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Frank Martin felt his "Le vin herbé" was a personal key work in which he had found his own voice. Based on the novel "Tristan et Iseut" by Joseph Bedier, he created his chambered profane oratorio to dramatise the two lovers Tristan and Isolde.

Frank Martin felt his "Le vin herbé" was a personal key work in which he had found his own voice. Based on the novel "Tristan et Iseut" by Joseph Bedier, he created his chambered profane oratorio to dramatise the two lovers Tristan and Isolde.

Frank Martin felt his "Le vin herbé" was a personal key work in which he had found his own voice. Based on the novel "Tristan et Iseut" by Joseph Bedier, he created his chambered profane oratorio to dramatise the two lovers Tristan and Isolde.

Frank Martin felt his "Le vin herbé" was a personal key work in which he had found his own voice. Based on the novel "Tristan et Iseut" by Joseph Bedier, he created his chambered profane oratorio to dramatise the two lovers Tristan and Isolde.

Frank Martin felt his "Le vin herbé" was a personal key work in which he had found his own voice. Based on the novel "Tristan et Iseut" by Joseph Bedier, he created his chambered profane oratorio to dramatise the two lovers Tristan and Isolde.

Frank Martin felt his "Le vin herbé" was a personal key work in which he had found his own voice. Based on the novel "Tristan et Iseut" by Joseph Bedier, he created his chambered profane oratorio to dramatise the two lovers Tristan and Isolde.

A co-operation with the Ruhrtriennale and the Staatsoper Unter den Linden. Commissioned by the Festival d’Aix-en-Provence

"I've written Hanjo, as if it were a dream. The protagonist, Hanako ,lives in a world of madness, which is beyond our everyday reality, for a long time waiting for the man she loves. When he finally comes back, she no longer recognizes him. The image of this man in her head has become more real than the man who is actually in front of her. "

A co-operation with the Ruhrtriennale and the Staatsoper Unter den Linden. Commissioned by the Festival d’Aix-en-Provence

"I've written Hanjo, as if it were a dream. The protagonist, Hanako ,lives in a world of madness, which is beyond our everyday reality, for a long time waiting for the man she loves. When he finally comes back, she no longer recognizes him. The image of this man in her head has become more real than the man who is actually in front of her. "

A co-operation with the Ruhrtriennale and the Staatsoper Unter den Linden. Commissioned by the Festival d’Aix-en-Provence

"I've written Hanjo, as if it were a dream. The protagonist, Hanako ,lives in a world of madness, which is beyond our everyday reality, for a long time waiting for the man she loves. When he finally comes back, she no longer recognizes him. The image of this man in her head has become more real than the man who is actually in front of her. "