| Date | Event | Composers, Works, Performers |
|---|---|---|
| Friday 24-May-13 07:30pm |
Aylesbury Waterside TheatreOxford Philomusica and Nicola Benedetti |
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| Aylesbury Waterside Theatre, Exchange Street, Aylesbury, United Kingdom Friday 24-May-13 07:30pm Oxford Philomusica and Nicola Benedetti Following her spellbinding performance at the Last Night of the 2012 BBC Proms, violinist Nicola Benedetti needs absolutely no introduction. We’re delighted that she is joining Oxford Philomusica to perform Shostakovich’s Violin Concerto at Aylesbury Waterside Theatre. The Orchestra will also showcase symphonic suites by two other great Russian composers: Prokofiev’s Lieutenant Kijé and Stravinsky’s thrilling Firebird – the work that made the composer a star when he wrote it for the legendary Ballet Russes Company in 1910.Image credit: Decca / SImon Fowler | ||
| Friday 14-Jun-13 07:30pm |
Aylesbury Waterside TheatreNigel Kennedy in Aylesbury |
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| Aylesbury Waterside Theatre, Exchange Street, Aylesbury, United Kingdom Friday 14-Jun-13 07:30pm Nigel Kennedy in Aylesbury Nigel Kennedy, one of the world’s leading violin virtuosos and the best selling classical violinist of all time will join Oxford Philomusica – Orchestra in Association at Aylesbury Waterside Theatre – in a programme of best-loved works. He will enthral us with Vaughan Williams’ exquisite portrait of the flight of the lark followed by a hauntingly beautiful rendition of Danny Boy, before finishing, most appropriately, with Vivaldi’s celebrated quartet of concertos. | ||
| Saturday 12-Oct-13 07:30pm |
Aylesbury Waterside TheatreBeethoven in Aylesbury |
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| Aylesbury Waterside Theatre, Exchange Street, Aylesbury, United Kingdom Saturday 12-Oct-13 07:30pm Beethoven in Aylesbury We are delighted to offer our patrons at the Aylesbury Waterside Theatre the first chance to hear the programme that launches our Beethoven Festival in Oxford on 26 October. The composer’s early piano concerto contrasts well with his ‘Eroica’ Symphony, a revolutionary work regarded as a turning point in musical history. | ||