Country: Switzerland| Date | Event | Composers, Works, Performers |
|---|---|---|
| Sunday 26-May-13 07:00pm |
 Opernhaus, ZürichDon Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 26-May-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Wednesday 29-May-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Wednesday 29-May-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Saturday 1-Jun-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Saturday 1-Jun-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Sunday 2-Jun-13 08:00pm |
Opernhaus, Zürich Rusalka |
Zurich Opera Eivind Gullberg Jensen, Conductor Matthias Hartmann, Director Karl-Ernst Herrmann, Set Designer Ekaterina Scherbachenko, Soprano: Rusalka Pavel Cernoch, Tenor: Prince Liliana Nikiteanu, Alto: Jezibaba, the Witch Christof Fischesser, Bass: Vodnik, the water goblin Michelle Breedt, Mezzo-soprano: Foreign Princess |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 2-Jun-13 08:00pm In Czech with German and English surtitles.Eivind Gullberg Jensen, Conductor Matthias Hartmann, Director Karl-Ernst Herrmann, Set Designer Ekaterina Scherbachenko, Soprano: Rusalka Pavel Cernoch, Tenor: Prince Liliana Nikiteanu, Alto: Jezibaba, the Witch Christof Fischesser, Bass: Vodnik, the water goblin Michelle Breedt, Mezzo-soprano: Foreign Princess | ||
| Tuesday 4-Jun-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Tuesday 4-Jun-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Thursday 6-Jun-13 07:00pm |
Opernhaus, Zürich Rusalka |
Zurich Opera Eivind Gullberg Jensen, Conductor Matthias Hartmann, Director Karl-Ernst Herrmann, Set Designer Ekaterina Scherbachenko, Soprano: Rusalka Pavel Cernoch, Tenor: Prince Liliana Nikiteanu, Alto: Jezibaba, the Witch Christof Fischesser, Bass: Vodnik, the water goblin Michelle Breedt, Mezzo-soprano: Foreign Princess |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Thursday 6-Jun-13 07:00pm In Czech with German and English surtitles.Eivind Gullberg Jensen, Conductor Matthias Hartmann, Director Karl-Ernst Herrmann, Set Designer Ekaterina Scherbachenko, Soprano: Rusalka Pavel Cernoch, Tenor: Prince Liliana Nikiteanu, Alto: Jezibaba, the Witch Christof Fischesser, Bass: Vodnik, the water goblin Michelle Breedt, Mezzo-soprano: Foreign Princess | ||
| Friday 7-Jun-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Friday 7-Jun-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Sunday 9-Jun-13 02:00pm |
Opernhaus, Zürich Die Schatzinsel |
Zurich Opera Thomas Rösner, Conductor Nadja Loschky, Director Henrik Ahr, Set Designer Fabio Trümpy, Tenor: Jim Hawkins Oliver Widmer, Baritone: John Silver Ivana Rusko, Soprano: Lily Irène Friedli, Soprano: Baroness Trelawney Reinhard Mayr, Bass: Captain Smolett Martin Zysset, Tenor: Bill Bones / Ben Gunn |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 9-Jun-13 02:00pm Jim Hawkins dreams of one day being master of the seas and visiting far-off lands. Instead, he is forced to help his mother at the Golden Anchor tavern – day in, day out. When a guest dies, Jim finds a treasure map in his seaman’s chest – the treasure map of the late pirate Captain Flint. And Jim already finds himself embarking on the most exciting adventure of his life. An expedition to Treasure Island is organised, and Jim is allowed to sail on the Hispaniola together with Captain Smollett, Doctor Livesey, Baroness Trelawney, Lily and Scarlett. On the high seas, however, it transpires that Captain Flint’s former comrades have been hired to crew the ship, including the one-legged ship’s cook, Long John Silver. The pirates are also in search of treasure, and they succeed in snatching one half of the treasure map. Once they arrive on the island, a feverish search for the gold begins, during which the protagonists’ luck changes several times.
Treasure Island, by the Scottish author Robert Louis Stevenson, is a classic of the adventure genre and has kept generations of young readers on tenterhooks. The composer Frank Schwemmer and his librettist Michael Frowin – both already successful with their opera for children, Robin Hood – have allowed themselves to be gripped by Stevenson’s thrilling story, and have adapted it for the stage. Their full-length opera is suitable for all pirate lovers from the age of six.In German.Thomas Rösner, Conductor Nadja Loschky, Director Henrik Ahr, Set Designer Fabio Trümpy, Tenor: Jim Hawkins Oliver Widmer, Baritone: John Silver Ivana Rusko, Soprano: Lily Irène Friedli, Soprano: Baroness Trelawney Reinhard Mayr, Bass: Captain Smolett Martin Zysset, Tenor: Bill Bones / Ben Gunn | ||
| Sunday 9-Jun-13 07:30pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 9-Jun-13 07:30pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Wednesday 12-Jun-13 07:00pm |
Opernhaus, Zürich Rusalka |
Zurich Opera Eivind Gullberg Jensen, Conductor Matthias Hartmann, Director Karl-Ernst Herrmann, Set Designer Ekaterina Scherbachenko, Soprano: Rusalka Pavel Cernoch, Tenor: Prince Liliana Nikiteanu, Alto: Jezibaba, the Witch Christof Fischesser, Bass: Vodnik, the water goblin Michelle Breedt, Mezzo-soprano: Foreign Princess |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Wednesday 12-Jun-13 07:00pm In Czech with German and English surtitles.Eivind Gullberg Jensen, Conductor Matthias Hartmann, Director Karl-Ernst Herrmann, Set Designer Ekaterina Scherbachenko, Soprano: Rusalka Pavel Cernoch, Tenor: Prince Liliana Nikiteanu, Alto: Jezibaba, the Witch Christof Fischesser, Bass: Vodnik, the water goblin Michelle Breedt, Mezzo-soprano: Foreign Princess | ||
| Friday 14-Jun-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Friday 14-Jun-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Saturday 15-Jun-13 07:00pm |
Opernhaus, Zürich Rusalka |
Zurich Opera Eivind Gullberg Jensen, Conductor Matthias Hartmann, Director Karl-Ernst Herrmann, Set Designer Ekaterina Scherbachenko, Soprano: Rusalka Pavel Cernoch, Tenor: Prince Liliana Nikiteanu, Alto: Jezibaba, the Witch Christof Fischesser, Bass: Vodnik, the water goblin Michelle Breedt, Mezzo-soprano: Foreign Princess |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Saturday 15-Jun-13 07:00pm In Czech with German and English surtitles.Eivind Gullberg Jensen, Conductor Matthias Hartmann, Director Karl-Ernst Herrmann, Set Designer Ekaterina Scherbachenko, Soprano: Rusalka Pavel Cernoch, Tenor: Prince Liliana Nikiteanu, Alto: Jezibaba, the Witch Christof Fischesser, Bass: Vodnik, the water goblin Michelle Breedt, Mezzo-soprano: Foreign Princess | ||
| Sunday 16-Jun-13 02:00pm |
Opernhaus, Zürich Salome |
Zurich Opera Cornelius Meister, Conductor Sven-Eric Bechtolf, Director Rolf Glittenberg, Set Designer Nicola Beller Carbone, Soprano: Salome Stefania Kaluza, Mezzo-soprano: Herodias Tomás Tómasson, Bass: Jochanaan Rudolf Schasching, Tenor: Herod Benjamin Bernheim, Tenor: Narraboth |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 16-Jun-13 02:00pm Cornelius Meister, Conductor Sven-Eric Bechtolf, Director Rolf Glittenberg, Set Designer Nicola Beller Carbone, Soprano: Salome Stefania Kaluza, Mezzo-soprano: Herodias Tomás Tómasson, Bass: Jochanaan Rudolf Schasching, Tenor: Herod Benjamin Bernheim, Tenor: Narraboth | ||
| Wednesday 19-Jun-13 07:30pm |
Opernhaus, Zürich Lady Macbeth of Mzensk |
Zurich Opera Teodor Currentzis, Conductor Andreas Homoki, Director Hartmut Meyer, Set Designer Orchestra La Scintilla Zurich Gun-Brit Barkmin, Soprano: Katerina Lvovna Izmailova Kurt Rydl, Bass: Boris Timofeyevich Izmailov Benjamin Bernheim, Tenor: Zinoviy Borisovich Izmailov Brandon Jovanovich, Tenor: Sergey Kismara Pessatti, Mezzo-soprano: Aksinia Julia Riley, Mezzo-soprano: Sonyetka Valery Murga, Bass: Office Manager Pavel Daniluk, Bass: Pope Tomasz Slawinski, Bass: Police inspector |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Wednesday 19-Jun-13 07:30pm Lady Macbeth of Mzensk Opera in nine scenes
Libretto by Alexander G. Preis and Dmitri Shostakovich
after a novella by Nikolai Leskov
The young wife of a merchant, Katerina Ismailova, murders three people. She stirs rat poison into her tyrannical father-in-law’s dish of mushrooms, beats her husband to death together with her lover, and at the prison camp in Siberia, as she finally jumps to her death, drags a rival down with her. Nevertheless, in a horrific men’s world of greed, lechery and violence, Katerina is the only figure with a human face in this opera. Only for her has Shostakovich reserved a compassionate tone. The society in which she becomes a murderess is barbaric. With twisted mouths, the grotesque faces of human wickedness grin out at us from Shostakovich’s magnificent score.
Lady Macbeth of Mzensk was premièred in Leningrad in 1934. It marks a decisive turning point in Shostakovich’s oeuvre. After Joseph Stalin attended a performance of the opera in 1936, the famous article entitled Chaos instead of music was published in Pravda. The work was scourged as the expression of “radical left-wing self-indulgence” and “petit bourgeois innovation”. It disappeared from theatres, Shostakovich had to fear for his life, never composed another opera, and from then on concealed his true musical feelings and ideas behind a thousand masks.
Teodor Currentzis, the spirited Greek conductor from Siberia who has caused a furore with his unconventional interpretations, is the musical director of the production. Tatjana Serjan, famous for her Verdi roles, will be giving her role début as Katerina. Zurich Opera Director Andreas Homoki will be staging his second production of this season.
In Russian with German and English supertitles.Teodor Currentzis, Conductor Andreas Homoki, Director Hartmut Meyer, Set Designer Orchestra La Scintilla Zurich Gun-Brit Barkmin, Soprano: Katerina Lvovna Izmailova Kurt Rydl, Bass: Boris Timofeyevich Izmailov Benjamin Bernheim, Tenor: Zinoviy Borisovich Izmailov Brandon Jovanovich, Tenor: Sergey Kismara Pessatti, Mezzo-soprano: Aksinia Julia Riley, Mezzo-soprano: Sonyetka Valery Murga, Bass: Office Manager Pavel Daniluk, Bass: Pope Tomasz Slawinski, Bass: Police inspector | ||
| Thursday 20-Jun-13 07:30pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Thursday 20-Jun-13 07:30pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Friday 21-Jun-13 07:00pm |
Opernhaus, Zürich Lady Macbeth of Mzensk |
Zurich Opera Teodor Currentzis, Conductor Andreas Homoki, Director Hartmut Meyer, Set Designer Orchestra La Scintilla Zurich Gun-Brit Barkmin, Soprano: Katerina Lvovna Izmailova Kurt Rydl, Bass: Boris Timofeyevich Izmailov Benjamin Bernheim, Tenor: Zinoviy Borisovich Izmailov Brandon Jovanovich, Tenor: Sergey Kismara Pessatti, Mezzo-soprano: Aksinia Julia Riley, Mezzo-soprano: Sonyetka Valery Murga, Bass: Office Manager Pavel Daniluk, Bass: Pope Tomasz Slawinski, Bass: Police inspector |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Friday 21-Jun-13 07:00pm Lady Macbeth of Mzensk Opera in nine scenes
Libretto by Alexander G. Preis and Dmitri Shostakovich
after a novella by Nikolai Leskov
The young wife of a merchant, Katerina Ismailova, murders three people. She stirs rat poison into her tyrannical father-in-law’s dish of mushrooms, beats her husband to death together with her lover, and at the prison camp in Siberia, as she finally jumps to her death, drags a rival down with her. Nevertheless, in a horrific men’s world of greed, lechery and violence, Katerina is the only figure with a human face in this opera. Only for her has Shostakovich reserved a compassionate tone. The society in which she becomes a murderess is barbaric. With twisted mouths, the grotesque faces of human wickedness grin out at us from Shostakovich’s magnificent score.
Lady Macbeth of Mzensk was premièred in Leningrad in 1934. It marks a decisive turning point in Shostakovich’s oeuvre. After Joseph Stalin attended a performance of the opera in 1936, the famous article entitled Chaos instead of music was published in Pravda. The work was scourged as the expression of “radical left-wing self-indulgence” and “petit bourgeois innovation”. It disappeared from theatres, Shostakovich had to fear for his life, never composed another opera, and from then on concealed his true musical feelings and ideas behind a thousand masks.
Teodor Currentzis, the spirited Greek conductor from Siberia who has caused a furore with his unconventional interpretations, is the musical director of the production. Tatjana Serjan, famous for her Verdi roles, will be giving her role début as Katerina. Zurich Opera Director Andreas Homoki will be staging his second production of this season.
In Russian with German and English supertitles.Teodor Currentzis, Conductor Andreas Homoki, Director Hartmut Meyer, Set Designer Orchestra La Scintilla Zurich Gun-Brit Barkmin, Soprano: Katerina Lvovna Izmailova Kurt Rydl, Bass: Boris Timofeyevich Izmailov Benjamin Bernheim, Tenor: Zinoviy Borisovich Izmailov Brandon Jovanovich, Tenor: Sergey Kismara Pessatti, Mezzo-soprano: Aksinia Julia Riley, Mezzo-soprano: Sonyetka Valery Murga, Bass: Office Manager Pavel Daniluk, Bass: Pope Tomasz Slawinski, Bass: Police inspector | ||
| Saturday 22-Jun-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Saturday 22-Jun-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Sunday 23-Jun-13 07:00pm |
Opernhaus, Zürich La Straniera |
Zurich Opera Fabio Luisi, Conductor Christof Loy, Director Annette Kurz, Set Designer Edita Gruberová, Soprano: Alaide Véronica Simeoni, Soprano: Isoletta Gregory Kunde, Tenor: Count Arturo of Ravenstel Franco Vassallo, Baritone: Baron Valdeburgo Benjamin Bernheim, Tenor: Osburgo Pavel Daniluk, Bass: Signore di Montolino |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 23-Jun-13 07:00pm Libretto by Felice Romani after the novel L’Etrangère
By Charles-Victor Prévost Vicomte d’Arlincourt
Vincenzo Bellini’s operas La sonnambula and Norma have become classics of the bel canto repertoire. La straniera, on the other hand, which Bellini wrote at the age of 27, is rarely seen on the operatic stage, although the highly romantic melodramma moved the audience to veritable raptures during its 1829 première performance at Milan’s Teatro alla Scala. To a libretto by Felice Romani, the opera revolves around a heavily veiled, mysterious stranger who passes through the country. The local inhabitants are afraid of her and believe that she is possessed by the devil. By contrast, Count Arturo, who is just about to marry Isoletta, finds her irresistibly attractive. He has no idea that the stranger is the banished wife of the King of France.
La straniera marks Bellini’s renunciation of Rossini’s opulent style in favour of pure, expressive melody, as Verdi praised in Bellini’s work: “Vi sono melodie lunghe lunghe lunghe, come nessuno ha fatto prima di lui” (There are long, long, melodies like no-one has ever written before him). Richard Wagner was also full of admiration for Bellini’s melodic invention and “genuine passion and sentiment”, and declared that the right singer need only stand up and sing, “and the audience will be in raptures.”
In Zurich’s new production of La straniera, the stage will be graced by Edita Gruberova, the prima donna assoluta of bel canto par excellence. She will be giving her stage début as Alaide at Zurich Opera House, and will continue her successful collaboration with the director Christof Loy in Zurich after productions of Lucrezia Borgia and Roberto Devereux at the Bavarian State Opera. Fabio Luisi, who has frequently championed rarely performed bel canto works, will conduct the production.In Italian with German and English surtitles.Co-production with Theater an der Wien.Fabio Luisi, Conductor Christof Loy, Director Annette Kurz, Set Designer Edita Gruberová, Soprano: Alaide Véronica Simeoni, Soprano: Isoletta Gregory Kunde, Tenor: Count Arturo of Ravenstel Franco Vassallo, Baritone: Baron Valdeburgo Benjamin Bernheim, Tenor: Osburgo Pavel Daniluk, Bass: Signore di Montolino | ||
| Tuesday 25-Jun-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Tuesday 25-Jun-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Thursday 27-Jun-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Thursday 27-Jun-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Friday 28-Jun-13 07:30pm |
Opernhaus, Zürich La Straniera |
Zurich Opera Fabio Luisi, Conductor Christof Loy, Director Annette Kurz, Set Designer Edita Gruberová, Soprano: Alaide Véronica Simeoni, Soprano: Isoletta Gregory Kunde, Tenor: Count Arturo of Ravenstel Franco Vassallo, Baritone: Baron Valdeburgo Benjamin Bernheim, Tenor: Osburgo Pavel Daniluk, Bass: Signore di Montolino |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Friday 28-Jun-13 07:30pm Libretto by Felice Romani after the novel L’Etrangère
By Charles-Victor Prévost Vicomte d’Arlincourt
Vincenzo Bellini’s operas La sonnambula and Norma have become classics of the bel canto repertoire. La straniera, on the other hand, which Bellini wrote at the age of 27, is rarely seen on the operatic stage, although the highly romantic melodramma moved the audience to veritable raptures during its 1829 première performance at Milan’s Teatro alla Scala. To a libretto by Felice Romani, the opera revolves around a heavily veiled, mysterious stranger who passes through the country. The local inhabitants are afraid of her and believe that she is possessed by the devil. By contrast, Count Arturo, who is just about to marry Isoletta, finds her irresistibly attractive. He has no idea that the stranger is the banished wife of the King of France.
La straniera marks Bellini’s renunciation of Rossini’s opulent style in favour of pure, expressive melody, as Verdi praised in Bellini’s work: “Vi sono melodie lunghe lunghe lunghe, come nessuno ha fatto prima di lui” (There are long, long, melodies like no-one has ever written before him). Richard Wagner was also full of admiration for Bellini’s melodic invention and “genuine passion and sentiment”, and declared that the right singer need only stand up and sing, “and the audience will be in raptures.”
In Zurich’s new production of La straniera, the stage will be graced by Edita Gruberova, the prima donna assoluta of bel canto par excellence. She will be giving her stage début as Alaide at Zurich Opera House, and will continue her successful collaboration with the director Christof Loy in Zurich after productions of Lucrezia Borgia and Roberto Devereux at the Bavarian State Opera. Fabio Luisi, who has frequently championed rarely performed bel canto works, will conduct the production.In Italian with German and English surtitles.Co-production with Theater an der Wien.Fabio Luisi, Conductor Christof Loy, Director Annette Kurz, Set Designer Edita Gruberová, Soprano: Alaide Véronica Simeoni, Soprano: Isoletta Gregory Kunde, Tenor: Count Arturo of Ravenstel Franco Vassallo, Baritone: Baron Valdeburgo Benjamin Bernheim, Tenor: Osburgo Pavel Daniluk, Bass: Signore di Montolino | ||
| Saturday 29-Jun-13 07:00pm |
Opernhaus, Zürich Rigoletto |
Zurich Opera Fabio Luisi, Conductor Tatjana Gürbaca, Director Klaus Grünberg, Set Designer Orchestra La Scintilla Zurich Aleksandra Kurzak, Soprano: Gilda Judith Schmid, Mezzo-soprano: Maddalena Julia Riley, Mezzo-soprano: Giovanna Saimir Pirgu, Tenor: The Duke of Mantua Quinn Kelsey, Baritone: Rigoletto Pavel Daniluk, Bass: Sparafucile Valery Murga, Bass: Monterone |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Saturday 29-Jun-13 07:00pm The court of the Duke of Mantua is the scene of glittering festivities. However, the courtiers who enjoy themselves at these celebrations are morally reprobate. They no longer have any values and amuse themselves out of sheer boredom. Here, to enjoy oneself means to humiliate and demean others. The court jester, Rigoletto, is the most cynical of all. He wants to protect only his daughter Gilda from the corrupt world. He locks her away and forbids her everything. Despite this, the young woman goes her own way. She develops from a rebellious teenager into a mature, loving woman. Her longing for freedom and self-determination is stronger than her father’s oppressive authoritarianism, and her faith in love remains unshakeable, despite the hypocrisy of society. Like so many of Verdi’s figures, Gilda achieves what she failed to do in life only in death – to take the step towards freedom.
With Rigoletto, Giuseppe Verdi attained a new level in his musical and dramatic oeuvre. He composes the scenes and successive images in a highly precise manner, at times almost like a film editor. The score reveals a brilliant juxtaposition of psychological ambiguity and melodic directness. There are strong contrasts in atmosphere. Giuseppe Verdi wrote Rigoletto during the politically volatile post-revolutionary period around 1850. His decision to base his opera on Victor Hugo’s play, Le Roi s’amuse (The King amuses himself), was an extremely socio-critical choice. Rigoletto is one of the Italian composer’s most sinister operas.
Tatjana Gürbaca will stage the piece, which will be her début at Zurich Opera House. The German director is now one of the most prominent of her generation; this is also because she preserves a feminine view of the works she stages. The internationally sought-after Alexandra Kurzak will be performing Gilda, and Quinn Kelsey, who is considered a sensational discovery among Verdi baritones, will be singing Rigoletto. The experienced Verdi expert Fabio Luisi will be at the rostrum.
In Italian with German and English surtitles.Fabio Luisi, Conductor Tatjana Gürbaca, Director Klaus Grünberg, Set Designer Orchestra La Scintilla Zurich Aleksandra Kurzak, Soprano: Gilda Judith Schmid, Mezzo-soprano: Maddalena Julia Riley, Mezzo-soprano: Giovanna Saimir Pirgu, Tenor: The Duke of Mantua Quinn Kelsey, Baritone: Rigoletto Pavel Daniluk, Bass: Sparafucile Valery Murga, Bass: Monterone | ||
| Sunday 30-Jun-13 05:00pm |
Opernhaus, Zürich Der Rosenkavalier |
Zurich Opera Fabio Luisi, Conductor Sven-Eric Bechtolf, Director Rolf Glittenberg, Set Designer Nina Stemme, Soprano: Feldmarschallin Vesselina Kasarova, Mezzo-soprano: Octavian Irène Friedli, Soprano: Annina Alfred Muff, Baritone: Baron Ochs Martin Gantner, Baritone: Herr von Faninal Andreas Winkler, Tenor: Fieldmarschallin's Major-Domo Rachel Harnisch, Soprano: Sophie |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 30-Jun-13 05:00pm In German with German and English surtitles.Fabio Luisi, Conductor Sven-Eric Bechtolf, Director Rolf Glittenberg, Set Designer Nina Stemme, Soprano: Feldmarschallin Vesselina Kasarova, Mezzo-soprano: Octavian Irène Friedli, Soprano: Annina Alfred Muff, Baritone: Baron Ochs Martin Gantner, Baritone: Herr von Faninal Andreas Winkler, Tenor: Fieldmarschallin's Major-Domo Rachel Harnisch, Soprano: Sophie | ||
| Tuesday 2-Jul-13 07:00pm |
Opernhaus, Zürich La Straniera |
Zurich Opera Fabio Luisi, Conductor Christof Loy, Director Annette Kurz, Set Designer Edita Gruberová, Soprano: Alaide Véronica Simeoni, Soprano: Isoletta Gregory Kunde, Tenor: Count Arturo of Ravenstel Franco Vassallo, Baritone: Baron Valdeburgo Benjamin Bernheim, Tenor: Osburgo Pavel Daniluk, Bass: Signore di Montolino |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Tuesday 2-Jul-13 07:00pm Libretto by Felice Romani after the novel L’Etrangère
By Charles-Victor Prévost Vicomte d’Arlincourt
Vincenzo Bellini’s operas La sonnambula and Norma have become classics of the bel canto repertoire. La straniera, on the other hand, which Bellini wrote at the age of 27, is rarely seen on the operatic stage, although the highly romantic melodramma moved the audience to veritable raptures during its 1829 première performance at Milan’s Teatro alla Scala. To a libretto by Felice Romani, the opera revolves around a heavily veiled, mysterious stranger who passes through the country. The local inhabitants are afraid of her and believe that she is possessed by the devil. By contrast, Count Arturo, who is just about to marry Isoletta, finds her irresistibly attractive. He has no idea that the stranger is the banished wife of the King of France.
La straniera marks Bellini’s renunciation of Rossini’s opulent style in favour of pure, expressive melody, as Verdi praised in Bellini’s work: “Vi sono melodie lunghe lunghe lunghe, come nessuno ha fatto prima di lui” (There are long, long, melodies like no-one has ever written before him). Richard Wagner was also full of admiration for Bellini’s melodic invention and “genuine passion and sentiment”, and declared that the right singer need only stand up and sing, “and the audience will be in raptures.”
In Zurich’s new production of La straniera, the stage will be graced by Edita Gruberova, the prima donna assoluta of bel canto par excellence. She will be giving her stage début as Alaide at Zurich Opera House, and will continue her successful collaboration with the director Christof Loy in Zurich after productions of Lucrezia Borgia and Roberto Devereux at the Bavarian State Opera. Fabio Luisi, who has frequently championed rarely performed bel canto works, will conduct the production.In Italian with German and English surtitles.Co-production with Theater an der Wien.Fabio Luisi, Conductor Christof Loy, Director Annette Kurz, Set Designer Edita Gruberová, Soprano: Alaide Véronica Simeoni, Soprano: Isoletta Gregory Kunde, Tenor: Count Arturo of Ravenstel Franco Vassallo, Baritone: Baron Valdeburgo Benjamin Bernheim, Tenor: Osburgo Pavel Daniluk, Bass: Signore di Montolino | ||
| Wednesday 3-Jul-13 07:00pm |
Opernhaus, Zürich Die Fliegende Holländer |
Zurich Opera Alain Altinoglu, Conductor Andreas Homoki, Director Wolfgang Gussmann, Set Designer Anja Kampe, Soprano: Senta Liliana Nikiteanu, Contralto: Mary Bryn Terfel, Baritone: Dutchman Matti Salminen, Bass: Daland Marco Jentzsch, Tenor: Erik Fabio Trümpy, Tenor: The Steersman Orchestra La Scintilla Zurich |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Wednesday 3-Jul-13 07:00pm Die Fliegende Holländer Heinrich Heine wrote the story of the seafarer who yearns for deliverance from a curse through the faithful love of a woman. The master of romantic irony pieced together a fictitious play from various seafaring sagas and created a brilliant parody of the romantic melodramas, which Richard Wagner, however, took seriously. In the unhappy hero, who will not give up his aim of sailing round a dangerous cape despite the severest of storms, Wagner recognised a man who does not simply accept the world order, but seeks to overthrow it, even if he is punished with a terrible curse. To the young composer and revolutionary, this man must have seemed a kindred spirit; equally so the young woman, whose life’s dream is to escape the narrow confines of her father’s house and rescue the seafarer. She is a woman who aspires to unconditional self-fulfilment. Against all resistance, she asserts her vision of a fulfilled existence, and takes to its logical extreme the idea of remaining true to herself. The encounter of the two figures ends tragically, but in Wagner’s eyes they do not fail because of the world; the world fails because of them. A few years later, Wagner stood on the barricades in Dresden in an attempt to transform into reality his dream of a world redeemed and determined by love…
In this production, two outstanding singers, Bryn Terfel and Anja Kampe, will be giving their débuts at Zurich Opera, and Matti Salminen can once again be heard as Daland. The young conductor Alain Altinoglu has already made the leap to some of the major opera houses. The Flying Dutchman is Director Andreas Homoki’s first production in Zurich.
In German with German and English surtitles.Alain Altinoglu, Conductor Andreas Homoki, Director Wolfgang Gussmann, Set Designer Anja Kampe, Soprano: Senta Liliana Nikiteanu, Contralto: Mary Bryn Terfel, Baritone: Dutchman Matti Salminen, Bass: Daland Marco Jentzsch, Tenor: Erik Fabio Trümpy, Tenor: The Steersman Orchestra La Scintilla Zurich | ||
| Thursday 4-Jul-13 06:30pm |
Opernhaus, Zürich Der Rosenkavalier |
Zurich Opera Fabio Luisi, Conductor Sven-Eric Bechtolf, Director Rolf Glittenberg, Set Designer Nina Stemme, Soprano: Feldmarschallin Vesselina Kasarova, Mezzo-soprano: Octavian Irène Friedli, Soprano: Annina Alfred Muff, Baritone: Baron Ochs Martin Gantner, Baritone: Herr von Faninal Andreas Winkler, Tenor: Fieldmarschallin's Major-Domo Rachel Harnisch, Soprano: Sophie |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Thursday 4-Jul-13 06:30pm In German with German and English surtitles.Fabio Luisi, Conductor Sven-Eric Bechtolf, Director Rolf Glittenberg, Set Designer Nina Stemme, Soprano: Feldmarschallin Vesselina Kasarova, Mezzo-soprano: Octavian Irène Friedli, Soprano: Annina Alfred Muff, Baritone: Baron Ochs Martin Gantner, Baritone: Herr von Faninal Andreas Winkler, Tenor: Fieldmarschallin's Major-Domo Rachel Harnisch, Soprano: Sophie | ||
| Friday 5-Jul-13 07:00pm |
Opernhaus, Zürich Die Fliegende Holländer |
Zurich Opera Alain Altinoglu, Conductor Andreas Homoki, Director Wolfgang Gussmann, Set Designer Anja Kampe, Soprano: Senta Liliana Nikiteanu, Contralto: Mary Bryn Terfel, Baritone: Dutchman Matti Salminen, Bass: Daland Marco Jentzsch, Tenor: Erik Fabio Trümpy, Tenor: The Steersman Orchestra La Scintilla Zurich |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Friday 5-Jul-13 07:00pm Die Fliegende Holländer Heinrich Heine wrote the story of the seafarer who yearns for deliverance from a curse through the faithful love of a woman. The master of romantic irony pieced together a fictitious play from various seafaring sagas and created a brilliant parody of the romantic melodramas, which Richard Wagner, however, took seriously. In the unhappy hero, who will not give up his aim of sailing round a dangerous cape despite the severest of storms, Wagner recognised a man who does not simply accept the world order, but seeks to overthrow it, even if he is punished with a terrible curse. To the young composer and revolutionary, this man must have seemed a kindred spirit; equally so the young woman, whose life’s dream is to escape the narrow confines of her father’s house and rescue the seafarer. She is a woman who aspires to unconditional self-fulfilment. Against all resistance, she asserts her vision of a fulfilled existence, and takes to its logical extreme the idea of remaining true to herself. The encounter of the two figures ends tragically, but in Wagner’s eyes they do not fail because of the world; the world fails because of them. A few years later, Wagner stood on the barricades in Dresden in an attempt to transform into reality his dream of a world redeemed and determined by love…
In this production, two outstanding singers, Bryn Terfel and Anja Kampe, will be giving their débuts at Zurich Opera, and Matti Salminen can once again be heard as Daland. The young conductor Alain Altinoglu has already made the leap to some of the major opera houses. The Flying Dutchman is Director Andreas Homoki’s first production in Zurich.
In German with German and English surtitles.Alain Altinoglu, Conductor Andreas Homoki, Director Wolfgang Gussmann, Set Designer Anja Kampe, Soprano: Senta Liliana Nikiteanu, Contralto: Mary Bryn Terfel, Baritone: Dutchman Matti Salminen, Bass: Daland Marco Jentzsch, Tenor: Erik Fabio Trümpy, Tenor: The Steersman Orchestra La Scintilla Zurich | ||
| Saturday 6-Jul-13 07:00pm |
Opernhaus, Zürich La Straniera |
Zurich Opera Fabio Luisi, Conductor Christof Loy, Director Annette Kurz, Set Designer Edita Gruberová, Soprano: Alaide Véronica Simeoni, Soprano: Isoletta Gregory Kunde, Tenor: Count Arturo of Ravenstel Franco Vassallo, Baritone: Baron Valdeburgo Benjamin Bernheim, Tenor: Osburgo Pavel Daniluk, Bass: Signore di Montolino |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Saturday 6-Jul-13 07:00pm Libretto by Felice Romani after the novel L’Etrangère
By Charles-Victor Prévost Vicomte d’Arlincourt
Vincenzo Bellini’s operas La sonnambula and Norma have become classics of the bel canto repertoire. La straniera, on the other hand, which Bellini wrote at the age of 27, is rarely seen on the operatic stage, although the highly romantic melodramma moved the audience to veritable raptures during its 1829 première performance at Milan’s Teatro alla Scala. To a libretto by Felice Romani, the opera revolves around a heavily veiled, mysterious stranger who passes through the country. The local inhabitants are afraid of her and believe that she is possessed by the devil. By contrast, Count Arturo, who is just about to marry Isoletta, finds her irresistibly attractive. He has no idea that the stranger is the banished wife of the King of France.
La straniera marks Bellini’s renunciation of Rossini’s opulent style in favour of pure, expressive melody, as Verdi praised in Bellini’s work: “Vi sono melodie lunghe lunghe lunghe, come nessuno ha fatto prima di lui” (There are long, long, melodies like no-one has ever written before him). Richard Wagner was also full of admiration for Bellini’s melodic invention and “genuine passion and sentiment”, and declared that the right singer need only stand up and sing, “and the audience will be in raptures.”
In Zurich’s new production of La straniera, the stage will be graced by Edita Gruberova, the prima donna assoluta of bel canto par excellence. She will be giving her stage début as Alaide at Zurich Opera House, and will continue her successful collaboration with the director Christof Loy in Zurich after productions of Lucrezia Borgia and Roberto Devereux at the Bavarian State Opera. Fabio Luisi, who has frequently championed rarely performed bel canto works, will conduct the production.In Italian with German and English surtitles.Co-production with Theater an der Wien.Fabio Luisi, Conductor Christof Loy, Director Annette Kurz, Set Designer Edita Gruberová, Soprano: Alaide Véronica Simeoni, Soprano: Isoletta Gregory Kunde, Tenor: Count Arturo of Ravenstel Franco Vassallo, Baritone: Baron Valdeburgo Benjamin Bernheim, Tenor: Osburgo Pavel Daniluk, Bass: Signore di Montolino | ||
| Sunday 7-Jul-13 07:00pm |
Opernhaus, Zürich Salome |
Zurich Opera Cornelius Meister, Conductor Sven-Eric Bechtolf, Director Rolf Glittenberg, Set Designer Nicola Beller Carbone, Soprano: Salome Stefania Kaluza, Mezzo-soprano: Herodias Tomás Tómasson, Bass: Jochanaan Rudolf Schasching, Tenor: Herod Benjamin Bernheim, Tenor: Narraboth |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 7-Jul-13 07:00pm Cornelius Meister, Conductor Sven-Eric Bechtolf, Director Rolf Glittenberg, Set Designer Nicola Beller Carbone, Soprano: Salome Stefania Kaluza, Mezzo-soprano: Herodias Tomás Tómasson, Bass: Jochanaan Rudolf Schasching, Tenor: Herod Benjamin Bernheim, Tenor: Narraboth | ||
| Tuesday 9-Jul-13 06:30pm |
Opernhaus, Zürich Der Rosenkavalier |
Zurich Opera Fabio Luisi, Conductor Sven-Eric Bechtolf, Director Rolf Glittenberg, Set Designer Nina Stemme, Soprano: Feldmarschallin Vesselina Kasarova, Mezzo-soprano: Octavian Irène Friedli, Soprano: Annina Alfred Muff, Baritone: Baron Ochs Martin Gantner, Baritone: Herr von Faninal Andreas Winkler, Tenor: Fieldmarschallin's Major-Domo Rachel Harnisch, Soprano: Sophie |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Tuesday 9-Jul-13 06:30pm In German with German and English surtitles.Fabio Luisi, Conductor Sven-Eric Bechtolf, Director Rolf Glittenberg, Set Designer Nina Stemme, Soprano: Feldmarschallin Vesselina Kasarova, Mezzo-soprano: Octavian Irène Friedli, Soprano: Annina Alfred Muff, Baritone: Baron Ochs Martin Gantner, Baritone: Herr von Faninal Andreas Winkler, Tenor: Fieldmarschallin's Major-Domo Rachel Harnisch, Soprano: Sophie | ||
| Wednesday 10-Jul-13 07:00pm |
Opernhaus, Zürich La Straniera |
Zurich Opera Fabio Luisi, Conductor Christof Loy, Director Annette Kurz, Set Designer Edita Gruberová, Soprano: Alaide Véronica Simeoni, Soprano: Isoletta Gregory Kunde, Tenor: Count Arturo of Ravenstel Franco Vassallo, Baritone: Baron Valdeburgo Benjamin Bernheim, Tenor: Osburgo Pavel Daniluk, Bass: Signore di Montolino |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Wednesday 10-Jul-13 07:00pm Libretto by Felice Romani after the novel L’Etrangère
By Charles-Victor Prévost Vicomte d’Arlincourt
Vincenzo Bellini’s operas La sonnambula and Norma have become classics of the bel canto repertoire. La straniera, on the other hand, which Bellini wrote at the age of 27, is rarely seen on the operatic stage, although the highly romantic melodramma moved the audience to veritable raptures during its 1829 première performance at Milan’s Teatro alla Scala. To a libretto by Felice Romani, the opera revolves around a heavily veiled, mysterious stranger who passes through the country. The local inhabitants are afraid of her and believe that she is possessed by the devil. By contrast, Count Arturo, who is just about to marry Isoletta, finds her irresistibly attractive. He has no idea that the stranger is the banished wife of the King of France.
La straniera marks Bellini’s renunciation of Rossini’s opulent style in favour of pure, expressive melody, as Verdi praised in Bellini’s work: “Vi sono melodie lunghe lunghe lunghe, come nessuno ha fatto prima di lui” (There are long, long, melodies like no-one has ever written before him). Richard Wagner was also full of admiration for Bellini’s melodic invention and “genuine passion and sentiment”, and declared that the right singer need only stand up and sing, “and the audience will be in raptures.”
In Zurich’s new production of La straniera, the stage will be graced by Edita Gruberova, the prima donna assoluta of bel canto par excellence. She will be giving her stage début as Alaide at Zurich Opera House, and will continue her successful collaboration with the director Christof Loy in Zurich after productions of Lucrezia Borgia and Roberto Devereux at the Bavarian State Opera. Fabio Luisi, who has frequently championed rarely performed bel canto works, will conduct the production.In Italian with German and English surtitles.Co-production with Theater an der Wien.Fabio Luisi, Conductor Christof Loy, Director Annette Kurz, Set Designer Edita Gruberová, Soprano: Alaide Véronica Simeoni, Soprano: Isoletta Gregory Kunde, Tenor: Count Arturo of Ravenstel Franco Vassallo, Baritone: Baron Valdeburgo Benjamin Bernheim, Tenor: Osburgo Pavel Daniluk, Bass: Signore di Montolino | ||
| Thursday 11-Jul-13 07:00pm |
Opernhaus, Zürich Rigoletto |
Zurich Opera Fabio Luisi, Conductor Tatjana Gürbaca, Director Klaus Grünberg, Set Designer Orchestra La Scintilla Zurich Aleksandra Kurzak, Soprano: Gilda Judith Schmid, Mezzo-soprano: Maddalena Julia Riley, Mezzo-soprano: Giovanna Saimir Pirgu, Tenor: The Duke of Mantua Quinn Kelsey, Baritone: Rigoletto Christof Fischesser, Bass: Sparafucile Valery Murga, Bass: Monterone |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Thursday 11-Jul-13 07:00pm The court of the Duke of Mantua is the scene of glittering festivities. However, the courtiers who enjoy themselves at these celebrations are morally reprobate. They no longer have any values and amuse themselves out of sheer boredom. Here, to enjoy oneself means to humiliate and demean others. The court jester, Rigoletto, is the most cynical of all. He wants to protect only his daughter Gilda from the corrupt world. He locks her away and forbids her everything. Despite this, the young woman goes her own way. She develops from a rebellious teenager into a mature, loving woman. Her longing for freedom and self-determination is stronger than her father’s oppressive authoritarianism, and her faith in love remains unshakeable, despite the hypocrisy of society. Like so many of Verdi’s figures, Gilda achieves what she failed to do in life only in death – to take the step towards freedom.
With Rigoletto, Giuseppe Verdi attained a new level in his musical and dramatic oeuvre. He composes the scenes and successive images in a highly precise manner, at times almost like a film editor. The score reveals a brilliant juxtaposition of psychological ambiguity and melodic directness. There are strong contrasts in atmosphere. Giuseppe Verdi wrote Rigoletto during the politically volatile post-revolutionary period around 1850. His decision to base his opera on Victor Hugo’s play, Le Roi s’amuse (The King amuses himself), was an extremely socio-critical choice. Rigoletto is one of the Italian composer’s most sinister operas.
Tatjana Gürbaca will stage the piece, which will be her début at Zurich Opera House. The German director is now one of the most prominent of her generation; this is also because she preserves a feminine view of the works she stages. The internationally sought-after Alexandra Kurzak will be performing Gilda, and Quinn Kelsey, who is considered a sensational discovery among Verdi baritones, will be singing Rigoletto. The experienced Verdi expert Fabio Luisi will be at the rostrum.
In Italian with German and English surtitles.Fabio Luisi, Conductor Tatjana Gürbaca, Director Klaus Grünberg, Set Designer Orchestra La Scintilla Zurich Aleksandra Kurzak, Soprano: Gilda Judith Schmid, Mezzo-soprano: Maddalena Julia Riley, Mezzo-soprano: Giovanna Saimir Pirgu, Tenor: The Duke of Mantua Quinn Kelsey, Baritone: Rigoletto Christof Fischesser, Bass: Sparafucile Valery Murga, Bass: Monterone | ||
| Friday 12-Jul-13 06:30pm |
Opernhaus, Zürich Der Rosenkavalier |
Zurich Opera Fabio Luisi, Conductor Sven-Eric Bechtolf, Director Rolf Glittenberg, Set Designer Nina Stemme, Soprano: Feldmarschallin Vesselina Kasarova, Mezzo-soprano: Octavian Irène Friedli, Soprano: Annina Alfred Muff, Baritone: Baron Ochs Martin Gantner, Baritone: Herr von Faninal Andreas Winkler, Tenor: Fieldmarschallin's Major-Domo Rachel Harnisch, Soprano: Sophie |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Friday 12-Jul-13 06:30pm In German with German and English surtitles.Fabio Luisi, Conductor Sven-Eric Bechtolf, Director Rolf Glittenberg, Set Designer Nina Stemme, Soprano: Feldmarschallin Vesselina Kasarova, Mezzo-soprano: Octavian Irène Friedli, Soprano: Annina Alfred Muff, Baritone: Baron Ochs Martin Gantner, Baritone: Herr von Faninal Andreas Winkler, Tenor: Fieldmarschallin's Major-Domo Rachel Harnisch, Soprano: Sophie | ||
| Saturday 13-Jul-13 11:00am |
Opernhaus, Zürich Die Schatzinsel |
Zurich Opera Thomas Rösner, Conductor Nadja Loschky, Director Henrik Ahr, Set Designer Fabio Trümpy, Tenor: Jim Hawkins Oliver Widmer, Baritone: John Silver Ivana Rusko, Soprano: Lily Irène Friedli, Soprano: Baroness Trelawney Reinhard Mayr, Bass: Captain Smolett Martin Zysset, Tenor: Bill Bones / Ben Gunn |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Saturday 13-Jul-13 11:00am Jim Hawkins dreams of one day being master of the seas and visiting far-off lands. Instead, he is forced to help his mother at the Golden Anchor tavern – day in, day out. When a guest dies, Jim finds a treasure map in his seaman’s chest – the treasure map of the late pirate Captain Flint. And Jim already finds himself embarking on the most exciting adventure of his life. An expedition to Treasure Island is organised, and Jim is allowed to sail on the Hispaniola together with Captain Smollett, Doctor Livesey, Baroness Trelawney, Lily and Scarlett. On the high seas, however, it transpires that Captain Flint’s former comrades have been hired to crew the ship, including the one-legged ship’s cook, Long John Silver. The pirates are also in search of treasure, and they succeed in snatching one half of the treasure map. Once they arrive on the island, a feverish search for the gold begins, during which the protagonists’ luck changes several times.
Treasure Island, by the Scottish author Robert Louis Stevenson, is a classic of the adventure genre and has kept generations of young readers on tenterhooks. The composer Frank Schwemmer and his librettist Michael Frowin – both already successful with their opera for children, Robin Hood – have allowed themselves to be gripped by Stevenson’s thrilling story, and have adapted it for the stage. Their full-length opera is suitable for all pirate lovers from the age of six.In German.Thomas Rösner, Conductor Nadja Loschky, Director Henrik Ahr, Set Designer Fabio Trümpy, Tenor: Jim Hawkins Oliver Widmer, Baritone: John Silver Ivana Rusko, Soprano: Lily Irène Friedli, Soprano: Baroness Trelawney Reinhard Mayr, Bass: Captain Smolett Martin Zysset, Tenor: Bill Bones / Ben Gunn | ||
| Saturday 13-Jul-13 07:00pm |
Opernhaus, Zürich Rigoletto |
Zurich Opera Fabio Luisi, Conductor Tatjana Gürbaca, Director Klaus Grünberg, Set Designer Orchestra La Scintilla Zurich Aleksandra Kurzak, Soprano: Gilda Judith Schmid, Mezzo-soprano: Maddalena Julia Riley, Mezzo-soprano: Giovanna Saimir Pirgu, Tenor: The Duke of Mantua Quinn Kelsey, Baritone: Rigoletto Christof Fischesser, Bass: Sparafucile Valery Murga, Bass: Monterone |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Saturday 13-Jul-13 07:00pm The court of the Duke of Mantua is the scene of glittering festivities. However, the courtiers who enjoy themselves at these celebrations are morally reprobate. They no longer have any values and amuse themselves out of sheer boredom. Here, to enjoy oneself means to humiliate and demean others. The court jester, Rigoletto, is the most cynical of all. He wants to protect only his daughter Gilda from the corrupt world. He locks her away and forbids her everything. Despite this, the young woman goes her own way. She develops from a rebellious teenager into a mature, loving woman. Her longing for freedom and self-determination is stronger than her father’s oppressive authoritarianism, and her faith in love remains unshakeable, despite the hypocrisy of society. Like so many of Verdi’s figures, Gilda achieves what she failed to do in life only in death – to take the step towards freedom.
With Rigoletto, Giuseppe Verdi attained a new level in his musical and dramatic oeuvre. He composes the scenes and successive images in a highly precise manner, at times almost like a film editor. The score reveals a brilliant juxtaposition of psychological ambiguity and melodic directness. There are strong contrasts in atmosphere. Giuseppe Verdi wrote Rigoletto during the politically volatile post-revolutionary period around 1850. His decision to base his opera on Victor Hugo’s play, Le Roi s’amuse (The King amuses himself), was an extremely socio-critical choice. Rigoletto is one of the Italian composer’s most sinister operas.
Tatjana Gürbaca will stage the piece, which will be her début at Zurich Opera House. The German director is now one of the most prominent of her generation; this is also because she preserves a feminine view of the works she stages. The internationally sought-after Alexandra Kurzak will be performing Gilda, and Quinn Kelsey, who is considered a sensational discovery among Verdi baritones, will be singing Rigoletto. The experienced Verdi expert Fabio Luisi will be at the rostrum.
In Italian with German and English surtitles.Fabio Luisi, Conductor Tatjana Gürbaca, Director Klaus Grünberg, Set Designer Orchestra La Scintilla Zurich Aleksandra Kurzak, Soprano: Gilda Judith Schmid, Mezzo-soprano: Maddalena Julia Riley, Mezzo-soprano: Giovanna Saimir Pirgu, Tenor: The Duke of Mantua Quinn Kelsey, Baritone: Rigoletto Christof Fischesser, Bass: Sparafucile Valery Murga, Bass: Monterone | ||
| Sunday 14-Jul-13 02:00pm |
Opernhaus, Zürich Salome |
Zurich Opera Cornelius Meister, Conductor Sven-Eric Bechtolf, Director Rolf Glittenberg, Set Designer Nicola Beller Carbone, Soprano: Salome Stefania Kaluza, Mezzo-soprano: Herodias Tomás Tómasson, Bass: Jochanaan Rudolf Schasching, Tenor: Herod Benjamin Bernheim, Tenor: Narraboth |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 14-Jul-13 02:00pm Cornelius Meister, Conductor Sven-Eric Bechtolf, Director Rolf Glittenberg, Set Designer Nicola Beller Carbone, Soprano: Salome Stefania Kaluza, Mezzo-soprano: Herodias Tomás Tómasson, Bass: Jochanaan Rudolf Schasching, Tenor: Herod Benjamin Bernheim, Tenor: Narraboth | ||
| Sunday 14-Jul-13 07:30pm |
Opernhaus, Zürich La Straniera |
Zurich Opera Fabio Luisi, Conductor Christof Loy, Director Annette Kurz, Set Designer Edita Gruberová, Soprano: Alaide Véronica Simeoni, Soprano: Isoletta Gregory Kunde, Tenor: Count Arturo of Ravenstel Franco Vassallo, Baritone: Baron Valdeburgo Benjamin Bernheim, Tenor: Osburgo Pavel Daniluk, Bass: Signore di Montolino |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 14-Jul-13 07:30pm Libretto by Felice Romani after the novel L’Etrangère
By Charles-Victor Prévost Vicomte d’Arlincourt
Vincenzo Bellini’s operas La sonnambula and Norma have become classics of the bel canto repertoire. La straniera, on the other hand, which Bellini wrote at the age of 27, is rarely seen on the operatic stage, although the highly romantic melodramma moved the audience to veritable raptures during its 1829 première performance at Milan’s Teatro alla Scala. To a libretto by Felice Romani, the opera revolves around a heavily veiled, mysterious stranger who passes through the country. The local inhabitants are afraid of her and believe that she is possessed by the devil. By contrast, Count Arturo, who is just about to marry Isoletta, finds her irresistibly attractive. He has no idea that the stranger is the banished wife of the King of France.
La straniera marks Bellini’s renunciation of Rossini’s opulent style in favour of pure, expressive melody, as Verdi praised in Bellini’s work: “Vi sono melodie lunghe lunghe lunghe, come nessuno ha fatto prima di lui” (There are long, long, melodies like no-one has ever written before him). Richard Wagner was also full of admiration for Bellini’s melodic invention and “genuine passion and sentiment”, and declared that the right singer need only stand up and sing, “and the audience will be in raptures.”
In Zurich’s new production of La straniera, the stage will be graced by Edita Gruberova, the prima donna assoluta of bel canto par excellence. She will be giving her stage début as Alaide at Zurich Opera House, and will continue her successful collaboration with the director Christof Loy in Zurich after productions of Lucrezia Borgia and Roberto Devereux at the Bavarian State Opera. Fabio Luisi, who has frequently championed rarely performed bel canto works, will conduct the production.In Italian with German and English surtitles.Co-production with Theater an der Wien.Fabio Luisi, Conductor Christof Loy, Director Annette Kurz, Set Designer Edita Gruberová, Soprano: Alaide Véronica Simeoni, Soprano: Isoletta Gregory Kunde, Tenor: Count Arturo of Ravenstel Franco Vassallo, Baritone: Baron Valdeburgo Benjamin Bernheim, Tenor: Osburgo Pavel Daniluk, Bass: Signore di Montolino | ||
| Friday 30-Aug-13 07:30pm |
Culture and Congress Centre: Concert Hall, Lucerne Das Rheingold |
Bamberg Symphony Orchestra Jonathan Nott, Conductor Albert Dohmen, Bass-baritone: Wotan Thomas Laske, Bass-baritone: Donner Thomas Blondelle, Tenor: Froh Adrian Eröd, Tenor: Loge Christoph Stephinger, Bass: Fasolt Mikhail Petrenko, Bass: Fafner Johannes Martin Kränzle, Baritone: Alberich Peter Galliard, Tenor: Mime Elisabeth Kulman, Mezzo-soprano: Fricka Meagan Miller, Soprano: Freia Christa Mayer, Mezzo-soprano: Erda Martina Welschenbach, Soprano: Woglinde Ulrike Helzel, Soprano: Wellgunde Victoria Vizin, Mezzo-soprano: Flosshilde Rundfunkchor Berlin Simon Halsey, Chorus director |
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| Culture and Congress Centre: Concert Hall, Lucerne, Lucerne 6005, Switzerland Friday 30-Aug-13 07:30pm Bamberg Symphony Orchestra Jonathan Nott, Conductor Albert Dohmen, Bass-baritone: Wotan Thomas Laske, Bass-baritone: Donner Thomas Blondelle, Tenor: Froh Adrian Eröd, Tenor: Loge Christoph Stephinger, Bass: Fasolt Mikhail Petrenko, Bass: Fafner Johannes Martin Kränzle, Baritone: Alberich Peter Galliard, Tenor: Mime Elisabeth Kulman, Mezzo-soprano: Fricka Meagan Miller, Soprano: Freia Christa Mayer, Mezzo-soprano: Erda Martina Welschenbach, Soprano: Woglinde Ulrike Helzel, Soprano: Wellgunde Victoria Vizin, Mezzo-soprano: Flosshilde Rundfunkchor Berlin Simon Halsey, Chorus director | ||
| Saturday 31-Aug-13 05:00pm |
Culture and Congress Centre: Concert Hall, Lucerne Die Walkure |
Bamberg Symphony Orchestra Jonathan Nott, Conductor Klaus Florian Vogt, Tenor: Siegmund Mikhail Petrenko, Bass: Hunding Albert Dohmen, Bass-baritone: Wotan Meagan Miller, Soprano: Sieglinde Petra Lang, Soprano: Brünnhilde Elisabeth Kulman, Mezzo-soprano: Fricka Danielle Halbwachs, Soprano: Gerhilde Martina Welschenbach, Soprano: Ortlinde Ulrike Helzel, Mezzo-soprano: Waltraute Victoria Vizin, Contralto: Schwertleite Carola Höhn, Soprano: Helmwige Katja Pieweck, Mezzo-soprano: Siegrune Kismara Pessatti, Mezzo-soprano: Grimgerde Eva Vogel, Mezzo-soprano: Rossweisse Rundfunkchor Berlin Simon Halsey, Chorus director |
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| Culture and Congress Centre: Concert Hall, Lucerne, Lucerne 6005, Switzerland Saturday 31-Aug-13 05:00pm Die Walkure Bamberg Symphony Orchestra Jonathan Nott, Conductor Klaus Florian Vogt, Tenor: Siegmund Mikhail Petrenko, Bass: Hunding Albert Dohmen, Bass-baritone: Wotan Meagan Miller, Soprano: Sieglinde Petra Lang, Soprano: Brünnhilde Elisabeth Kulman, Mezzo-soprano: Fricka Danielle Halbwachs, Soprano: Gerhilde Martina Welschenbach, Soprano: Ortlinde Ulrike Helzel, Mezzo-soprano: Waltraute Victoria Vizin, Contralto: Schwertleite Carola Höhn, Soprano: Helmwige Katja Pieweck, Mezzo-soprano: Siegrune Kismara Pessatti, Mezzo-soprano: Grimgerde Eva Vogel, Mezzo-soprano: Rossweisse Rundfunkchor Berlin Simon Halsey, Chorus director | ||
| Monday 2-Sep-13 05:00pm |
Culture and Congress Centre: Concert Hall, Lucerne Siegfried |
Bamberg Symphony Orchestra Jonathan Nott, Conductor Torsten Kerl, Tenor: Siegfried Peter Galliard, Tenor: Mime Albert Dohmen, Bass-baritone: Wanderer Peter Sidhom, Baritone: Alberich Mikhail Petrenko, Bass-baritone: Fafner Christa Mayer, Contralto: Erda Petra Lang, Soprano: Brünnhilde Sophie Bevan, Soprano: Waldvogel (the woodbird) Rundfunkchor Berlin Simon Halsey, Chorus director |
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| Culture and Congress Centre: Concert Hall, Lucerne, Lucerne 6005, Switzerland Monday 2-Sep-13 05:00pm Bamberg Symphony Orchestra Jonathan Nott, Conductor Torsten Kerl, Tenor: Siegfried Peter Galliard, Tenor: Mime Albert Dohmen, Bass-baritone: Wanderer Peter Sidhom, Baritone: Alberich Mikhail Petrenko, Bass-baritone: Fafner Christa Mayer, Contralto: Erda Petra Lang, Soprano: Brünnhilde Sophie Bevan, Soprano: Waldvogel (the woodbird) Rundfunkchor Berlin Simon Halsey, Chorus director | ||
| Wednesday 4-Sep-13 05:00pm |
Culture and Congress Centre: Concert Hall, Lucerne Gotterdammerung |
Torsten Kerl, Tenor: Siegfried Peter Sidhom, Baritone: Alberich Petra Lang, Soprano: Brünnhilde Mikhail Petrenko, Bass: Hagen Michael Nagy, Baritone: Gunther Anna Gabler, Soprano: Gutrune Elisabeth Kulman, Mezzo-soprano: Waltraute Victoria Vizin, Contralto: First Norn/Mezzo-soprano: Flosshilde Ulrike Helzel, Mezzo-soprano: Second Norn/Soprano: Wellgunde Meagan Miller, Soprano: Third Norn Martina Welschenbach, Soprano: Woglinde Bamberg Symphony Orchestra Rundfunkchor Berlin Jonathan Nott, Conductor Simon Halsey, Chorus director |
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| Culture and Congress Centre: Concert Hall, Lucerne, Lucerne 6005, Switzerland Wednesday 4-Sep-13 05:00pm Torsten Kerl, Tenor: Siegfried Peter Sidhom, Baritone: Alberich Petra Lang, Soprano: Brünnhilde Mikhail Petrenko, Bass: Hagen Michael Nagy, Baritone: Gunther Anna Gabler, Soprano: Gutrune Elisabeth Kulman, Mezzo-soprano: Waltraute Victoria Vizin, Contralto: First Norn/Mezzo-soprano: Flosshilde Ulrike Helzel, Mezzo-soprano: Second Norn/Soprano: Wellgunde Meagan Miller, Soprano: Third Norn Martina Welschenbach, Soprano: Woglinde Bamberg Symphony Orchestra Rundfunkchor Berlin Jonathan Nott, Conductor Simon Halsey, Chorus director | ||
| Saturday 21-Sep-13 11:30am |
Opernhaus, Zürich Alexandre Bis - Première |
Zurich Opera Jan Essinger, Conductor Susanne Grossteiner, Soprano: Armanda Christoph Filler, Baritone: Alexandre Kristofer Lundin, Tenor: Oskar Dara Savinova, Mezzo-soprano: Philomène Christoph Seidl, Bass: Portrait |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Saturday 21-Sep-13 11:30am Alexandre Bis - Première In Czech with German and English surtitles.Running time 1 hours 29 mins.
To escape the boredom of marriage, Alexander one day decides to put his wife’s faithfulness to the test. So he shaves off his beard and seduces Armande in the role of his own cousin from America. Armande enjoys this escapade so much, she runs away with him…Jan Essinger, Conductor Susanne Grossteiner, Soprano: Armanda Christoph Filler, Baritone: Alexandre Kristofer Lundin, Tenor: Oskar Dara Savinova, Mezzo-soprano: Philomène Christoph Seidl, Bass: Portrait | ||
| Sunday 22-Sep-13 07:00pm |
Opernhaus, Zürich Die Soldaten - Première |
Zurich Opera Marc Albrecht, Conductor Calixto Bieito, Director Philharmonia Zürich Pavel Daniluk, Bass: Wesener Susanne Elmark, Soprano: Marie Julia Riley, Mezzo-soprano: Charlotte Cornelia Kallisch, Mezzo-soprano: Wesener's Mother Michael Kraus, Baritone: Stolzius Hanna Schwarz, Mezzo-soprano: Stolzius' mother Reinhard Mayr, Bass: Obrist, Count of Spannheim Peter Hoare, Tenor: Desportes Michael Laurenz, Tenor: Pirzel |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 22-Sep-13 07:00pm Die Soldaten - Première With German and English surtitles. Running time 2 hours. Tickets 270 - 38 CHF.Marc Albrecht, Conductor Calixto Bieito, Director Philharmonia Zürich Pavel Daniluk, Bass: Wesener Susanne Elmark, Soprano: Marie Julia Riley, Mezzo-soprano: Charlotte Cornelia Kallisch, Mezzo-soprano: Wesener's Mother Michael Kraus, Baritone: Stolzius Hanna Schwarz, Mezzo-soprano: Stolzius' mother Reinhard Mayr, Bass: Obrist, Count of Spannheim Peter Hoare, Tenor: Desportes Michael Laurenz, Tenor: Pirzel | ||
| Wednesday 25-Sep-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Markus Werba, Baritone: Don Giovanni Marina Rebeka, Soprano: Donna Anna Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Julia Kleiter, Soprano: Donna Elvira Ruben Drole, Baritone: Leporello Anna Goryachova, Mezzo-soprano: Zerlina Erik Anstine, Bass-baritone: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Wednesday 25-Sep-13 07:00pm In Italian with German and English surtitles. Running time 3 hours 50 minutes. Tickets 230 - 35 CHF.Robin Ticciati, Conductor Sebastian Baumgarten, Director Markus Werba, Baritone: Don Giovanni Marina Rebeka, Soprano: Donna Anna Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Julia Kleiter, Soprano: Donna Elvira Ruben Drole, Baritone: Leporello Anna Goryachova, Mezzo-soprano: Zerlina Erik Anstine, Bass-baritone: Masetto | ||
| Thursday 26-Sep-13 08:00pm |
Opernhaus, Zürich Die Soldaten |
Zurich Opera Marc Albrecht, Conductor Calixto Bieito, Director Philharmonia Zürich Pavel Daniluk, Bass: Wesener Susanne Elmark, Soprano: Marie Julia Riley, Mezzo-soprano: Charlotte Cornelia Kallisch, Mezzo-soprano: Wesener's Mother Michael Kraus, Baritone: Stolzius Hanna Schwarz, Mezzo-soprano: Stolzius' mother Reinhard Mayr, Bass: Obrist, Count of Spannheim Peter Hoare, Tenor: Desportes Michael Laurenz, Tenor: Pirzel |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Thursday 26-Sep-13 08:00pm With German and English surtitles. Running time 2 hours. Tickets 230 - 35 CHF.Marc Albrecht, Conductor Calixto Bieito, Director Philharmonia Zürich Pavel Daniluk, Bass: Wesener Susanne Elmark, Soprano: Marie Julia Riley, Mezzo-soprano: Charlotte Cornelia Kallisch, Mezzo-soprano: Wesener's Mother Michael Kraus, Baritone: Stolzius Hanna Schwarz, Mezzo-soprano: Stolzius' mother Reinhard Mayr, Bass: Obrist, Count of Spannheim Peter Hoare, Tenor: Desportes Michael Laurenz, Tenor: Pirzel | ||
| Friday 27-Sep-13 07:00pm |
Opernhaus, Zürich Rigoletto |
Zurich Opera Stefan Blunier, Conductor Tatjana Gürbaca, Director Philharmonia Zürich Saimir Pirgu, Tenor: The Duke of Mantua Andrzej Dobber, Baritone: Rigoletto Aleksandra Kurzak, Soprano: Gilda Andrea Mastroni, Bass: Sparafucile Judith Schmid, Mezzo-soprano: Maddalena Julia Riley, Mezzo-soprano: Giovanna Cheyne Davidson, Baritone: Marullo |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Friday 27-Sep-13 07:00pm In Italian with German and English surtitles. Running time 2 hours 40 minutes. Tickets 230 - 35 CHF.Stefan Blunier, Conductor Tatjana Gürbaca, Director Philharmonia Zürich Saimir Pirgu, Tenor: The Duke of Mantua Andrzej Dobber, Baritone: Rigoletto Aleksandra Kurzak, Soprano: Gilda Andrea Mastroni, Bass: Sparafucile Judith Schmid, Mezzo-soprano: Maddalena Julia Riley, Mezzo-soprano: Giovanna Cheyne Davidson, Baritone: Marullo | ||
| Saturday 28-Sep-13 07:00pm |
Opernhaus, Zürich La Straniera |
Zurich Opera Fabio Luisi, Conductor Christof Loy, Director Edita Gruberová, Soprano: Alaide Véronica Simeoni, Mezzo-soprano: Isoletta Gregory Kunde, Tenor: Count Arturo of Ravenstel Franco Vassallo, Baritone: Baron Valdeburgo Benjamin Bernheim, Tenor: Osburgo Pavel Daniluk, Bass: Signore di Montolino Reinhard Mayr, Bass: Hospital prior Philharmonia Zürich |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Saturday 28-Sep-13 07:00pm Co-production with Theater an der Wien. In Italian with German and English surtitles. Running time 2 hours 30 mins. Tickets 320 - 38 CHF.Fabio Luisi, Conductor Christof Loy, Director Edita Gruberová, Soprano: Alaide Véronica Simeoni, Mezzo-soprano: Isoletta Gregory Kunde, Tenor: Count Arturo of Ravenstel Franco Vassallo, Baritone: Baron Valdeburgo Benjamin Bernheim, Tenor: Osburgo Pavel Daniluk, Bass: Signore di Montolino Reinhard Mayr, Bass: Hospital prior Philharmonia Zürich | ||
| Sunday 29-Sep-13 06:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Markus Werba, Baritone: Don Giovanni Marina Rebeka, Soprano: Donna Anna Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Julia Kleiter, Soprano: Donna Elvira Ruben Drole, Baritone: Leporello Anna Goryachova, Mezzo-soprano: Zerlina Erik Anstine, Bass-baritone: Masetto |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 29-Sep-13 06:00pm In Italian with German and English surtitles. Running time 3 hours 50 minutes. Tickets 230 - 35 CHF.Robin Ticciati, Conductor Sebastian Baumgarten, Director Markus Werba, Baritone: Don Giovanni Marina Rebeka, Soprano: Donna Anna Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Julia Kleiter, Soprano: Donna Elvira Ruben Drole, Baritone: Leporello Anna Goryachova, Mezzo-soprano: Zerlina Erik Anstine, Bass-baritone: Masetto | ||
| Wednesday 2-Oct-13 07:00pm |
Opernhaus, Zürich La Straniera |
Zurich Opera Fabio Luisi, Conductor Christof Loy, Director Edita Gruberová, Soprano: Alaide Véronica Simeoni, Mezzo-soprano: Isoletta Gregory Kunde, Tenor: Count Arturo of Ravenstel Franco Vassallo, Baritone: Baron Valdeburgo Benjamin Bernheim, Tenor: Osburgo Pavel Daniluk, Bass: Signore di Montolino Reinhard Mayr, Bass: Hospital prior Philharmonia Zürich |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Wednesday 2-Oct-13 07:00pm Co-production with Theater an der Wien. In Italian with German and English surtitles. Running time 2 hours 30 mins. Tickets 320 - 38 CHF.Fabio Luisi, Conductor Christof Loy, Director Edita Gruberová, Soprano: Alaide Véronica Simeoni, Mezzo-soprano: Isoletta Gregory Kunde, Tenor: Count Arturo of Ravenstel Franco Vassallo, Baritone: Baron Valdeburgo Benjamin Bernheim, Tenor: Osburgo Pavel Daniluk, Bass: Signore di Montolino Reinhard Mayr, Bass: Hospital prior Philharmonia Zürich | ||
| Thursday 3-Oct-13 07:00pm |
Opernhaus, Zürich Rigoletto |
Zurich Opera Stefan Blunier, Conductor Tatjana Gürbaca, Director Philharmonia Zürich Saimir Pirgu, Tenor: The Duke of Mantua Andrzej Dobber, Baritone: Rigoletto Aleksandra Kurzak, Soprano: Gilda Andrea Mastroni, Bass: Sparafucile Judith Schmid, Mezzo-soprano: Maddalena Julia Riley, Mezzo-soprano: Giovanna Cheyne Davidson, Baritone: Marullo |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Thursday 3-Oct-13 07:00pm In Italian with German and English surtitles. Running time 2 hours 40 minutes. Tickets 230 - 35 CHF.Stefan Blunier, Conductor Tatjana Gürbaca, Director Philharmonia Zürich Saimir Pirgu, Tenor: The Duke of Mantua Andrzej Dobber, Baritone: Rigoletto Aleksandra Kurzak, Soprano: Gilda Andrea Mastroni, Bass: Sparafucile Judith Schmid, Mezzo-soprano: Maddalena Julia Riley, Mezzo-soprano: Giovanna Cheyne Davidson, Baritone: Marullo | ||
