Work: Don Giovanni, K527From today| Date | Event | Composers, Works, Performers |
|---|---|---|
| Sunday 26-May-13 07:00pm |
 Opernhaus, ZürichDon Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
 | ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 26-May-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Wednesday 29-May-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
| ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Wednesday 29-May-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Saturday 1-Jun-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
| ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Saturday 1-Jun-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Tuesday 4-Jun-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
| ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Tuesday 4-Jun-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Friday 7-Jun-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
| ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Friday 7-Jun-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Sunday 9-Jun-13 07:30pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
| ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 9-Jun-13 07:30pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Thursday 13-Jun-13 07:30pm |
Music Hall, Cincinnati, OH Don Giovanni |
Cincinnati Opera |
| More info... | ||
| Music Hall, Cincinnati, OH, Cincinnati, 45202, United States Thursday 13-Jun-13 07:30pm | ||
| Friday 14-Jun-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
| ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Friday 14-Jun-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Saturday 15-Jun-13 07:30pm |
Music Hall, Cincinnati, OH Don Giovanni |
Cincinnati Opera |
| More info... | ||
| Music Hall, Cincinnati, OH, Cincinnati, 45202, United States Saturday 15-Jun-13 07:30pm | ||
| Thursday 20-Jun-13 07:30pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
| ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Thursday 20-Jun-13 07:30pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Saturday 22-Jun-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
| ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Saturday 22-Jun-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Saturday 22-Jun-13 07:30pm |
Mainfranken Theater Würzburg Don Giovanni Mozartfest Würzburg |
|
 | ||
| Mainfranken Theater Würzburg, Theaterstraße 21, 97070 Würzburg, Germany Saturday 22-Jun-13 07:30pm | ||
| Sunday 23-Jun-13 04:00pm |
Château de Versailles: Royal Opera House, Paris Mozart - Don Giovanni: This event has been CANCELLED Versailles Festival |
Raphaël Schluesselberg, Conductor Jean-Paul Scarpitta, Director Andrè Schuen, Baritone: Don Giovanni Vida Mikneviciute, Soprano: Donna Elvira David Bizic, Baritone: Leporello Anna Gorbachyova, Soprano: Donna Anna Dovlet Nurgeldiyev, Tenor: Don Ottavio Ekaterina Bakanova, Soprano: Zerlina In-Sung Sim, Bass: The Commendatore National Orchestra of Montpellier Languedoc Roussillon |
 | ||
| Château de Versailles: Royal Opera House, Paris, Place d’Armes, Entrance at the Gate of Honour, 78000 Paris, France Sunday 23-Jun-13 04:00pm Mozart - Don Giovanni: This event has been CANCELLED Between 1786 and 1790 Mozart and Da Ponte composed the famous trilogy of which Don Giovanni is the second opera. .Lasts 3 hours, including interval. Tickets €70 - 165.Image credit: © Agathe Poupeney Raphaël Schluesselberg, Conductor Jean-Paul Scarpitta, Director Andrè Schuen, Baritone: Don Giovanni Vida Mikneviciute, Soprano: Donna Elvira David Bizic, Baritone: Leporello Anna Gorbachyova, Soprano: Donna Anna Dovlet Nurgeldiyev, Tenor: Don Ottavio Ekaterina Bakanova, Soprano: Zerlina In-Sung Sim, Bass: The Commendatore National Orchestra of Montpellier Languedoc Roussillon | ||
| Sunday 23-Jun-13 06:00pm |
Theater Bonn Don Giovanni |
Theater Bonn Robin Engelen, Conductor Klaus Weise, Director Martin Kukulies, Set Designer Fred Fenner, Costume Designer Sibylle Wagner, Choirmaster Aris Argiris, Baritone: Don Giovanni Giorgos Kanaris, Baritone: Don Giovanni Irina Oknina, Soprano: Donna Anna Mirko Roschkowski, Tenor: Don Ottavio Ramaz Chikviladze, Bass: The Commendatore Julia Kamenik, Soprano: Donna Elvira Martin Tzonev, Bass: Leporello Sven Bakin, Bass: Masetto Giorgos Kanaris, Baritone: Masetto Emiliya Ivanova, Soprano: Zerlina Beethoven Orchester Bonn |
| More info... | ||
| Theater Bonn, Opernhaus/Werkstatt, , Am Boeselagerhof 1, , 53111 Bonn, Bonn, Germany Sunday 23-Jun-13 06:00pm Robin Engelen, Conductor Klaus Weise, Director Martin Kukulies, Set Designer Fred Fenner, Costume Designer Sibylle Wagner, Choirmaster Aris Argiris, Baritone: Don Giovanni Giorgos Kanaris, Baritone: Don Giovanni Irina Oknina, Soprano: Donna Anna Mirko Roschkowski, Tenor: Don Ottavio Ramaz Chikviladze, Bass: The Commendatore Julia Kamenik, Soprano: Donna Elvira Martin Tzonev, Bass: Leporello Sven Bakin, Bass: Masetto Giorgos Kanaris, Baritone: Masetto Emiliya Ivanova, Soprano: Zerlina Beethoven Orchester Bonn | ||
| Tuesday 25-Jun-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
| ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Tuesday 25-Jun-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Tuesday 25-Jun-13 08:00pm |
Château de Versailles: Royal Opera House, Paris Mozart - Don Giovanni: This event has been CANCELLED Versailles Festival |
Raphaël Schluesselberg, Conductor Jean-Paul Scarpitta, Director Andrè Schuen, Baritone: Don Giovanni Vida Mikneviciute, Soprano: Donna Elvira David Bizic, Baritone: Leporello Anna Gorbachyova, Soprano: Donna Anna Dovlet Nurgeldiyev, Tenor: Don Ottavio Ekaterina Bakanova, Soprano: Zerlina In-Sung Sim, Bass: The Commendatore National Orchestra of Montpellier Languedoc Roussillon |
| ||
| Château de Versailles: Royal Opera House, Paris, Place d’Armes, Entrance at the Gate of Honour, 78000 Paris, France Tuesday 25-Jun-13 08:00pm Mozart - Don Giovanni: This event has been CANCELLED Between 1786 and 1790 Mozart and Da Ponte composed the famous trilogy of which Don Giovanni is the second opera. .Lasts 3 hours, including interval. Tickets €70 - 165.Image credit: © Agathe Poupeney Raphaël Schluesselberg, Conductor Jean-Paul Scarpitta, Director Andrè Schuen, Baritone: Don Giovanni Vida Mikneviciute, Soprano: Donna Elvira David Bizic, Baritone: Leporello Anna Gorbachyova, Soprano: Donna Anna Dovlet Nurgeldiyev, Tenor: Don Ottavio Ekaterina Bakanova, Soprano: Zerlina In-Sung Sim, Bass: The Commendatore National Orchestra of Montpellier Languedoc Roussillon | ||
| Thursday 27-Jun-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto |
| ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Thursday 27-Jun-13 07:00pm Following the success of the Prague première of Le nozze di Figaro, Mozart was immediately commissioned to write another opera. This time, Lorenzo Da Ponte chose the story of the Spanish nobleman Don Juan. The subject matter had been considered a crowd-puller for more than a century, due in particular to the spectacular demise of the hero. Don Giovanni invites the statue of the Commendatore, whom he has murdered, to dinner, and is swallowed up by the jaws of hell. However, the view of the hero had changed considerably since the Spanish dramatist and monk Tirso de Molina first brought the blasphemous deeds and just punishment of the villain to the stage in the 17th century. While de Molina was still entirely on the side of order, which is ultimately re-established through divine intervention, Mozart and Da Ponte turn the sexual braggart and seducer into a man whose unquenchable thirst for happiness calls into the question the very foundations of social coexistence. Don Giovanni thus becomes – involuntarily and perhaps even without realising it – a danger for the social order, which can be maintained only if it functions smoothly. In their comedy, which is shrouded in darkness throughout, Mozart and Da Ponte do not conceal the price that others have to pay for this kind of self-realisation. However, since they do not pass any final judgement and instead do justice to both sides, their work becomes a drama of humanity of indestructible power and relevance – a dramma giocoso that becomes all the more comic the more the tragic aspects behind the course of events become apparent.
The much-vaunted German director Sebastian Baumgarten will present his interpretation of Don Giovanni in Zurich. At the rostrum will be the young Robin Ticciati, a rising star among the new generation of conductors. Our Don Giovanni is the charismatic Peter Mattei, who is sought-after in this role from the Scala in Milan to the New York Met.In Italian with German and English surtitles.Robin Ticciati, Conductor Sebastian Baumgarten, Director Barbara Ehnes, Set Designer Marina Rebeka, Soprano: Donna Anna Julia Kleiter, Soprano: Donna Elvira Anna Gorbachyova, Soprano: Zerlina Peter Mattei, Baritone: Don Giovanni Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Ruben Drole, Baritone: Leporello Lukas Jakobski, Bass: Masetto | ||
| Thursday 27-Jun-13 08:00pm |
Château de Versailles: Royal Opera House, Paris Don Giovanni: This event has been CANCELLED Versailles Festival |
Raphaël Schluesselberg, Conductor Jean-Paul Scarpitta, Director Andrè Schuen, Baritone: Don Giovanni Vida Mikneviciute, Soprano: Donna Elvira David Bizic, Baritone: Leporello Anna Gorbachyova, Soprano: Donna Anna Dovlet Nurgeldiyev, Tenor: Don Ottavio Ekaterina Bakanova, Soprano: Zerlina In-Sung Sim, Bass: The Commendatore National Orchestra of Montpellier Languedoc Roussillon |
| ||
| Château de Versailles: Royal Opera House, Paris, Place d’Armes, Entrance at the Gate of Honour, 78000 Paris, France Thursday 27-Jun-13 08:00pm Don Giovanni: This event has been CANCELLED Between 1786 and 1790 Mozart and Da Ponte composed the famous trilogy of which Don Giovanni is the second opera. .Lasts 3 hours, including interval. Tickets €70 - 165.Image credit: © Agathe Poupeney Raphaël Schluesselberg, Conductor Jean-Paul Scarpitta, Director Andrè Schuen, Baritone: Don Giovanni Vida Mikneviciute, Soprano: Donna Elvira David Bizic, Baritone: Leporello Anna Gorbachyova, Soprano: Donna Anna Dovlet Nurgeldiyev, Tenor: Don Ottavio Ekaterina Bakanova, Soprano: Zerlina In-Sung Sim, Bass: The Commendatore National Orchestra of Montpellier Languedoc Roussillon | ||
| Saturday 29-Jun-13 07:30pm |
Theater Bonn Don Giovanni |
Theater Bonn Robin Engelen, Conductor Klaus Weise, Director Martin Kukulies, Set Designer Fred Fenner, Costume Designer Sibylle Wagner, Choirmaster Aris Argiris, Baritone: Don Giovanni Giorgos Kanaris, Baritone: Don Giovanni Irina Oknina, Soprano: Donna Anna Mirko Roschkowski, Tenor: Don Ottavio Ramaz Chikviladze, Bass: The Commendatore Julia Kamenik, Soprano: Donna Elvira Martin Tzonev, Bass: Leporello Sven Bakin, Bass: Masetto Giorgos Kanaris, Baritone: Masetto Emiliya Ivanova, Soprano: Zerlina Beethoven Orchester Bonn |
| More info... | ||
| Theater Bonn, Opernhaus/Werkstatt, , Am Boeselagerhof 1, , 53111 Bonn, Bonn, Germany Saturday 29-Jun-13 07:30pm Robin Engelen, Conductor Klaus Weise, Director Martin Kukulies, Set Designer Fred Fenner, Costume Designer Sibylle Wagner, Choirmaster Aris Argiris, Baritone: Don Giovanni Giorgos Kanaris, Baritone: Don Giovanni Irina Oknina, Soprano: Donna Anna Mirko Roschkowski, Tenor: Don Ottavio Ramaz Chikviladze, Bass: The Commendatore Julia Kamenik, Soprano: Donna Elvira Martin Tzonev, Bass: Leporello Sven Bakin, Bass: Masetto Giorgos Kanaris, Baritone: Masetto Emiliya Ivanova, Soprano: Zerlina Beethoven Orchester Bonn | ||
| Thursday 11-Jul-13 07:30pm |
Augustine United Church, Edinburgh Don Giovanni |
OperaCo Philip Gault, Baritone: Don Giovanni Ben Ellis, Bass: Leporello Laura Wolk-Lewanowicz, Soprano: Donna Anna Michael Doroszenko, Tenor: Don Ottavio Rochelle Hart, Soprano: Donna Elvira Anna-Louise Costello, Soprano: Zerlina Dan Woodhouse, Bass-baritone: Masetto |
| More info... | ||
| Augustine United Church, Edinburgh, 41 George IV Bridge, Edinburgh, Edinburgh EH1 1EL, United Kingdom Thursday 11-Jul-13 07:30pm Philip Gault, Baritone: Don Giovanni Ben Ellis, Bass: Leporello Laura Wolk-Lewanowicz, Soprano: Donna Anna Michael Doroszenko, Tenor: Don Ottavio Rochelle Hart, Soprano: Donna Elvira Anna-Louise Costello, Soprano: Zerlina Dan Woodhouse, Bass-baritone: Masetto Price type: Low cost, half at £10 or less | ||
| Sunday 14-Jul-13 06:00pm |
Theater Bonn Don Giovanni |
Theater Bonn Robin Engelen, Conductor Klaus Weise, Director Martin Kukulies, Set Designer Fred Fenner, Costume Designer Sibylle Wagner, Choirmaster Aris Argiris, Baritone: Don Giovanni Giorgos Kanaris, Baritone: Don Giovanni Irina Oknina, Soprano: Donna Anna Mirko Roschkowski, Tenor: Don Ottavio Ramaz Chikviladze, Bass: The Commendatore Julia Kamenik, Soprano: Donna Elvira Martin Tzonev, Bass: Leporello Sven Bakin, Bass: Masetto Giorgos Kanaris, Baritone: Masetto Emiliya Ivanova, Soprano: Zerlina Beethoven Orchester Bonn |
| More info... | ||
| Theater Bonn, Opernhaus/Werkstatt, , Am Boeselagerhof 1, , 53111 Bonn, Bonn, Germany Sunday 14-Jul-13 06:00pm Robin Engelen, Conductor Klaus Weise, Director Martin Kukulies, Set Designer Fred Fenner, Costume Designer Sibylle Wagner, Choirmaster Aris Argiris, Baritone: Don Giovanni Giorgos Kanaris, Baritone: Don Giovanni Irina Oknina, Soprano: Donna Anna Mirko Roschkowski, Tenor: Don Ottavio Ramaz Chikviladze, Bass: The Commendatore Julia Kamenik, Soprano: Donna Elvira Martin Tzonev, Bass: Leporello Sven Bakin, Bass: Masetto Giorgos Kanaris, Baritone: Masetto Emiliya Ivanova, Soprano: Zerlina Beethoven Orchester Bonn | ||
| Tuesday 20-Aug-13 07:30pm |
Baxter Theatre Centre, Rondebosch, Cape Town Don Giovanni |
Cape Town Opera |
 | ||
| Baxter Theatre Centre, Rondebosch, Cape Town, Baxter Theatre Main Rd, Cape Town 7701, South Africa Tuesday 20-Aug-13 07:30pm Presented by Cape Town Opera in collaboration with the UCT Opera School at the Baxter Theatre.
CTO and the UCT Opera School continue their exploration of Mozart’s mature operas with a theatrically daring take on his thrilling Don Juan adaptation.
“640 Italians. 231 Germans. 100 French and 91 Turks. But in Spain – there are already 1003.”
With 2065 names in his little black book, Don Giovanni can lay fair claim to the title of the world’s greatest seducer. But one night in Seville, literature’s most famous sex addict goes too far – and must face supernatural retribution for his crimes.
Don Giovanni has inspired obsessive admiration ever since it was created – along with Hamlet and the sea, Flaubert believed it was one of “the three finest things God ever made” - and the greatest singers of every generation long to put their stamp on its memorable characters. Yet Mozart had a young cast in mind when he penned the opera – the first Giovanni was 21, and the first Donna Anna 24 – and Don Giovanni springs off the page with a visceral authenticity when performed by energetic twenty-somethings.
Kamal Khan and Matthew Wild return as conductor and director to create a new production of the opera, following their darkly illuminating Cosi fan tutte in 2012, “an entertaining production which unites sublime music with thought-provoking interpretation” (Cape Argus). “The Don propels himself through his last night on earth with manic abandon, compelling love, hate, lust and obsession from all who orbit around him,” says Wild. “No other opera explores sexual and romantic compulsion so arrestingly – themes we will foreground in a show that is young, raw and startling.” | ||
| Wednesday 21-Aug-13 07:30pm |
Baxter Theatre Centre, Rondebosch, Cape Town Don Giovanni |
Cape Town Opera |
| ||
| Baxter Theatre Centre, Rondebosch, Cape Town, Baxter Theatre Main Rd, Cape Town 7701, South Africa Wednesday 21-Aug-13 07:30pm Presented by Cape Town Opera in collaboration with the UCT Opera School at the Baxter Theatre.
CTO and the UCT Opera School continue their exploration of Mozart’s mature operas with a theatrically daring take on his thrilling Don Juan adaptation.
“640 Italians. 231 Germans. 100 French and 91 Turks. But in Spain – there are already 1003.”
With 2065 names in his little black book, Don Giovanni can lay fair claim to the title of the world’s greatest seducer. But one night in Seville, literature’s most famous sex addict goes too far – and must face supernatural retribution for his crimes.
Don Giovanni has inspired obsessive admiration ever since it was created – along with Hamlet and the sea, Flaubert believed it was one of “the three finest things God ever made” - and the greatest singers of every generation long to put their stamp on its memorable characters. Yet Mozart had a young cast in mind when he penned the opera – the first Giovanni was 21, and the first Donna Anna 24 – and Don Giovanni springs off the page with a visceral authenticity when performed by energetic twenty-somethings.
Kamal Khan and Matthew Wild return as conductor and director to create a new production of the opera, following their darkly illuminating Cosi fan tutte in 2012, “an entertaining production which unites sublime music with thought-provoking interpretation” (Cape Argus). “The Don propels himself through his last night on earth with manic abandon, compelling love, hate, lust and obsession from all who orbit around him,” says Wild. “No other opera explores sexual and romantic compulsion so arrestingly – themes we will foreground in a show that is young, raw and startling.” | ||
| Thursday 22-Aug-13 07:30pm |
Baxter Theatre Centre, Rondebosch, Cape Town Don Giovanni |
Cape Town Opera |
| ||
| Baxter Theatre Centre, Rondebosch, Cape Town, Baxter Theatre Main Rd, Cape Town 7701, South Africa Thursday 22-Aug-13 07:30pm Presented by Cape Town Opera in collaboration with the UCT Opera School at the Baxter Theatre.
CTO and the UCT Opera School continue their exploration of Mozart’s mature operas with a theatrically daring take on his thrilling Don Juan adaptation.
“640 Italians. 231 Germans. 100 French and 91 Turks. But in Spain – there are already 1003.”
With 2065 names in his little black book, Don Giovanni can lay fair claim to the title of the world’s greatest seducer. But one night in Seville, literature’s most famous sex addict goes too far – and must face supernatural retribution for his crimes.
Don Giovanni has inspired obsessive admiration ever since it was created – along with Hamlet and the sea, Flaubert believed it was one of “the three finest things God ever made” - and the greatest singers of every generation long to put their stamp on its memorable characters. Yet Mozart had a young cast in mind when he penned the opera – the first Giovanni was 21, and the first Donna Anna 24 – and Don Giovanni springs off the page with a visceral authenticity when performed by energetic twenty-somethings.
Kamal Khan and Matthew Wild return as conductor and director to create a new production of the opera, following their darkly illuminating Cosi fan tutte in 2012, “an entertaining production which unites sublime music with thought-provoking interpretation” (Cape Argus). “The Don propels himself through his last night on earth with manic abandon, compelling love, hate, lust and obsession from all who orbit around him,” says Wild. “No other opera explores sexual and romantic compulsion so arrestingly – themes we will foreground in a show that is young, raw and startling.” | ||
| Friday 23-Aug-13 07:30pm |
Baxter Theatre Centre, Rondebosch, Cape Town Don Giovanni |
Cape Town Opera |
| ||
| Baxter Theatre Centre, Rondebosch, Cape Town, Baxter Theatre Main Rd, Cape Town 7701, South Africa Friday 23-Aug-13 07:30pm Presented by Cape Town Opera in collaboration with the UCT Opera School at the Baxter Theatre.
CTO and the UCT Opera School continue their exploration of Mozart’s mature operas with a theatrically daring take on his thrilling Don Juan adaptation.
“640 Italians. 231 Germans. 100 French and 91 Turks. But in Spain – there are already 1003.”
With 2065 names in his little black book, Don Giovanni can lay fair claim to the title of the world’s greatest seducer. But one night in Seville, literature’s most famous sex addict goes too far – and must face supernatural retribution for his crimes.
Don Giovanni has inspired obsessive admiration ever since it was created – along with Hamlet and the sea, Flaubert believed it was one of “the three finest things God ever made” - and the greatest singers of every generation long to put their stamp on its memorable characters. Yet Mozart had a young cast in mind when he penned the opera – the first Giovanni was 21, and the first Donna Anna 24 – and Don Giovanni springs off the page with a visceral authenticity when performed by energetic twenty-somethings.
Kamal Khan and Matthew Wild return as conductor and director to create a new production of the opera, following their darkly illuminating Cosi fan tutte in 2012, “an entertaining production which unites sublime music with thought-provoking interpretation” (Cape Argus). “The Don propels himself through his last night on earth with manic abandon, compelling love, hate, lust and obsession from all who orbit around him,” says Wild. “No other opera explores sexual and romantic compulsion so arrestingly – themes we will foreground in a show that is young, raw and startling.” | ||
| Saturday 24-Aug-13 07:30pm |
Baxter Theatre Centre, Rondebosch, Cape Town Don Giovanni |
Cape Town Opera |
| ||
| Baxter Theatre Centre, Rondebosch, Cape Town, Baxter Theatre Main Rd, Cape Town 7701, South Africa Saturday 24-Aug-13 07:30pm Presented by Cape Town Opera in collaboration with the UCT Opera School at the Baxter Theatre.
CTO and the UCT Opera School continue their exploration of Mozart’s mature operas with a theatrically daring take on his thrilling Don Juan adaptation.
“640 Italians. 231 Germans. 100 French and 91 Turks. But in Spain – there are already 1003.”
With 2065 names in his little black book, Don Giovanni can lay fair claim to the title of the world’s greatest seducer. But one night in Seville, literature’s most famous sex addict goes too far – and must face supernatural retribution for his crimes.
Don Giovanni has inspired obsessive admiration ever since it was created – along with Hamlet and the sea, Flaubert believed it was one of “the three finest things God ever made” - and the greatest singers of every generation long to put their stamp on its memorable characters. Yet Mozart had a young cast in mind when he penned the opera – the first Giovanni was 21, and the first Donna Anna 24 – and Don Giovanni springs off the page with a visceral authenticity when performed by energetic twenty-somethings.
Kamal Khan and Matthew Wild return as conductor and director to create a new production of the opera, following their darkly illuminating Cosi fan tutte in 2012, “an entertaining production which unites sublime music with thought-provoking interpretation” (Cape Argus). “The Don propels himself through his last night on earth with manic abandon, compelling love, hate, lust and obsession from all who orbit around him,” says Wild. “No other opera explores sexual and romantic compulsion so arrestingly – themes we will foreground in a show that is young, raw and startling.” | ||
| Sunday 22-Sep-13 06:00pm |
National Theatre, Munich Don Giovanni |
Bavarian State Opera Louis Langrée, Conductor Stephan Kimmig, Director Katja Hass, Set Designer Elza van den Heever, Soprano: Donna Anna Dorothea Röschmann, Soprano: Donna Elvira Laura Tatulescu, Soprano: Zerlina Simon Keenlyside, Baritone: Don Giovanni Kyle Ketelsen, Baritone: Leporello Bernard Richter, Tenor: Don Ottavio Tareq Nazmi, Bass: Masetto Goran Juric, Bass: The Commendatore |
 Wilfried Hösl.jpg "Image credit: © Wilfried Hösl") | ||
| National Theatre, Munich, Munich, Germany Sunday 22-Sep-13 06:00pm Don Giovanni – stylized by both his contemporaries and posterity in every nuance between admiration and condemnation: as a sensuous debaucher, an unfeeling cynic, a death-dealing demon, an egotist impelled by his urges, a sad angel or the proud embodiment of human self-realization.
This barely comprehensible hero plays with everyone around him and acts in accordance with just one rule: long live liberty! He seduces countless women, whose lives afterwards are never the same as they were before. He murders the father of one of his conquests, when the older man gets in his way: the painful collateral damage of a compulsive quest for whatever might promise vitality? Three women and two men join forces to pursue this man, who may have released different impulses in each one of them: thirst for vengeance, desire, curiosity for the unknown, the lust for subjugation or the altruistic desire to redeem him. The closer they get to him, the more his contours dissipate. The desire to unmask him becomes an obsession to punish and destroy him. This is finally carried out by a higher power, so that his pursuers keep running into one another. Lorenzo da Ponte converted the morality play about a “punished dissolute” into a libretto for Wolfgang Amadeus Mozart. It was his music that gave the work a Janus-like countenance: a psychologically fine-tuned drama and concurrently a theatrical work that sets the final machinery of hell in motion. A dramma giocoso – a comical drama – and yet, first and foremost, a nocturnal play, in which the lust for life and the joy of life have to erupt, because death, solitude and emptiness wait on the other side. In Italian with German surtitles Image credit: © Wilfried Hösl Louis Langrée, Conductor Stephan Kimmig, Director Katja Hass, Set Designer Elza van den Heever, Soprano: Donna Anna Dorothea Röschmann, Soprano: Donna Elvira Laura Tatulescu, Soprano: Zerlina Simon Keenlyside, Baritone: Don Giovanni Kyle Ketelsen, Baritone: Leporello Bernard Richter, Tenor: Don Ottavio Tareq Nazmi, Bass: Masetto Goran Juric, Bass: The Commendatore | ||
| Wednesday 25-Sep-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Markus Werba, Baritone: Don Giovanni Marina Rebeka, Soprano: Donna Anna Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Julia Kleiter, Soprano: Donna Elvira Ruben Drole, Baritone: Leporello Anna Goryachova, Mezzo-soprano: Zerlina Erik Anstine, Bass-baritone: Masetto |
 | ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Wednesday 25-Sep-13 07:00pm In Italian with German and English surtitles. Running time 3 hours 50 minutes. Tickets 230 - 35 CHF.Robin Ticciati, Conductor Sebastian Baumgarten, Director Markus Werba, Baritone: Don Giovanni Marina Rebeka, Soprano: Donna Anna Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Julia Kleiter, Soprano: Donna Elvira Ruben Drole, Baritone: Leporello Anna Goryachova, Mezzo-soprano: Zerlina Erik Anstine, Bass-baritone: Masetto | ||
| Thursday 26-Sep-13 07:00pm |
National Theatre, Munich Don Giovanni |
Bavarian State Opera Louis Langrée, Conductor Stephan Kimmig, Director Katja Hass, Set Designer Elza van den Heever, Soprano: Donna Anna Dorothea Röschmann, Soprano: Donna Elvira Laura Tatulescu, Soprano: Zerlina Simon Keenlyside, Baritone: Don Giovanni Kyle Ketelsen, Baritone: Leporello Bernard Richter, Tenor: Don Ottavio Tareq Nazmi, Bass: Masetto Goran Juric, Bass: The Commendatore |
| ||
| National Theatre, Munich, Munich, Germany Thursday 26-Sep-13 07:00pm Don Giovanni – stylized by both his contemporaries and posterity in every nuance between admiration and condemnation: as a sensuous debaucher, an unfeeling cynic, a death-dealing demon, an egotist impelled by his urges, a sad angel or the proud embodiment of human self-realization.
This barely comprehensible hero plays with everyone around him and acts in accordance with just one rule: long live liberty! He seduces countless women, whose lives afterwards are never the same as they were before. He murders the father of one of his conquests, when the older man gets in his way: the painful collateral damage of a compulsive quest for whatever might promise vitality? Three women and two men join forces to pursue this man, who may have released different impulses in each one of them: thirst for vengeance, desire, curiosity for the unknown, the lust for subjugation or the altruistic desire to redeem him. The closer they get to him, the more his contours dissipate. The desire to unmask him becomes an obsession to punish and destroy him. This is finally carried out by a higher power, so that his pursuers keep running into one another. Lorenzo da Ponte converted the morality play about a “punished dissolute” into a libretto for Wolfgang Amadeus Mozart. It was his music that gave the work a Janus-like countenance: a psychologically fine-tuned drama and concurrently a theatrical work that sets the final machinery of hell in motion. A dramma giocoso – a comical drama – and yet, first and foremost, a nocturnal play, in which the lust for life and the joy of life have to erupt, because death, solitude and emptiness wait on the other side. In Italian with German surtitles Image credit: © Wilfried Hösl Louis Langrée, Conductor Stephan Kimmig, Director Katja Hass, Set Designer Elza van den Heever, Soprano: Donna Anna Dorothea Röschmann, Soprano: Donna Elvira Laura Tatulescu, Soprano: Zerlina Simon Keenlyside, Baritone: Don Giovanni Kyle Ketelsen, Baritone: Leporello Bernard Richter, Tenor: Don Ottavio Tareq Nazmi, Bass: Masetto Goran Juric, Bass: The Commendatore | ||
| Sunday 29-Sep-13 06:00pm |
National Theatre, Munich Don Giovanni |
Bavarian State Opera Louis Langrée, Conductor Stephan Kimmig, Director Katja Hass, Set Designer Elza van den Heever, Soprano: Donna Anna Dorothea Röschmann, Soprano: Donna Elvira Laura Tatulescu, Soprano: Zerlina Simon Keenlyside, Baritone: Don Giovanni Kyle Ketelsen, Baritone: Leporello Bernard Richter, Tenor: Don Ottavio Tareq Nazmi, Bass: Masetto Goran Juric, Bass: The Commendatore |
| ||
| National Theatre, Munich, Munich, Germany Sunday 29-Sep-13 06:00pm Don Giovanni – stylized by both his contemporaries and posterity in every nuance between admiration and condemnation: as a sensuous debaucher, an unfeeling cynic, a death-dealing demon, an egotist impelled by his urges, a sad angel or the proud embodiment of human self-realization.
This barely comprehensible hero plays with everyone around him and acts in accordance with just one rule: long live liberty! He seduces countless women, whose lives afterwards are never the same as they were before. He murders the father of one of his conquests, when the older man gets in his way: the painful collateral damage of a compulsive quest for whatever might promise vitality? Three women and two men join forces to pursue this man, who may have released different impulses in each one of them: thirst for vengeance, desire, curiosity for the unknown, the lust for subjugation or the altruistic desire to redeem him. The closer they get to him, the more his contours dissipate. The desire to unmask him becomes an obsession to punish and destroy him. This is finally carried out by a higher power, so that his pursuers keep running into one another. Lorenzo da Ponte converted the morality play about a “punished dissolute” into a libretto for Wolfgang Amadeus Mozart. It was his music that gave the work a Janus-like countenance: a psychologically fine-tuned drama and concurrently a theatrical work that sets the final machinery of hell in motion. A dramma giocoso – a comical drama – and yet, first and foremost, a nocturnal play, in which the lust for life and the joy of life have to erupt, because death, solitude and emptiness wait on the other side. In Italian with German surtitles Image credit: © Wilfried Hösl Louis Langrée, Conductor Stephan Kimmig, Director Katja Hass, Set Designer Elza van den Heever, Soprano: Donna Anna Dorothea Röschmann, Soprano: Donna Elvira Laura Tatulescu, Soprano: Zerlina Simon Keenlyside, Baritone: Don Giovanni Kyle Ketelsen, Baritone: Leporello Bernard Richter, Tenor: Don Ottavio Tareq Nazmi, Bass: Masetto Goran Juric, Bass: The Commendatore | ||
| Sunday 29-Sep-13 06:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Markus Werba, Baritone: Don Giovanni Marina Rebeka, Soprano: Donna Anna Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Julia Kleiter, Soprano: Donna Elvira Ruben Drole, Baritone: Leporello Anna Goryachova, Mezzo-soprano: Zerlina Erik Anstine, Bass-baritone: Masetto |
| ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 29-Sep-13 06:00pm In Italian with German and English surtitles. Running time 3 hours 50 minutes. Tickets 230 - 35 CHF.Robin Ticciati, Conductor Sebastian Baumgarten, Director Markus Werba, Baritone: Don Giovanni Marina Rebeka, Soprano: Donna Anna Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Julia Kleiter, Soprano: Donna Elvira Ruben Drole, Baritone: Leporello Anna Goryachova, Mezzo-soprano: Zerlina Erik Anstine, Bass-baritone: Masetto | ||
| Sunday 6-Oct-13 02:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Markus Werba, Baritone: Don Giovanni Marina Rebeka, Soprano: Donna Anna Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Julia Kleiter, Soprano: Donna Elvira Ruben Drole, Baritone: Leporello Anna Goryachova, Mezzo-soprano: Zerlina Erik Anstine, Bass-baritone: Masetto |
| ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 6-Oct-13 02:00pm In Italian with German and English surtitles. Running time 3 hours 50 minutes. Tickets 230 - 35 CHF.Robin Ticciati, Conductor Sebastian Baumgarten, Director Markus Werba, Baritone: Don Giovanni Marina Rebeka, Soprano: Donna Anna Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Julia Kleiter, Soprano: Donna Elvira Ruben Drole, Baritone: Leporello Anna Goryachova, Mezzo-soprano: Zerlina Erik Anstine, Bass-baritone: Masetto | ||
| Friday 11-Oct-13 07:00pm |
Opernhaus, Zürich Don Giovanni |
Zurich Opera Robin Ticciati, Conductor Sebastian Baumgarten, Director Markus Werba, Baritone: Don Giovanni Marina Rebeka, Soprano: Donna Anna Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Julia Kleiter, Soprano: Donna Elvira Ruben Drole, Baritone: Leporello Anna Goryachova, Mezzo-soprano: Zerlina Erik Anstine, Bass-baritone: Masetto |
| ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Friday 11-Oct-13 07:00pm In Italian with German and English surtitles. Running time 3 hours 50 minutes. Tickets 230 - 35 CHF.Robin Ticciati, Conductor Sebastian Baumgarten, Director Markus Werba, Baritone: Don Giovanni Marina Rebeka, Soprano: Donna Anna Pavol Breslik, Tenor: Don Ottavio Rafal Siwek, Bass: The Commendatore Julia Kleiter, Soprano: Donna Elvira Ruben Drole, Baritone: Leporello Anna Goryachova, Mezzo-soprano: Zerlina Erik Anstine, Bass-baritone: Masetto | ||
| Friday 18-Oct-13 07:00pm |
Staatsoper at Schiller Theater, Berlin Don Giovanni |
Staatsoper Berlin Daniel Barenboim, Conductor Claus Guth, Director Christian Schmidt, Set Designer Christine Schäfer, Soprano: Donna Anna Dorothea Röschmann, Soprano: Donna Elvira Anna Prohaska, Soprano: Zerlina Christopher Maltman, Baritone: Don Giovanni Adrian Sâmpetrean, Bass: Leporello Rolando Villazón, Tenor: Don Ottavio Adam Plachetka, Bass-baritone: Masetto Staatskapelle Berlin Staatsopernchor Berlin |
 | ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Friday 18-Oct-13 07:00pm Sung in Italian with German surtitles3:30 h | including 1 interval Prices 28 to 126 EUR Daniel Barenboim, Conductor Claus Guth, Director Christian Schmidt, Set Designer Christine Schäfer, Soprano: Donna Anna Dorothea Röschmann, Soprano: Donna Elvira Anna Prohaska, Soprano: Zerlina Christopher Maltman, Baritone: Don Giovanni Adrian Sâmpetrean, Bass: Leporello Rolando Villazón, Tenor: Don Ottavio Adam Plachetka, Bass-baritone: Masetto Staatskapelle Berlin Staatsopernchor Berlin | ||
| Monday 21-Oct-13 07:00pm |
Staatsoper at Schiller Theater, Berlin Don Giovanni |
Staatsoper Berlin Daniel Barenboim, Conductor Claus Guth, Director Christian Schmidt, Set Designer Christine Schäfer, Soprano: Donna Anna Dorothea Röschmann, Soprano: Donna Elvira Anna Prohaska, Soprano: Zerlina Christopher Maltman, Baritone: Don Giovanni Adrian Sâmpetrean, Bass: Leporello Rolando Villazón, Tenor: Don Ottavio Adam Plachetka, Bass-baritone: Masetto Staatskapelle Berlin Staatsopernchor Berlin |
| ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Monday 21-Oct-13 07:00pm Sung in Italian with German surtitles3:30 h | including 1 interval Prices 28 to 126 EUR Daniel Barenboim, Conductor Claus Guth, Director Christian Schmidt, Set Designer Christine Schäfer, Soprano: Donna Anna Dorothea Röschmann, Soprano: Donna Elvira Anna Prohaska, Soprano: Zerlina Christopher Maltman, Baritone: Don Giovanni Adrian Sâmpetrean, Bass: Leporello Rolando Villazón, Tenor: Don Ottavio Adam Plachetka, Bass-baritone: Masetto Staatskapelle Berlin Staatsopernchor Berlin | ||
| Thursday 24-Oct-13 07:00pm |
Staatsoper at Schiller Theater, Berlin Don Giovanni |
Staatsoper Berlin Daniel Barenboim, Conductor Claus Guth, Director Christian Schmidt, Set Designer Christine Schäfer, Soprano: Donna Anna Dorothea Röschmann, Soprano: Donna Elvira Anna Prohaska, Soprano: Zerlina Christopher Maltman, Baritone: Don Giovanni Adrian Sâmpetrean, Bass: Leporello Rolando Villazón, Tenor: Don Ottavio Adam Plachetka, Bass-baritone: Masetto Staatskapelle Berlin Staatsopernchor Berlin |
| ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Thursday 24-Oct-13 07:00pm Sung in Italian with German surtitles3:30 h | including 1 interval Prices 28 to 126 EUR Daniel Barenboim, Conductor Claus Guth, Director Christian Schmidt, Set Designer Christine Schäfer, Soprano: Donna Anna Dorothea Röschmann, Soprano: Donna Elvira Anna Prohaska, Soprano: Zerlina Christopher Maltman, Baritone: Don Giovanni Adrian Sâmpetrean, Bass: Leporello Rolando Villazón, Tenor: Don Ottavio Adam Plachetka, Bass-baritone: Masetto Staatskapelle Berlin Staatsopernchor Berlin | ||
| Sunday 27-Oct-13 05:00pm |
Staatsoper at Schiller Theater, Berlin Don Giovanni |
Staatsoper Berlin Daniel Barenboim, Conductor Claus Guth, Director Christian Schmidt, Set Designer Christine Schäfer, Soprano: Donna Anna Dorothea Röschmann, Soprano: Donna Elvira Anna Prohaska, Soprano: Zerlina Christopher Maltman, Baritone: Don Giovanni Adrian Sâmpetrean, Bass: Leporello Rolando Villazón, Tenor: Don Ottavio Adam Plachetka, Bass-baritone: Masetto Staatskapelle Berlin Staatsopernchor Berlin |
| ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Sunday 27-Oct-13 05:00pm Sung in Italian with German surtitles3:30 h | including 1 interval Prices 28 to 126 EUR Daniel Barenboim, Conductor Claus Guth, Director Christian Schmidt, Set Designer Christine Schäfer, Soprano: Donna Anna Dorothea Röschmann, Soprano: Donna Elvira Anna Prohaska, Soprano: Zerlina Christopher Maltman, Baritone: Don Giovanni Adrian Sâmpetrean, Bass: Leporello Rolando Villazón, Tenor: Don Ottavio Adam Plachetka, Bass-baritone: Masetto Staatskapelle Berlin Staatsopernchor Berlin | ||
| Thursday 31-Oct-13 07:00pm |
Staatsoper at Schiller Theater, Berlin Don Giovanni |
Staatsoper Berlin Daniel Barenboim, Conductor Claus Guth, Director Christian Schmidt, Set Designer Christine Schäfer, Soprano: Donna Anna Dorothea Röschmann, Soprano: Donna Elvira Anna Prohaska, Soprano: Zerlina Christopher Maltman, Baritone: Don Giovanni Adrian Sâmpetrean, Bass: Leporello Rolando Villazón, Tenor: Don Ottavio Adam Plachetka, Bass-baritone: Masetto Staatskapelle Berlin Staatsopernchor Berlin |
| ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Thursday 31-Oct-13 07:00pm Sung in Italian with German surtitles3:30 h | including 1 interval Prices 28 to 126 EUR Daniel Barenboim, Conductor Claus Guth, Director Christian Schmidt, Set Designer Christine Schäfer, Soprano: Donna Anna Dorothea Röschmann, Soprano: Donna Elvira Anna Prohaska, Soprano: Zerlina Christopher Maltman, Baritone: Don Giovanni Adrian Sâmpetrean, Bass: Leporello Rolando Villazón, Tenor: Don Ottavio Adam Plachetka, Bass-baritone: Masetto Staatskapelle Berlin Staatsopernchor Berlin | ||
| Sunday 3-Nov-13 07:00pm |
Staatsoper at Schiller Theater, Berlin Don Giovanni |
Staatsoper Berlin Daniel Barenboim, Conductor Claus Guth, Director Christian Schmidt, Set Designer Christine Schäfer, Soprano: Donna Anna Dorothea Röschmann, Soprano: Donna Elvira Anna Prohaska, Soprano: Zerlina Christopher Maltman, Baritone: Don Giovanni Adrian Sâmpetrean, Bass: Leporello Rolando Villazón, Tenor: Don Ottavio Adam Plachetka, Bass-baritone: Masetto Staatskapelle Berlin Staatsopernchor Berlin |
| ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Sunday 3-Nov-13 07:00pm Sung in Italian with German surtitles3:30 h | including 1 interval Prices 28 to 126 EUR Daniel Barenboim, Conductor Claus Guth, Director Christian Schmidt, Set Designer Christine Schäfer, Soprano: Donna Anna Dorothea Röschmann, Soprano: Donna Elvira Anna Prohaska, Soprano: Zerlina Christopher Maltman, Baritone: Don Giovanni Adrian Sâmpetrean, Bass: Leporello Rolando Villazón, Tenor: Don Ottavio Adam Plachetka, Bass-baritone: Masetto Staatskapelle Berlin Staatsopernchor Berlin | ||
| Saturday 1-Feb-14 07:00pm |
Royal Opera House, Covent Garden, London Don Giovanni |
Royal Opera Nicola Luisotti, Conductor Kasper Holten, Director Mariusz Kwiecien, Baritone: Don Giovanni Alex Esposito, Bass: Leporello Malin Byström, Soprano: Donna Anna Véronique Gens, Soprano: Donna Elvira Antonio Poli, Tenor: Don Ottavio Elizabeth Watts, Soprano: Zerlina Dawid Kimberg, Bass-baritone: Masetto Alexander Tsymbalyuk, Bass: The Commendatore |
| More info... | ||
| Royal Opera House, Covent Garden, London, Bow Street,, Covent Garden, London WC2E 9DD, United Kingdom Saturday 1-Feb-14 07:00pm Nicola Luisotti, Conductor Kasper Holten, Director Mariusz Kwiecien, Baritone: Don Giovanni Alex Esposito, Bass: Leporello Malin Byström, Soprano: Donna Anna Véronique Gens, Soprano: Donna Elvira Antonio Poli, Tenor: Don Ottavio Elizabeth Watts, Soprano: Zerlina Dawid Kimberg, Bass-baritone: Masetto Alexander Tsymbalyuk, Bass: The Commendatore | ||
| Monday 3-Feb-14 07:00pm |
Royal Opera House, Covent Garden, London Don Giovanni |
Royal Opera Nicola Luisotti, Conductor Kasper Holten, Director Mariusz Kwiecien, Baritone: Don Giovanni Alex Esposito, Bass: Leporello Malin Byström, Soprano: Donna Anna Véronique Gens, Soprano: Donna Elvira Antonio Poli, Tenor: Don Ottavio Elizabeth Watts, Soprano: Zerlina Dawid Kimberg, Bass-baritone: Masetto Alexander Tsymbalyuk, Bass: The Commendatore |
| More info... | ||
| Royal Opera House, Covent Garden, London, Bow Street,, Covent Garden, London WC2E 9DD, United Kingdom Monday 3-Feb-14 07:00pm Nicola Luisotti, Conductor Kasper Holten, Director Mariusz Kwiecien, Baritone: Don Giovanni Alex Esposito, Bass: Leporello Malin Byström, Soprano: Donna Anna Véronique Gens, Soprano: Donna Elvira Antonio Poli, Tenor: Don Ottavio Elizabeth Watts, Soprano: Zerlina Dawid Kimberg, Bass-baritone: Masetto Alexander Tsymbalyuk, Bass: The Commendatore | ||
| Wednesday 12-Feb-14 07:00pm |
Royal Opera House, Covent Garden, London Don Giovanni |
Royal Opera Nicola Luisotti, Conductor Kasper Holten, Director Mariusz Kwiecien, Baritone: Don Giovanni Alex Esposito, Bass: Leporello Malin Byström, Soprano: Donna Anna Véronique Gens, Soprano: Donna Elvira Antonio Poli, Tenor: Don Ottavio Elizabeth Watts, Soprano: Zerlina Dawid Kimberg, Bass-baritone: Masetto Alexander Tsymbalyuk, Bass: The Commendatore |
| More info... | ||
| Royal Opera House, Covent Garden, London, Bow Street,, Covent Garden, London WC2E 9DD, United Kingdom Wednesday 12-Feb-14 07:00pm Nicola Luisotti, Conductor Kasper Holten, Director Mariusz Kwiecien, Baritone: Don Giovanni Alex Esposito, Bass: Leporello Malin Byström, Soprano: Donna Anna Véronique Gens, Soprano: Donna Elvira Antonio Poli, Tenor: Don Ottavio Elizabeth Watts, Soprano: Zerlina Dawid Kimberg, Bass-baritone: Masetto Alexander Tsymbalyuk, Bass: The Commendatore | ||
| Friday 14-Feb-14 07:00pm |
Royal Opera House, Covent Garden, London Don Giovanni |
Royal Opera Nicola Luisotti, Conductor Kasper Holten, Director Mariusz Kwiecien, Baritone: Don Giovanni Alex Esposito, Bass: Leporello Malin Byström, Soprano: Donna Anna Véronique Gens, Soprano: Donna Elvira Antonio Poli, Tenor: Don Ottavio Elizabeth Watts, Soprano: Zerlina Dawid Kimberg, Bass-baritone: Masetto Alexander Tsymbalyuk, Bass: The Commendatore |
| More info... | ||
| Royal Opera House, Covent Garden, London, Bow Street,, Covent Garden, London WC2E 9DD, United Kingdom Friday 14-Feb-14 07:00pm Nicola Luisotti, Conductor Kasper Holten, Director Mariusz Kwiecien, Baritone: Don Giovanni Alex Esposito, Bass: Leporello Malin Byström, Soprano: Donna Anna Véronique Gens, Soprano: Donna Elvira Antonio Poli, Tenor: Don Ottavio Elizabeth Watts, Soprano: Zerlina Dawid Kimberg, Bass-baritone: Masetto Alexander Tsymbalyuk, Bass: The Commendatore | ||
| Tuesday 18-Feb-14 07:00pm |
Royal Opera House, Covent Garden, London Don Giovanni |
Royal Opera Nicola Luisotti, Conductor Kasper Holten, Director Mariusz Kwiecien, Baritone: Don Giovanni Alex Esposito, Bass: Leporello Malin Byström, Soprano: Donna Anna Véronique Gens, Soprano: Donna Elvira Antonio Poli, Tenor: Don Ottavio Elizabeth Watts, Soprano: Zerlina Dawid Kimberg, Bass-baritone: Masetto Alexander Tsymbalyuk, Bass: The Commendatore |
| More info... | ||
| Royal Opera House, Covent Garden, London, Bow Street,, Covent Garden, London WC2E 9DD, United Kingdom Tuesday 18-Feb-14 07:00pm Nicola Luisotti, Conductor Kasper Holten, Director Mariusz Kwiecien, Baritone: Don Giovanni Alex Esposito, Bass: Leporello Malin Byström, Soprano: Donna Anna Véronique Gens, Soprano: Donna Elvira Antonio Poli, Tenor: Don Ottavio Elizabeth Watts, Soprano: Zerlina Dawid Kimberg, Bass-baritone: Masetto Alexander Tsymbalyuk, Bass: The Commendatore | ||
| Friday 21-Feb-14 07:00pm |
Royal Opera House, Covent Garden, London Don Giovanni |
Royal Opera Nicola Luisotti, Conductor Kasper Holten, Director Mariusz Kwiecien, Baritone: Don Giovanni Alex Esposito, Bass: Leporello Malin Byström, Soprano: Donna Anna Véronique Gens, Soprano: Donna Elvira Antonio Poli, Tenor: Don Ottavio Elizabeth Watts, Soprano: Zerlina Dawid Kimberg, Bass-baritone: Masetto Alexander Tsymbalyuk, Bass: The Commendatore |
| More info... | ||
| Royal Opera House, Covent Garden, London, Bow Street,, Covent Garden, London WC2E 9DD, United Kingdom Friday 21-Feb-14 07:00pm Nicola Luisotti, Conductor Kasper Holten, Director Mariusz Kwiecien, Baritone: Don Giovanni Alex Esposito, Bass: Leporello Malin Byström, Soprano: Donna Anna Véronique Gens, Soprano: Donna Elvira Antonio Poli, Tenor: Don Ottavio Elizabeth Watts, Soprano: Zerlina Dawid Kimberg, Bass-baritone: Masetto Alexander Tsymbalyuk, Bass: The Commendatore | ||
| Monday 24-Feb-14 07:00pm |
Royal Opera House, Covent Garden, London Don Giovanni |
Royal Opera Nicola Luisotti, Conductor Kasper Holten, Director Mariusz Kwiecien, Baritone: Don Giovanni Alex Esposito, Bass: Leporello Malin Byström, Soprano: Donna Anna Véronique Gens, Soprano: Donna Elvira Antonio Poli, Tenor: Don Ottavio Elizabeth Watts, Soprano: Zerlina Dawid Kimberg, Bass-baritone: Masetto Alexander Tsymbalyuk, Bass: The Commendatore |
| More info... | ||
| Royal Opera House, Covent Garden, London, Bow Street,, Covent Garden, London WC2E 9DD, United Kingdom Monday 24-Feb-14 07:00pm Nicola Luisotti, Conductor Kasper Holten, Director Mariusz Kwiecien, Baritone: Don Giovanni Alex Esposito, Bass: Leporello Malin Byström, Soprano: Donna Anna Véronique Gens, Soprano: Donna Elvira Antonio Poli, Tenor: Don Ottavio Elizabeth Watts, Soprano: Zerlina Dawid Kimberg, Bass-baritone: Masetto Alexander Tsymbalyuk, Bass: The Commendatore | ||
