| Date | Event | Composers, Works, Performers |
|---|---|---|
| Saturday 22-Mar-14 08:00pm |
National Theatre, MunichSalome |
Bavarian State Opera Asher Fisch, Conductor William Friedkin, Director Hans Schavernoch, Set Designer Nadja Michael, Soprano: Salome Gabriele Schnaut, Soprano: Herodias Andreas Conrad, Tenor: Herod Joseph Kaiser, Tenor: Narraboth Alan Held, Bass-baritone: Jochanaan |
![]() | ||
| National Theatre, Munich, Munich, Germany Saturday 22-Mar-14 08:00pm ![]() Richard Strauss Hedwig Lachmann and Oscar Wilde Whatever Salome wants Salome gets! So far. Having grown up at the court of her degenerate mother Herodias and her asocial stepfather Herodes, it’s perfectly understandable, with this family background, that Salome absolutely refuses to accept the fact that there might be something she can’t have: the kiss of the prophet John the Baptist, Jochanaan! Salome’s beauty and seductiveness leave him completely cold, but Salome finally gets her way. With a strip tease she coerces her stepfather to have Jochanaan beheaded so that she can finally kiss his mouth. But she pays for this kiss with her life. But “what’s the difference”? She finally got her kiss! Perverse? Insane? Or was this woman just unrelenting and thus understandable? Sung in German with German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor William Friedkin, Director Hans Schavernoch, Set Designer Nadja Michael, Soprano: Salome Gabriele Schnaut, Soprano: Herodias Andreas Conrad, Tenor: Herod Joseph Kaiser, Tenor: Narraboth Alan Held, Bass-baritone: Jochanaan | ||
| Wednesday 26-Mar-14 08:00pm |
National Theatre, MunichSalome |
Bavarian State Opera Asher Fisch, Conductor William Friedkin, Director Hans Schavernoch, Set Designer Nadja Michael, Soprano: Salome Gabriele Schnaut, Soprano: Herodias Andreas Conrad, Tenor: Herod Joseph Kaiser, Tenor: Narraboth Alan Held, Bass-baritone: Jochanaan |
![]() | ||
| National Theatre, Munich, Munich, Germany Wednesday 26-Mar-14 08:00pm ![]() Richard Strauss Hedwig Lachmann and Oscar Wilde Whatever Salome wants Salome gets! So far. Having grown up at the court of her degenerate mother Herodias and her asocial stepfather Herodes, it’s perfectly understandable, with this family background, that Salome absolutely refuses to accept the fact that there might be something she can’t have: the kiss of the prophet John the Baptist, Jochanaan! Salome’s beauty and seductiveness leave him completely cold, but Salome finally gets her way. With a strip tease she coerces her stepfather to have Jochanaan beheaded so that she can finally kiss his mouth. But she pays for this kiss with her life. But “what’s the difference”? She finally got her kiss! Perverse? Insane? Or was this woman just unrelenting and thus understandable? Sung in German with German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor William Friedkin, Director Hans Schavernoch, Set Designer Nadja Michael, Soprano: Salome Gabriele Schnaut, Soprano: Herodias Andreas Conrad, Tenor: Herod Joseph Kaiser, Tenor: Narraboth Alan Held, Bass-baritone: Jochanaan | ||
| Saturday 29-Mar-14 08:00pm |
National Theatre, MunichSalome |
Bavarian State Opera Asher Fisch, Conductor William Friedkin, Director Hans Schavernoch, Set Designer Nadja Michael, Soprano: Salome Gabriele Schnaut, Soprano: Herodias Andreas Conrad, Tenor: Herod Joseph Kaiser, Tenor: Narraboth Alan Held, Bass-baritone: Jochanaan |
![]() | ||
| National Theatre, Munich, Munich, Germany Saturday 29-Mar-14 08:00pm ![]() Richard Strauss Hedwig Lachmann and Oscar Wilde Whatever Salome wants Salome gets! So far. Having grown up at the court of her degenerate mother Herodias and her asocial stepfather Herodes, it’s perfectly understandable, with this family background, that Salome absolutely refuses to accept the fact that there might be something she can’t have: the kiss of the prophet John the Baptist, Jochanaan! Salome’s beauty and seductiveness leave him completely cold, but Salome finally gets her way. With a strip tease she coerces her stepfather to have Jochanaan beheaded so that she can finally kiss his mouth. But she pays for this kiss with her life. But “what’s the difference”? She finally got her kiss! Perverse? Insane? Or was this woman just unrelenting and thus understandable? Sung in German with German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor William Friedkin, Director Hans Schavernoch, Set Designer Nadja Michael, Soprano: Salome Gabriele Schnaut, Soprano: Herodias Andreas Conrad, Tenor: Herod Joseph Kaiser, Tenor: Narraboth Alan Held, Bass-baritone: Jochanaan | ||
| Wednesday 2-Apr-14 08:00pm |
National Theatre, MunichSalome |
Bavarian State Opera Asher Fisch, Conductor William Friedkin, Director Hans Schavernoch, Set Designer Nadja Michael, Soprano: Salome Gabriele Schnaut, Soprano: Herodias Andreas Conrad, Tenor: Herod Joseph Kaiser, Tenor: Narraboth Alan Held, Bass-baritone: Jochanaan |
![]() | ||
| National Theatre, Munich, Munich, Germany Wednesday 2-Apr-14 08:00pm ![]() Richard Strauss Hedwig Lachmann and Oscar Wilde Whatever Salome wants Salome gets! So far. Having grown up at the court of her degenerate mother Herodias and her asocial stepfather Herodes, it’s perfectly understandable, with this family background, that Salome absolutely refuses to accept the fact that there might be something she can’t have: the kiss of the prophet John the Baptist, Jochanaan! Salome’s beauty and seductiveness leave him completely cold, but Salome finally gets her way. With a strip tease she coerces her stepfather to have Jochanaan beheaded so that she can finally kiss his mouth. But she pays for this kiss with her life. But “what’s the difference”? She finally got her kiss! Perverse? Insane? Or was this woman just unrelenting and thus understandable? Sung in German with German surtitles Image credit: © Wilfried Hösl Asher Fisch, Conductor William Friedkin, Director Hans Schavernoch, Set Designer Nadja Michael, Soprano: Salome Gabriele Schnaut, Soprano: Herodias Andreas Conrad, Tenor: Herod Joseph Kaiser, Tenor: Narraboth Alan Held, Bass-baritone: Jochanaan | ||