Performer: Markus EicheFrom today| Date | Event | Composers, Works, Performers |
|---|---|---|
| Thursday 20-Jun-13 |
 Staatsoper, ViennaCapriccio |
Vienna State Opera Christoph Eschenbach, Conductor Marco Arturo Marelli, Director Renée Fleming, Soprano: The countess Bo Skovhus, Baritone: The count Michael Schade, Tenor: Flamand Markus Eiche, Baritone: Olivier Kurt Rydl, Bass: La Roche Angelika Kirchschlager, Mezzo-soprano: Clairon |
| More info... | ||
| Staatsoper, Vienna, 1010 Vienna, Austria Thursday 20-Jun-13 Check start time of performance. Christoph Eschenbach, Conductor Marco Arturo Marelli, Director Renée Fleming, Soprano: The countess Bo Skovhus, Baritone: The count Michael Schade, Tenor: Flamand Markus Eiche, Baritone: Olivier Kurt Rydl, Bass: La Roche Angelika Kirchschlager, Mezzo-soprano: Clairon | ||
| Monday 24-Jun-13 |
Staatsoper, Vienna Capriccio |
Vienna State Opera Christoph Eschenbach, Conductor Marco Arturo Marelli, Director Renée Fleming, Soprano: The countess Bo Skovhus, Baritone: The count Michael Schade, Tenor: Flamand Markus Eiche, Baritone: Olivier Kurt Rydl, Bass: La Roche Angelika Kirchschlager, Mezzo-soprano: Clairon |
| More info... | ||
| Staatsoper, Vienna, 1010 Vienna, Austria Monday 24-Jun-13 Check start time of performance. Christoph Eschenbach, Conductor Marco Arturo Marelli, Director Renée Fleming, Soprano: The countess Bo Skovhus, Baritone: The count Michael Schade, Tenor: Flamand Markus Eiche, Baritone: Olivier Kurt Rydl, Bass: La Roche Angelika Kirchschlager, Mezzo-soprano: Clairon | ||
| Thursday 27-Jun-13 |
Staatsoper, Vienna Capriccio |
Vienna State Opera Christoph Eschenbach, Conductor Marco Arturo Marelli, Director Renée Fleming, Soprano: The countess Bo Skovhus, Baritone: The count Michael Schade, Tenor: Flamand Markus Eiche, Baritone: Olivier Kurt Rydl, Bass: La Roche Angelika Kirchschlager, Mezzo-soprano: Clairon |
| More info... | ||
| Staatsoper, Vienna, 1010 Vienna, Austria Thursday 27-Jun-13 Check start time of performance. Christoph Eschenbach, Conductor Marco Arturo Marelli, Director Renée Fleming, Soprano: The countess Bo Skovhus, Baritone: The count Michael Schade, Tenor: Flamand Markus Eiche, Baritone: Olivier Kurt Rydl, Bass: La Roche Angelika Kirchschlager, Mezzo-soprano: Clairon | ||
| Wednesday 3-Jul-13 06:00pm |
National Theatre, Munich Lohengrin Munich Opera Festival |
Bavarian State Opera Lothar Koenigs, Conductor Richard Jones, Director Hans-Peter König, Bass: Heinrich der Vogler Klaus Florian Vogt, Tenor: Lohengrin Annette Dasch, Soprano: Elsa von Brabant Yevgeny Nikitin, Bass-baritone: Friedrich von Telramund Michaela Schuster, Mezzo-soprano: Ortrud Markus Eiche, Baritone: The King's Herald |
W.Hösl.jpg "Image credit: Wilfried Hösl") | ||
| National Theatre, Munich, Munich, Germany Wednesday 3-Jul-13 06:00pm The Duchy of Brabant in the throes of a dynastic conflict: the succession seems put into question following the disappearance of the crown prince. And: his sister is accused of the crime. The whole realm faces the threat of a civil war. There is great longing for the appearance of a shining knight to rescue the damsel in distress. And then, in this time of uncertainty, a hero really does appear – as if from another world: but who is this grand knight of the swan who presents himself as the rescuer of Else and all of Brabant? What is the nature of the ties that bind him to Eva, so unjustly accused of fratricide? In a time of great revolutionary upheaval in the middle of the 19th century, Wagner wrote his “Lohengrin”, in which for the first time the orchestra emerges as a mysterious factor as well as the engine driving the action of the entire drama.
In German with German surtitles.Image credit: Wilfried Hösl Lothar Koenigs, Conductor Richard Jones, Director Hans-Peter König, Bass: Heinrich der Vogler Klaus Florian Vogt, Tenor: Lohengrin Annette Dasch, Soprano: Elsa von Brabant Yevgeny Nikitin, Bass-baritone: Friedrich von Telramund Michaela Schuster, Mezzo-soprano: Ortrud Markus Eiche, Baritone: The King's Herald | ||
| Thursday 4-Jul-13 07:30pm |
National Theatre, Munich Ariadne auf Naxos Munich Opera Festival |
Bavarian State Opera Bertrand de Billy, Conductor Marco Santi, Choreography Robert Carsen, Director Johannes Klama, Spoken word: The Major-Domo Eike Wilm Schulte, Baritone: Music Master Burkhard Fritz, Tenor: Bacchus Eva-Maria Westbroek, Soprano: Primadonna (Ariadne) Sophie Koch, Mezzo-soprano: Composer Jane Archibald, Soprano: Zerbinetta Markus Eiche, Baritone: Harlequin Ulrich Ress, Tenor: Scaramuccio Tareq Nazmi, Bass: Truffaldino Thomas Blondelle, Tenor: Dancing Master Kevin Conners, Tenor: Brighella |
 W.Hösl.jpg "Image credit: Wilfried Hösl") | ||
| National Theatre, Munich, Munich, Germany Thursday 4-Jul-13 07:30pm Is it possible to perform the comic intermezzo “Zerbinetta and her Lovers” and the tragic opera “Ariadne” at the same time? Yes, when you have to. The richest man in Vienna wants it that way. He wants cross-over! Let’s mix up classic and pop – and it works. To the delight of the audience and the recognition of the characters on stage.
One of the handsomest and wisest works of the great Munich composer, Richard Strauss, in a production by Robert Carsen. The joy of Strauss!
Sung in German with German surtitlesImage credit: Wilfried Hösl Bertrand de Billy, Conductor Marco Santi, Choreography Robert Carsen, Director Johannes Klama, Spoken word: The Major-Domo Eike Wilm Schulte, Baritone: Music Master Burkhard Fritz, Tenor: Bacchus Eva-Maria Westbroek, Soprano: Primadonna (Ariadne) Sophie Koch, Mezzo-soprano: Composer Jane Archibald, Soprano: Zerbinetta Markus Eiche, Baritone: Harlequin Ulrich Ress, Tenor: Scaramuccio Tareq Nazmi, Bass: Truffaldino Thomas Blondelle, Tenor: Dancing Master Kevin Conners, Tenor: Brighella | ||
| Sunday 7-Jul-13 07:30pm |
Prinzregententheater, Munich Ariadne auf Naxos Munich Opera Festival |
Bavarian State Opera Bertrand de Billy, Conductor Marco Santi, Choreography Robert Carsen, Director Johannes Klama, Spoken word: The Major-Domo Eike Wilm Schulte, Baritone: Music Master Burkhard Fritz, Tenor: Bacchus Eva-Maria Westbroek, Soprano: Primadonna (Ariadne) Sophie Koch, Mezzo-soprano: Composer Jane Archibald, Soprano: Zerbinetta Markus Eiche, Baritone: Harlequin Ulrich Ress, Tenor: Scaramuccio Tareq Nazmi, Bass: Truffaldino Thomas Blondelle, Tenor: Dancing Master Kevin Conners, Tenor: Brighella |
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| Prinzregententheater, Munich, 81675 Munich, Germany Sunday 7-Jul-13 07:30pm Is it possible to perform the comic intermezzo “Zerbinetta and her Lovers” and the tragic opera “Ariadne” at the same time? Yes, when you have to. The richest man in Vienna wants it that way. He wants cross-over! Let’s mix up classic and pop – and it works. To the delight of the audience and the recognition of the characters on stage.
One of the handsomest and wisest works of the great Munich composer, Richard Strauss, in a production by Robert Carsen. The joy of Strauss!
Sung in German with German surtitlesImage credit: Wilfried Hösl Bertrand de Billy, Conductor Marco Santi, Choreography Robert Carsen, Director Johannes Klama, Spoken word: The Major-Domo Eike Wilm Schulte, Baritone: Music Master Burkhard Fritz, Tenor: Bacchus Eva-Maria Westbroek, Soprano: Primadonna (Ariadne) Sophie Koch, Mezzo-soprano: Composer Jane Archibald, Soprano: Zerbinetta Markus Eiche, Baritone: Harlequin Ulrich Ress, Tenor: Scaramuccio Tareq Nazmi, Bass: Truffaldino Thomas Blondelle, Tenor: Dancing Master Kevin Conners, Tenor: Brighella | ||
| Wednesday 10-Jul-13 07:30pm |
National Theatre, Munich Ariadne auf Naxos Munich Opera Festival |
Bavarian State Opera Bertrand de Billy, Conductor Marco Santi, Choreography Robert Carsen, Director Johannes Klama, Spoken word: The Major-Domo Eike Wilm Schulte, Baritone: Music Master Burkhard Fritz, Tenor: Bacchus Eva-Maria Westbroek, Soprano: Primadonna (Ariadne) Sophie Koch, Mezzo-soprano: Composer Jane Archibald, Soprano: Zerbinetta Markus Eiche, Baritone: Harlequin Ulrich Ress, Tenor: Scaramuccio Tareq Nazmi, Bass: Truffaldino Thomas Blondelle, Tenor: Dancing Master Kevin Conners, Tenor: Brighella |
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| National Theatre, Munich, Munich, Germany Wednesday 10-Jul-13 07:30pm Is it possible to perform the comic intermezzo “Zerbinetta and her Lovers” and the tragic opera “Ariadne” at the same time? Yes, when you have to. The richest man in Vienna wants it that way. He wants cross-over! Let’s mix up classic and pop – and it works. To the delight of the audience and the recognition of the characters on stage.
One of the handsomest and wisest works of the great Munich composer, Richard Strauss, in a production by Robert Carsen. The joy of Strauss!
Sung in German with German surtitlesImage credit: Wilfried Hösl Bertrand de Billy, Conductor Marco Santi, Choreography Robert Carsen, Director Johannes Klama, Spoken word: The Major-Domo Eike Wilm Schulte, Baritone: Music Master Burkhard Fritz, Tenor: Bacchus Eva-Maria Westbroek, Soprano: Primadonna (Ariadne) Sophie Koch, Mezzo-soprano: Composer Jane Archibald, Soprano: Zerbinetta Markus Eiche, Baritone: Harlequin Ulrich Ress, Tenor: Scaramuccio Tareq Nazmi, Bass: Truffaldino Thomas Blondelle, Tenor: Dancing Master Kevin Conners, Tenor: Brighella | ||
| Thursday 11-Jul-13 04:00pm |
National Theatre, Munich Tristan und Isolde Munich Opera Festival |
Bavarian State Opera Kent Nagano, Conductor Peter Konwitschny, Director Gary Lehman, Tenor: Tristan René Pape, Bass: King Marke Petra Maria Schnitzer, Soprano: Isolde Markus Eiche, Baritone: Kurwenal Francesco Petrozzi, Tenor: Melot Edita Gruberová, Mezzo-soprano: Brangäne |
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| National Theatre, Munich, Munich, Germany Thursday 11-Jul-13 04:00pm Tristan und Isolde The most beautiful of all Wagner operas. Musical high erotic flair: two people, who still have a score to settle with one another, drink a love potion instead of poison. They are caught in flagrante, following which there is longing to the point of love-death. Careful: there's an addiction hazard here even for non-Wagnerians. "Drown – sink down!" Tristan in Munich's National Theatre, the site of its world première. The grand musical experience.
In German.Kent Nagano, Conductor Peter Konwitschny, Director Gary Lehman, Tenor: Tristan René Pape, Bass: King Marke Petra Maria Schnitzer, Soprano: Isolde Markus Eiche, Baritone: Kurwenal Francesco Petrozzi, Tenor: Melot Edita Gruberová, Mezzo-soprano: Brangäne | ||
| Friday 26-Jul-13 07:30pm |
National Theatre, Munich Boris Godunov Munich Opera Festival |
Bavarian State Opera Kent Nagano, Conductor Calixto Bieito, Director Alexander Tsymbalyuk, Bass: Boris Yulia Sokolik, Mezzo-soprano: Feodor Anna Virovlansky, Soprano: Xenia Heike Grötzinger, Mezzo-soprano: Xenias Amme Markus Eiche, Baritone: Shchelkalov Gerhard Siegel, Tenor: Prince Shuisky Anatoli Kotscherga, Bass: Pimen Sergei Skorokhodov, Tenor: Grigory / Dmitri |
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| National Theatre, Munich, Munich, Germany Friday 26-Jul-13 07:30pm New production.
In Russian with German surtitlesKent Nagano, Conductor Calixto Bieito, Director Alexander Tsymbalyuk, Bass: Boris Yulia Sokolik, Mezzo-soprano: Feodor Anna Virovlansky, Soprano: Xenia Heike Grötzinger, Mezzo-soprano: Xenias Amme Markus Eiche, Baritone: Shchelkalov Gerhard Siegel, Tenor: Prince Shuisky Anatoli Kotscherga, Bass: Pimen Sergei Skorokhodov, Tenor: Grigory / Dmitri | ||
| Tuesday 30-Jul-13 07:00pm |
National Theatre, Munich Boris Godunov Munich Opera Festival |
Bavarian State Opera Kent Nagano, Conductor Calixto Bieito, Director Alexander Tsymbalyuk, Bass: Boris Yulia Sokolik, Mezzo-soprano: Feodor Anna Virovlansky, Soprano: Xenia Heike Grötzinger, Mezzo-soprano: Xenias Amme Markus Eiche, Baritone: Shchelkalov Gerhard Siegel, Tenor: Prince Shuisky Anatoli Kotscherga, Bass: Pimen Sergei Skorokhodov, Tenor: Grigory / Dmitri |
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| National Theatre, Munich, Munich, Germany Tuesday 30-Jul-13 07:00pm New production.
In Russian with German surtitlesKent Nagano, Conductor Calixto Bieito, Director Alexander Tsymbalyuk, Bass: Boris Yulia Sokolik, Mezzo-soprano: Feodor Anna Virovlansky, Soprano: Xenia Heike Grötzinger, Mezzo-soprano: Xenias Amme Markus Eiche, Baritone: Shchelkalov Gerhard Siegel, Tenor: Prince Shuisky Anatoli Kotscherga, Bass: Pimen Sergei Skorokhodov, Tenor: Grigory / Dmitri | ||
| Sunday 29-Dec-13 02:00pm |
National Theatre, Munich Hänsel and Gretel |
Bavarian State Opera Tomas Hanus, Conductor Richard Jones, Director John Macfarlane, Set Designer Sabine Hogrefe, Soprano: Gertrude / Mother Maureen McKay, Soprano: Gretel Tara Erraught, Mezzo-soprano: Hänsel Kevin Conners, Tenor: Witch Markus Eiche, Baritone: Peter / Father |
 Wilfried Hösl.jpg "Image credit: © Wilfried Hösl") | ||
| National Theatre, Munich, Munich, Germany Sunday 29-Dec-13 02:00pm Since its first performance in 1893, Humperdinck's most famous opera Hansel and Gretel has remained constantly popular, becoming over the generations almost synonymous with the first family visit to the opera. "Brother come and dance with me!“ – "Susie, dear Susie" – a dancing brother and sister, the Dew Fairy and the Sandman, the Witch and the parents: a collection of all the fairy tale elements of the 19th century. And yet this is also a tale of hardship, hunger and the desire for abundance with a clear moral: "When the need is greatest, God the Lord puts out His hand!“
And, in Richard Jones' opulent, brilliant setting, it's a real must! Image credit: © Wilfried Hösl Tomas Hanus, Conductor Richard Jones, Director John Macfarlane, Set Designer Sabine Hogrefe, Soprano: Gertrude / Mother Maureen McKay, Soprano: Gretel Tara Erraught, Mezzo-soprano: Hänsel Kevin Conners, Tenor: Witch Markus Eiche, Baritone: Peter / Father | ||
| Sunday 29-Dec-13 07:00pm |
National Theatre, Munich Hänsel and Gretel |
Bavarian State Opera Tomas Hanus, Conductor Richard Jones, Director John Macfarlane, Set Designer Sabine Hogrefe, Soprano: Gertrude / Mother Hanna-Elisabeth Müller, Soprano: Gretel Tara Erraught, Mezzo-soprano: Hänsel Ulrich Ress, Tenor: Witch Markus Eiche, Baritone: Peter / Father |
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| National Theatre, Munich, Munich, Germany Sunday 29-Dec-13 07:00pm Since its first performance in 1893, Humperdinck's most famous opera Hansel and Gretel has remained constantly popular, becoming over the generations almost synonymous with the first family visit to the opera. "Brother come and dance with me!“ – "Susie, dear Susie" – a dancing brother and sister, the Dew Fairy and the Sandman, the Witch and the parents: a collection of all the fairy tale elements of the 19th century. And yet this is also a tale of hardship, hunger and the desire for abundance with a clear moral: "When the need is greatest, God the Lord puts out His hand!“
And, in Richard Jones' opulent, brilliant setting, it's a real must! Image credit: © Wilfried Hösl Tomas Hanus, Conductor Richard Jones, Director John Macfarlane, Set Designer Sabine Hogrefe, Soprano: Gertrude / Mother Hanna-Elisabeth Müller, Soprano: Gretel Tara Erraught, Mezzo-soprano: Hänsel Ulrich Ress, Tenor: Witch Markus Eiche, Baritone: Peter / Father | ||
| Thursday 30-Jan-14 07:00pm |
National Theatre, Munich Turandot |
Bavarian State Opera Asher Fisch, Conductor Carlos Padrissa, Director Roland Olbeter, Set Designer Anita Hartig, Soprano: Liù Lise Lindstrom, Soprano: Turandot Kevin Conners, Tenor: Pang Emanuele D'Aguanno, Tenor: Pong Yonghoon Lee, Tenor: The Unknown Prince (Calàf) Markus Eiche, Baritone: Ping Goran Juric, Bass: Timur |
 Wilfried Hösl.jpg "Image credit: © Wilfried Hösl") | ||
| National Theatre, Munich, Munich, Germany Thursday 30-Jan-14 07:00pm The people are thirsty for blood. Another suitor for the hand of the sovereign is about to be publicly beheaded, because Princess Turandot is determined never to belong to any man. That’s why anyone who wants to marry her must first solve three riddles. Anyone who fails has to pay with his life. An unknown prince, revolted by Turandot’s cruelty, yet attracted by her beauty, takes on this potentially lethal risk – and solves the riddles. But has he awakened the ice-cold, man-murdering sovereign to love and put an end to her barbarity?
Turandot is Giacomo Puccini’s final opera. He died at a point in time when he had come upon a thus far unsolved dramaturgical problem with his composition. The princess was to be the counter draft to the anti-feminism at the fin-de-siècle. But how to depict the transformation of the man-murderer to a loving woman? Puccini left the final love scene between Turandot and Calaf fragmentary. In Italian with German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor Carlos Padrissa, Director Roland Olbeter, Set Designer Anita Hartig, Soprano: Liù Lise Lindstrom, Soprano: Turandot Kevin Conners, Tenor: Pang Emanuele D'Aguanno, Tenor: Pong Yonghoon Lee, Tenor: The Unknown Prince (Calàf) Markus Eiche, Baritone: Ping Goran Juric, Bass: Timur | ||
| Sunday 2-Feb-14 07:00pm |
National Theatre, Munich Turandot |
Bavarian State Opera Asher Fisch, Conductor Carlos Padrissa, Director Roland Olbeter, Set Designer Anita Hartig, Soprano: Liù Lise Lindstrom, Soprano: Turandot Kevin Conners, Tenor: Pang Emanuele D'Aguanno, Tenor: Pong Yonghoon Lee, Tenor: The Unknown Prince (Calàf) Markus Eiche, Baritone: Ping Goran Juric, Bass: Timur |
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| National Theatre, Munich, Munich, Germany Sunday 2-Feb-14 07:00pm The people are thirsty for blood. Another suitor for the hand of the sovereign is about to be publicly beheaded, because Princess Turandot is determined never to belong to any man. That’s why anyone who wants to marry her must first solve three riddles. Anyone who fails has to pay with his life. An unknown prince, revolted by Turandot’s cruelty, yet attracted by her beauty, takes on this potentially lethal risk – and solves the riddles. But has he awakened the ice-cold, man-murdering sovereign to love and put an end to her barbarity?
Turandot is Giacomo Puccini’s final opera. He died at a point in time when he had come upon a thus far unsolved dramaturgical problem with his composition. The princess was to be the counter draft to the anti-feminism at the fin-de-siècle. But how to depict the transformation of the man-murderer to a loving woman? Puccini left the final love scene between Turandot and Calaf fragmentary. In Italian with German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor Carlos Padrissa, Director Roland Olbeter, Set Designer Anita Hartig, Soprano: Liù Lise Lindstrom, Soprano: Turandot Kevin Conners, Tenor: Pang Emanuele D'Aguanno, Tenor: Pong Yonghoon Lee, Tenor: The Unknown Prince (Calàf) Markus Eiche, Baritone: Ping Goran Juric, Bass: Timur | ||
| Wednesday 5-Feb-14 07:00pm |
National Theatre, Munich Turandot |
Bavarian State Opera Asher Fisch, Conductor Carlos Padrissa, Director Roland Olbeter, Set Designer Anita Hartig, Soprano: Liù Lise Lindstrom, Soprano: Turandot Kevin Conners, Tenor: Pang Emanuele D'Aguanno, Tenor: Pong Yonghoon Lee, Tenor: The Unknown Prince (Calàf) Markus Eiche, Baritone: Ping Goran Juric, Bass: Timur |
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| National Theatre, Munich, Munich, Germany Wednesday 5-Feb-14 07:00pm The people are thirsty for blood. Another suitor for the hand of the sovereign is about to be publicly beheaded, because Princess Turandot is determined never to belong to any man. That’s why anyone who wants to marry her must first solve three riddles. Anyone who fails has to pay with his life. An unknown prince, revolted by Turandot’s cruelty, yet attracted by her beauty, takes on this potentially lethal risk – and solves the riddles. But has he awakened the ice-cold, man-murdering sovereign to love and put an end to her barbarity?
Turandot is Giacomo Puccini’s final opera. He died at a point in time when he had come upon a thus far unsolved dramaturgical problem with his composition. The princess was to be the counter draft to the anti-feminism at the fin-de-siècle. But how to depict the transformation of the man-murderer to a loving woman? Puccini left the final love scene between Turandot and Calaf fragmentary. In Italian with German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor Carlos Padrissa, Director Roland Olbeter, Set Designer Anita Hartig, Soprano: Liù Lise Lindstrom, Soprano: Turandot Kevin Conners, Tenor: Pang Emanuele D'Aguanno, Tenor: Pong Yonghoon Lee, Tenor: The Unknown Prince (Calàf) Markus Eiche, Baritone: Ping Goran Juric, Bass: Timur | ||
| Sunday 16-Mar-14 04:00pm |
National Theatre, Munich Boris Godunov |
Bavarian State Opera Kirill Petrenko, Conductor Calixto Bieito, Director Rebecca Ringst, Set Designer Eri Nakamura, Soprano: Xenia Dmytro Popov, Tenor: Grigory / Dmitri Anatoli Kotscherga, Bass: Boris Brindley Sherratt, Bass: Pimen Angela Brower, Mezzo-soprano: Feodor Heike Grötzinger, Mezzo-soprano: Xenia's nurse Gerhard Siegel, Tenor: Prince Shuisky Markus Eiche, Baritone: Shchelkalov |
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| National Theatre, Munich, Munich, Germany Sunday 16-Mar-14 04:00pm Child murder, scheming monks and a tsar lapsing into madness – Modest Mussorgsky spread the thematic arc wide in his choral opera, which he began to work on from 1868, and with which he attempted to awaken an awareness of his own time through the indirect route of a historic story. As an artist of the 19th century, he was driven by the psychology of the masses. Thus, in Boris Godunov, alongside the hero of the title, the main role is actually taken primarily by the Russian people, rejoicing, starving, demanding and questioning. "Uncovering the fine features of human nature and the mass of humanity, stubbornly drilling in these unexplored regions and conquering them – this is the mission of the true artist. Onward to new shores!“
In Russian with German surtitles New production Kirill Petrenko, Conductor Calixto Bieito, Director Rebecca Ringst, Set Designer Eri Nakamura, Soprano: Xenia Dmytro Popov, Tenor: Grigory / Dmitri Anatoli Kotscherga, Bass: Boris Brindley Sherratt, Bass: Pimen Angela Brower, Mezzo-soprano: Feodor Heike Grötzinger, Mezzo-soprano: Xenia's nurse Gerhard Siegel, Tenor: Prince Shuisky Markus Eiche, Baritone: Shchelkalov | ||
| Thursday 20-Mar-14 07:00pm |
National Theatre, Munich Boris Godunov |
Bavarian State Opera Kirill Petrenko, Conductor Calixto Bieito, Director Rebecca Ringst, Set Designer Eri Nakamura, Soprano: Xenia Dmytro Popov, Tenor: Grigory / Dmitri Anatoli Kotscherga, Bass: Boris Brindley Sherratt, Bass: Pimen Angela Brower, Mezzo-soprano: Feodor Heike Grötzinger, Mezzo-soprano: Xenia's nurse Gerhard Siegel, Tenor: Prince Shuisky Markus Eiche, Baritone: Shchelkalov |
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| National Theatre, Munich, Munich, Germany Thursday 20-Mar-14 07:00pm Child murder, scheming monks and a tsar lapsing into madness – Modest Mussorgsky spread the thematic arc wide in his choral opera, which he began to work on from 1868, and with which he attempted to awaken an awareness of his own time through the indirect route of a historic story. As an artist of the 19th century, he was driven by the psychology of the masses. Thus, in Boris Godunov, alongside the hero of the title, the main role is actually taken primarily by the Russian people, rejoicing, starving, demanding and questioning. "Uncovering the fine features of human nature and the mass of humanity, stubbornly drilling in these unexplored regions and conquering them – this is the mission of the true artist. Onward to new shores!“
In Russian with German surtitles New production Kirill Petrenko, Conductor Calixto Bieito, Director Rebecca Ringst, Set Designer Eri Nakamura, Soprano: Xenia Dmytro Popov, Tenor: Grigory / Dmitri Anatoli Kotscherga, Bass: Boris Brindley Sherratt, Bass: Pimen Angela Brower, Mezzo-soprano: Feodor Heike Grötzinger, Mezzo-soprano: Xenia's nurse Gerhard Siegel, Tenor: Prince Shuisky Markus Eiche, Baritone: Shchelkalov | ||
| Sunday 23-Mar-14 07:00pm |
National Theatre, Munich Boris Godunov |
Bavarian State Opera Kirill Petrenko, Conductor Calixto Bieito, Director Rebecca Ringst, Set Designer Eri Nakamura, Soprano: Xenia Dmytro Popov, Tenor: Grigory / Dmitri Anatoli Kotscherga, Bass: Boris Brindley Sherratt, Bass: Pimen Angela Brower, Mezzo-soprano: Feodor Heike Grötzinger, Mezzo-soprano: Xenia's nurse Gerhard Siegel, Tenor: Prince Shuisky Markus Eiche, Baritone: Shchelkalov |
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| National Theatre, Munich, Munich, Germany Sunday 23-Mar-14 07:00pm Child murder, scheming monks and a tsar lapsing into madness – Modest Mussorgsky spread the thematic arc wide in his choral opera, which he began to work on from 1868, and with which he attempted to awaken an awareness of his own time through the indirect route of a historic story. As an artist of the 19th century, he was driven by the psychology of the masses. Thus, in Boris Godunov, alongside the hero of the title, the main role is actually taken primarily by the Russian people, rejoicing, starving, demanding and questioning. "Uncovering the fine features of human nature and the mass of humanity, stubbornly drilling in these unexplored regions and conquering them – this is the mission of the true artist. Onward to new shores!“
In Russian with German surtitles New production Kirill Petrenko, Conductor Calixto Bieito, Director Rebecca Ringst, Set Designer Eri Nakamura, Soprano: Xenia Dmytro Popov, Tenor: Grigory / Dmitri Anatoli Kotscherga, Bass: Boris Brindley Sherratt, Bass: Pimen Angela Brower, Mezzo-soprano: Feodor Heike Grötzinger, Mezzo-soprano: Xenia's nurse Gerhard Siegel, Tenor: Prince Shuisky Markus Eiche, Baritone: Shchelkalov | ||
| Friday 28-Mar-14 07:00pm |
National Theatre, Munich Boris Godunov |
Bavarian State Opera Kirill Petrenko, Conductor Calixto Bieito, Director Rebecca Ringst, Set Designer Eri Nakamura, Soprano: Xenia Dmytro Popov, Tenor: Grigory / Dmitri Anatoli Kotscherga, Bass: Boris Brindley Sherratt, Bass: Pimen Angela Brower, Mezzo-soprano: Feodor Heike Grötzinger, Mezzo-soprano: Xenia's nurse Gerhard Siegel, Tenor: Prince Shuisky Markus Eiche, Baritone: Shchelkalov |
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| National Theatre, Munich, Munich, Germany Friday 28-Mar-14 07:00pm Child murder, scheming monks and a tsar lapsing into madness – Modest Mussorgsky spread the thematic arc wide in his choral opera, which he began to work on from 1868, and with which he attempted to awaken an awareness of his own time through the indirect route of a historic story. As an artist of the 19th century, he was driven by the psychology of the masses. Thus, in Boris Godunov, alongside the hero of the title, the main role is actually taken primarily by the Russian people, rejoicing, starving, demanding and questioning. "Uncovering the fine features of human nature and the mass of humanity, stubbornly drilling in these unexplored regions and conquering them – this is the mission of the true artist. Onward to new shores!“
In Russian with German surtitles New production Kirill Petrenko, Conductor Calixto Bieito, Director Rebecca Ringst, Set Designer Eri Nakamura, Soprano: Xenia Dmytro Popov, Tenor: Grigory / Dmitri Anatoli Kotscherga, Bass: Boris Brindley Sherratt, Bass: Pimen Angela Brower, Mezzo-soprano: Feodor Heike Grötzinger, Mezzo-soprano: Xenia's nurse Gerhard Siegel, Tenor: Prince Shuisky Markus Eiche, Baritone: Shchelkalov | ||
| Monday 31-Mar-14 07:30pm |
National Theatre, Munich Boris Godunov |
Bavarian State Opera Kirill Petrenko, Conductor Calixto Bieito, Director Rebecca Ringst, Set Designer Eri Nakamura, Soprano: Xenia Dmytro Popov, Tenor: Grigory / Dmitri Anatoli Kotscherga, Bass: Boris Brindley Sherratt, Bass: Pimen Angela Brower, Mezzo-soprano: Feodor Heike Grötzinger, Mezzo-soprano: Xenia's nurse Gerhard Siegel, Tenor: Prince Shuisky Markus Eiche, Baritone: Shchelkalov |
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| National Theatre, Munich, Munich, Germany Monday 31-Mar-14 07:30pm Child murder, scheming monks and a tsar lapsing into madness – Modest Mussorgsky spread the thematic arc wide in his choral opera, which he began to work on from 1868, and with which he attempted to awaken an awareness of his own time through the indirect route of a historic story. As an artist of the 19th century, he was driven by the psychology of the masses. Thus, in Boris Godunov, alongside the hero of the title, the main role is actually taken primarily by the Russian people, rejoicing, starving, demanding and questioning. "Uncovering the fine features of human nature and the mass of humanity, stubbornly drilling in these unexplored regions and conquering them – this is the mission of the true artist. Onward to new shores!“
In Russian with German surtitles New production Image credit: © Wilfried Hösl Kirill Petrenko, Conductor Calixto Bieito, Director Rebecca Ringst, Set Designer Eri Nakamura, Soprano: Xenia Dmytro Popov, Tenor: Grigory / Dmitri Anatoli Kotscherga, Bass: Boris Brindley Sherratt, Bass: Pimen Angela Brower, Mezzo-soprano: Feodor Heike Grötzinger, Mezzo-soprano: Xenia's nurse Gerhard Siegel, Tenor: Prince Shuisky Markus Eiche, Baritone: Shchelkalov | ||
| Friday 16-May-14 08:00pm |
National Theatre, Munich Ariadne auf Naxos |
Bavarian State Opera Asher Fisch, Conductor Robert Carsen, Director Peter Pabst, Set Designer Ricarda Merbeth, Soprano: Primadonna (Ariadne) Jane Archibald, Soprano: Zerbinetta Angela Brower, Mezzo-soprano: Composer Robert Dean Smith, Tenor: Bacchus Kevin Conners, Tenor: Dancing Master Markus Eiche, Baritone: Harlequin Martin Gantner, Baritone: Music Master Tareq Nazmi, Bass: Truffaldino Johannes Klama, Spoken word: The Major-Domo |
 Wilfried Hösl.jpg "Image credit: © Wilfried Hösl") | ||
| National Theatre, Munich, Munich, Germany Friday 16-May-14 08:00pm Is it possible to perform the comic intermezzo “Zerbinetta and her Lovers” and the tragic opera “Ariadne” at the same time? Yes, when you have to. The richest man in Vienna wants it that way. He wants cross-over! Let’s mix up classic and pop – and it works. To the delight of the audience and the recognition of the characters on stage.
One of the handsomest and wisest works of the great Munich composer, Richard Strauss, in a production by Robert Carsen. The joy of Strauss! With German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor Robert Carsen, Director Peter Pabst, Set Designer Ricarda Merbeth, Soprano: Primadonna (Ariadne) Jane Archibald, Soprano: Zerbinetta Angela Brower, Mezzo-soprano: Composer Robert Dean Smith, Tenor: Bacchus Kevin Conners, Tenor: Dancing Master Markus Eiche, Baritone: Harlequin Martin Gantner, Baritone: Music Master Tareq Nazmi, Bass: Truffaldino Johannes Klama, Spoken word: The Major-Domo | ||
| Monday 19-May-14 08:00pm |
National Theatre, Munich Ariadne auf Naxos |
Bavarian State Opera Asher Fisch, Conductor Robert Carsen, Director Peter Pabst, Set Designer Ricarda Merbeth, Soprano: Primadonna (Ariadne) Jane Archibald, Soprano: Zerbinetta Angela Brower, Mezzo-soprano: Composer Robert Dean Smith, Tenor: Bacchus Kevin Conners, Tenor: Dancing Master Markus Eiche, Baritone: Harlequin Martin Gantner, Baritone: Music Master Tareq Nazmi, Bass: Truffaldino Johannes Klama, Spoken word: The Major-Domo |
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| National Theatre, Munich, Munich, Germany Monday 19-May-14 08:00pm Is it possible to perform the comic intermezzo “Zerbinetta and her Lovers” and the tragic opera “Ariadne” at the same time? Yes, when you have to. The richest man in Vienna wants it that way. He wants cross-over! Let’s mix up classic and pop – and it works. To the delight of the audience and the recognition of the characters on stage.
One of the handsomest and wisest works of the great Munich composer, Richard Strauss, in a production by Robert Carsen. The joy of Strauss! With German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor Robert Carsen, Director Peter Pabst, Set Designer Ricarda Merbeth, Soprano: Primadonna (Ariadne) Jane Archibald, Soprano: Zerbinetta Angela Brower, Mezzo-soprano: Composer Robert Dean Smith, Tenor: Bacchus Kevin Conners, Tenor: Dancing Master Markus Eiche, Baritone: Harlequin Martin Gantner, Baritone: Music Master Tareq Nazmi, Bass: Truffaldino Johannes Klama, Spoken word: The Major-Domo | ||
| Thursday 22-May-14 08:00pm |
National Theatre, Munich Ariadne auf Naxos |
Bavarian State Opera Asher Fisch, Conductor Robert Carsen, Director Peter Pabst, Set Designer Ricarda Merbeth, Soprano: Primadonna (Ariadne) Jane Archibald, Soprano: Zerbinetta Angela Brower, Mezzo-soprano: Composer Robert Dean Smith, Tenor: Bacchus Kevin Conners, Tenor: Dancing Master Markus Eiche, Baritone: Harlequin Martin Gantner, Baritone: Music Master Tareq Nazmi, Bass: Truffaldino Johannes Klama, Spoken word: The Major-Domo |
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| National Theatre, Munich, Munich, Germany Thursday 22-May-14 08:00pm Is it possible to perform the comic intermezzo “Zerbinetta and her Lovers” and the tragic opera “Ariadne” at the same time? Yes, when you have to. The richest man in Vienna wants it that way. He wants cross-over! Let’s mix up classic and pop – and it works. To the delight of the audience and the recognition of the characters on stage.
One of the handsomest and wisest works of the great Munich composer, Richard Strauss, in a production by Robert Carsen. The joy of Strauss! With German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor Robert Carsen, Director Peter Pabst, Set Designer Ricarda Merbeth, Soprano: Primadonna (Ariadne) Jane Archibald, Soprano: Zerbinetta Angela Brower, Mezzo-soprano: Composer Robert Dean Smith, Tenor: Bacchus Kevin Conners, Tenor: Dancing Master Markus Eiche, Baritone: Harlequin Martin Gantner, Baritone: Music Master Tareq Nazmi, Bass: Truffaldino Johannes Klama, Spoken word: The Major-Domo | ||
| Thursday 12-Jun-14 07:00pm |
National Theatre, Munich Madama Butterfly |
Bavarian State Opera Daniele Rustioni, Conductor Wolf Busse, Director Otto Stich, Set Designer Ana Maria Martinez, Soprano: Cio Cio San (Madama Butterfly) Okka von der Damerau, Mezzo-soprano: Suzuki Alexander Kaimbacher, Tenor: Goro Joseph Calleja, Tenor: Pinkerton Francesco Petrozzi, Tenor: Prince Yamadori Markus Eiche, Baritone: Sharpless Goran Juric, Bass: The Bonze |
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| National Theatre, Munich, Munich, Germany Thursday 12-Jun-14 07:00pm Daniele Rustioni, Conductor Wolf Busse, Director Otto Stich, Set Designer Ana Maria Martinez, Soprano: Cio Cio San (Madama Butterfly) Okka von der Damerau, Mezzo-soprano: Suzuki Alexander Kaimbacher, Tenor: Goro Joseph Calleja, Tenor: Pinkerton Francesco Petrozzi, Tenor: Prince Yamadori Markus Eiche, Baritone: Sharpless Goran Juric, Bass: The Bonze | ||
| Saturday 14-Jun-14 07:00pm |
National Theatre, Munich Madama Butterfly |
Bavarian State Opera Daniele Rustioni, Conductor Wolf Busse, Director Otto Stich, Set Designer Ana Maria Martinez, Soprano: Cio Cio San (Madama Butterfly) Okka von der Damerau, Mezzo-soprano: Suzuki Alexander Kaimbacher, Tenor: Goro Joseph Calleja, Tenor: Pinkerton Francesco Petrozzi, Tenor: Prince Yamadori Markus Eiche, Baritone: Sharpless Goran Juric, Bass: The Bonze |
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| National Theatre, Munich, Munich, Germany Saturday 14-Jun-14 07:00pm Daniele Rustioni, Conductor Wolf Busse, Director Otto Stich, Set Designer Ana Maria Martinez, Soprano: Cio Cio San (Madama Butterfly) Okka von der Damerau, Mezzo-soprano: Suzuki Alexander Kaimbacher, Tenor: Goro Joseph Calleja, Tenor: Pinkerton Francesco Petrozzi, Tenor: Prince Yamadori Markus Eiche, Baritone: Sharpless Goran Juric, Bass: The Bonze | ||
| Thursday 19-Jun-14 07:00pm |
National Theatre, Munich Madama Butterfly |
Bavarian State Opera Daniele Rustioni, Conductor Wolf Busse, Director Otto Stich, Set Designer Ana Maria Martinez, Soprano: Cio Cio San (Madama Butterfly) Okka von der Damerau, Mezzo-soprano: Suzuki Alexander Kaimbacher, Tenor: Goro Joseph Calleja, Tenor: Pinkerton Francesco Petrozzi, Tenor: Prince Yamadori Markus Eiche, Baritone: Sharpless Goran Juric, Bass: The Bonze |
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| National Theatre, Munich, Munich, Germany Thursday 19-Jun-14 07:00pm Daniele Rustioni, Conductor Wolf Busse, Director Otto Stich, Set Designer Ana Maria Martinez, Soprano: Cio Cio San (Madama Butterfly) Okka von der Damerau, Mezzo-soprano: Suzuki Alexander Kaimbacher, Tenor: Goro Joseph Calleja, Tenor: Pinkerton Francesco Petrozzi, Tenor: Prince Yamadori Markus Eiche, Baritone: Sharpless Goran Juric, Bass: The Bonze | ||
| Wednesday 23-Jul-14 07:00pm |
National Theatre, Munich Ariadne auf Naxos |
Bavarian State Opera Asher Fisch, Conductor Robert Carsen, Director Peter Pabst, Set Designer Ricarda Merbeth, Soprano: Primadonna (Ariadne) Jane Archibald, Soprano: Zerbinetta Sophie Koch, Mezzo-soprano: Composer Robert Dean Smith, Tenor: Bacchus Kevin Conners, Tenor: Dancing Master Markus Eiche, Baritone: Harlequin Martin Gantner, Baritone: Music Master Tareq Nazmi, Bass: Truffaldino Johannes Klama, Spoken word: The Major-Domo |
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| National Theatre, Munich, Munich, Germany Wednesday 23-Jul-14 07:00pm Is it possible to perform the comic intermezzo “Zerbinetta and her Lovers” and the tragic opera “Ariadne” at the same time? Yes, when you have to. The richest man in Vienna wants it that way. He wants cross-over! Let’s mix up classic and pop – and it works. To the delight of the audience and the recognition of the characters on stage.
One of the handsomest and wisest works of the great Munich composer, Richard Strauss, in a production by Robert Carsen. The joy of Strauss! With German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor Robert Carsen, Director Peter Pabst, Set Designer Ricarda Merbeth, Soprano: Primadonna (Ariadne) Jane Archibald, Soprano: Zerbinetta Sophie Koch, Mezzo-soprano: Composer Robert Dean Smith, Tenor: Bacchus Kevin Conners, Tenor: Dancing Master Markus Eiche, Baritone: Harlequin Martin Gantner, Baritone: Music Master Tareq Nazmi, Bass: Truffaldino Johannes Klama, Spoken word: The Major-Domo | ||
