Country: Netherlands| Date | Event | Composers, Works, Performers |
|---|---|---|
| Sunday 26-May-13 01:30pm |
 Het Muziektheater, AmsterdamLa Traviata |
De Nederlandse Opera Giuliano Carella, Conductor Willy Decker, Director Marina Poplavskaya, Soprano: Violetta Valéry Karin Strobos, Mezzo-soprano: Flora Bervoix Ismael Jordi, Tenor: Alfredo Germont Dimitris Tiliakos, Baritone: Giorgio Germont Netherlands Radio Chamber Philharmonic Koor van De Nederlandse Opera |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Sunday 26-May-13 01:30pm Giuliano Carella, Conductor Willy Decker, Director Marina Poplavskaya, Soprano: Violetta Valéry Karin Strobos, Mezzo-soprano: Flora Bervoix Ismael Jordi, Tenor: Alfredo Germont Dimitris Tiliakos, Baritone: Giorgio Germont Netherlands Radio Chamber Philharmonic Koor van De Nederlandse Opera | ||
| Sunday 26-May-13 03:00pm |
Remonstrantse Kerk, Groningen The Young Opera per Tutti! voor iedereen! |
Programme not known Dutch National Opera Academy |
| More info... | ||
| Remonstrantse Kerk, Groningen, Coehoornsingel 14, Groningen 9711 BS, Netherlands Sunday 26-May-13 03:00pm The Young Opera per Tutti! voor iedereen! Programme not known | ||
| Wednesday 29-May-13 08:00pm |
Het Muziektheater, Amsterdam La Traviata |
De Nederlandse Opera Giuliano Carella, Conductor Willy Decker, Director Marina Poplavskaya, Soprano: Violetta Valéry Karin Strobos, Mezzo-soprano: Flora Bervoix Ismael Jordi, Tenor: Alfredo Germont Dimitris Tiliakos, Baritone: Giorgio Germont Netherlands Radio Chamber Philharmonic Koor van De Nederlandse Opera |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Wednesday 29-May-13 08:00pm Giuliano Carella, Conductor Willy Decker, Director Marina Poplavskaya, Soprano: Violetta Valéry Karin Strobos, Mezzo-soprano: Flora Bervoix Ismael Jordi, Tenor: Alfredo Germont Dimitris Tiliakos, Baritone: Giorgio Germont Netherlands Radio Chamber Philharmonic Koor van De Nederlandse Opera | ||
| Thursday 30-May-13 08:15pm |
Vondelkerk, Amsterdam The Young Opera per Tutti! voor iedereen! |
Programme not known Dutch National Opera Academy |
| More info... | ||
| Vondelkerk, Amsterdam, Vondelstraat 120d, Amsterdam 1054 GS, Netherlands Thursday 30-May-13 08:15pm The Young Opera per Tutti! voor iedereen! Programme not known | ||
| Friday 31-May-13 08:00pm |
Het Muziektheater, Amsterdam La Traviata |
De Nederlandse Opera Giuliano Carella, Conductor Willy Decker, Director Marina Poplavskaya, Soprano: Violetta Valéry Karin Strobos, Mezzo-soprano: Flora Bervoix Ismael Jordi, Tenor: Alfredo Germont Dimitris Tiliakos, Baritone: Giorgio Germont Netherlands Radio Chamber Philharmonic Koor van De Nederlandse Opera |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Friday 31-May-13 08:00pm Giuliano Carella, Conductor Willy Decker, Director Marina Poplavskaya, Soprano: Violetta Valéry Karin Strobos, Mezzo-soprano: Flora Bervoix Ismael Jordi, Tenor: Alfredo Germont Dimitris Tiliakos, Baritone: Giorgio Germont Netherlands Radio Chamber Philharmonic Koor van De Nederlandse Opera | ||
| Saturday 1-Jun-13 08:30pm |
Westergasfabriek: Gashouder, Amsterdam Quartett Holland Festival |
Susanna Mälkki, Conductor Ensemble da camera dell'Accademia, Teatro alla Scala Allison Cook, Mezzo-soprano: Marquise de Merteuil Robin Adams, Baritone: Vicomte de Valmont |
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| Westergasfabriek: Gashouder, Amsterdam, Klönneplein 1, Amsterdam 1014 BE, Netherlands Saturday 1-Jun-13 08:30pm Innovative opera based on Les Liaisons Dangereuses. After Quartett by Heiner Müller.
The Holland Festival 2013 opens with a tale of love, intrigue, heartbreak and torment. Based on Heiner Müller’s stage version of Les Liaisons Dangereuses, composer Luca Francesconi wrote an opera which had its world premiere in 2011 at Milan’s La Scala Theatre with a spectacular staging by Àlex Ollé.
On a stage that symbolises their emotional prison, Valmont and Merteuil fight their bitter, violent battles, a vocal duel interspersed with orchestral dreams of what could have been, but never will be. After all, the two former lovers not only play a deadly game with the hearts of others, with their cynical machinations they ultimately also condemn their own chances of happiness to failure.Co-production between Teatro alla Scala and Wiener Festwochen with IRCAM Paris.In English with Dutch surtitles. Running time 1 hour 20 minutes with no interval.Tickets €45/35/25 with students/CJP €17.50 for all categories.Image credit: Ada Nieuwendijk Susanna Mälkki, Conductor Ensemble da camera dell'Accademia, Teatro alla Scala Allison Cook, Mezzo-soprano: Marquise de Merteuil Robin Adams, Baritone: Vicomte de Valmont | ||
| Sunday 2-Jun-13 02:30pm |
Sint Janskerk, Maastricht The Young Opera per Tutti! voor iedereen! |
Programme not known Dutch National Opera Academy |
| More info... | ||
| Sint Janskerk, Maastricht, Vrijthof 24, Maastricht 6211 LE, Netherlands Sunday 2-Jun-13 02:30pm The Young Opera per Tutti! voor iedereen! Programme not known | ||
| Sunday 2-Jun-13 08:30pm |
Westergasfabriek: Gashouder, Amsterdam Quartett Holland Festival |
Susanna Mälkki, Conductor Ensemble da camera dell'Accademia, Teatro alla Scala Allison Cook, Mezzo-soprano: Marquise de Merteuil Robin Adams, Baritone: Vicomte de Valmont |
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| Westergasfabriek: Gashouder, Amsterdam, Klönneplein 1, Amsterdam 1014 BE, Netherlands Sunday 2-Jun-13 08:30pm Innovative opera based on Les Liaisons Dangereuses. After Quartett by Heiner Müller.
The Holland Festival 2013 opens with a tale of love, intrigue, heartbreak and torment. Based on Heiner Müller’s stage version of Les Liaisons Dangereuses, composer Luca Francesconi wrote an opera which had its world premiere in 2011 at Milan’s La Scala Theatre with a spectacular staging by Àlex Ollé.
On a stage that symbolises their emotional prison, Valmont and Merteuil fight their bitter, violent battles, a vocal duel interspersed with orchestral dreams of what could have been, but never will be. After all, the two former lovers not only play a deadly game with the hearts of others, with their cynical machinations they ultimately also condemn their own chances of happiness to failure.Co-production between Teatro alla Scala and Wiener Festwochen with IRCAM Paris.In English with Dutch surtitles. Running time 1 hour 20 minutes with no interval.Tickets €45/35/25 with students/CJP €17.50 for all categories.Image credit: Ada Nieuwendijk Susanna Mälkki, Conductor Ensemble da camera dell'Accademia, Teatro alla Scala Allison Cook, Mezzo-soprano: Marquise de Merteuil Robin Adams, Baritone: Vicomte de Valmont | ||
| Monday 3-Jun-13 08:00pm |
Stadsschouwburg, Amsterdam Sunken Garden Holland Festival |
De Nederlandse Opera |
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| Stadsschouwburg, Amsterdam, Amsterdam, Netherlands Monday 3-Jun-13 08:00pm The first 3D-opera Sunken Garden by Dutch composer Michel van der Aa. A Holland Festival-production with international partners.Image credit: Ada Nieuwendijk | ||
| Tuesday 4-Jun-13 05:30pm |
Het Muziektheater, Amsterdam Die Meistersinger von Nürnberg Holland Festival |
De Nederlandse Opera Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Tuesday 4-Jun-13 05:30pm In his only comic opera, Wagner distilled poetry and music into a single unified form that unfolds as an unbroken stream of music-dramatic dialogue. It became a singspiel, partly based on personal experience, about the romance between the bourgeois girl Eva Pogner and the knight Walther von Stolzing, who may only wed his beloved once he has won the annual singing contest. The cobbler Hans Sachs represents, on the one hand, the old guard as a member of the Guild of Mastersingers; on the other hand he is open to modernization and stimulates the knight’s artistic gifts, stoking the conflict between narrow-mindedness and true artistry – a theme certainly not unfamiliar to Wagner himself. Love triumphs in the end, thanks to Sachs’ closing address in which he praises the ‘master’s honour’, a typically German honour one might view with considerable scepticism: the Meistersinger finale was, after all, misused for political purposes.Running time 5 hours 25 minutes with two intervals, in German with Dutch and English surtitles.Image credit: Ada Nieuwendijk Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger | ||
| Tuesday 4-Jun-13 08:00pm |
Stadsschouwburg, Amsterdam Sunken Garden Holland Festival |
De Nederlandse Opera |
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| Stadsschouwburg, Amsterdam, Amsterdam, Netherlands Tuesday 4-Jun-13 08:00pm The first 3D-opera Sunken Garden by Dutch composer Michel van der Aa. A Holland Festival-production with international partners.Image credit: Ada Nieuwendijk | ||
| Thursday 6-Jun-13 08:00pm |
Stadsschouwburg, Amsterdam Sunken Garden Holland Festival |
De Nederlandse Opera |
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| Stadsschouwburg, Amsterdam, Amsterdam, Netherlands Thursday 6-Jun-13 08:00pm The first 3D-opera Sunken Garden by Dutch composer Michel van der Aa. A Holland Festival-production with international partners.Image credit: Ada Nieuwendijk | ||
| Friday 7-Jun-13 05:30pm |
Het Muziektheater, Amsterdam Die Meistersinger von Nürnberg Holland Festival |
De Nederlandse Opera Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Friday 7-Jun-13 05:30pm In his only comic opera, Wagner distilled poetry and music into a single unified form that unfolds as an unbroken stream of music-dramatic dialogue. It became a singspiel, partly based on personal experience, about the romance between the bourgeois girl Eva Pogner and the knight Walther von Stolzing, who may only wed his beloved once he has won the annual singing contest. The cobbler Hans Sachs represents, on the one hand, the old guard as a member of the Guild of Mastersingers; on the other hand he is open to modernization and stimulates the knight’s artistic gifts, stoking the conflict between narrow-mindedness and true artistry – a theme certainly not unfamiliar to Wagner himself. Love triumphs in the end, thanks to Sachs’ closing address in which he praises the ‘master’s honour’, a typically German honour one might view with considerable scepticism: the Meistersinger finale was, after all, misused for political purposes.Running time 5 hours 25 minutes with two intervals, in German with Dutch and English surtitles.Image credit: Ada Nieuwendijk Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger | ||
| Friday 7-Jun-13 08:00pm |
Stadsschouwburg, Amsterdam Sunken Garden Holland Festival |
De Nederlandse Opera |
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| Stadsschouwburg, Amsterdam, Amsterdam, Netherlands Friday 7-Jun-13 08:00pm The first 3D-opera Sunken Garden by Dutch composer Michel van der Aa. A Holland Festival-production with international partners.Image credit: Ada Nieuwendijk | ||
| Saturday 8-Jun-13 08:00pm |
Stadsschouwburg, Amsterdam Sunken Garden Holland Festival |
De Nederlandse Opera |
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| Stadsschouwburg, Amsterdam, Amsterdam, Netherlands Saturday 8-Jun-13 08:00pm The first 3D-opera Sunken Garden by Dutch composer Michel van der Aa. A Holland Festival-production with international partners.Image credit: Ada Nieuwendijk | ||
| Sunday 9-Jun-13 03:00pm |
Stadsschouwburg, Amsterdam Sunken Garden Holland Festival |
De Nederlandse Opera |
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| Stadsschouwburg, Amsterdam, Amsterdam, Netherlands Sunday 9-Jun-13 03:00pm The first 3D-opera Sunken Garden by Dutch composer Michel van der Aa. A Holland Festival-production with international partners.Image credit: Ada Nieuwendijk | ||
| Monday 10-Jun-13 05:30pm |
Het Muziektheater, Amsterdam Die Meistersinger von Nürnberg Holland Festival |
De Nederlandse Opera Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Monday 10-Jun-13 05:30pm In his only comic opera, Wagner distilled poetry and music into a single unified form that unfolds as an unbroken stream of music-dramatic dialogue. It became a singspiel, partly based on personal experience, about the romance between the bourgeois girl Eva Pogner and the knight Walther von Stolzing, who may only wed his beloved once he has won the annual singing contest. The cobbler Hans Sachs represents, on the one hand, the old guard as a member of the Guild of Mastersingers; on the other hand he is open to modernization and stimulates the knight’s artistic gifts, stoking the conflict between narrow-mindedness and true artistry – a theme certainly not unfamiliar to Wagner himself. Love triumphs in the end, thanks to Sachs’ closing address in which he praises the ‘master’s honour’, a typically German honour one might view with considerable scepticism: the Meistersinger finale was, after all, misused for political purposes.Running time 5 hours 25 minutes with two intervals, in German with Dutch and English surtitles.Image credit: Ada Nieuwendijk Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger | ||
| Thursday 13-Jun-13 05:30pm |
Het Muziektheater, Amsterdam Die Meistersinger von Nürnberg Holland Festival |
De Nederlandse Opera Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Thursday 13-Jun-13 05:30pm In his only comic opera, Wagner distilled poetry and music into a single unified form that unfolds as an unbroken stream of music-dramatic dialogue. It became a singspiel, partly based on personal experience, about the romance between the bourgeois girl Eva Pogner and the knight Walther von Stolzing, who may only wed his beloved once he has won the annual singing contest. The cobbler Hans Sachs represents, on the one hand, the old guard as a member of the Guild of Mastersingers; on the other hand he is open to modernization and stimulates the knight’s artistic gifts, stoking the conflict between narrow-mindedness and true artistry – a theme certainly not unfamiliar to Wagner himself. Love triumphs in the end, thanks to Sachs’ closing address in which he praises the ‘master’s honour’, a typically German honour one might view with considerable scepticism: the Meistersinger finale was, after all, misused for political purposes.Running time 5 hours 25 minutes with two intervals, in German with Dutch and English surtitles.Image credit: Ada Nieuwendijk Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger | ||
| Thursday 13-Jun-13 08:15pm |
Vondelkerk, Amsterdam The Young Opera per Tutti! voor iedereen! |
Programme not known Dutch National Opera Academy |
| More info... | ||
| Vondelkerk, Amsterdam, Vondelstraat 120d, Amsterdam 1054 GS, Netherlands Thursday 13-Jun-13 08:15pm The Young Opera per Tutti! voor iedereen! Programme not known | ||
| Saturday 15-Jun-13 08:30pm |
Stadsschouwburg, Amsterdam Tragedy of a Friendship - Dutch première Holland Festival |
Vlaamse Opera |
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| Stadsschouwburg, Amsterdam, Amsterdam, Netherlands Saturday 15-Jun-13 08:30pm Tragedy of a Friendship - Dutch première Co-production of Troubleyn/Jan Fabre, Concertgebouw Brugge, Théâtre de la Ville Paris, Opéra de Lille & Wagner Genèva Festival, Holland Festival.Jan Fabre depicts friendship and feud between Wagner and Nietzsche in new opera.
Tragic is the right word to describe the friendship between Richard Wagner and Friedrich Nietzsche. At first the composer of the Gesamtkunstwerk and the philosopher with the hammer were full of admiration for one another, but later the young Nietzsche became increasingly disappointed by the older Wagner. In two vitriolic essays he rased him to the ground.
As well as this fascinating story of the relationship between the thinker and the artist, the Flemish director Jan Fabre was also inspired by the thirteen groundbreaking opera masterpieces which Wagner wrote. In collaboration with writer Stefan Hertmans and German composer Moritz Eggert, he has constructed a dramatic opera in homage to one of his favourite composers.Tickets €45 - 25, Students/CJP €17.50 all categories. Running time 2 hours no interval, in English and German with Dutch surtitles.Image credit: Ada Nieuwendijk | ||
| Sunday 16-Jun-13 08:30pm |
Stadsschouwburg, Amsterdam Tragedy of a Friendship - Dutch première Holland Festival |
Vlaamse Opera |
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| Stadsschouwburg, Amsterdam, Amsterdam, Netherlands Sunday 16-Jun-13 08:30pm Tragedy of a Friendship - Dutch première Co-production of Troubleyn/Jan Fabre, Concertgebouw Brugge, Théâtre de la Ville Paris, Opéra de Lille & Wagner Genèva Festival, Holland Festival.Jan Fabre depicts friendship and feud between Wagner and Nietzsche in new opera.
Tragic is the right word to describe the friendship between Richard Wagner and Friedrich Nietzsche. At first the composer of the Gesamtkunstwerk and the philosopher with the hammer were full of admiration for one another, but later the young Nietzsche became increasingly disappointed by the older Wagner. In two vitriolic essays he rased him to the ground.
As well as this fascinating story of the relationship between the thinker and the artist, the Flemish director Jan Fabre was also inspired by the thirteen groundbreaking opera masterpieces which Wagner wrote. In collaboration with writer Stefan Hertmans and German composer Moritz Eggert, he has constructed a dramatic opera in homage to one of his favourite composers.Tickets €45 - 25, Students/CJP €17.50 all categories. Running time 2 hours no interval, in English and German with Dutch surtitles.Image credit: Ada Nieuwendijk | ||
| Monday 17-Jun-13 05:30pm |
Het Muziektheater, Amsterdam Die Meistersinger von Nürnberg Holland Festival |
De Nederlandse Opera Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Monday 17-Jun-13 05:30pm In his only comic opera, Wagner distilled poetry and music into a single unified form that unfolds as an unbroken stream of music-dramatic dialogue. It became a singspiel, partly based on personal experience, about the romance between the bourgeois girl Eva Pogner and the knight Walther von Stolzing, who may only wed his beloved once he has won the annual singing contest. The cobbler Hans Sachs represents, on the one hand, the old guard as a member of the Guild of Mastersingers; on the other hand he is open to modernization and stimulates the knight’s artistic gifts, stoking the conflict between narrow-mindedness and true artistry – a theme certainly not unfamiliar to Wagner himself. Love triumphs in the end, thanks to Sachs’ closing address in which he praises the ‘master’s honour’, a typically German honour one might view with considerable scepticism: the Meistersinger finale was, after all, misused for political purposes.Running time 5 hours 25 minutes with two intervals, in German with Dutch and English surtitles.Image credit: Ada Nieuwendijk Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger | ||
| Tuesday 18-Jun-13 08:00pm |
Conservatorium van Amsterdam: Theaterzaal Openbare Masterclass met mezzo Karin Strobos en Concert (try-out) - The Young Opera per Tutti! voor iedereen! |
Programme not known Dutch National Opera Academy |
| More info... | ||
| Conservatorium van Amsterdam: Theaterzaal, Oosterdokskade 151, Amsterdam 1011 DL, Netherlands Tuesday 18-Jun-13 08:00pm Openbare Masterclass met mezzo Karin Strobos en Concert (try-out) - The Young Opera per Tutti! voor iedereen! Programme not known | ||
| Tuesday 18-Jun-13 08:30pm |
Muziekgebouw aan ’t IJ: Main Hall, Amsterdam Troparion and Suster Bertken Holland Festival |
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| Muziekgebouw aan ’t IJ: Main Hall, Amsterdam, Piet Heinkade 1, Amsterdam 1019 BR, Netherlands Tuesday 18-Jun-13 08:30pm Troparion and Suster Bertken The Dutch composer Rob Zuidam has always had an eye for headstrong women. In his first collaboration with festival director Pierre Audi he puts two of them on stage. Suster Bertken tells about the fascinating life of the medieval ascetic Berta Jacobs, who bricked herself in at the Buur Church in Utrecht, in order to devote her life to God. This work from 2010 will be staged for the first time, in combination with the brand new Troparion, which Zuidam wrote for alto Helena Rasker, the young violinist Liza Ferschtman and a small instrumental ensemble. The piece is about a woman who sheds her tears on a dead branch, hoping God will breathe new life into it. According to Zuidam the work is about ‘hope and melancholy and the inability to bridge the gap between past and future.’Tickets €29 - 24, students/CJO €17.50 all categories. Running time 2 hours 5 minutes, with one internal. In medieval Dutch and ancient Greek with Dutch surtitles.Image credit: Ada Nieuwendijk | ||
| Wednesday 19-Jun-13 08:30pm |
Muziekgebouw aan ’t IJ: Main Hall, Amsterdam Troparion and Suster Bertken Holland Festival |
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| Muziekgebouw aan ’t IJ: Main Hall, Amsterdam, Piet Heinkade 1, Amsterdam 1019 BR, Netherlands Wednesday 19-Jun-13 08:30pm Troparion and Suster Bertken The Dutch composer Rob Zuidam has always had an eye for headstrong women. In his first collaboration with festival director Pierre Audi he puts two of them on stage. Suster Bertken tells about the fascinating life of the medieval ascetic Berta Jacobs, who bricked herself in at the Buur Church in Utrecht, in order to devote her life to God. This work from 2010 will be staged for the first time, in combination with the brand new Troparion, which Zuidam wrote for alto Helena Rasker, the young violinist Liza Ferschtman and a small instrumental ensemble. The piece is about a woman who sheds her tears on a dead branch, hoping God will breathe new life into it. According to Zuidam the work is about ‘hope and melancholy and the inability to bridge the gap between past and future.’Tickets €29 - 24, students/CJO €17.50 all categories. Running time 2 hours 5 minutes, with one internal. In medieval Dutch and ancient Greek with Dutch surtitles.Image credit: Ada Nieuwendijk | ||
| Thursday 20-Jun-13 05:30pm |
Het Muziektheater, Amsterdam Die Meistersinger von Nürnberg Holland Festival |
De Nederlandse Opera Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Thursday 20-Jun-13 05:30pm In his only comic opera, Wagner distilled poetry and music into a single unified form that unfolds as an unbroken stream of music-dramatic dialogue. It became a singspiel, partly based on personal experience, about the romance between the bourgeois girl Eva Pogner and the knight Walther von Stolzing, who may only wed his beloved once he has won the annual singing contest. The cobbler Hans Sachs represents, on the one hand, the old guard as a member of the Guild of Mastersingers; on the other hand he is open to modernization and stimulates the knight’s artistic gifts, stoking the conflict between narrow-mindedness and true artistry – a theme certainly not unfamiliar to Wagner himself. Love triumphs in the end, thanks to Sachs’ closing address in which he praises the ‘master’s honour’, a typically German honour one might view with considerable scepticism: the Meistersinger finale was, after all, misused for political purposes.Running time 5 hours 25 minutes with two intervals, in German with Dutch and English surtitles.Image credit: Ada Nieuwendijk Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger | ||
| Thursday 20-Jun-13 08:00pm |
NedPho-Koepel (Majellakerk), Amsterdam Openbare Masterclass met mezzo Karin Strobos en Concert - The Young Opera per Tutti! voor iedereen! |
Programme not known Dutch National Opera Academy |
| More info... | ||
| NedPho-Koepel (Majellakerk), Amsterdam, Obiplein 4, Amsterdam 1094 RB, Netherlands Thursday 20-Jun-13 08:00pm Openbare Masterclass met mezzo Karin Strobos en Concert - The Young Opera per Tutti! voor iedereen! Programme not known | ||
| Sunday 23-Jun-13 01:30pm |
Het Muziektheater, Amsterdam Die Meistersinger von Nürnberg Holland Festival |
De Nederlandse Opera Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger |
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| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Sunday 23-Jun-13 01:30pm In his only comic opera, Wagner distilled poetry and music into a single unified form that unfolds as an unbroken stream of music-dramatic dialogue. It became a singspiel, partly based on personal experience, about the romance between the bourgeois girl Eva Pogner and the knight Walther von Stolzing, who may only wed his beloved once he has won the annual singing contest. The cobbler Hans Sachs represents, on the one hand, the old guard as a member of the Guild of Mastersingers; on the other hand he is open to modernization and stimulates the knight’s artistic gifts, stoking the conflict between narrow-mindedness and true artistry – a theme certainly not unfamiliar to Wagner himself. Love triumphs in the end, thanks to Sachs’ closing address in which he praises the ‘master’s honour’, a typically German honour one might view with considerable scepticism: the Meistersinger finale was, after all, misused for political purposes.Running time 5 hours 25 minutes with two intervals, in German with Dutch and English surtitles.Image credit: Ada Nieuwendijk Marc Albrecht, Conductor David Alden, Director Thomas Johannes Mayer, Bass: Hans Sachs Alastair Miles, Bass: Pogner Pascal Pittie, Tenor: Kunz Vogelgesang Mattijs van de Woerd, Baritone: Konrad Nachtigall Adrian Eröd, Baritone: Sixtus Beckmesser Thomas Oliemans, Baritone: Fritz Kothner Brian Galliford, Tenor: Balthasar Zorn Roberto Saccà, Tenor: Walther von Stolzing Ana Maria Martinez, Soprano: Eva Sarah Castle, Mezzo-soprano: Magdalene Nederlands Philharmonisch Orkest Koor van De Nederlandse Opera Marcel Beekman, Tenor: Ulrich Eisslinger | ||
| Monday 1-Jul-13 07:30pm |
Concertgebouw: Main Hall, Amsterdam Puccini's Tosca - Semi-Staged Robeco Summer Nights |
Opera Zuid |
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| Concertgebouw: Main Hall, Amsterdam, Amsterdam, Netherlands Monday 1-Jul-13 07:30pm Puccini's Tosca - Semi-Staged Tickets €42 - €34 - €24Image credit: Rosanna Potenza in Tosca | ||
| Wednesday 3-Jul-13 07:30pm |
Het Muziektheater, Amsterdam Death in Venice |
De Nederlandse Opera Edward Gardner, Conductor Deborah Warner, Director John Graham-Hall, Tenor: Gustav von Aschenbach Andrew Shore, Baritone: Voice of Dionysius Tim Mead, Countertenor: Voice of Apollo Rotterdam Philharmonic Orchestra |
| More info... | ||
| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Wednesday 3-Jul-13 07:30pm Thomas Mann’s novella Der Tod in Venedig was the inspiration for Britten’s last opera. Gustav Aschenbach, an aging author, is increasingly tormented by artistic self-doubt. He travels to Venice. The god Dionysus appears to him in six different guises, now benignly seductive, now confrontational and combative, accompanying Aschenbach towards death. In Venice the author comes face to face with the personification of beauty: the Polish youth Tadzio, for whom he feels a strong attraction. Here Britten reveals, with uncommon openness, the personal struggles of the social outsider. In the musical accompaniment, Britten uses the orchestra to support the realistic storyline, while exotic gamelan instruments depict Tadzio’s beauty. The youth, incidentally, remains mute throughout, and Aschenbach’s monologues are accompanied by a single piano. The composer’s conclusion is that beauty and perfection inevitably go hand and hand with loss and ruination. Edward Gardner, Conductor Deborah Warner, Director John Graham-Hall, Tenor: Gustav von Aschenbach Andrew Shore, Baritone: Voice of Dionysius Tim Mead, Countertenor: Voice of Apollo Rotterdam Philharmonic Orchestra | ||
| Friday 5-Jul-13 07:30pm |
Het Muziektheater, Amsterdam Death in Venice |
De Nederlandse Opera Edward Gardner, Conductor Deborah Warner, Director John Graham-Hall, Tenor: Gustav von Aschenbach Andrew Shore, Baritone: Voice of Dionysius Tim Mead, Countertenor: Voice of Apollo Rotterdam Philharmonic Orchestra |
| More info... | ||
| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Friday 5-Jul-13 07:30pm Thomas Mann’s novella Der Tod in Venedig was the inspiration for Britten’s last opera. Gustav Aschenbach, an aging author, is increasingly tormented by artistic self-doubt. He travels to Venice. The god Dionysus appears to him in six different guises, now benignly seductive, now confrontational and combative, accompanying Aschenbach towards death. In Venice the author comes face to face with the personification of beauty: the Polish youth Tadzio, for whom he feels a strong attraction. Here Britten reveals, with uncommon openness, the personal struggles of the social outsider. In the musical accompaniment, Britten uses the orchestra to support the realistic storyline, while exotic gamelan instruments depict Tadzio’s beauty. The youth, incidentally, remains mute throughout, and Aschenbach’s monologues are accompanied by a single piano. The composer’s conclusion is that beauty and perfection inevitably go hand and hand with loss and ruination. Edward Gardner, Conductor Deborah Warner, Director John Graham-Hall, Tenor: Gustav von Aschenbach Andrew Shore, Baritone: Voice of Dionysius Tim Mead, Countertenor: Voice of Apollo Rotterdam Philharmonic Orchestra | ||
| Sunday 7-Jul-13 01:30pm |
Het Muziektheater, Amsterdam Death in Venice |
De Nederlandse Opera Edward Gardner, Conductor Deborah Warner, Director John Graham-Hall, Tenor: Gustav von Aschenbach Andrew Shore, Baritone: Voice of Dionysius Tim Mead, Countertenor: Voice of Apollo Rotterdam Philharmonic Orchestra |
| More info... | ||
| Het Muziektheater, Amsterdam, Waterlooplein 22, Amsterdam, Netherlands Sunday 7-Jul-13 01:30pm Thomas Mann’s novella Der Tod in Venedig was the inspiration for Britten’s last opera. Gustav Aschenbach, an aging author, is increasingly tormented by artistic self-doubt. He travels to Venice. The god Dionysus appears to him in six different guises, now benignly seductive, now confrontational and combative, accompanying Aschenbach towards death. In Venice the author comes face to face with the personification of beauty: the Polish youth Tadzio, for whom he feels a strong attraction. Here Britten reveals, with uncommon openness, the personal struggles of the social outsider. In the musical accompaniment, Britten uses the orchestra to support the realistic storyline, while exotic gamelan instruments depict Tadzio’s beauty. The youth, incidentally, remains mute throughout, and Aschenbach’s monologues are accompanied by a single piano. The composer’s conclusion is that beauty and perfection inevitably go hand and hand with loss and ruination. Edward Gardner, Conductor Deborah Warner, Director John Graham-Hall, Tenor: Gustav von Aschenbach Andrew Shore, Baritone: Voice of Dionysius Tim Mead, Countertenor: Voice of Apollo Rotterdam Philharmonic Orchestra | ||
