Siegrune Louise Callinan, Mezzo-soprano: Rossweisse Ann-Beth Solvang, Mezzo-soprano: Grimgerde |
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| Opéra Bastille, Paris, 120 rue de Lyon, 75012 Paris, France Wednesday 19-Jun-13 06:00pm For the first time in 60 years, the Paris Opera is performing all four parts of The Ring of the Nibelung over a ten-day period, conducted by Philippe Jordan, the Opera’s musical director. Performed in German. Philippe Jordan, Conductor Günter Krämer, Director Stuart Skelton, Tenor: Siegmund Günther Groissböck, Bass: Hunding Egils Silins, Bass-baritone: Wotan Martina Serafin, Soprano: Sieglinde Janice Baird, Soprano: Brünnhilde Sophie Koch, Mezzo-soprano: Fricka Kelly God, Soprano: Gerhilde Carola Höhn, Soprano: Ortlinde Silvia Hablowetz, Mezzo-soprano: Waltraute Wiebke Lehmkuhl, Contralto: Schwertleite Barbara Morihien, Soprano: Helmwige Heleme Ranada, Mezzo-soprano: Siegrune Louise Callinan, Mezzo-soprano: Rossweisse Ann-Beth Solvang, Mezzo-soprano: Grimgerde | ||
| Wednesday 19-Jun-13 06:20pm |
Garsington Opera, High WycombeMozart's Die Entfuhrung aus dem Serail Garsington Opera |
Garsington Opera Company William Lacey, Conductor Daniel Slater, Director Francis O'Connor, Set Designer Rebecca Nelsen, Soprano: Konstanze Norman Reinhardt, Tenor: Belmonte Susanna Andersson, Soprano: Blondchen Matthew Rose, Baritone: Osmin Mark Wilde, Tenor: Pedrillo |
| More info... | ||
| Garsington Opera, High Wycombe, The Wormsley Estate, High Wycombe HP14 3YE, United Kingdom Wednesday 19-Jun-13 06:20pm Mozart's Die Entfuhrung aus dem Serail Die Entführung aus dem Serail (The Abduction from the Harem), K384 (Mozart, Wolfgang Amadeus (1756-1791)) William Lacey, Conductor Daniel Slater, Director Francis O'Connor, Set Designer Rebecca Nelsen, Soprano: Konstanze Norman Reinhardt, Tenor: Belmonte Susanna Andersson, Soprano: Blondchen Matthew Rose, Baritone: Osmin Mark Wilde, Tenor: Pedrillo | ||
| Wednesday 19-Jun-13 06:30pm |
Village Underground, LondonAt the World's Edge Spitalfields Music Summer Festival |
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| More info...Buy tickets! | ||
| Village Underground, London, 54 Holywell Lane, London EC2A 3PQ, United Kingdom Wednesday 19-Jun-13 06:30pm At the World's Edge Combining puppetry, electronic soundscape and live music, At the World’s Edge recasts the Greek myth of Persephone’s descent into the underworld and her mother’s epic search to get her back. As puppets move and transform in and around the space, music shapes a magical story that is both humorous and tragic, and a soaring adventure for the eyes and ears. Suitable for audiences aged eight and above. | ||
| Wednesday 19-Jun-13 07:30pm |
Staatsoper at Schiller Theater, BerlinThe Fairy Queen |
Staatsoper Berlin Michael Boder, Conductor Benjamin Bayl, Conductor Claus Guth, Director Christian Schmidt, Set Designer Ramses Sigl, Choreography Eberhard Friedrich, Choirmaster Marlis Petersen, Soprano Tanja Ariane Baumgartner, Mezzo-soprano Bejun Mehta, Countertenor Topi Lehtipuu, Tenor Roman Trekel, Baritone Staatskapelle Berlin Akademie für Alte Musik Berlin Staatsopernchor Berlin |
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| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Wednesday 19-Jun-13 07:30pm Caught between Baroque and contemporary music: Helmut Oehring takes Henry Purcell's semi-opera "The Fairy Queen" as a model for his ideas.Pre-performance lecture, 45 minutes prior to each performance (in German) Michael Boder, Conductor Benjamin Bayl, Conductor Claus Guth, Director Christian Schmidt, Set Designer Ramses Sigl, Choreography Eberhard Friedrich, Choirmaster Marlis Petersen, Soprano Tanja Ariane Baumgartner, Mezzo-soprano Bejun Mehta, Countertenor Topi Lehtipuu, Tenor Roman Trekel, Baritone Staatskapelle Berlin Akademie für Alte Musik Berlin Staatsopernchor Berlin | ||
| Wednesday 19-Jun-13 07:30pm |
Sadler's Wells: Peacock Theatre, LondonZooNation Dance Company — Some Like It Hip Hop |
ZooNation Dance Company |
| More info... | ||
| Sadler's Wells: Peacock Theatre, London, Portugal Street, Holborn, London WC2 2HT, United Kingdom Wednesday 19-Jun-13 07:30pm ZooNation Dance Company — Some Like It Hip Hop ZooNation’s Some Like It Hip Hop has been a runaway success since it hit the Peacock Theatre in 2011, wowing audiences and prompting widespread critical praise with five-star reviews and standing ovations. After a second successful run and celebrating the company’s tenth anniversary at Sadler’s Wells last year, Some Like It Hip Hop returns to the Peacock Theatre to kick-start the summer. Fast becoming a modern classic, Some Like It Hip Hop unites truly sensational dancing and a typically clever and engrossing storyline with infectious “wit, heart and magnificent energy” (The Independent). With a nod to Billy Wilder’s Some Like It Hot and Shakespeare’s Twelfth Night, it tells a comical tale of love, mistaken identity, cross-dressing and revolution, all played out in ZooNation’s trademark style of hip hop, comedy and physical theatre. Directed by Sadler’s Wells Associate Artist Kate Prince, Some Like It Hip Hop also features a ground-shaking original soundtrack, live singing and some of the UK’s top hip hop dance talent. | ||
| Wednesday 19-Jun-13 07:30pm |
New Palace Sanssouci: Palace Theatre, PotsdamPremiere: Proserpina Potsdam Sanssouci Music Festival |
Ensemble Syd Barokksolistene Olof Boman, Conductor Elisabeth Linton, Director Elisabeth Meyer, Soprano: Proserpina Erika Roos, Soprano: Ceres Isa Katharina Gericke, Soprano: Cyane David Danholt, Tenor: Atis Lars Arvidson, Baritone: Pluto Ludvig Lindström, Baritone: Jupiter |
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| New Palace Sanssouci: Palace Theatre, Potsdam, Sanssouci Park, Am Neuen Palais, 14469 Potsdam, Germany Wednesday 19-Jun-13 07:30pm Premiere: Proserpina Opera in one act by Joseph Martin Kraus (1756-1792) Libretto by Johan Henrik Kellgren Based on a sketch by Gustav III of Sweden. Sung in Swedish with German supertitles
It was a Swedish fellow student at the university of Göttingen who suggested to would-be composer Joseph Martin Kraus trying his luck at Gustav III’s court in Stockholm. In 1772 Gustav founded the royal opera to raise his nation’s cultural prestige and to further the development of its own national culture. Soon the repertoire, which the king managed himself, also contained operas in Swedish. He designed libretti and was always on the lookout for new talents. All in all, there were striking similarities between him and his mother’s brother: famous Uncle Frederic II.
Inspired by ancient mythology, the one act piece "Proserpin", which received a preview performance in 1781 at Uriksdal Palace, launched composer Kraus’ distinguished career as royal Swedish conductor at the tender age of 25. His score which is rich in both colours and events he largely leaves the traditional number opera structure and finds his very individual compositional solutions. This is the work of one of the period’s most original and most innovative opera creators. Haydn called him a genius. That is a word he only used for one other man: Mozart.
Ensemble Syd Barokksolistene Olof Boman, Conductor Elisabeth Linton, Director Elisabeth Meyer, Soprano: Proserpina Erika Roos, Soprano: Ceres Isa Katharina Gericke, Soprano: Cyane David Danholt, Tenor: Atis Lars Arvidson, Baritone: Pluto Ludvig Lindström, Baritone: Jupiter | ||
| Wednesday 19-Jun-13 07:30pm |
Opernhaus, ZürichLady Macbeth of Mzensk |
Zurich Opera Teodor Currentzis, Conductor Andreas Homoki, Director Hartmut Meyer, Set Designer Orchestra La Scintilla Zurich Gun-Brit Barkmin, Soprano: Katerina Lvovna Izmailova Kurt Rydl, Bass: Boris Timofeyevich Izmailov Benjamin Bernheim, Tenor: Zinoviy Borisovich Izmailov Brandon Jovanovich, Tenor: Sergey Kismara Pessatti, Mezzo-soprano: Aksinia Julia Riley, Mezzo-soprano: Sonyetka Valery Murga, Bass: Office Manager Pavel Daniluk, Bass: Pope Tomasz Slawinski, Bass: Police inspector |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Wednesday 19-Jun-13 07:30pm Lady Macbeth of Mzensk Opera in nine scenes
Libretto by Alexander G. Preis and Dmitri Shostakovich
after a novella by Nikolai Leskov
The young wife of a merchant, Katerina Ismailova, murders three people. She stirs rat poison into her tyrannical father-in-law’s dish of mushrooms, beats her husband to death together with her lover, and at the prison camp in Siberia, as she finally jumps to her death, drags a rival down with her. Nevertheless, in a horrific men’s world of greed, lechery and violence, Katerina is the only figure with a human face in this opera. Only for her has Shostakovich reserved a compassionate tone. The society in which she becomes a murderess is barbaric. With twisted mouths, the grotesque faces of human wickedness grin out at us from Shostakovich’s magnificent score.
Lady Macbeth of Mzensk was premièred in Leningrad in 1934. It marks a decisive turning point in Shostakovich’s oeuvre. After Joseph Stalin attended a performance of the opera in 1936, the famous article entitled Chaos instead of music was published in Pravda. The work was scourged as the expression of “radical left-wing self-indulgence” and “petit bourgeois innovation”. It disappeared from theatres, Shostakovich had to fear for his life, never composed another opera, and from then on concealed his true musical feelings and ideas behind a thousand masks.
Teodor Currentzis, the spirited Greek conductor from Siberia who has caused a furore with his unconventional interpretations, is the musical director of the production. Tatjana Serjan, famous for her Verdi roles, will be giving her role début as Katerina. Zurich Opera Director Andreas Homoki will be staging his second production of this season.
In Russian with German and English supertitles.Teodor Currentzis, Conductor Andreas Homoki, Director Hartmut Meyer, Set Designer Orchestra La Scintilla Zurich Gun-Brit Barkmin, Soprano: Katerina Lvovna Izmailova Kurt Rydl, Bass: Boris Timofeyevich Izmailov Benjamin Bernheim, Tenor: Zinoviy Borisovich Izmailov Brandon Jovanovich, Tenor: Sergey Kismara Pessatti, Mezzo-soprano: Aksinia Julia Riley, Mezzo-soprano: Sonyetka Valery Murga, Bass: Office Manager Pavel Daniluk, Bass: Pope Tomasz Slawinski, Bass: Police inspector | ||
| Wednesday 19-Jun-13 07:30pm |
The London ColiseumLa Bohème |
English National Opera Jonathan Miller, Director Natascha Metherell, Revival Director Isabella Bywater, Set Designer Gwyn Hughes Jones, Tenor: Rodolfo Kate Valentine, Soprano: Mimì Richard Burkhard, Baritone: Marcello Angel Blue, Soprano: Musetta Andrew Craig Brown, Bass: Colline Duncan Rock, Baritone: Schaunard Simon Butteriss, Bass: Benoît |
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| The London Coliseum, St. Martin's Lane, London WC2N 4ES, United Kingdom Wednesday 19-Jun-13 07:30pm Puccini’s gift for writing emotional music is brought to the fore in La bohème’s tale of doomed love in poverty-stricken Paris. One of the world’s most recognised and widely performed operas, it focuses on two central relationships: that of the poet Rodolfo, who falls in love with the pretty but consumptive seamstress Mimì; and the painter Marcello, who has a glamorous and popular on-off mistress, Musetta.
Jonathan Miller’s production for ENO has quickly become a company classic and here receives its second revival since its 2009 premiere. Inspired by Brassaï’s photographs of the Paris Left Bank in the 1930s, Miller modernises the original bohemian setting to evoke the stark poverty of the day, creating a highly effective contemporary resonance, citing the film Withnail and I as an inspiration. Playing Mimì is Kate Valentine, who in recent seasons has played the Countess in Fiona Shaw’s production of The Marriage of Figaro and an ‘excellent’ (The Times) Helena in Christopher Alden’s Olivier Award-nominated A Midsummer Night’s Dream. Gwyn Hughes Jones returns to the role of Rodolfo following his great success in ENO’s 2010 production, and recent acclaimed Pinkerton in Madam Butterfly.Jonathan Miller, Director Natascha Metherell, Revival Director Isabella Bywater, Set Designer Gwyn Hughes Jones, Tenor: Rodolfo Kate Valentine, Soprano: Mimì Richard Burkhard, Baritone: Marcello Angel Blue, Soprano: Musetta Andrew Craig Brown, Bass: Colline Duncan Rock, Baritone: Schaunard Simon Butteriss, Bass: Benoît | ||
| Wednesday 19-Jun-13 07:30pm |
Watford ColosseumWatford Philharmonic Society presents An Evening with George Gershwin |
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| More info... | ||
| Watford Colosseum, Watford WD17 3EX, United Kingdom Wednesday 19-Jun-13 07:30pm Watford Philharmonic Society presents An Evening with George Gershwin | ||
| Wednesday 19-Jun-13 07:30pm |
War Memorial Opera House, San Francisco, CAThe Gospel of Mary Magdalene - World première |
San Francisco Opera Company Michael Christie, Conductor Kevin Newbury, Director Sasha Cooke, Mezzo-soprano: Mary Magdalene Maria Kanyova, Soprano: Miriam William Burden, Tenor: Peter Nathan Gunn, Baritone: Yeshua |
| More info... | ||
| War Memorial Opera House, San Francisco, CA, San Francisco, 94102, United States Wednesday 19-Jun-13 07:30pm The Gospel of Mary Magdalene - World première Sung in English with English supertitles. Approximate running time: 2 hours, 30 minutes. Michael Christie, Conductor Kevin Newbury, Director Sasha Cooke, Mezzo-soprano: Mary Magdalene Maria Kanyova, Soprano: Miriam William Burden, Tenor: Peter Nathan Gunn, Baritone: Yeshua | ||
| Wednesday 19-Jun-13 08:30pm |
Muziekgebouw aan ’t IJ: Main Hall, AmsterdamTroparion and Suster Bertken Holland Festival |
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| Muziekgebouw aan ’t IJ: Main Hall, Amsterdam, Piet Heinkade 1, Amsterdam 1019 BR, Netherlands Wednesday 19-Jun-13 08:30pm Troparion and Suster Bertken The Dutch composer Rob Zuidam has always had an eye for headstrong women. In his first collaboration with festival director Pierre Audi he puts two of them on stage. Suster Bertken tells about the fascinating life of the medieval ascetic Berta Jacobs, who bricked herself in at the Buur Church in Utrecht, in order to devote her life to God. This work from 2010 will be staged for the first time, in combination with the brand new Troparion, which Zuidam wrote for alto Helena Rasker, the young violinist Liza Ferschtman and a small instrumental ensemble. The piece is about a woman who sheds her tears on a dead branch, hoping God will breathe new life into it. According to Zuidam the work is about ‘hope and melancholy and the inability to bridge the gap between past and future.’Tickets €29 - 24, students/CJO €17.50 all categories. Running time 2 hours 5 minutes, with one internal. In medieval Dutch and ancient Greek with Dutch surtitles.Image credit: Ada Nieuwendijk | ||
| Wednesday 19-Jun-13 08:30pm |
Village Underground, LondonAt the World's Edge Spitalfields Music Summer Festival |
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| More info...Buy tickets! | ||
| Village Underground, London, 54 Holywell Lane, London EC2A 3PQ, United Kingdom Wednesday 19-Jun-13 08:30pm At the World's Edge Combining puppetry, electronic soundscape and live music, At the World’s Edge recasts the Greek myth of Persephone’s descent into the underworld and her mother’s epic search to get her back. As puppets move and transform in and around the space, music shapes a magical story that is both humorous and tragic, and a soaring adventure for the eyes and ears. Suitable for audiences aged eight and above. | ||
| Thursday 20-Jun-13 |
Staatsoper, ViennaCapriccio |
Vienna State Opera Christoph Eschenbach, Conductor Marco Arturo Marelli, Director Renée Fleming, Soprano: The countess Bo Skovhus, Baritone: The count Michael Schade, Tenor: Flamand Markus Eiche, Baritone: Olivier Kurt Rydl, Bass: La Roche Angelika Kirchschlager, Mezzo-soprano: Clairon |
| More info... | ||
| Staatsoper, Vienna, 1010 Vienna, Austria Thursday 20-Jun-13 Check start time of performance. Christoph Eschenbach, Conductor Marco Arturo Marelli, Director Renée Fleming, Soprano: The countess Bo Skovhus, Baritone: The count Michael Schade, Tenor: Flamand Markus Eiche, Baritone: Olivier Kurt Rydl, Bass: La Roche Angelika Kirchschlager, Mezzo-soprano: Clairon | ||
| Thursday 20-Jun-13 05:30pm |
Het Muziektheater, AmsterdamDie Meistersinger von Nürnberg Holland Festival |
De Nederlandse Opera Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Thursday 20-Jun-13 05:30pm In his only comic opera, Wagner distilled poetry and music into a single unified form that unfolds as an unbroken stream of music-dramatic dialogue. It became a singspiel, partly based on personal experience, about the romance between the bourgeois girl Eva Pogner and the knight Walther von Stolzing, who may only wed his beloved once he has won the annual singing contest. The cobbler Hans Sachs represents, on the one hand, the old guard as a member of the Guild of Mastersingers; on the other hand he is open to modernization and stimulates the knight’s artistic gifts, stoking the conflict between narrow-mindedness and true artistry – a theme certainly not unfamiliar to Wagner himself. Love triumphs in the end, thanks to Sachs’ closing address in which he praises the ‘master’s honour’, a typically German honour one might view with considerable scepticism: the Meistersinger finale was, after all, misused for political purposes.Running time 5 hours 25 minutes with two intervals, in German with Dutch and English surtitles.Image credit: Ada Nieuwendijk Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger | ||
| Thursday 20-Jun-13 05:45pm |
Garsington Opera, High WycombeRossini's Maometto Secondo, British Stage Premiere Garsington Opera |
Garsington Opera Company David Parry, Conductor Edward Dick, Director Robert Innes Hopkins, Set Designer/Costume Designer Darren Jeffery, Bass-baritone: Maometto secondo Paul Nilon, Tenor: Paolo Erisso Siân Davies, Soprano: Anna Caitlin Hulcup, Mezzo-soprano: Calbo Christopher Diffey, Tenor: Selimo Richard Dowling, Tenor: Condulmiero |
| More info... | ||
| Garsington Opera, High Wycombe, The Wormsley Estate, High Wycombe HP14 3YE, United Kingdom Thursday 20-Jun-13 05:45pm Rossini's Maometto Secondo, British Stage Premiere British Stage Premiere David Parry, Conductor Edward Dick, Director Robert Innes Hopkins, Set Designer/Costume Designer Darren Jeffery, Bass-baritone: Maometto secondo Paul Nilon, Tenor: Paolo Erisso Siân Davies, Soprano: Anna Caitlin Hulcup, Mezzo-soprano: Calbo Christopher Diffey, Tenor: Selimo Richard Dowling, Tenor: Condulmiero | ||
| Thursday 20-Jun-13 05:50pm |
Glyndebourne Opera HouseAriadne auf Naxos Glyndebourne |
Glyndebourne Opera Vladimir Jurowski, Conductor London Philharmonic Orchestra Katharina Thoma, Director Julia Müer, Set Designer Sir Thomas Allen, Baritone: Music Master Soile Isokoski, Soprano: Primadonna (Ariadne) Kate Lindsey, Mezzo-soprano: Composer Teodora Gheorghiu, Soprano: Zerbinetta Dmitri Vargin, Baritone: Harlequin James Kryshak, Tenor: Scaramuccio Sergei Skorokhodov, Tenor: Bacchus Guy de Mey, Tenor: Dancing Master |
| More info... | ||
| Glyndebourne Opera House, Glyndebourne BN8 5UU, United Kingdom Thursday 20-Jun-13 05:50pm Vladimir Jurowski, Conductor London Philharmonic Orchestra Katharina Thoma, Director Julia Müer, Set Designer Sir Thomas Allen, Baritone: Music Master Soile Isokoski, Soprano: Primadonna (Ariadne) Kate Lindsey, Mezzo-soprano: Composer Teodora Gheorghiu, Soprano: Zerbinetta Dmitri Vargin, Baritone: Harlequin James Kryshak, Tenor: Scaramuccio Sergei Skorokhodov, Tenor: Bacchus Guy de Mey, Tenor: Dancing Master | ||
| Thursday 20-Jun-13 06:30pm |
La Scala, MilanSiegfried |
Teatro alla Scala Daniel Barenboim, Conductor Guy Cassiers, Director Lance Ryan, Tenor: Siegfried Peter Bronder, Tenor: Mime Juha Uusitalo, Bass-baritone: Wanderer Johannes Martin Kränzle, Baritone: Alberich Iréne Theorin, Soprano: Brünnhilde Mari Eriksmoen, Soprano: Waldvogel (the woodbird) |
| More info... | ||
| La Scala, Milan, 20121 Milan, Italy Thursday 20-Jun-13 06:30pm Daniel Barenboim, Conductor Guy Cassiers, Director Lance Ryan, Tenor: Siegfried Peter Bronder, Tenor: Mime Juha Uusitalo, Bass-baritone: Wanderer Johannes Martin Kränzle, Baritone: Alberich Iréne Theorin, Soprano: Brünnhilde Mari Eriksmoen, Soprano: Waldvogel (the woodbird) | ||
| Thursday 20-Jun-13 07:30pm |
New Palace Sanssouci: Palace Theatre, PotsdamProserpina Potsdam Sanssouci Music Festival |
Ensemble Syd Barokksolistene Olof Boman, Conductor Elisabeth Linton, Director Elisabeth Meyer, Soprano: Proserpina Erika Roos, Soprano: Ceres Isa Katharina Gericke, Soprano: Cyane David Danholt, Tenor: Atis Lars Arvidson, Baritone: Pluto Ludvig Lindström, Baritone: Jupiter |
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| New Palace Sanssouci: Palace Theatre, Potsdam, Sanssouci Park, Am Neuen Palais, 14469 Potsdam, Germany Thursday 20-Jun-13 07:30pm Opera in one act by Joseph Martin Kraus (1756-1792) Libretto by Johan Henrik Kellgren Based on a sketch by Gustav III of Sweden. Sung in Swedish with German supertitles
It was a Swedish fellow student at the university of Göttingen who suggested to would-be composer Joseph Martin Kraus trying his luck at Gustav III’s court in Stockholm. In 1772 Gustav founded the royal opera to raise his nation’s cultural prestige and to further the development of its own national culture. Soon the repertoire, which the king managed himself, also contained operas in Swedish. He designed libretti and was always on the lookout for new talents. All in all, there were striking similarities between him and his mother’s brother: famous Uncle Frederic II.
Inspired by ancient mythology, the one act piece "Proserpin", which received a preview performance in 1781 at Uriksdal Palace, launched composer Kraus’ distinguished career as royal Swedish conductor at the tender age of 25. His score which is rich in both colours and events he largely leaves the traditional number opera structure and finds his very individual compositional solutions. This is the work of one of the period’s most original and most innovative opera creators. Haydn called him a genius. That is a word he only used for one other man: Mozart.
Ensemble Syd Barokksolistene Olof Boman, Conductor Elisabeth Linton, Director Elisabeth Meyer, Soprano: Proserpina Erika Roos, Soprano: Ceres Isa Katharina Gericke, Soprano: Cyane David Danholt, Tenor: Atis Lars Arvidson, Baritone: Pluto Ludvig Lindström, Baritone: Jupiter | ||
| Thursday 20-Jun-13 07:30pm |
Sadler's Wells: Peacock Theatre, LondonZooNation Dance Company — Some Like It Hip Hop |
ZooNation Dance Company |
| More info... | ||
| Sadler's Wells: Peacock Theatre, London, Portugal Street, Holborn, London WC2 2HT, United Kingdom Thursday 20-Jun-13 07:30pm ZooNation Dance Company — Some Like It Hip Hop ZooNation’s Some Like It Hip Hop has been a runaway success since it hit the Peacock Theatre in 2011, wowing audiences and prompting widespread critical praise with five-star reviews and standing ovations. After a second successful run and celebrating the company’s tenth anniversary at Sadler’s Wells last year, Some Like It Hip Hop returns to the Peacock Theatre to kick-start the summer. Fast becoming a modern classic, Some Like It Hip Hop unites truly sensational dancing and a typically clever and engrossing storyline with infectious “wit, heart and magnificent energy” (The Independent). With a nod to Billy Wilder’s Some Like It Hot and Shakespeare’s Twelfth Night, it tells a comical tale of love, mistaken identity, cross-dressing and revolution, all played out in ZooNation’s trademark style of hip hop, comedy and physical theatre. Directed by Sadler’s Wells Associate Artist Kate Prince, Some Like It Hip Hop also features a ground-shaking original soundtrack, live singing and some of the UK’s top hip hop dance talent. | ||
| Thursday 20-Jun-13 07:30pm |
The London ColiseumThe Perfect American |
English National Opera Gareth Jones, Conductor Phelim McDermott, Director Dan Potra, Set Designer Ben Wright, Choreography Christopher Purves, Bass: Walt Disney David Pittsinger, Bass: Roy Janis Kelly, Soprano: Hazel George Sarah Tynan, Soprano: Sharon John Easterlin, Tenor: Andy Warhol Zachary James, Baritone: Abraham Lincoln |
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| The London Coliseum, St. Martin's Lane, London WC2N 4ES, United Kingdom Thursday 20-Jun-13 07:30pm Based on Peter Stephan Jungk’s novel and written by Philip Glass, one of the world’s most important composers, The Perfect American imagines the final years of Walt Disney’s life, including mythical imaginings of Abraham Lincoln and Andy Warhol. This latest opera from Glass, his 24th, was commissioned by ENO and Teatro Real Madrid to mark his 75th birthday.
British theatre director Phelim McDermott returns following his spectacular production of Satyagraha for ENO and the Metropolitan Opera, New York, described as ‘transfixing musically and visually’ (The Guardian). The design is by leading international designer Dan Potra, whose work on the Sydney 2000 Olympic Games ceremony was widely acclaimed.
Tickets £12 - £60.Gareth Jones, Conductor Phelim McDermott, Director Dan Potra, Set Designer Ben Wright, Choreography Christopher Purves, Bass: Walt Disney David Pittsinger, Bass: Roy Janis Kelly, Soprano: Hazel George Sarah Tynan, Soprano: Sharon John Easterlin, Tenor: Andy Warhol Zachary James, Baritone: Abraham Lincoln | ||
| Thursday 20-Jun-13 07:30pm |
Royal Opera House, Covent Garden, LondonGloriana |
Royal Opera Paul Daniel, Conductor Richard Jones, Director Susan Bullock, Soprano: Elizabeth I Toby Spence, Tenor: Robert Devereux, Earl of Essex Patricia Bardon, Mezzo-soprano: Frances Devereux, Countess of Essex Mark Stone, Baritone: Charles Blount, Lord Mountjoy Kate Royal, Soprano: Penelope, Lady Rich Peter Coleman-Wright, Baritone: Sir Robert Cecil Clive Bayley, Bass: Sir Walter Raleigh Benjamin Bevan, Baritone: Henry Cuffe Brindley Sherratt, Bass: A blind ballad singer |
| More info... | ||
| Royal Opera House, Covent Garden, London, Bow Street,, Covent Garden, London WC2E 9DD, United Kingdom Thursday 20-Jun-13 07:30pm Paul Daniel, Conductor Richard Jones, Director Susan Bullock, Soprano: Elizabeth I Toby Spence, Tenor: Robert Devereux, Earl of Essex Patricia Bardon, Mezzo-soprano: Frances Devereux, Countess of Essex Mark Stone, Baritone: Charles Blount, Lord Mountjoy Kate Royal, Soprano: Penelope, Lady Rich Peter Coleman-Wright, Baritone: Sir Robert Cecil Clive Bayley, Bass: Sir Walter Raleigh Benjamin Bevan, Baritone: Henry Cuffe Brindley Sherratt, Bass: A blind ballad singer | ||
| Thursday 20-Jun-13 07:30pm |
War Memorial Opera House, San Francisco, CATales of Hoffmann |
San Francisco Opera Company Patrick Fournillier, Conductor Laurent Pelly, Director Matthew Polenzani, Tenor: Hoffmann Natalie Dessay, Soprano: Antonia Hye Jung Lee, Soprano: Olympia Irene Roberts, Mezzo-soprano: Giulietta Jennifer Cherest, Soprano: Stella Alice Coote, Mezzo-soprano: Nicklausse Christian Van Horn, Bass-baritone: Lindorff/Coppélius/Miracle/Dapertutto Steven Cole, Tenor: Andreas/Cochenille/Pitichinaccio /Frantz |
| More info... | ||
| War Memorial Opera House, San Francisco, CA, San Francisco, 94102, United States Thursday 20-Jun-13 07:30pm Sung in French with English supertitles. Approximate running time: 3 hours, 30 minutes including two intermissions. Co-production with Gran Teatre del Liceu (Barcelona) Patrick Fournillier, Conductor Laurent Pelly, Director Matthew Polenzani, Tenor: Hoffmann Natalie Dessay, Soprano: Antonia Hye Jung Lee, Soprano: Olympia Irene Roberts, Mezzo-soprano: Giulietta Jennifer Cherest, Soprano: Stella Alice Coote, Mezzo-soprano: Nicklausse Christian Van Horn, Bass-baritone: Lindorff/Coppélius/Miracle/Dapertutto Steven Cole, Tenor: Andreas/Cochenille/Pitichinaccio /Frantz | ||
| Thursday 20-Jun-13 07:30pm |
Opernhaus, ZürichDon Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Thursday 20-Jun-13 07:30pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Thursday 20-Jun-13 07:45pm |
Royal Opera House: Linbury Studio Theatre, LondonThe Importance of Being Earnest |
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| More info... | ||
| Royal Opera House: Linbury Studio Theatre, London, Bow Street, Covent Garden, London WC2E 9DD, United Kingdom Thursday 20-Jun-13 07:45pm | ||
| Thursday 20-Jun-13 08:00pm |
Opéra de MarseilleCléopâtre |
Opéra de Marseille Lawrence Foster, Conductor Charles Roubaud, Director Béatrice Uria-Monzon, Mezzo-soprano: Cléopâtre Jean-François Lapointe, Baritone: Marc Antoine Luca Lombardo, Tenor: Spakos Philippe Ermelier, Baritone: Ennius Jean-Marie Delpas, Bass: Sévérus |
| More info... | ||
| Opéra de Marseille, 2 rue Molière, 13001 Marseille, France Thursday 20-Jun-13 08:00pm Lawrence Foster, Conductor Charles Roubaud, Director Béatrice Uria-Monzon, Mezzo-soprano: Cléopâtre Jean-François Lapointe, Baritone: Marc Antoine Luca Lombardo, Tenor: Spakos Philippe Ermelier, Baritone: Ennius Jean-Marie Delpas, Bass: Sévérus | ||
| Thursday 20-Jun-13 08:00pm |
Théâtre du Capitole, ToulouseDon Carlos |
Théâtre du Capitole Maurizio Benini, Conductor Nicolas Joël, Director Roberto Scandiuzzi, Bass: Philippe II, King of Spain Dimitri Pittas, Tenor: Don Carlos Christian Gerhaher, Baritone: Rodrigo, Marquis of Posa Kristinn Sigmundsson, Bass: Grand Inquisitor Tamar Iveri, Soprano: Elisabeth of Valois, Queen of Spain Luciana D'Intino, Mezzo-soprano: Princess Eboli |
| More info... | ||
| Théâtre du Capitole, Toulouse, Place du Capitole, 31000 Toulouse, France Thursday 20-Jun-13 08:00pm Maurizio Benini, Conductor Nicolas Joël, Director Roberto Scandiuzzi, Bass: Philippe II, King of Spain Dimitri Pittas, Tenor: Don Carlos Christian Gerhaher, Baritone: Rodrigo, Marquis of Posa Kristinn Sigmundsson, Bass: Grand Inquisitor Tamar Iveri, Soprano: Elisabeth of Valois, Queen of Spain Luciana D'Intino, Mezzo-soprano: Princess Eboli | ||
| Thursday 20-Jun-13 08:00pm |
Vlaamse Opera, AntwerpCandide |
Vlaamse Opera Yannis Pouspourikas, Conductor Nigel Lowery, Director/Set Designer Lothar Baumgarte, Lighting Designer Michael Spyres, Tenor: Candide Chris Merritt, Tenor: Governor Carole Wilson, Mezzo-soprano: Old Lady Graham Valentine, Voice: Doctor Pangloss Andrew Ashwin, Baritone: Maximilian Marija Jokovic, Soprano: Paquette |
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| Vlaamse Opera, Antwerp, Frankrijklei 3, 2000 Antwerp, Belgium Thursday 20-Jun-13 08:00pm ![]() Image credit: Ward Zwart / Vlaamse Opera Yannis Pouspourikas, Conductor Nigel Lowery, Director/Set Designer Lothar Baumgarte, Lighting Designer Michael Spyres, Tenor: Candide Chris Merritt, Tenor: Governor Carole Wilson, Mezzo-soprano: Old Lady Graham Valentine, Voice: Doctor Pangloss Andrew Ashwin, Baritone: Maximilian Marija Jokovic, Soprano: Paquette | ||
| Thursday 20-Jun-13 08:00pm |
Teatro Real, MadridWozzeck |
Madrid Opera Sylvain Cambreling, Conductor Christoph Marthaler, Director Simon Keenlyside, Baritone: Wozzeck Jon Villars, Tenor: Drum major Roger Padullés, Tenor: Andres Gerhard Siegel, Tenor: Captain Franz Hawlata, Bass: Doctor Nadja Michael, Soprano: Marie Katarina Bradić, Mezzo-soprano: Margret Francisco Vas, Tenor: Madman |
| More info... | ||
| Teatro Real, Madrid, Madrid 28013, Spain Thursday 20-Jun-13 08:00pm Sylvain Cambreling, Conductor Christoph Marthaler, Director Simon Keenlyside, Baritone: Wozzeck Jon Villars, Tenor: Drum major Roger Padullés, Tenor: Andres Gerhard Siegel, Tenor: Captain Franz Hawlata, Bass: Doctor Nadja Michael, Soprano: Marie Katarina Bradić, Mezzo-soprano: Margret Francisco Vas, Tenor: Madman | ||
| Friday 21-Jun-13 |
Staatsoper, ViennaRoméo et Juliette |
Vienna State Opera Plácido Domingo, Conductor Jürgen Flimm, Director Nino Machaidze, Soprano: Juliette Piotr Beczala, Tenor: Roméo Eijiro Kai, Baritone: Mercutio Dan Paul Dumitrescu, Bass: Frère Laurent |
| More info... | ||
| Staatsoper, Vienna, 1010 Vienna, Austria Friday 21-Jun-13 Check start time of performance. Plácido Domingo, Conductor Jürgen Flimm, Director Nino Machaidze, Soprano: Juliette Piotr Beczala, Tenor: Roméo Eijiro Kai, Baritone: Mercutio Dan Paul Dumitrescu, Bass: Frère Laurent | ||
| Friday 21-Jun-13 01:30pm |
City Recital Hall Angel Place, Sydney, NSWACO - Richard Tognetti Presents ACO2 |
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| More info... | ||
| City Recital Hall Angel Place, Sydney, NSW, 2-12 Angel Place, Sydney, NSW, Australia Friday 21-Jun-13 01:30pm ACO - Richard Tognetti Presents ACO2 | ||
| Friday 21-Jun-13 05:10pm |
Glyndebourne Opera HouseLe nozze di Figaro Glyndebourne |
Glyndebourne Opera Jérémie Rhorer, Conductor London Philharmonic Orchestra Michael Grandage, Director Christopher Oram, Set Designer Adam Plachetka, Bass-baritone: Figaro Laura Tatulescu, Soprano: Susanna Amanda Majeski, Soprano: Countess Almaviva Joshua Hopkins, Baritone: Count Almaviva Luciano di Pasquale, Bass: Doctor Bartolo Anne Mason, Mezzo-soprano: Marcellina Lydia Teuscher, Soprano: Cherubino Timothy Robinson, Tenor: Don Basilio |
| More info... | ||
| Glyndebourne Opera House, Glyndebourne BN8 5UU, United Kingdom Friday 21-Jun-13 05:10pm Le nozze di Figaro Jérémie Rhorer, Conductor London Philharmonic Orchestra Michael Grandage, Director Christopher Oram, Set Designer Adam Plachetka, Bass-baritone: Figaro Laura Tatulescu, Soprano: Susanna Amanda Majeski, Soprano: Countess Almaviva Joshua Hopkins, Baritone: Count Almaviva Luciano di Pasquale, Bass: Doctor Bartolo Anne Mason, Mezzo-soprano: Marcellina Lydia Teuscher, Soprano: Cherubino Timothy Robinson, Tenor: Don Basilio | ||
| Friday 21-Jun-13 07:00pm |
Residenz: Gartensaal, WürzburgMozart's Night: Musica et Sltatoira Salzburg - Ensemble for historic dance Mozartfest Würzburg |
See More info... for programme details. |
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| Residenz: Gartensaal, Würzburg, Residenzplatz 2, 97070 Würzburg, Germany Friday 21-Jun-13 07:00pm Mozart's Night: Musica et Sltatoira Salzburg - Ensemble for historic dance Dances in period costumes with music from Wolfgang Amadé Mozart and Joseph Haydn. | ||
| Friday 21-Jun-13 07:00pm |
St Andrew's Church, AldboroughThe Pirates of Penzance Northern Aldborough Festival |
Charles Court Opera |
| More info... | ||
| St Andrew's Church, Aldborough, Aldborough YO51 9EP, United Kingdom Friday 21-Jun-13 07:00pm The Pirates of Penzance | ||
| Friday 21-Jun-13 07:00pm |
Opernhaus, ZürichLady Macbeth of Mzensk |
Zurich Opera Teodor Currentzis, Conductor Andreas Homoki, Director Hartmut Meyer, Set Designer Orchestra La Scintilla Zurich Gun-Brit Barkmin, Soprano: Katerina Lvovna Izmailova Kurt Rydl, Bass: Boris Timofeyevich Izmailov Benjamin Bernheim, Tenor: Zinoviy Borisovich Izmailov Brandon Jovanovich, Tenor: Sergey Kismara Pessatti, Mezzo-soprano: Aksinia Julia Riley, Mezzo-soprano: Sonyetka Valery Murga, Bass: Office Manager Pavel Daniluk, Bass: Pope Tomasz Slawinski, Bass: Police inspector |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Friday 21-Jun-13 07:00pm Lady Macbeth of Mzensk Opera in nine scenes
Libretto by Alexander G. Preis and Dmitri Shostakovich
after a novella by Nikolai Leskov
The young wife of a merchant, Katerina Ismailova, murders three people. She stirs rat poison into her tyrannical father-in-law’s dish of mushrooms, beats her husband to death together with her lover, and at the prison camp in Siberia, as she finally jumps to her death, drags a rival down with her. Nevertheless, in a horrific men’s world of greed, lechery and violence, Katerina is the only figure with a human face in this opera. Only for her has Shostakovich reserved a compassionate tone. The society in which she becomes a murderess is barbaric. With twisted mouths, the grotesque faces of human wickedness grin out at us from Shostakovich’s magnificent score.
Lady Macbeth of Mzensk was premièred in Leningrad in 1934. It marks a decisive turning point in Shostakovich’s oeuvre. After Joseph Stalin attended a performance of the opera in 1936, the famous article entitled Chaos instead of music was published in Pravda. The work was scourged as the expression of “radical left-wing self-indulgence” and “petit bourgeois innovation”. It disappeared from theatres, Shostakovich had to fear for his life, never composed another opera, and from then on concealed his true musical feelings and ideas behind a thousand masks.
Teodor Currentzis, the spirited Greek conductor from Siberia who has caused a furore with his unconventional interpretations, is the musical director of the production. Tatjana Serjan, famous for her Verdi roles, will be giving her role début as Katerina. Zurich Opera Director Andreas Homoki will be staging his second production of this season.
In Russian with German and English supertitles.Teodor Currentzis, Conductor Andreas Homoki, Director Hartmut Meyer, Set Designer Orchestra La Scintilla Zurich Gun-Brit Barkmin, Soprano: Katerina Lvovna Izmailova Kurt Rydl, Bass: Boris Timofeyevich Izmailov Benjamin Bernheim, Tenor: Zinoviy Borisovich Izmailov Brandon Jovanovich, Tenor: Sergey Kismara Pessatti, Mezzo-soprano: Aksinia Julia Riley, Mezzo-soprano: Sonyetka Valery Murga, Bass: Office Manager Pavel Daniluk, Bass: Pope Tomasz Slawinski, Bass: Police inspector | ||
| Friday 21-Jun-13 07:00pm |
La Monnaie | De Munt: Grand Hall, BrusselsCosì fan tutte |
La Monnaie | De Munt Thomas Rösner, Conductor Michael Haneke, Director Christoph Kanter, Set Designer Anett Fritsch, Soprano: Fiordiligi Andreas Wolf, Baritone: Guglielmo Juan Francisco Gatell, Tenor: Ferrando Kerstin Avemo, Soprano: Despina William Shimell, Baritone: Don Alfonso Orchestre Symphonique et Choeurs de la Monnaie |
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| La Monnaie | De Munt: Grand Hall, Brussels, Muntplein-Place de la Monnaie, 1000 Brussels, Belgium Friday 21-Jun-13 07:00pm The fatal temptation to seek the truth in love: men and women scorch their hearts and wings in trying to unlock the secret of emotions. How quickly perversity and cruelty oust desire and tenderness. Here Mozart enters into a dialogue with Marivaux and Sade. As in his previous operas, he succeeds in producing an incredible tension, a breathtakingly beautiful structuring of the text (his third collaboration with Da Ponte) and the music. Director Michael Haneke, one of the most incisive and insightful film-makers of our time, presents us with his vision of a work that is as spell-binding, serious, complex and at times light as it is formidably modern, where the experience of infidelity transforms the four characters by laying bare their frailty. For the Austrian director, this is his first time at La Monnaie, while Ludovic Morlot conducts his second opera of the season.Image credit: © Flore-Aël Surun / Tendance Floue Thomas Rösner, Conductor Michael Haneke, Director Christoph Kanter, Set Designer Anett Fritsch, Soprano: Fiordiligi Andreas Wolf, Baritone: Guglielmo Juan Francisco Gatell, Tenor: Ferrando Kerstin Avemo, Soprano: Despina William Shimell, Baritone: Don Alfonso Orchestre Symphonique et Choeurs de la Monnaie | ||
| Friday 21-Jun-13 07:30pm |
Sadler's Wells: Peacock Theatre, LondonZooNation Dance Company — Some Like It Hip Hop |
ZooNation Dance Company |
| More info... | ||
| Sadler's Wells: Peacock Theatre, London, Portugal Street, Holborn, London WC2 2HT, United Kingdom Friday 21-Jun-13 07:30pm ZooNation Dance Company — Some Like It Hip Hop ZooNation’s Some Like It Hip Hop has been a runaway success since it hit the Peacock Theatre in 2011, wowing audiences and prompting widespread critical praise with five-star reviews and standing ovations. After a second successful run and celebrating the company’s tenth anniversary at Sadler’s Wells last year, Some Like It Hip Hop returns to the Peacock Theatre to kick-start the summer. Fast becoming a modern classic, Some Like It Hip Hop unites truly sensational dancing and a typically clever and engrossing storyline with infectious “wit, heart and magnificent energy” (The Independent). With a nod to Billy Wilder’s Some Like It Hot and Shakespeare’s Twelfth Night, it tells a comical tale of love, mistaken identity, cross-dressing and revolution, all played out in ZooNation’s trademark style of hip hop, comedy and physical theatre. Directed by Sadler’s Wells Associate Artist Kate Prince, Some Like It Hip Hop also features a ground-shaking original soundtrack, live singing and some of the UK’s top hip hop dance talent. | ||
| Friday 21-Jun-13 07:30pm |
The London ColiseumDeath in Venice |
English National Opera Edward Gardner, Conductor Deborah Warner, Director Tom Pye, Set Designer Kim Brandstrup, Choreography John Graham-Hall, Tenor: Gustav von Aschenbach Andrew Shore, Baritone: Voice of Dionysius Tim Mead, Countertenor: Voice of Apollo |
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| The London Coliseum, St. Martin's Lane, London WC2N 4ES, United Kingdom Friday 21-Jun-13 07:30pm Two unspoken themes run throughout Britten’s much-admired opera: the impossible passion that a troubled writer forms for a fellow hotel guest, and the cholera epidemic which the authorities are all too keen to hush up. In Death in Venice, Britten revisits the subject of corruption of youth and innocence that so fascinated him and delivers a haunting theatrical experience of consummate power.
Deborah Warner’s production of Britten’s final opera celebrates the composer’s centenary year and reaffirms ENO’s position as the world’s leading producer of his operas. This production reunites award-winning director Warner with ENO Music Director Edward Gardner, who returns to Britten following ENO’s productions of Billy Budd (2012) and Peter Grimes (2009), for which his conducting was described as ‘deeply musical’ (Financial Times).
Tickets £16 - £99.Edward Gardner, Conductor Deborah Warner, Director Tom Pye, Set Designer Kim Brandstrup, Choreography John Graham-Hall, Tenor: Gustav von Aschenbach Andrew Shore, Baritone: Voice of Dionysius Tim Mead, Countertenor: Voice of Apollo | ||
| Friday 21-Jun-13 07:30pm |
Staatsoper at Schiller Theater, BerlinThe Fairy Queen |
Staatsoper Berlin Michael Boder, Conductor Benjamin Bayl, Conductor Claus Guth, Director Christian Schmidt, Set Designer Ramses Sigl, Choreography Eberhard Friedrich, Choirmaster Marlis Petersen, Soprano Tanja Ariane Baumgartner, Mezzo-soprano Bejun Mehta, Countertenor Topi Lehtipuu, Tenor Roman Trekel, Baritone Staatskapelle Berlin Akademie für Alte Musik Berlin Staatsopernchor Berlin |
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| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Friday 21-Jun-13 07:30pm Caught between Baroque and contemporary music: Helmut Oehring takes Henry Purcell's semi-opera "The Fairy Queen" as a model for his ideas.Pre-performance lecture, 45 minutes prior to each performance (in German) Michael Boder, Conductor Benjamin Bayl, Conductor Claus Guth, Director Christian Schmidt, Set Designer Ramses Sigl, Choreography Eberhard Friedrich, Choirmaster Marlis Petersen, Soprano Tanja Ariane Baumgartner, Mezzo-soprano Bejun Mehta, Countertenor Topi Lehtipuu, Tenor Roman Trekel, Baritone Staatskapelle Berlin Akademie für Alte Musik Berlin Staatsopernchor Berlin | ||
| Friday 21-Jun-13 07:30pm |
The Music Room, Gregynog, NewtownHarmonie Universelle Gregynog Festival |
Programme to include: Works by Purcell |
| The Music Room, Gregynog, Newtown, Tregynon, Newtown SY16 3PW, United Kingdom Friday 21-Jun-13 07:30pm Harmonie Universelle Programme to include: Works by Purcell, Henry (1659-1695) | ||
| Friday 21-Jun-13 07:30pm |
St Leonard's Church, Shoreditch, LondonA Portrait of Venice Spitalfields Music Summer Festival |
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| St Leonard's Church, Shoreditch, London, Shoreditch High Street, London E1 6JN, United Kingdom Friday 21-Jun-13 07:30pm A Portrait of Venice The Royal Academy of Music Brass Ensemble and the Choir of Clare College, Cambridge, come together for this celebration of Venetian and English art and music. The programme stretches from the influential compositions of Heinrich Schütz, to the quintessentially English Purcell, right up to the present day with a new piece by Academy student Carter Callison. This evening’s programme will also feature a new work written and conducted by Elgar Howarth, inspired by the painters, poets and musicians of Venice and in particular Giovanni Gabrieli, the 400th anniversary of whose death fell last year. 6.30pm Insight talk: A discussion about this evening’s programme between Graham Ross and Elgar Howarth. This event is free for concert ticket holders. | ||
| Friday 21-Jun-13 07:45pm |
Royal Opera House: Linbury Studio Theatre, LondonThe Importance of Being Earnest |
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| More info... | ||
| Royal Opera House: Linbury Studio Theatre, London, Bow Street, Covent Garden, London WC2E 9DD, United Kingdom Friday 21-Jun-13 07:45pm | ||
| Friday 21-Jun-13 08:00pm |
Teatro Regio, TurinL'elisir d'amore |
Teatro Regio Torino Opera Desirée Rancatore, Soprano: Adina Francesco Meli, Tenor: Nemorino Fabio Maria Capitanucci, Baritone: Belcore Nicola Ulivieri, Bass: Dulcamara Giampaolo Maria Bisanti, Conductor Fabio Sparvoli, Director |
| More info... | ||
| Teatro Regio, Turin, Piazza Castello 215, 10124 Turin, Italy Friday 21-Jun-13 08:00pm Desirée Rancatore, Soprano: Adina Francesco Meli, Tenor: Nemorino Fabio Maria Capitanucci, Baritone: Belcore Nicola Ulivieri, Bass: Dulcamara Giampaolo Maria Bisanti, Conductor Fabio Sparvoli, Director | ||
| Friday 21-Jun-13 08:00pm |
War Memorial Opera House, San Francisco, CACosì fan Tutte |
San Francisco Opera Company Nicola Luisotti, Conductor José María Condemi, Director Ellie Dehn, Soprano: Fiordiligi Christel Lötzsch, Mezzo-soprano: Dorabella Heidi Stober, Soprano: Despina Francesco Demuro, Tenor: Ferrando Phillipe Sly, Bass-baritone: Guglielmo Marco Vinco, Bass: Don Alfonso |
| More info... | ||
| War Memorial Opera House, San Francisco, CA, San Francisco, 94102, United States Friday 21-Jun-13 08:00pm Sung in Italian with English supertitles. Approximate running time: 3 hours, 25 minutes including one intermission. Co-production with Opera Monte Carlo. Nicola Luisotti, Conductor José María Condemi, Director Ellie Dehn, Soprano: Fiordiligi Christel Lötzsch, Mezzo-soprano: Dorabella Heidi Stober, Soprano: Despina Francesco Demuro, Tenor: Ferrando Phillipe Sly, Bass-baritone: Guglielmo Marco Vinco, Bass: Don Alfonso | ||
| Friday 21-Jun-13 09:15pm |
Arena di VeronaVerdi, Nabucco Verona Opera |
Julian Kovatchev, Conductor Gianfranco de Bosio, Director Ambrogio Maestri, Baritone: Nabucco Stefano Secco, Tenor: Ismaele Carlo Colombara, Bass: Zaccaria Tatiana Melnychenko, Soprano: Abigaille Anna Malavasi, Mezzo-soprano: Fenena |
| More info... | ||
| Arena di Verona, Verona, Italy Friday 21-Jun-13 09:15pm Verdi, Nabucco Julian Kovatchev, Conductor Gianfranco de Bosio, Director Ambrogio Maestri, Baritone: Nabucco Stefano Secco, Tenor: Ismaele Carlo Colombara, Bass: Zaccaria Tatiana Melnychenko, Soprano: Abigaille Anna Malavasi, Mezzo-soprano: Fenena | ||
| Saturday 22-Jun-13 |
Royal Opera House, Covent Garden, LondonGloriana |
Royal Opera Paul Daniel, Conductor Richard Jones, Director Susan Bullock, Soprano: Elizabeth I Toby Spence, Tenor: Robert Devereux, Earl of Essex Patricia Bardon, Mezzo-soprano: Frances Devereux, Countess of Essex Mark Stone, Baritone: Charles Blount, Lord Mountjoy Kate Royal, Soprano: Penelope, Lady Rich Peter Coleman-Wright, Baritone: Sir Robert Cecil Clive Bayley, Bass: Sir Walter Raleigh Benjamin Bevan, Baritone: Henry Cuffe Brindley Sherratt, Bass: A blind ballad singer |
| More info... | ||
| Royal Opera House, Covent Garden, London, Bow Street,, Covent Garden, London WC2E 9DD, United Kingdom Saturday 22-Jun-13 Paul Daniel, Conductor Richard Jones, Director Susan Bullock, Soprano: Elizabeth I Toby Spence, Tenor: Robert Devereux, Earl of Essex Patricia Bardon, Mezzo-soprano: Frances Devereux, Countess of Essex Mark Stone, Baritone: Charles Blount, Lord Mountjoy Kate Royal, Soprano: Penelope, Lady Rich Peter Coleman-Wright, Baritone: Sir Robert Cecil Clive Bayley, Bass: Sir Walter Raleigh Benjamin Bevan, Baritone: Henry Cuffe Brindley Sherratt, Bass: A blind ballad singer | ||
| Saturday 22-Jun-13 |
Staatsoper, ViennaTristan and Isolde |
Vienna State Opera Franz Welser-Möst, Conductor David McVicar, Director Peter Seiffert, Tenor: Tristan Nina Stemme, Soprano: Isolde |
| More info... | ||
| Staatsoper, Vienna, 1010 Vienna, Austria Saturday 22-Jun-13 Check start time of performance. Franz Welser-Möst, Conductor David McVicar, Director Peter Seiffert, Tenor: Tristan Nina Stemme, Soprano: Isolde | ||
| Saturday 22-Jun-13 02:00pm |
Albert Einstein Science Park, PotsdamTracing the Nobel Prize Winners Potsdam Sanssouci Music Festival |
Programme to include: Works by Vecchi |
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| Albert Einstein Science Park, Potsdam, Telegrafenberg, 14473 Potsdam, Germany Saturday 22-Jun-13 02:00pm Tracing the Nobel Prize Winners A ScienceConcertCourse for the whole family Including lecture, experiments & concert Lecture with scientists from Leibniz-Institute for Astrophysics Potsdam Prof. Dr. Matthias Steinmetz "Astrophysics in the early 20th century – from Potsdam to Scandinavia and back" Experiments with light for children from 8 with EXTAVIUM, Potsdam’s DIY Museum of Science Introduction to the history and workings of the Great Refractor Dr. Ernst-August Gußmann Scenic concert in the dome hall of the Great refractor with renaissance music by Orazio Vecchi et al. ROMEO & JULIA KÖREN Stockholm Artistic direction: Benoît Malmberg Potsdam’s Telegraph Mountain has a long tradition of world-class scientific research. Built in 1899, the Great Refractor was the main instrument of the first observatory for astrophysics. The venue for today’s concert is an impressive memorial from the early years of this science that looks for the physics "behind" the radiation of the stars. While a renowned astrophysicist takes you on an exciting excursion into the history of science, young explorers aged 8 and above can watch the experiments in the foyer and join in. Afterwards a walk through the science park takes you past its historical buildings and to the day’s musical highlight: the ROMEO & JULIA KÖREN is definitely not a choir like any other and its imaginative theatrical performances have already delighted many Nobel prize winners at their festive banquet in Stockholm.
Tickets € 25,- / JFT* / 8,- (children up to 14)
*JFT = YOUNG FESTIVAL TICKET: 10 € standard charge for young people aged up to 25 (limited availability) Programme to include: Works by Vecchi, Orazio (1550-1605) | ||
| Saturday 22-Jun-13 02:30pm |
Sadler's Wells: Peacock Theatre, LondonZooNation Dance Company — Some Like It Hip Hop |
ZooNation Dance Company |
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| Sadler's Wells: Peacock Theatre, London, Portugal Street, Holborn, London WC2 2HT, United Kingdom Saturday 22-Jun-13 02:30pm ZooNation Dance Company — Some Like It Hip Hop ZooNation’s Some Like It Hip Hop has been a runaway success since it hit the Peacock Theatre in 2011, wowing audiences and prompting widespread critical praise with five-star reviews and standing ovations. After a second successful run and celebrating the company’s tenth anniversary at Sadler’s Wells last year, Some Like It Hip Hop returns to the Peacock Theatre to kick-start the summer. Fast becoming a modern classic, Some Like It Hip Hop unites truly sensational dancing and a typically clever and engrossing storyline with infectious “wit, heart and magnificent energy” (The Independent). With a nod to Billy Wilder’s Some Like It Hot and Shakespeare’s Twelfth Night, it tells a comical tale of love, mistaken identity, cross-dressing and revolution, all played out in ZooNation’s trademark style of hip hop, comedy and physical theatre. Directed by Sadler’s Wells Associate Artist Kate Prince, Some Like It Hip Hop also features a ground-shaking original soundtrack, live singing and some of the UK’s top hip hop dance talent. | ||
| Saturday 22-Jun-13 04:00pm |
Albert Einstein Science Park, PotsdamTracing the Nobel Prize Winners Potsdam Sanssouci Music Festival |
Programme to include: Works by Vecchi |
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| Albert Einstein Science Park, Potsdam, Telegrafenberg, 14473 Potsdam, Germany Saturday 22-Jun-13 04:00pm Tracing the Nobel Prize Winners A ScienceConcertCourse for the whole family Including lecture, experiments & concert Lecture with scientists from Leibniz-Institute for Astrophysics Potsdam Prof. Dr. Matthias Steinmetz "Astrophysics in the early 20th century – from Potsdam to Scandinavia and back" Experiments with light for children from 8 with EXTAVIUM, Potsdam’s DIY Museum of Science Introduction to the history and workings of the Great Refractor Dr. Ernst-August Gußmann Scenic concert in the dome hall of the Great refractor with renaissance music by Orazio Vecchi et al. ROMEO & JULIA KÖREN Stockholm Artistic direction: Benoît Malmberg Potsdam’s Telegraph Mountain has a long tradition of world-class scientific research. Built in 1899, the Great Refractor was the main instrument of the first observatory for astrophysics. The venue for today’s concert is an impressive memorial from the early years of this science that looks for the physics "behind" the radiation of the stars. While a renowned astrophysicist takes you on an exciting excursion into the history of science, young explorers aged 8 and above can watch the experiments in the foyer and join in. Afterwards a walk through the science park takes you past its historical buildings and to the day’s musical highlight: the ROMEO & JULIA KÖREN is definitely not a choir like any other and its imaginative theatrical performances have already delighted many Nobel prize winners at their festive banquet in Stockholm.
Tickets € 25,- / JFT* / 8,- (children up to 14)
*JFT = YOUNG FESTIVAL TICKET: 10 € standard charge for young people aged up to 25 (limited availability) Programme to include: Works by Vecchi, Orazio (1550-1605) | ||