From today| Date | Event | Composers, Works, Performers |
|---|---|---|
| Sunday 26-May-13 04:30pm |
 Glyndebourne Opera HouseFalstaff Glyndebourne |
Glyndebourne Opera Sir Mark Elder, Conductor Orchestra of the Age of Enlightenment Richard Jones, Director Sarah Fahie, Revival Director Laurent Naouri, Baritone: Sir John Falstaff Ailyn Pérez, Soprano: Alice Ford Roman Burdenko, Baritone: Ford Lucia Cirillo, Mezzo-soprano: Meg Page Susanne Resmark, Mezzo-soprano: Mistress Quickly Elena Tsallagova, Soprano: Nannetta Antonio Poli, Tenor: Fenton Graham Clark, Tenor: Dr Caius Colin Judson, Tenor: Bardolph Paolo Battaglia, Bass: Pistol |
| More info... | ||
| Glyndebourne Opera House, Glyndebourne BN8 5UU, United Kingdom Sunday 26-May-13 04:30pm Sir Mark Elder, Conductor Orchestra of the Age of Enlightenment Richard Jones, Director Sarah Fahie, Revival Director Laurent Naouri, Baritone: Sir John Falstaff Ailyn Pérez, Soprano: Alice Ford Roman Burdenko, Baritone: Ford Lucia Cirillo, Mezzo-soprano: Meg Page Susanne Resmark, Mezzo-soprano: Mistress Quickly Elena Tsallagova, Soprano: Nannetta Antonio Poli, Tenor: Fenton Graham Clark, Tenor: Dr Caius Colin Judson, Tenor: Bardolph Paolo Battaglia, Bass: Pistol | ||
| Sunday 26-May-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 26-May-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Sunday 26-May-13 07:00pm |
National Theatre, Munich La Traviata |
Bavarian State Opera Dan Ettinger, Conductor Günter Krämer, Director Ermonela Jaho, Soprano: Violetta Valéry Heike Grötzinger, Mezzo-soprano: Flora Bervoix Piotr Beczala, Tenor: Alfredo Germont Fabio Maria Capitanucci, Baritone: Giorgio Germont |
W.Hösl.jpg "Image credit: Wilfried Hösl") | ||
| National Theatre, Munich, Munich, Germany Sunday 26-May-13 07:00pm Men don't fall in love with courtesans! That's the opinion of Alfredo's father after his son moves in with the mortally ill Violetta Valéry. In her love for Alfredo Violetta even agrees. She leaves him, dies poor, ill – still dreaming of the happiness of true love. One of Verdi's most beloved operas continues to hold the mirror up to society and its hypocritical morality. An exemplary production! See it!
In Italian with German surtitles.Image credit: Wilfried Hösl Dan Ettinger, Conductor Günter Krämer, Director Ermonela Jaho, Soprano: Violetta Valéry Heike Grötzinger, Mezzo-soprano: Flora Bervoix Piotr Beczala, Tenor: Alfredo Germont Fabio Maria Capitanucci, Baritone: Giorgio Germont | ||
| Tuesday 28-May-13 07:15pm |
Edinburgh Festival Theatre The Pirates of Penzance |
Scottish Opera John Owen Edwards, Conductor Martin Lloyd-Evans, Director Steven Page, Voice: Pirate King Richard Suart, Baritone: Major General Rosie Aldridge, Mezzo-soprano: Ruth The Orchestra of Scottish Opera |
| More info... | ||
| Edinburgh Festival Theatre, Edinburgh EH8 9FT, United Kingdom Tuesday 28-May-13 07:15pm The Pirates of Penzance Gilbert and Sullivan as it's meant to be - pure, uncomplicated fun, performed to the highest standards. This new co-production with D'Oyly Carte Opera Company - returning to the stage for the first time in over 10 years - is conducted by G&S expert and D'Oyly Carte Music Director John Owen Edwards. Director Martin Lloyd-Evans stages a vibrant, stylish, all singing, all dancing show. The fantastic ensemble cast includes celebrated G&S stalwarts Steven Page and Richard Suart as The Pirate King and Major-General Stanley. John Owen Edwards, Conductor Martin Lloyd-Evans, Director Steven Page, Voice: Pirate King Richard Suart, Baritone: Major General Rosie Aldridge, Mezzo-soprano: Ruth The Orchestra of Scottish Opera | ||
| Wednesday 29-May-13 05:45pm |
Glyndebourne Opera House Falstaff Glyndebourne |
Glyndebourne Opera Sir Mark Elder, Conductor Orchestra of the Age of Enlightenment Richard Jones, Director Sarah Fahie, Revival Director Laurent Naouri, Baritone: Sir John Falstaff Ailyn Pérez, Soprano: Alice Ford Roman Burdenko, Baritone: Ford Lucia Cirillo, Mezzo-soprano: Meg Page Susanne Resmark, Mezzo-soprano: Mistress Quickly Elena Tsallagova, Soprano: Nannetta Antonio Poli, Tenor: Fenton Graham Clark, Tenor: Dr Caius Colin Judson, Tenor: Bardolph Paolo Battaglia, Bass: Pistol |
| More info... | ||
| Glyndebourne Opera House, Glyndebourne BN8 5UU, United Kingdom Wednesday 29-May-13 05:45pm Sir Mark Elder, Conductor Orchestra of the Age of Enlightenment Richard Jones, Director Sarah Fahie, Revival Director Laurent Naouri, Baritone: Sir John Falstaff Ailyn Pérez, Soprano: Alice Ford Roman Burdenko, Baritone: Ford Lucia Cirillo, Mezzo-soprano: Meg Page Susanne Resmark, Mezzo-soprano: Mistress Quickly Elena Tsallagova, Soprano: Nannetta Antonio Poli, Tenor: Fenton Graham Clark, Tenor: Dr Caius Colin Judson, Tenor: Bardolph Paolo Battaglia, Bass: Pistol | ||
| Wednesday 29-May-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Wednesday 29-May-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Wednesday 29-May-13 07:00pm |
National Theatre, Munich Les Contes d'Hoffmann |
Bavarian State Opera Emmanuel Villaume, Conductor Richard Jones, Director Kathleen Kim, Soprano: Olympia Genia Kühmeier, Soprano: Antonia Dinara Alieva, Soprano: Giulietta Kevin Conners, Tenor: Andreas/Cochenille/Pitichinaccio /Frantz John Relyea, Bass-baritone: Lindorff/Coppélius/Miracle/Dapertutto Tara Erraught, Mezzo-soprano: The Muse Giuseppe Filianoti, Tenor: Hoffmann |
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| National Theatre, Munich, Munich, Germany Wednesday 29-May-13 07:00pm Les Contes d'Hoffmann The protagonist of the opera is E.T.A. Hoffmann, the prototype of the German romantic period artist: his life is an artwork, his lower depths, his doubts, his grand inspirations – his crises. And all of these are connected with: women. Hoffmann in the opera tells of three types of woman in his tales, the “lifeless doll with a heart of ice”, the “virtuoso”, ill and destined to die, as well as the “shameless courtesan”.
Jacques Offenbach’s opera fantastique, premièred in 1881, is based on the play of the same name by Jules Barbier and Michel Carré, who drew from the biographies and works of E.T.A. Hoffmann, Adelbert von Chamisso and Alfred de Musset to create their own artist’s drama. It is not a literature opera – the protagonists from different romantic tales are connected to one another by a fictitious Hoffmann – but rather more of a message to the writer, telling him to make art his matter of the heart, or perhaps even open up his heart with brutal frankness.
Co-production with the English National Opera, London.
In French with German surtitles.Image credit: Wilfried Hösl Emmanuel Villaume, Conductor Richard Jones, Director Kathleen Kim, Soprano: Olympia Genia Kühmeier, Soprano: Antonia Dinara Alieva, Soprano: Giulietta Kevin Conners, Tenor: Andreas/Cochenille/Pitichinaccio /Frantz John Relyea, Bass-baritone: Lindorff/Coppélius/Miracle/Dapertutto Tara Erraught, Mezzo-soprano: The Muse Giuseppe Filianoti, Tenor: Hoffmann | ||
| Thursday 30-May-13 04:00pm |
National Theatre, Munich La Traviata |
Bavarian State Opera Dan Ettinger, Conductor Günter Krämer, Director Ermonela Jaho, Soprano: Violetta Valéry Heike Grötzinger, Mezzo-soprano: Flora Bervoix Piotr Beczala, Tenor: Alfredo Germont Fabio Maria Capitanucci, Baritone: Giorgio Germont |
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| National Theatre, Munich, Munich, Germany Thursday 30-May-13 04:00pm Men don't fall in love with courtesans! That's the opinion of Alfredo's father after his son moves in with the mortally ill Violetta Valéry. In her love for Alfredo Violetta even agrees. She leaves him, dies poor, ill – still dreaming of the happiness of true love. One of Verdi's most beloved operas continues to hold the mirror up to society and its hypocritical morality. An exemplary production! See it!
In Italian with German surtitles.Image credit: Wilfried Hösl Dan Ettinger, Conductor Günter Krämer, Director Ermonela Jaho, Soprano: Violetta Valéry Heike Grötzinger, Mezzo-soprano: Flora Bervoix Piotr Beczala, Tenor: Alfredo Germont Fabio Maria Capitanucci, Baritone: Giorgio Germont | ||
| Thursday 30-May-13 07:15pm |
Edinburgh Festival Theatre The Pirates of Penzance |
Scottish Opera John Owen Edwards, Conductor Martin Lloyd-Evans, Director Steven Page, Voice: Pirate King Richard Suart, Baritone: Major General Rosie Aldridge, Mezzo-soprano: Ruth The Orchestra of Scottish Opera |
| More info... | ||
| Edinburgh Festival Theatre, Edinburgh EH8 9FT, United Kingdom Thursday 30-May-13 07:15pm The Pirates of Penzance Gilbert and Sullivan as it's meant to be - pure, uncomplicated fun, performed to the highest standards. This new co-production with D'Oyly Carte Opera Company - returning to the stage for the first time in over 10 years - is conducted by G&S expert and D'Oyly Carte Music Director John Owen Edwards. Director Martin Lloyd-Evans stages a vibrant, stylish, all singing, all dancing show. The fantastic ensemble cast includes celebrated G&S stalwarts Steven Page and Richard Suart as The Pirate King and Major-General Stanley. John Owen Edwards, Conductor Martin Lloyd-Evans, Director Steven Page, Voice: Pirate King Richard Suart, Baritone: Major General Rosie Aldridge, Mezzo-soprano: Ruth The Orchestra of Scottish Opera | ||
| Friday 31-May-13 07:15pm |
Edinburgh Festival Theatre The Pirates of Penzance |
Scottish Opera John Owen Edwards, Conductor Martin Lloyd-Evans, Director Steven Page, Voice: Pirate King Richard Suart, Baritone: Major General Rosie Aldridge, Mezzo-soprano: Ruth The Orchestra of Scottish Opera |
| More info... | ||
| Edinburgh Festival Theatre, Edinburgh EH8 9FT, United Kingdom Friday 31-May-13 07:15pm The Pirates of Penzance Gilbert and Sullivan as it's meant to be - pure, uncomplicated fun, performed to the highest standards. This new co-production with D'Oyly Carte Opera Company - returning to the stage for the first time in over 10 years - is conducted by G&S expert and D'Oyly Carte Music Director John Owen Edwards. Director Martin Lloyd-Evans stages a vibrant, stylish, all singing, all dancing show. The fantastic ensemble cast includes celebrated G&S stalwarts Steven Page and Richard Suart as The Pirate King and Major-General Stanley. John Owen Edwards, Conductor Martin Lloyd-Evans, Director Steven Page, Voice: Pirate King Richard Suart, Baritone: Major General Rosie Aldridge, Mezzo-soprano: Ruth The Orchestra of Scottish Opera | ||
| Friday 31-May-13 07:30pm |
Theater Bonn Norma |
Theater Bonn Robin Engelen, Conductor Florian Lutz, Director Martin Kukulies, Set Designer Mechthild Feuerstein, Costume Designer Sibylle Wagner, Choirmaster George Oniani, Tenor: Pollione Ramaz Chikviladze, Bass: Oroveso Miriam Clark, Soprano: Norma Nadja Stefanoff, Mezzo-soprano: Adalgisa Susanne Blattert, Mezzo-soprano: Clotilde Daniela Denschlag, Mezzo-soprano: Clotilde Tamas Tarjányi, Tenor: Flavio Beethoven Orchester Bonn |
| More info... | ||
| Theater Bonn, Opernhaus/Werkstatt, , Am Boeselagerhof 1, , 53111 Bonn, Bonn, Germany Friday 31-May-13 07:30pm Robin Engelen, Conductor Florian Lutz, Director Martin Kukulies, Set Designer Mechthild Feuerstein, Costume Designer Sibylle Wagner, Choirmaster George Oniani, Tenor: Pollione Ramaz Chikviladze, Bass: Oroveso Miriam Clark, Soprano: Norma Nadja Stefanoff, Mezzo-soprano: Adalgisa Susanne Blattert, Mezzo-soprano: Clotilde Daniela Denschlag, Mezzo-soprano: Clotilde Tamas Tarjányi, Tenor: Flavio Beethoven Orchester Bonn | ||
| Saturday 1-Jun-13 02:15pm |
Edinburgh Festival Theatre The Pirates of Penzance |
Scottish Opera John Owen Edwards, Conductor Martin Lloyd-Evans, Director Steven Page, Voice: Pirate King Richard Suart, Baritone: Major General Rosie Aldridge, Mezzo-soprano: Ruth The Orchestra of Scottish Opera |
| More info... | ||
| Edinburgh Festival Theatre, Edinburgh EH8 9FT, United Kingdom Saturday 1-Jun-13 02:15pm The Pirates of Penzance Gilbert and Sullivan as it's meant to be - pure, uncomplicated fun, performed to the highest standards. This new co-production with D'Oyly Carte Opera Company - returning to the stage for the first time in over 10 years - is conducted by G&S expert and D'Oyly Carte Music Director John Owen Edwards. Director Martin Lloyd-Evans stages a vibrant, stylish, all singing, all dancing show. The fantastic ensemble cast includes celebrated G&S stalwarts Steven Page and Richard Suart as The Pirate King and Major-General Stanley. John Owen Edwards, Conductor Martin Lloyd-Evans, Director Steven Page, Voice: Pirate King Richard Suart, Baritone: Major General Rosie Aldridge, Mezzo-soprano: Ruth The Orchestra of Scottish Opera | ||
| Saturday 1-Jun-13 05:45pm |
Glyndebourne Opera House Falstaff Glyndebourne |
Glyndebourne Opera Sir Mark Elder, Conductor Orchestra of the Age of Enlightenment Richard Jones, Director Sarah Fahie, Revival Director Laurent Naouri, Baritone: Sir John Falstaff Ailyn Pérez, Soprano: Alice Ford Roman Burdenko, Baritone: Ford Lucia Cirillo, Mezzo-soprano: Meg Page Susanne Resmark, Mezzo-soprano: Mistress Quickly Elena Tsallagova, Soprano: Nannetta Antonio Poli, Tenor: Fenton Graham Clark, Tenor: Dr Caius Colin Judson, Tenor: Bardolph Paolo Battaglia, Bass: Pistol |
| More info... | ||
| Glyndebourne Opera House, Glyndebourne BN8 5UU, United Kingdom Saturday 1-Jun-13 05:45pm Sir Mark Elder, Conductor Orchestra of the Age of Enlightenment Richard Jones, Director Sarah Fahie, Revival Director Laurent Naouri, Baritone: Sir John Falstaff Ailyn Pérez, Soprano: Alice Ford Roman Burdenko, Baritone: Ford Lucia Cirillo, Mezzo-soprano: Meg Page Susanne Resmark, Mezzo-soprano: Mistress Quickly Elena Tsallagova, Soprano: Nannetta Antonio Poli, Tenor: Fenton Graham Clark, Tenor: Dr Caius Colin Judson, Tenor: Bardolph Paolo Battaglia, Bass: Pistol | ||
| Saturday 1-Jun-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Saturday 1-Jun-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Saturday 1-Jun-13 07:15pm |
Edinburgh Festival Theatre The Pirates of Penzance |
Scottish Opera John Owen Edwards, Conductor Martin Lloyd-Evans, Director Steven Page, Voice: Pirate King Richard Suart, Baritone: Major General Rosie Aldridge, Mezzo-soprano: Ruth The Orchestra of Scottish Opera |
| More info... | ||
| Edinburgh Festival Theatre, Edinburgh EH8 9FT, United Kingdom Saturday 1-Jun-13 07:15pm The Pirates of Penzance Gilbert and Sullivan as it's meant to be - pure, uncomplicated fun, performed to the highest standards. This new co-production with D'Oyly Carte Opera Company - returning to the stage for the first time in over 10 years - is conducted by G&S expert and D'Oyly Carte Music Director John Owen Edwards. Director Martin Lloyd-Evans stages a vibrant, stylish, all singing, all dancing show. The fantastic ensemble cast includes celebrated G&S stalwarts Steven Page and Richard Suart as The Pirate King and Major-General Stanley. John Owen Edwards, Conductor Martin Lloyd-Evans, Director Steven Page, Voice: Pirate King Richard Suart, Baritone: Major General Rosie Aldridge, Mezzo-soprano: Ruth The Orchestra of Scottish Opera | ||
| Saturday 1-Jun-13 07:30pm |
The London Coliseum The Perfect American |
English National Opera Gareth Jones, Conductor Phelim McDermott, Director Dan Potra, Set Designer Ben Wright, Choreography Christopher Purves, Bass: Walt Disney David Pittsinger, Bass: Roy Janis Kelly, Soprano: Hazel George Sarah Tynan, Soprano: Sharon John Easterlin, Tenor: Andy Warhol Zachary James, Baritone: Abraham Lincoln |
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| The London Coliseum, St. Martin's Lane, London WC2N 4ES, United Kingdom Saturday 1-Jun-13 07:30pm Based on Peter Stephan Jungk’s novel and written by Philip Glass, one of the world’s most important composers, The Perfect American imagines the final years of Walt Disney’s life, including mythical imaginings of Abraham Lincoln and Andy Warhol. This latest opera from Glass, his 24th, was commissioned by ENO and Teatro Real Madrid to mark his 75th birthday.
British theatre director Phelim McDermott returns following his spectacular production of Satyagraha for ENO and the Metropolitan Opera, New York, described as ‘transfixing musically and visually’ (The Guardian). The design is by leading international designer Dan Potra, whose work on the Sydney 2000 Olympic Games ceremony was widely acclaimed.
Tickets £12 - £60.Gareth Jones, Conductor Phelim McDermott, Director Dan Potra, Set Designer Ben Wright, Choreography Christopher Purves, Bass: Walt Disney David Pittsinger, Bass: Roy Janis Kelly, Soprano: Hazel George Sarah Tynan, Soprano: Sharon John Easterlin, Tenor: Andy Warhol Zachary James, Baritone: Abraham Lincoln | ||
| Saturday 1-Jun-13 07:30pm |
Theater Bonn Il Barbiere di Siviglia |
Theater Bonn Robin Engelen, Conductor Philipp Himmelmann, Director Johannes Leiacker, Set Designer Gesine Völlm, Costume Designer Ulrich Zippelius, Choirmaster Tamas Tarjányi, Tenor: Count Almaviva Martin Tzonev, Bass: Dr. Bartolo Susanne Blattert, Mezzo-soprano: Rosina Kathrin Leidig, Mezzo-soprano: Rosina Aris Argiris, Baritone: Figaro Giorgos Kanaris, Baritone: Figaro Ramaz Chikviladze, Bass: Don Basilio Beethoven Orchester Bonn |
| More info... | ||
| Theater Bonn, Opernhaus/Werkstatt, , Am Boeselagerhof 1, , 53111 Bonn, Bonn, Germany Saturday 1-Jun-13 07:30pm Il Barbiere di Siviglia Robin Engelen, Conductor Philipp Himmelmann, Director Johannes Leiacker, Set Designer Gesine Völlm, Costume Designer Ulrich Zippelius, Choirmaster Tamas Tarjányi, Tenor: Count Almaviva Martin Tzonev, Bass: Dr. Bartolo Susanne Blattert, Mezzo-soprano: Rosina Kathrin Leidig, Mezzo-soprano: Rosina Aris Argiris, Baritone: Figaro Giorgos Kanaris, Baritone: Figaro Ramaz Chikviladze, Bass: Don Basilio Beethoven Orchester Bonn | ||
| Saturday 1-Jun-13 08:30pm |
Westergasfabriek: Gashouder, Amsterdam Quartett Holland Festival |
Susanna Mälkki, Conductor Ensemble da camera dell'Accademia, Teatro alla Scala Allison Cook, Mezzo-soprano: Marquise de Merteuil Robin Adams, Baritone: Vicomte de Valmont |
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| Westergasfabriek: Gashouder, Amsterdam, Klönneplein 1, Amsterdam 1014 BE, Netherlands Saturday 1-Jun-13 08:30pm Innovative opera based on Les Liaisons Dangereuses. After Quartett by Heiner Müller.
The Holland Festival 2013 opens with a tale of love, intrigue, heartbreak and torment. Based on Heiner Müller’s stage version of Les Liaisons Dangereuses, composer Luca Francesconi wrote an opera which had its world premiere in 2011 at Milan’s La Scala Theatre with a spectacular staging by Àlex Ollé.
On a stage that symbolises their emotional prison, Valmont and Merteuil fight their bitter, violent battles, a vocal duel interspersed with orchestral dreams of what could have been, but never will be. After all, the two former lovers not only play a deadly game with the hearts of others, with their cynical machinations they ultimately also condemn their own chances of happiness to failure.Co-production between Teatro alla Scala and Wiener Festwochen with IRCAM Paris.In English with Dutch surtitles. Running time 1 hour 20 minutes with no interval.Tickets €45/35/25 with students/CJP €17.50 for all categories.Image credit: Ada Nieuwendijk Susanna Mälkki, Conductor Ensemble da camera dell'Accademia, Teatro alla Scala Allison Cook, Mezzo-soprano: Marquise de Merteuil Robin Adams, Baritone: Vicomte de Valmont | ||
| Sunday 2-Jun-13 06:00pm |
National Theatre, Munich Les Contes d'Hoffmann |
Bavarian State Opera Emmanuel Villaume, Conductor Richard Jones, Director Kathleen Kim, Soprano: Olympia Genia Kühmeier, Soprano: Antonia Dinara Alieva, Soprano: Giulietta Kevin Conners, Tenor: Andreas/Cochenille/Pitichinaccio /Frantz John Relyea, Bass-baritone: Lindorff/Coppélius/Miracle/Dapertutto Tara Erraught, Mezzo-soprano: The Muse Giuseppe Filianoti, Tenor: Hoffmann |
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| National Theatre, Munich, Munich, Germany Sunday 2-Jun-13 06:00pm Les Contes d'Hoffmann The protagonist of the opera is E.T.A. Hoffmann, the prototype of the German romantic period artist: his life is an artwork, his lower depths, his doubts, his grand inspirations – his crises. And all of these are connected with: women. Hoffmann in the opera tells of three types of woman in his tales, the “lifeless doll with a heart of ice”, the “virtuoso”, ill and destined to die, as well as the “shameless courtesan”.
Jacques Offenbach’s opera fantastique, premièred in 1881, is based on the play of the same name by Jules Barbier and Michel Carré, who drew from the biographies and works of E.T.A. Hoffmann, Adelbert von Chamisso and Alfred de Musset to create their own artist’s drama. It is not a literature opera – the protagonists from different romantic tales are connected to one another by a fictitious Hoffmann – but rather more of a message to the writer, telling him to make art his matter of the heart, or perhaps even open up his heart with brutal frankness.
Co-production with the English National Opera, London.
In French with German surtitles.Image credit: Wilfried Hösl Emmanuel Villaume, Conductor Richard Jones, Director Kathleen Kim, Soprano: Olympia Genia Kühmeier, Soprano: Antonia Dinara Alieva, Soprano: Giulietta Kevin Conners, Tenor: Andreas/Cochenille/Pitichinaccio /Frantz John Relyea, Bass-baritone: Lindorff/Coppélius/Miracle/Dapertutto Tara Erraught, Mezzo-soprano: The Muse Giuseppe Filianoti, Tenor: Hoffmann | ||
| Sunday 2-Jun-13 08:30pm |
Westergasfabriek: Gashouder, Amsterdam Quartett Holland Festival |
Susanna Mälkki, Conductor Ensemble da camera dell'Accademia, Teatro alla Scala Allison Cook, Mezzo-soprano: Marquise de Merteuil Robin Adams, Baritone: Vicomte de Valmont |
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| Westergasfabriek: Gashouder, Amsterdam, Klönneplein 1, Amsterdam 1014 BE, Netherlands Sunday 2-Jun-13 08:30pm Innovative opera based on Les Liaisons Dangereuses. After Quartett by Heiner Müller.
The Holland Festival 2013 opens with a tale of love, intrigue, heartbreak and torment. Based on Heiner Müller’s stage version of Les Liaisons Dangereuses, composer Luca Francesconi wrote an opera which had its world premiere in 2011 at Milan’s La Scala Theatre with a spectacular staging by Àlex Ollé.
On a stage that symbolises their emotional prison, Valmont and Merteuil fight their bitter, violent battles, a vocal duel interspersed with orchestral dreams of what could have been, but never will be. After all, the two former lovers not only play a deadly game with the hearts of others, with their cynical machinations they ultimately also condemn their own chances of happiness to failure.Co-production between Teatro alla Scala and Wiener Festwochen with IRCAM Paris.In English with Dutch surtitles. Running time 1 hour 20 minutes with no interval.Tickets €45/35/25 with students/CJP €17.50 for all categories.Image credit: Ada Nieuwendijk Susanna Mälkki, Conductor Ensemble da camera dell'Accademia, Teatro alla Scala Allison Cook, Mezzo-soprano: Marquise de Merteuil Robin Adams, Baritone: Vicomte de Valmont | ||
| Tuesday 4-Jun-13 05:30pm |
Het Muziektheater, Amsterdam Die Meistersinger von Nürnberg Holland Festival |
De Nederlandse Opera Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Tuesday 4-Jun-13 05:30pm In his only comic opera, Wagner distilled poetry and music into a single unified form that unfolds as an unbroken stream of music-dramatic dialogue. It became a singspiel, partly based on personal experience, about the romance between the bourgeois girl Eva Pogner and the knight Walther von Stolzing, who may only wed his beloved once he has won the annual singing contest. The cobbler Hans Sachs represents, on the one hand, the old guard as a member of the Guild of Mastersingers; on the other hand he is open to modernization and stimulates the knight’s artistic gifts, stoking the conflict between narrow-mindedness and true artistry – a theme certainly not unfamiliar to Wagner himself. Love triumphs in the end, thanks to Sachs’ closing address in which he praises the ‘master’s honour’, a typically German honour one might view with considerable scepticism: the Meistersinger finale was, after all, misused for political purposes.Running time 5 hours 25 minutes with two intervals, in German with Dutch and English surtitles.Image credit: Ada Nieuwendijk Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger | ||
| Tuesday 4-Jun-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Tuesday 4-Jun-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Wednesday 5-Jun-13 07:00pm |
National Theatre, Munich Les Contes d'Hoffmann |
Bavarian State Opera Emmanuel Villaume, Conductor Richard Jones, Director Kathleen Kim, Soprano: Olympia Genia Kühmeier, Soprano: Antonia Dinara Alieva, Soprano: Giulietta Kevin Conners, Tenor: Andreas/Cochenille/Pitichinaccio /Frantz John Relyea, Bass-baritone: Lindorff/Coppélius/Miracle/Dapertutto Tara Erraught, Mezzo-soprano: The Muse Giuseppe Filianoti, Tenor: Hoffmann |
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| National Theatre, Munich, Munich, Germany Wednesday 5-Jun-13 07:00pm Les Contes d'Hoffmann The protagonist of the opera is E.T.A. Hoffmann, the prototype of the German romantic period artist: his life is an artwork, his lower depths, his doubts, his grand inspirations – his crises. And all of these are connected with: women. Hoffmann in the opera tells of three types of woman in his tales, the “lifeless doll with a heart of ice”, the “virtuoso”, ill and destined to die, as well as the “shameless courtesan”.
Jacques Offenbach’s opera fantastique, premièred in 1881, is based on the play of the same name by Jules Barbier and Michel Carré, who drew from the biographies and works of E.T.A. Hoffmann, Adelbert von Chamisso and Alfred de Musset to create their own artist’s drama. It is not a literature opera – the protagonists from different romantic tales are connected to one another by a fictitious Hoffmann – but rather more of a message to the writer, telling him to make art his matter of the heart, or perhaps even open up his heart with brutal frankness.
Co-production with the English National Opera, London.
In French with German surtitles.Image credit: Wilfried Hösl Emmanuel Villaume, Conductor Richard Jones, Director Kathleen Kim, Soprano: Olympia Genia Kühmeier, Soprano: Antonia Dinara Alieva, Soprano: Giulietta Kevin Conners, Tenor: Andreas/Cochenille/Pitichinaccio /Frantz John Relyea, Bass-baritone: Lindorff/Coppélius/Miracle/Dapertutto Tara Erraught, Mezzo-soprano: The Muse Giuseppe Filianoti, Tenor: Hoffmann | ||
| Thursday 6-Jun-13 |
Staatsoper, Vienna Tosca |
Vienna State Opera Margarethe Wallmann, Director Dan Ettinger, Conductor Martina Serafin, Soprano: Floria Tosca Roberto Alagna, Tenor: Mario Cavaradossi Albert Dohmen, Bass-baritone: Baron Scarpia |
| More info... | ||
| Staatsoper, Vienna, 1010 Vienna, Austria Thursday 6-Jun-13 Margarethe Wallmann, Director Dan Ettinger, Conductor Martina Serafin, Soprano: Floria Tosca Roberto Alagna, Tenor: Mario Cavaradossi Albert Dohmen, Bass-baritone: Baron Scarpia | ||
| Thursday 6-Jun-13 05:45pm |
Glyndebourne Opera House Falstaff Glyndebourne |
Glyndebourne Opera Sir Mark Elder, Conductor Orchestra of the Age of Enlightenment Richard Jones, Director Sarah Fahie, Revival Director Laurent Naouri, Baritone: Sir John Falstaff Ailyn Pérez, Soprano: Alice Ford Roman Burdenko, Baritone: Ford Lucia Cirillo, Mezzo-soprano: Meg Page Susanne Resmark, Mezzo-soprano: Mistress Quickly Elena Tsallagova, Soprano: Nannetta Antonio Poli, Tenor: Fenton Graham Clark, Tenor: Dr Caius Colin Judson, Tenor: Bardolph Paolo Battaglia, Bass: Pistol |
| More info... | ||
| Glyndebourne Opera House, Glyndebourne BN8 5UU, United Kingdom Thursday 6-Jun-13 05:45pm Sir Mark Elder, Conductor Orchestra of the Age of Enlightenment Richard Jones, Director Sarah Fahie, Revival Director Laurent Naouri, Baritone: Sir John Falstaff Ailyn Pérez, Soprano: Alice Ford Roman Burdenko, Baritone: Ford Lucia Cirillo, Mezzo-soprano: Meg Page Susanne Resmark, Mezzo-soprano: Mistress Quickly Elena Tsallagova, Soprano: Nannetta Antonio Poli, Tenor: Fenton Graham Clark, Tenor: Dr Caius Colin Judson, Tenor: Bardolph Paolo Battaglia, Bass: Pistol | ||
| Thursday 6-Jun-13 07:15pm |
Eden Court Theatre, Inverness The Pirates of Penzance |
Scottish Opera John Owen Edwards, Conductor Martin Lloyd-Evans, Director Steven Page, Voice: Pirate King Richard Suart, Baritone: Major General Rosie Aldridge, Mezzo-soprano: Ruth The Orchestra of Scottish Opera |
| More info... | ||
| Eden Court Theatre, Inverness, Inverness IV3 5SA, United Kingdom Thursday 6-Jun-13 07:15pm The Pirates of Penzance Gilbert and Sullivan as it's meant to be - pure, uncomplicated fun, performed to the highest standards. This new co-production with D'Oyly Carte Opera Company - returning to the stage for the first time in over 10 years - is conducted by G&S expert and D'Oyly Carte Music Director John Owen Edwards. Director Martin Lloyd-Evans stages a vibrant, stylish, all singing, all dancing show. The fantastic ensemble cast includes celebrated G&S stalwarts Steven Page and Richard Suart as The Pirate King and Major-General Stanley. John Owen Edwards, Conductor Martin Lloyd-Evans, Director Steven Page, Voice: Pirate King Richard Suart, Baritone: Major General Rosie Aldridge, Mezzo-soprano: Ruth The Orchestra of Scottish Opera | ||
| Thursday 6-Jun-13 07:30pm |
The London Coliseum The Perfect American |
English National Opera Gareth Jones, Conductor Phelim McDermott, Director Dan Potra, Set Designer Ben Wright, Choreography Christopher Purves, Bass: Walt Disney David Pittsinger, Bass: Roy Janis Kelly, Soprano: Hazel George Sarah Tynan, Soprano: Sharon John Easterlin, Tenor: Andy Warhol Zachary James, Baritone: Abraham Lincoln |
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| The London Coliseum, St. Martin's Lane, London WC2N 4ES, United Kingdom Thursday 6-Jun-13 07:30pm Based on Peter Stephan Jungk’s novel and written by Philip Glass, one of the world’s most important composers, The Perfect American imagines the final years of Walt Disney’s life, including mythical imaginings of Abraham Lincoln and Andy Warhol. This latest opera from Glass, his 24th, was commissioned by ENO and Teatro Real Madrid to mark his 75th birthday.
British theatre director Phelim McDermott returns following his spectacular production of Satyagraha for ENO and the Metropolitan Opera, New York, described as ‘transfixing musically and visually’ (The Guardian). The design is by leading international designer Dan Potra, whose work on the Sydney 2000 Olympic Games ceremony was widely acclaimed.
Tickets £12 - £60.Gareth Jones, Conductor Phelim McDermott, Director Dan Potra, Set Designer Ben Wright, Choreography Christopher Purves, Bass: Walt Disney David Pittsinger, Bass: Roy Janis Kelly, Soprano: Hazel George Sarah Tynan, Soprano: Sharon John Easterlin, Tenor: Andy Warhol Zachary James, Baritone: Abraham Lincoln | ||
| Friday 7-Jun-13 05:00pm |
New Palace Sanssouci: Palace Theatre, Potsdam Peter's Wedding: Premiere Potsdam Sanssouci Music Festival |
Isabel Ostermann, Director Werner Ehrhardt, Conductor Thomas Thaarup, Librettist L'Arte del Mondo Tobias Westman, Tenor: Peter Hannah Husahr, Soprano: Grethe Eva-Lotta Ohlsson, Soprano: Anna Johan Rydh, Baritone: Halvor |
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| New Palace Sanssouci: Palace Theatre, Potsdam, Sanssouci Park, Am Neuen Palais, 14469 Potsdam, Germany Friday 7-Jun-13 05:00pm Peter's Wedding: Premiere Sung in Danish with German supertitles Since he was Prince Henry’s Hofkapellmeister (court conductor) in Rheinsberg, Johann Abraham Peter Schulz was a highly esteemed person in Prussia’s musical scene. Having been appointed royal Kapellmeister (conductor) he moved to Copenhagen in 1787. His inspiring work and his achievements in terms of musically educating the people cannot be valued highly enough. As a "song man of the people" he wanted to speak to the people with an art that takes the art out of art. With his musical comedy "Peters Bryllup" (Peter’s Wedding) he succeeded to the extent that the Danes fully adopted his tunes as their own and the term "national" Danish music was used for the very first time. Thomas Thaarup’s scenes depicting the lives of simple farmers and seamen offer slices of realism despite the idyllic setting. Topics such as the trade in slaves and the abolishment of serfdom were quite explosive. At Palace Theatre Sanssouci L’ARTE DEL MONDO return the delightful piece to the stage for the first time ever as part of their "Opera from the world’s archives" season which was initiated by Bayer Kultur. Coproduction with L’ARTE DEL MONDO and Bayer Kultur, supported by the Capital City Potsdam, the State of Brandenburg, the Artfoundation NRW and the Ministry of Family, Children, Youth, Culture and Sports of the State of North Rhine-Westphalia; in cooperation with Copenhagen Opera Festival
Tickets 65,- / 40,- / 27,-* / 16,-* Isabel Ostermann, Director Werner Ehrhardt, Conductor Thomas Thaarup, Librettist L'Arte del Mondo Tobias Westman, Tenor: Peter Hannah Husahr, Soprano: Grethe Eva-Lotta Ohlsson, Soprano: Anna Johan Rydh, Baritone: Halvor | ||
| Friday 7-Jun-13 05:30pm |
Het Muziektheater, Amsterdam Die Meistersinger von Nürnberg Holland Festival |
De Nederlandse Opera Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Friday 7-Jun-13 05:30pm In his only comic opera, Wagner distilled poetry and music into a single unified form that unfolds as an unbroken stream of music-dramatic dialogue. It became a singspiel, partly based on personal experience, about the romance between the bourgeois girl Eva Pogner and the knight Walther von Stolzing, who may only wed his beloved once he has won the annual singing contest. The cobbler Hans Sachs represents, on the one hand, the old guard as a member of the Guild of Mastersingers; on the other hand he is open to modernization and stimulates the knight’s artistic gifts, stoking the conflict between narrow-mindedness and true artistry – a theme certainly not unfamiliar to Wagner himself. Love triumphs in the end, thanks to Sachs’ closing address in which he praises the ‘master’s honour’, a typically German honour one might view with considerable scepticism: the Meistersinger finale was, after all, misused for political purposes.Running time 5 hours 25 minutes with two intervals, in German with Dutch and English surtitles.Image credit: Ada Nieuwendijk Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger | ||
| Friday 7-Jun-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Friday 7-Jun-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Friday 7-Jun-13 07:15pm |
Eden Court Theatre, Inverness The Pirates of Penzance |
Scottish Opera John Owen Edwards, Conductor Martin Lloyd-Evans, Director Steven Page, Voice: Pirate King Richard Suart, Baritone: Major General Rosie Aldridge, Mezzo-soprano: Ruth The Orchestra of Scottish Opera |
| More info... | ||
| Eden Court Theatre, Inverness, Inverness IV3 5SA, United Kingdom Friday 7-Jun-13 07:15pm The Pirates of Penzance Gilbert and Sullivan as it's meant to be - pure, uncomplicated fun, performed to the highest standards. This new co-production with D'Oyly Carte Opera Company - returning to the stage for the first time in over 10 years - is conducted by G&S expert and D'Oyly Carte Music Director John Owen Edwards. Director Martin Lloyd-Evans stages a vibrant, stylish, all singing, all dancing show. The fantastic ensemble cast includes celebrated G&S stalwarts Steven Page and Richard Suart as The Pirate King and Major-General Stanley. John Owen Edwards, Conductor Martin Lloyd-Evans, Director Steven Page, Voice: Pirate King Richard Suart, Baritone: Major General Rosie Aldridge, Mezzo-soprano: Ruth The Orchestra of Scottish Opera | ||
| Saturday 8-Jun-13 02:15pm |
Eden Court Theatre, Inverness The Pirates of Penzance |
Scottish Opera John Owen Edwards, Conductor Martin Lloyd-Evans, Director Steven Page, Voice: Pirate King Richard Suart, Baritone: Major General Rosie Aldridge, Mezzo-soprano: Ruth The Orchestra of Scottish Opera |
| More info... | ||
| Eden Court Theatre, Inverness, Inverness IV3 5SA, United Kingdom Saturday 8-Jun-13 02:15pm The Pirates of Penzance Gilbert and Sullivan as it's meant to be - pure, uncomplicated fun, performed to the highest standards. This new co-production with D'Oyly Carte Opera Company - returning to the stage for the first time in over 10 years - is conducted by G&S expert and D'Oyly Carte Music Director John Owen Edwards. Director Martin Lloyd-Evans stages a vibrant, stylish, all singing, all dancing show. The fantastic ensemble cast includes celebrated G&S stalwarts Steven Page and Richard Suart as The Pirate King and Major-General Stanley. John Owen Edwards, Conductor Martin Lloyd-Evans, Director Steven Page, Voice: Pirate King Richard Suart, Baritone: Major General Rosie Aldridge, Mezzo-soprano: Ruth The Orchestra of Scottish Opera | ||
| Saturday 8-Jun-13 05:00pm |
New Palace Sanssouci: Palace Theatre, Potsdam Peter's Wedding Potsdam Sanssouci Music Festival |
Thomas Thaarup, Librettist Tobias Westman, Tenor: Peter Hannah Husahr, Soprano: Grethe Eva-Lotta Ohlsson, Soprano: Anna Johan Rydh, Baritone: Halvor L'Arte del Mondo Werner Ehrhardt, Conductor Isabel Ostermann, Director |
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| New Palace Sanssouci: Palace Theatre, Potsdam, Sanssouci Park, Am Neuen Palais, 14469 Potsdam, Germany Saturday 8-Jun-13 05:00pm Sung in Danish with German supertitles Since he was Prince Henry’s Hofkapellmeister (court conductor) in Rheinsberg, Johann Abraham Peter Schulz was a highly esteemed person in Prussia’s musical scene. Having been appointed royal Kapellmeister (conductor) he moved to Copenhagen in 1787. His inspiring work and his achievements in terms of musically educating the people cannot be valued highly enough. As a "song man of the people" he wanted to speak to the people with an art that takes the art out of art. With his musical comedy "Peters Bryllup" (Peter’s Wedding) he succeeded to the extent that the Danes fully adopted his tunes as their own and the term "national" Danish music was used for the very first time. Thomas Thaarup’s scenes depicting the lives of simple farmers and seamen offer slices of realism despite the idyllic setting. Topics such as the trade in slaves and the abolishment of serfdom were quite explosive. At Palace Theatre Sanssouci L’ARTE DEL MONDO return the delightful piece to the stage for the first time ever as part of their "Opera from the world’s archives" season which was initiated by Bayer Kultur. Coproduction with L’ARTE DEL MONDO and Bayer Kultur, supported by the Capital City Potsdam, the State of Brandenburg, the Artfoundation NRW and the Ministry of Family, Children, Youth, Culture and Sports of the State of North Rhine-Westphalia; in cooperation with Copenhagen Opera Festival
Tickets 65,- / 40,- / 27,-* / 16,-* Thomas Thaarup, Librettist Tobias Westman, Tenor: Peter Hannah Husahr, Soprano: Grethe Eva-Lotta Ohlsson, Soprano: Anna Johan Rydh, Baritone: Halvor L'Arte del Mondo Werner Ehrhardt, Conductor Isabel Ostermann, Director | ||
| Saturday 8-Jun-13 07:15pm |
Eden Court Theatre, Inverness The Pirates of Penzance |
Scottish Opera John Owen Edwards, Conductor Martin Lloyd-Evans, Director Steven Page, Voice: Pirate King Richard Suart, Baritone: Major General Rosie Aldridge, Mezzo-soprano: Ruth The Orchestra of Scottish Opera |
| More info... | ||
| Eden Court Theatre, Inverness, Inverness IV3 5SA, United Kingdom Saturday 8-Jun-13 07:15pm The Pirates of Penzance Gilbert and Sullivan as it's meant to be - pure, uncomplicated fun, performed to the highest standards. This new co-production with D'Oyly Carte Opera Company - returning to the stage for the first time in over 10 years - is conducted by G&S expert and D'Oyly Carte Music Director John Owen Edwards. Director Martin Lloyd-Evans stages a vibrant, stylish, all singing, all dancing show. The fantastic ensemble cast includes celebrated G&S stalwarts Steven Page and Richard Suart as The Pirate King and Major-General Stanley. John Owen Edwards, Conductor Martin Lloyd-Evans, Director Steven Page, Voice: Pirate King Richard Suart, Baritone: Major General Rosie Aldridge, Mezzo-soprano: Ruth The Orchestra of Scottish Opera | ||
| Saturday 8-Jun-13 07:30pm |
Theater Bonn Il Barbiere di Siviglia |
Theater Bonn Robin Engelen, Conductor Philipp Himmelmann, Director Johannes Leiacker, Set Designer Gesine Völlm, Costume Designer Ulrich Zippelius, Choirmaster Tamas Tarjányi, Tenor: Count Almaviva Martin Tzonev, Bass: Dr. Bartolo Susanne Blattert, Mezzo-soprano: Rosina Kathrin Leidig, Mezzo-soprano: Rosina Aris Argiris, Baritone: Figaro Giorgos Kanaris, Baritone: Figaro Ramaz Chikviladze, Bass: Don Basilio Beethoven Orchester Bonn |
| More info... | ||
| Theater Bonn, Opernhaus/Werkstatt, , Am Boeselagerhof 1, , 53111 Bonn, Bonn, Germany Saturday 8-Jun-13 07:30pm Il Barbiere di Siviglia Robin Engelen, Conductor Philipp Himmelmann, Director Johannes Leiacker, Set Designer Gesine Völlm, Costume Designer Ulrich Zippelius, Choirmaster Tamas Tarjányi, Tenor: Count Almaviva Martin Tzonev, Bass: Dr. Bartolo Susanne Blattert, Mezzo-soprano: Rosina Kathrin Leidig, Mezzo-soprano: Rosina Aris Argiris, Baritone: Figaro Giorgos Kanaris, Baritone: Figaro Ramaz Chikviladze, Bass: Don Basilio Beethoven Orchester Bonn | ||
| Saturday 8-Jun-13 07:30pm |
The London Coliseum The Perfect American |
English National Opera Gareth Jones, Conductor Phelim McDermott, Director Dan Potra, Set Designer Ben Wright, Choreography Christopher Purves, Bass: Walt Disney David Pittsinger, Bass: Roy Janis Kelly, Soprano: Hazel George Sarah Tynan, Soprano: Sharon John Easterlin, Tenor: Andy Warhol Zachary James, Baritone: Abraham Lincoln |
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| The London Coliseum, St. Martin's Lane, London WC2N 4ES, United Kingdom Saturday 8-Jun-13 07:30pm Based on Peter Stephan Jungk’s novel and written by Philip Glass, one of the world’s most important composers, The Perfect American imagines the final years of Walt Disney’s life, including mythical imaginings of Abraham Lincoln and Andy Warhol. This latest opera from Glass, his 24th, was commissioned by ENO and Teatro Real Madrid to mark his 75th birthday.
British theatre director Phelim McDermott returns following his spectacular production of Satyagraha for ENO and the Metropolitan Opera, New York, described as ‘transfixing musically and visually’ (The Guardian). The design is by leading international designer Dan Potra, whose work on the Sydney 2000 Olympic Games ceremony was widely acclaimed.
Tickets £12 - £60.Gareth Jones, Conductor Phelim McDermott, Director Dan Potra, Set Designer Ben Wright, Choreography Christopher Purves, Bass: Walt Disney David Pittsinger, Bass: Roy Janis Kelly, Soprano: Hazel George Sarah Tynan, Soprano: Sharon John Easterlin, Tenor: Andy Warhol Zachary James, Baritone: Abraham Lincoln | ||
| Sunday 9-Jun-13 |
Staatsoper, Vienna Tosca |
Vienna State Opera Margarethe Wallmann, Director Dan Ettinger, Conductor Martina Serafin, Soprano: Floria Tosca Roberto Alagna, Tenor: Mario Cavaradossi Albert Dohmen, Bass-baritone: Baron Scarpia |
| More info... | ||
| Staatsoper, Vienna, 1010 Vienna, Austria Sunday 9-Jun-13 Margarethe Wallmann, Director Dan Ettinger, Conductor Martina Serafin, Soprano: Floria Tosca Roberto Alagna, Tenor: Mario Cavaradossi Albert Dohmen, Bass-baritone: Baron Scarpia | ||
| Sunday 9-Jun-13 04:30pm |
Glyndebourne Opera House Falstaff Glyndebourne |
Glyndebourne Opera Sir Mark Elder, Conductor Orchestra of the Age of Enlightenment Richard Jones, Director Sarah Fahie, Revival Director Laurent Naouri, Baritone: Sir John Falstaff Ailyn Pérez, Soprano: Alice Ford Roman Burdenko, Baritone: Ford Lucia Cirillo, Mezzo-soprano: Meg Page Susanne Resmark, Mezzo-soprano: Mistress Quickly Elena Tsallagova, Soprano: Nannetta Antonio Poli, Tenor: Fenton Graham Clark, Tenor: Dr Caius Colin Judson, Tenor: Bardolph Paolo Battaglia, Bass: Pistol |
| More info... | ||
| Glyndebourne Opera House, Glyndebourne BN8 5UU, United Kingdom Sunday 9-Jun-13 04:30pm Sir Mark Elder, Conductor Orchestra of the Age of Enlightenment Richard Jones, Director Sarah Fahie, Revival Director Laurent Naouri, Baritone: Sir John Falstaff Ailyn Pérez, Soprano: Alice Ford Roman Burdenko, Baritone: Ford Lucia Cirillo, Mezzo-soprano: Meg Page Susanne Resmark, Mezzo-soprano: Mistress Quickly Elena Tsallagova, Soprano: Nannetta Antonio Poli, Tenor: Fenton Graham Clark, Tenor: Dr Caius Colin Judson, Tenor: Bardolph Paolo Battaglia, Bass: Pistol | ||
| Sunday 9-Jun-13 07:30pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 9-Jun-13 07:30pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Monday 10-Jun-13 05:30pm |
Het Muziektheater, Amsterdam Die Meistersinger von Nürnberg Holland Festival |
De Nederlandse Opera Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Monday 10-Jun-13 05:30pm In his only comic opera, Wagner distilled poetry and music into a single unified form that unfolds as an unbroken stream of music-dramatic dialogue. It became a singspiel, partly based on personal experience, about the romance between the bourgeois girl Eva Pogner and the knight Walther von Stolzing, who may only wed his beloved once he has won the annual singing contest. The cobbler Hans Sachs represents, on the one hand, the old guard as a member of the Guild of Mastersingers; on the other hand he is open to modernization and stimulates the knight’s artistic gifts, stoking the conflict between narrow-mindedness and true artistry – a theme certainly not unfamiliar to Wagner himself. Love triumphs in the end, thanks to Sachs’ closing address in which he praises the ‘master’s honour’, a typically German honour one might view with considerable scepticism: the Meistersinger finale was, after all, misused for political purposes.Running time 5 hours 25 minutes with two intervals, in German with Dutch and English surtitles.Image credit: Ada Nieuwendijk Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger | ||
| Wednesday 12-Jun-13 |
Staatsoper, Vienna Tosca |
Vienna State Opera Margarethe Wallmann, Director Dan Ettinger, Conductor Martina Serafin, Soprano: Floria Tosca Roberto Alagna, Tenor: Mario Cavaradossi Albert Dohmen, Bass-baritone: Baron Scarpia |
| More info... | ||
| Staatsoper, Vienna, 1010 Vienna, Austria Wednesday 12-Jun-13 Margarethe Wallmann, Director Dan Ettinger, Conductor Martina Serafin, Soprano: Floria Tosca Roberto Alagna, Tenor: Mario Cavaradossi Albert Dohmen, Bass-baritone: Baron Scarpia | ||
| Thursday 13-Jun-13 05:30pm |
Het Muziektheater, Amsterdam Die Meistersinger von Nürnberg Holland Festival |
De Nederlandse Opera Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Thursday 13-Jun-13 05:30pm In his only comic opera, Wagner distilled poetry and music into a single unified form that unfolds as an unbroken stream of music-dramatic dialogue. It became a singspiel, partly based on personal experience, about the romance between the bourgeois girl Eva Pogner and the knight Walther von Stolzing, who may only wed his beloved once he has won the annual singing contest. The cobbler Hans Sachs represents, on the one hand, the old guard as a member of the Guild of Mastersingers; on the other hand he is open to modernization and stimulates the knight’s artistic gifts, stoking the conflict between narrow-mindedness and true artistry – a theme certainly not unfamiliar to Wagner himself. Love triumphs in the end, thanks to Sachs’ closing address in which he praises the ‘master’s honour’, a typically German honour one might view with considerable scepticism: the Meistersinger finale was, after all, misused for political purposes.Running time 5 hours 25 minutes with two intervals, in German with Dutch and English surtitles.Image credit: Ada Nieuwendijk Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger | ||
| Thursday 13-Jun-13 07:30pm |
The London Coliseum The Perfect American |
English National Opera Gareth Jones, Conductor Phelim McDermott, Director Dan Potra, Set Designer Ben Wright, Choreography Christopher Purves, Bass: Walt Disney David Pittsinger, Bass: Roy Janis Kelly, Soprano: Hazel George Sarah Tynan, Soprano: Sharon John Easterlin, Tenor: Andy Warhol Zachary James, Baritone: Abraham Lincoln |
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| The London Coliseum, St. Martin's Lane, London WC2N 4ES, United Kingdom Thursday 13-Jun-13 07:30pm Based on Peter Stephan Jungk’s novel and written by Philip Glass, one of the world’s most important composers, The Perfect American imagines the final years of Walt Disney’s life, including mythical imaginings of Abraham Lincoln and Andy Warhol. This latest opera from Glass, his 24th, was commissioned by ENO and Teatro Real Madrid to mark his 75th birthday.
British theatre director Phelim McDermott returns following his spectacular production of Satyagraha for ENO and the Metropolitan Opera, New York, described as ‘transfixing musically and visually’ (The Guardian). The design is by leading international designer Dan Potra, whose work on the Sydney 2000 Olympic Games ceremony was widely acclaimed.
Tickets £12 - £60.Gareth Jones, Conductor Phelim McDermott, Director Dan Potra, Set Designer Ben Wright, Choreography Christopher Purves, Bass: Walt Disney David Pittsinger, Bass: Roy Janis Kelly, Soprano: Hazel George Sarah Tynan, Soprano: Sharon John Easterlin, Tenor: Andy Warhol Zachary James, Baritone: Abraham Lincoln | ||
| Friday 14-Jun-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Friday 14-Jun-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Friday 14-Jun-13 07:00pm |
Goethe-Theater, Bad Lauchstädt Acis and Galatea HWV 49b (Premiere) Händel Festival Halle |
Sebastian Breuing, Conductor Ute M Engelhardt, Stage Director Catalina Bertucci, Soprano: Galatea Harald Maiers, Tenor: Acis Lukasz Konieczny, Bass: Polyphemus Hannah Medlam, Soprano: Clori Sibylla Maria Müller, Alto: Dorinda Monika Reinhard, Soprano: Eurilla Julia Spies, Mezzo-soprano: Filli Wolfgang Klose, Narrator: Silvio Concert Royal Köln |
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| Goethe-Theater, Bad Lauchstädt, Querfurter Str. 14, 06246 Bad Lauchstädt, Germany Friday 14-Jun-13 07:00pm Acis and Galatea HWV 49b (Premiere) Tickets: 65, 55, 25€ Sebastian Breuing, Conductor Ute M Engelhardt, Stage Director Catalina Bertucci, Soprano: Galatea Harald Maiers, Tenor: Acis Lukasz Konieczny, Bass: Polyphemus Hannah Medlam, Soprano: Clori Sibylla Maria Müller, Alto: Dorinda Monika Reinhard, Soprano: Eurilla Julia Spies, Mezzo-soprano: Filli Wolfgang Klose, Narrator: Silvio Concert Royal Köln | ||
| Saturday 15-Jun-13 02:30pm |
Goethe-Theater, Bad Lauchstädt Acis and Galatea HWV 49b (Premiere) Händel Festival Halle |
Sebastian Breuing, Conductor Ute M Engelhardt, Stage Director Catalina Bertucci, Soprano: Galatea Harald Maiers, Tenor: Acis Lukasz Konieczny, Bass: Polyphemus Hannah Medlam, Soprano: Clori Sibylla Maria Müller, Alto: Dorinda Monika Reinhard, Soprano: Eurilla Julia Spies, Mezzo-soprano: Filli Wolfgang Klose, Narrator: Silvio Concert Royal Köln |
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| Goethe-Theater, Bad Lauchstädt, Querfurter Str. 14, 06246 Bad Lauchstädt, Germany Saturday 15-Jun-13 02:30pm Acis and Galatea HWV 49b (Premiere) Tickets: 65, 55, 25€ Sebastian Breuing, Conductor Ute M Engelhardt, Stage Director Catalina Bertucci, Soprano: Galatea Harald Maiers, Tenor: Acis Lukasz Konieczny, Bass: Polyphemus Hannah Medlam, Soprano: Clori Sibylla Maria Müller, Alto: Dorinda Monika Reinhard, Soprano: Eurilla Julia Spies, Mezzo-soprano: Filli Wolfgang Klose, Narrator: Silvio Concert Royal Köln | ||
| Saturday 15-Jun-13 05:45pm |
Glyndebourne Opera House Falstaff Glyndebourne |
Glyndebourne Opera Sir Mark Elder, Conductor Orchestra of the Age of Enlightenment Richard Jones, Director Sarah Fahie, Revival Director Laurent Naouri, Baritone: Sir John Falstaff Ailyn Pérez, Soprano: Alice Ford Roman Burdenko, Baritone: Ford Lucia Cirillo, Mezzo-soprano: Meg Page Susanne Resmark, Mezzo-soprano: Mistress Quickly Elena Tsallagova, Soprano: Nannetta Antonio Poli, Tenor: Fenton Graham Clark, Tenor: Dr Caius Colin Judson, Tenor: Bardolph Paolo Battaglia, Bass: Pistol |
| More info... | ||
| Glyndebourne Opera House, Glyndebourne BN8 5UU, United Kingdom Saturday 15-Jun-13 05:45pm Sir Mark Elder, Conductor Orchestra of the Age of Enlightenment Richard Jones, Director Sarah Fahie, Revival Director Laurent Naouri, Baritone: Sir John Falstaff Ailyn Pérez, Soprano: Alice Ford Roman Burdenko, Baritone: Ford Lucia Cirillo, Mezzo-soprano: Meg Page Susanne Resmark, Mezzo-soprano: Mistress Quickly Elena Tsallagova, Soprano: Nannetta Antonio Poli, Tenor: Fenton Graham Clark, Tenor: Dr Caius Colin Judson, Tenor: Bardolph Paolo Battaglia, Bass: Pistol | ||
| Saturday 15-Jun-13 07:00pm |
Semperoper, Dresden Der fliegende Holländer |
Dresden State Opera Constantin Trinks, Conductor Florentine Klepper, Director Martina Segna, Set Designer Anna Sofia Tuma, Costume Designer Bernd Purkrabek, Lighting Designer Pablo Assante, Choirmaster Markus Marquardt, Bass-baritone: Dutchman Marjorie Owens, Soprano: Senta Georg Zeppenfeld, Bass: Daland Tichina Vaughn, Contralto: Mary Wookyung Kim, Tenor: Erik Simeon Esper, Tenor: The Steersman Saxon State Opera Choir Sinfoniechor Dresden Staatskapelle Dresden |
| More info... | ||
| Semperoper, Dresden, Theaterplatz 2, 01067 Dresden, Germany Saturday 15-Jun-13 07:00pm Constantin Trinks, Conductor Florentine Klepper, Director Martina Segna, Set Designer Anna Sofia Tuma, Costume Designer Bernd Purkrabek, Lighting Designer Pablo Assante, Choirmaster Markus Marquardt, Bass-baritone: Dutchman Marjorie Owens, Soprano: Senta Georg Zeppenfeld, Bass: Daland Tichina Vaughn, Contralto: Mary Wookyung Kim, Tenor: Erik Simeon Esper, Tenor: The Steersman Saxon State Opera Choir Sinfoniechor Dresden Staatskapelle Dresden | ||
| Saturday 15-Jun-13 07:30pm |
Theater Bonn Norma |
Theater Bonn Robin Engelen, Conductor Florian Lutz, Director Martin Kukulies, Set Designer Mechthild Feuerstein, Costume Designer Sibylle Wagner, Choirmaster George Oniani, Tenor: Pollione Ramaz Chikviladze, Bass: Oroveso Miriam Clark, Soprano: Norma Nadja Stefanoff, Mezzo-soprano: Adalgisa Susanne Blattert, Mezzo-soprano: Clotilde Daniela Denschlag, Mezzo-soprano: Clotilde Tamas Tarjányi, Tenor: Flavio Beethoven Orchester Bonn |
| More info... | ||
| Theater Bonn, Opernhaus/Werkstatt, , Am Boeselagerhof 1, , 53111 Bonn, Bonn, Germany Saturday 15-Jun-13 07:30pm Robin Engelen, Conductor Florian Lutz, Director Martin Kukulies, Set Designer Mechthild Feuerstein, Costume Designer Sibylle Wagner, Choirmaster George Oniani, Tenor: Pollione Ramaz Chikviladze, Bass: Oroveso Miriam Clark, Soprano: Norma Nadja Stefanoff, Mezzo-soprano: Adalgisa Susanne Blattert, Mezzo-soprano: Clotilde Daniela Denschlag, Mezzo-soprano: Clotilde Tamas Tarjányi, Tenor: Flavio Beethoven Orchester Bonn | ||
| Saturday 15-Jun-13 08:00pm |
Opéra de Marseille Cléopâtre |
Opéra de Marseille Lawrence Foster, Conductor Charles Roubaud, Director Béatrice Uria-Monzon, Mezzo-soprano: Cléopâtre Jean-François Lapointe, Baritone: Marc Antoine Luca Lombardo, Tenor: Spakos Philippe Ermelier, Baritone: Ennius Jean-Marie Delpas, Bass: Sévérus |
| More info... | ||
| Opéra de Marseille, 2 rue Molière, 13001 Marseille, France Saturday 15-Jun-13 08:00pm Lawrence Foster, Conductor Charles Roubaud, Director Béatrice Uria-Monzon, Mezzo-soprano: Cléopâtre Jean-François Lapointe, Baritone: Marc Antoine Luca Lombardo, Tenor: Spakos Philippe Ermelier, Baritone: Ennius Jean-Marie Delpas, Bass: Sévérus | ||
