Find operas in Germany from May 26th, 2013

Frank Martin felt his "Le vin herbé" was a personal key work in which he had found his own voice. Based on the novel "Tristan et Iseut" by Joseph Bedier, he created his chambered profane oratorio to dramatise the two lovers Tristan and Isolde.

Frank Martin felt his "Le vin herbé" was a personal key work in which he had found his own voice. Based on the novel "Tristan et Iseut" by Joseph Bedier, he created his chambered profane oratorio to dramatise the two lovers Tristan and Isolde.

Coproduction with L’ARTE DEL MONDO and Bayer Kultur, supported by the Capital City Potsdam, the State of Brandenburg, the Artfoundation NRW and the Ministry of Family, Children, Youth, Culture and Sports of the State of North Rhine-Westphalia; in cooperation with Copenhagen Opera Festival

Tickets 65,- / 40,- / 27,-* / 16,-*
*Some seats with restricted viewing

Frank Martin felt his "Le vin herbé" was a personal key work in which he had found his own voice. Based on the novel "Tristan et Iseut" by Joseph Bedier, he created his chambered profane oratorio to dramatise the two lovers Tristan and Isolde.

Coproduction with L’ARTE DEL MONDO and Bayer Kultur, supported by the Capital City Potsdam, the State of Brandenburg, the Artfoundation NRW and the Ministry of Family, Children, Youth, Culture and Sports of the State of North Rhine-Westphalia; in cooperation with Copenhagen Opera Festival

Tickets 65,- / 40,- / 27,-* / 16,-*
*Some seats with restricted viewing

Frank Martin felt his "Le vin herbé" was a personal key work in which he had found his own voice. Based on the novel "Tristan et Iseut" by Joseph Bedier, he created his chambered profane oratorio to dramatise the two lovers Tristan and Isolde.

Frank Martin felt his "Le vin herbé" was a personal key work in which he had found his own voice. Based on the novel "Tristan et Iseut" by Joseph Bedier, he created his chambered profane oratorio to dramatise the two lovers Tristan and Isolde.

It was a Swedish fellow student at the university of Göttingen who suggested to would-be composer Joseph Martin Kraus trying his luck at Gustav III’s court in Stockholm. In 1772 Gustav founded the royal opera to raise his nation’s cultural prestige and to further the development of its own national culture. Soon the repertoire, which the king managed himself, also contained operas in Swedish. He designed libretti and was always on the lookout for new talents. All in all, there were striking similarities between him and his mother’s brother: famous Uncle Frederic II. Inspired by ancient mythology, the one act piece "Proserpin", which received a preview performance in 1781 at Uriksdal Palace, launched composer Kraus’ distinguished career as royal Swedish conductor at the tender age of 25. His score which is rich in both colours and events he largely leaves the traditional number opera structure and finds his very individual compositional solutions. This is the work of one of the period’s most original and most innovative opera creators. Haydn called him a genius. That is a word he only used for one other man: Mozart.
Tickets € 65,- / 40,- / 27,-* / 16,-* *Some seats with restricted viewing!