Country: NetherlandsInstrument: Mezzo-soprano| Date | Event | Composers, Works, Performers |
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| Sunday 26-May-13 01:30pm |
 Het Muziektheater, AmsterdamLa Traviata |
De Nederlandse Opera Giuliano Carella, Conductor Willy Decker, Director Marina Poplavskaya, Soprano: Violetta Valéry Karin Strobos, Mezzo-soprano: Flora Bervoix Ismael Jordi, Tenor: Alfredo Germont Dimitris Tiliakos, Baritone: Giorgio Germont Netherlands Radio Chamber Philharmonic Koor van De Nederlandse Opera |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Sunday 26-May-13 01:30pm Giuliano Carella, Conductor Willy Decker, Director Marina Poplavskaya, Soprano: Violetta Valéry Karin Strobos, Mezzo-soprano: Flora Bervoix Ismael Jordi, Tenor: Alfredo Germont Dimitris Tiliakos, Baritone: Giorgio Germont Netherlands Radio Chamber Philharmonic Koor van De Nederlandse Opera | ||
| Wednesday 29-May-13 08:00pm |
Het Muziektheater, Amsterdam La Traviata |
De Nederlandse Opera Giuliano Carella, Conductor Willy Decker, Director Marina Poplavskaya, Soprano: Violetta Valéry Karin Strobos, Mezzo-soprano: Flora Bervoix Ismael Jordi, Tenor: Alfredo Germont Dimitris Tiliakos, Baritone: Giorgio Germont Netherlands Radio Chamber Philharmonic Koor van De Nederlandse Opera |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Wednesday 29-May-13 08:00pm Giuliano Carella, Conductor Willy Decker, Director Marina Poplavskaya, Soprano: Violetta Valéry Karin Strobos, Mezzo-soprano: Flora Bervoix Ismael Jordi, Tenor: Alfredo Germont Dimitris Tiliakos, Baritone: Giorgio Germont Netherlands Radio Chamber Philharmonic Koor van De Nederlandse Opera | ||
| Friday 31-May-13 08:00pm |
Het Muziektheater, Amsterdam La Traviata |
De Nederlandse Opera Giuliano Carella, Conductor Willy Decker, Director Marina Poplavskaya, Soprano: Violetta Valéry Karin Strobos, Mezzo-soprano: Flora Bervoix Ismael Jordi, Tenor: Alfredo Germont Dimitris Tiliakos, Baritone: Giorgio Germont Netherlands Radio Chamber Philharmonic Koor van De Nederlandse Opera |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Friday 31-May-13 08:00pm Giuliano Carella, Conductor Willy Decker, Director Marina Poplavskaya, Soprano: Violetta Valéry Karin Strobos, Mezzo-soprano: Flora Bervoix Ismael Jordi, Tenor: Alfredo Germont Dimitris Tiliakos, Baritone: Giorgio Germont Netherlands Radio Chamber Philharmonic Koor van De Nederlandse Opera | ||
| Saturday 1-Jun-13 08:30pm |
Westergasfabriek: Gashouder, Amsterdam Quartett Holland Festival |
Susanna Mälkki, Conductor Ensemble da camera dell'Accademia, Teatro alla Scala Allison Cook, Mezzo-soprano: Marquise de Merteuil Robin Adams, Baritone: Vicomte de Valmont |
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| Westergasfabriek: Gashouder, Amsterdam, Klönneplein 1, Amsterdam 1014 BE, Netherlands Saturday 1-Jun-13 08:30pm Innovative opera based on Les Liaisons Dangereuses. After Quartett by Heiner Müller.
The Holland Festival 2013 opens with a tale of love, intrigue, heartbreak and torment. Based on Heiner Müller’s stage version of Les Liaisons Dangereuses, composer Luca Francesconi wrote an opera which had its world premiere in 2011 at Milan’s La Scala Theatre with a spectacular staging by Àlex Ollé.
On a stage that symbolises their emotional prison, Valmont and Merteuil fight their bitter, violent battles, a vocal duel interspersed with orchestral dreams of what could have been, but never will be. After all, the two former lovers not only play a deadly game with the hearts of others, with their cynical machinations they ultimately also condemn their own chances of happiness to failure.Co-production between Teatro alla Scala and Wiener Festwochen with IRCAM Paris.In English with Dutch surtitles. Running time 1 hour 20 minutes with no interval.Tickets €45/35/25 with students/CJP €17.50 for all categories.Image credit: Ada Nieuwendijk Susanna Mälkki, Conductor Ensemble da camera dell'Accademia, Teatro alla Scala Allison Cook, Mezzo-soprano: Marquise de Merteuil Robin Adams, Baritone: Vicomte de Valmont | ||
| Sunday 2-Jun-13 08:30pm |
Westergasfabriek: Gashouder, Amsterdam Quartett Holland Festival |
Susanna Mälkki, Conductor Ensemble da camera dell'Accademia, Teatro alla Scala Allison Cook, Mezzo-soprano: Marquise de Merteuil Robin Adams, Baritone: Vicomte de Valmont |
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| Westergasfabriek: Gashouder, Amsterdam, Klönneplein 1, Amsterdam 1014 BE, Netherlands Sunday 2-Jun-13 08:30pm Innovative opera based on Les Liaisons Dangereuses. After Quartett by Heiner Müller.
The Holland Festival 2013 opens with a tale of love, intrigue, heartbreak and torment. Based on Heiner Müller’s stage version of Les Liaisons Dangereuses, composer Luca Francesconi wrote an opera which had its world premiere in 2011 at Milan’s La Scala Theatre with a spectacular staging by Àlex Ollé.
On a stage that symbolises their emotional prison, Valmont and Merteuil fight their bitter, violent battles, a vocal duel interspersed with orchestral dreams of what could have been, but never will be. After all, the two former lovers not only play a deadly game with the hearts of others, with their cynical machinations they ultimately also condemn their own chances of happiness to failure.Co-production between Teatro alla Scala and Wiener Festwochen with IRCAM Paris.In English with Dutch surtitles. Running time 1 hour 20 minutes with no interval.Tickets €45/35/25 with students/CJP €17.50 for all categories.Image credit: Ada Nieuwendijk Susanna Mälkki, Conductor Ensemble da camera dell'Accademia, Teatro alla Scala Allison Cook, Mezzo-soprano: Marquise de Merteuil Robin Adams, Baritone: Vicomte de Valmont | ||
| Tuesday 4-Jun-13 05:30pm |
Het Muziektheater, Amsterdam Die Meistersinger von Nürnberg Holland Festival |
De Nederlandse Opera Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Tuesday 4-Jun-13 05:30pm In his only comic opera, Wagner distilled poetry and music into a single unified form that unfolds as an unbroken stream of music-dramatic dialogue. It became a singspiel, partly based on personal experience, about the romance between the bourgeois girl Eva Pogner and the knight Walther von Stolzing, who may only wed his beloved once he has won the annual singing contest. The cobbler Hans Sachs represents, on the one hand, the old guard as a member of the Guild of Mastersingers; on the other hand he is open to modernization and stimulates the knight’s artistic gifts, stoking the conflict between narrow-mindedness and true artistry – a theme certainly not unfamiliar to Wagner himself. Love triumphs in the end, thanks to Sachs’ closing address in which he praises the ‘master’s honour’, a typically German honour one might view with considerable scepticism: the Meistersinger finale was, after all, misused for political purposes.Running time 5 hours 25 minutes with two intervals, in German with Dutch and English surtitles.Image credit: Ada Nieuwendijk Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger | ||
| Friday 7-Jun-13 05:30pm |
Het Muziektheater, Amsterdam Die Meistersinger von Nürnberg Holland Festival |
De Nederlandse Opera Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Friday 7-Jun-13 05:30pm In his only comic opera, Wagner distilled poetry and music into a single unified form that unfolds as an unbroken stream of music-dramatic dialogue. It became a singspiel, partly based on personal experience, about the romance between the bourgeois girl Eva Pogner and the knight Walther von Stolzing, who may only wed his beloved once he has won the annual singing contest. The cobbler Hans Sachs represents, on the one hand, the old guard as a member of the Guild of Mastersingers; on the other hand he is open to modernization and stimulates the knight’s artistic gifts, stoking the conflict between narrow-mindedness and true artistry – a theme certainly not unfamiliar to Wagner himself. Love triumphs in the end, thanks to Sachs’ closing address in which he praises the ‘master’s honour’, a typically German honour one might view with considerable scepticism: the Meistersinger finale was, after all, misused for political purposes.Running time 5 hours 25 minutes with two intervals, in German with Dutch and English surtitles.Image credit: Ada Nieuwendijk Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger | ||
| Monday 10-Jun-13 05:30pm |
Het Muziektheater, Amsterdam Die Meistersinger von Nürnberg Holland Festival |
De Nederlandse Opera Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Monday 10-Jun-13 05:30pm In his only comic opera, Wagner distilled poetry and music into a single unified form that unfolds as an unbroken stream of music-dramatic dialogue. It became a singspiel, partly based on personal experience, about the romance between the bourgeois girl Eva Pogner and the knight Walther von Stolzing, who may only wed his beloved once he has won the annual singing contest. The cobbler Hans Sachs represents, on the one hand, the old guard as a member of the Guild of Mastersingers; on the other hand he is open to modernization and stimulates the knight’s artistic gifts, stoking the conflict between narrow-mindedness and true artistry – a theme certainly not unfamiliar to Wagner himself. Love triumphs in the end, thanks to Sachs’ closing address in which he praises the ‘master’s honour’, a typically German honour one might view with considerable scepticism: the Meistersinger finale was, after all, misused for political purposes.Running time 5 hours 25 minutes with two intervals, in German with Dutch and English surtitles.Image credit: Ada Nieuwendijk Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger | ||
| Thursday 13-Jun-13 05:30pm |
Het Muziektheater, Amsterdam Die Meistersinger von Nürnberg Holland Festival |
De Nederlandse Opera Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Thursday 13-Jun-13 05:30pm In his only comic opera, Wagner distilled poetry and music into a single unified form that unfolds as an unbroken stream of music-dramatic dialogue. It became a singspiel, partly based on personal experience, about the romance between the bourgeois girl Eva Pogner and the knight Walther von Stolzing, who may only wed his beloved once he has won the annual singing contest. The cobbler Hans Sachs represents, on the one hand, the old guard as a member of the Guild of Mastersingers; on the other hand he is open to modernization and stimulates the knight’s artistic gifts, stoking the conflict between narrow-mindedness and true artistry – a theme certainly not unfamiliar to Wagner himself. Love triumphs in the end, thanks to Sachs’ closing address in which he praises the ‘master’s honour’, a typically German honour one might view with considerable scepticism: the Meistersinger finale was, after all, misused for political purposes.Running time 5 hours 25 minutes with two intervals, in German with Dutch and English surtitles.Image credit: Ada Nieuwendijk Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger | ||
| Monday 17-Jun-13 05:30pm |
Het Muziektheater, Amsterdam Die Meistersinger von Nürnberg Holland Festival |
De Nederlandse Opera Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Monday 17-Jun-13 05:30pm In his only comic opera, Wagner distilled poetry and music into a single unified form that unfolds as an unbroken stream of music-dramatic dialogue. It became a singspiel, partly based on personal experience, about the romance between the bourgeois girl Eva Pogner and the knight Walther von Stolzing, who may only wed his beloved once he has won the annual singing contest. The cobbler Hans Sachs represents, on the one hand, the old guard as a member of the Guild of Mastersingers; on the other hand he is open to modernization and stimulates the knight’s artistic gifts, stoking the conflict between narrow-mindedness and true artistry – a theme certainly not unfamiliar to Wagner himself. Love triumphs in the end, thanks to Sachs’ closing address in which he praises the ‘master’s honour’, a typically German honour one might view with considerable scepticism: the Meistersinger finale was, after all, misused for political purposes.Running time 5 hours 25 minutes with two intervals, in German with Dutch and English surtitles.Image credit: Ada Nieuwendijk Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger | ||
| Tuesday 18-Jun-13 08:30pm |
Muziekgebouw aan ’t IJ: Main Hall, Amsterdam Troparion and Suster Bertken Holland Festival |
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| Muziekgebouw aan ’t IJ: Main Hall, Amsterdam, Piet Heinkade 1, Amsterdam 1019 BR, Netherlands Tuesday 18-Jun-13 08:30pm Troparion and Suster Bertken The Dutch composer Rob Zuidam has always had an eye for headstrong women. In his first collaboration with festival director Pierre Audi he puts two of them on stage. Suster Bertken tells about the fascinating life of the medieval ascetic Berta Jacobs, who bricked herself in at the Buur Church in Utrecht, in order to devote her life to God. This work from 2010 will be staged for the first time, in combination with the brand new Troparion, which Zuidam wrote for alto Helena Rasker, the young violinist Liza Ferschtman and a small instrumental ensemble. The piece is about a woman who sheds her tears on a dead branch, hoping God will breathe new life into it. According to Zuidam the work is about ‘hope and melancholy and the inability to bridge the gap between past and future.’Tickets €29 - 24, students/CJO €17.50 all categories. Running time 2 hours 5 minutes, with one internal. In medieval Dutch and ancient Greek with Dutch surtitles.Image credit: Ada Nieuwendijk | ||
| Wednesday 19-Jun-13 08:30pm |
Muziekgebouw aan ’t IJ: Main Hall, Amsterdam Troparion and Suster Bertken Holland Festival |
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| Muziekgebouw aan ’t IJ: Main Hall, Amsterdam, Piet Heinkade 1, Amsterdam 1019 BR, Netherlands Wednesday 19-Jun-13 08:30pm Troparion and Suster Bertken The Dutch composer Rob Zuidam has always had an eye for headstrong women. In his first collaboration with festival director Pierre Audi he puts two of them on stage. Suster Bertken tells about the fascinating life of the medieval ascetic Berta Jacobs, who bricked herself in at the Buur Church in Utrecht, in order to devote her life to God. This work from 2010 will be staged for the first time, in combination with the brand new Troparion, which Zuidam wrote for alto Helena Rasker, the young violinist Liza Ferschtman and a small instrumental ensemble. The piece is about a woman who sheds her tears on a dead branch, hoping God will breathe new life into it. According to Zuidam the work is about ‘hope and melancholy and the inability to bridge the gap between past and future.’Tickets €29 - 24, students/CJO €17.50 all categories. Running time 2 hours 5 minutes, with one internal. In medieval Dutch and ancient Greek with Dutch surtitles.Image credit: Ada Nieuwendijk | ||
| Thursday 20-Jun-13 05:30pm |
Het Muziektheater, Amsterdam Die Meistersinger von Nürnberg Holland Festival |
De Nederlandse Opera Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Thursday 20-Jun-13 05:30pm In his only comic opera, Wagner distilled poetry and music into a single unified form that unfolds as an unbroken stream of music-dramatic dialogue. It became a singspiel, partly based on personal experience, about the romance between the bourgeois girl Eva Pogner and the knight Walther von Stolzing, who may only wed his beloved once he has won the annual singing contest. The cobbler Hans Sachs represents, on the one hand, the old guard as a member of the Guild of Mastersingers; on the other hand he is open to modernization and stimulates the knight’s artistic gifts, stoking the conflict between narrow-mindedness and true artistry – a theme certainly not unfamiliar to Wagner himself. Love triumphs in the end, thanks to Sachs’ closing address in which he praises the ‘master’s honour’, a typically German honour one might view with considerable scepticism: the Meistersinger finale was, after all, misused for political purposes.Running time 5 hours 25 minutes with two intervals, in German with Dutch and English surtitles.Image credit: Ada Nieuwendijk Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger | ||
| Sunday 23-Jun-13 01:30pm |
Het Muziektheater, Amsterdam Die Meistersinger von Nürnberg Holland Festival |
De Nederlandse Opera Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Sunday 23-Jun-13 01:30pm In his only comic opera, Wagner distilled poetry and music into a single unified form that unfolds as an unbroken stream of music-dramatic dialogue. It became a singspiel, partly based on personal experience, about the romance between the bourgeois girl Eva Pogner and the knight Walther von Stolzing, who may only wed his beloved once he has won the annual singing contest. The cobbler Hans Sachs represents, on the one hand, the old guard as a member of the Guild of Mastersingers; on the other hand he is open to modernization and stimulates the knight’s artistic gifts, stoking the conflict between narrow-mindedness and true artistry – a theme certainly not unfamiliar to Wagner himself. Love triumphs in the end, thanks to Sachs’ closing address in which he praises the ‘master’s honour’, a typically German honour one might view with considerable scepticism: the Meistersinger finale was, after all, misused for political purposes.Running time 5 hours 25 minutes with two intervals, in German with Dutch and English surtitles.Image credit: Ada Nieuwendijk Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger | ||
