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| Date | Event | Composers, Works, Performers |
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| Sunday 5-Sep-10 08:00pm |
 Philharmonie: Großer Saal, BerlinRoyal Concertgebouw Orchestra |
Shchedrin, Oboe Concerto (World Première) |
| More info...Buy tickets! (Through Classictic) | ||
| Philharmonie: Großer Saal, Berlin, D10785 Berlin, Germany Sunday 5-Sep-10 08:00pm Royal Concertgebouw Orchestra Shchedrin, Rodion Konstantinovich (b. 1932), Oboe Concerto (World Première) | ||
| Monday 6-Sep-10 07:00pm |
Tchaikovsky Conservatory, Great Hall, Moscow Russian National Orchestra |
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| Tchaikovsky Conservatory, Great Hall, Moscow, Triumfalnaya ploshchad 4/31, Moscow 125009, Russia Monday 6-Sep-10 07:00pm Russian National Orchestra | ||
| Tuesday 7-Sep-10 07:30pm |
Royal Albert Hall, London Prom 71 BBC Proms |
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| Royal Albert Hall, London, London, United Kingdom Tuesday 7-Sep-10 07:30pm Prom 71 In its first visit to the UK since Daniele Gatti became Music Director, the Orchestre National de France presents three great works linked to France and its capital city. Dating from a decade before his symphony of seascapes, La mer, Debussy’s poetic Prélude made its composer’s name when it was premiered in 1894, and created controversy when Nijinsky danced his erotic choreography of it for the Ballets Russes in 1912. A year later the Paris premiere of Stravinsky’s The Rite of Spring prompted an even more sensational succès de scandale for Diaghilev’s company, causing the most famous riot in musical history. | ||
| Thursday 9-Sep-10 07:15pm |
Kings Place: Hall Two, London London Sinfonietta - Chamber Music by Igor Stravinsky Kings Place Festival |
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| Kings Place: Hall Two, London, 90 York Way , Opp. Goods Way, London N1 9AG, United Kingdom Thursday 9-Sep-10 07:15pm London Sinfonietta - Chamber Music by Igor Stravinsky Tickets: £4.50
In 1930 Igor Stravinsky (82-71) was introduced to the violinist Samuel Dushkin, who became a great friend and recital partner. Inspired by Dushkin's playing, Stravinsky wrote several works for the violinist including his Violin Concerto No.1, the Suite Italienne (based on pieces from Pulcinella) and the large-scale Duo Concertante (1931). Formed of five distinct movements, the music of this Duo ranges from the tranquil pastorale to episodes with a more angular, aggressive character. The final movement, Dithyrambe, features some of the most lyrically expressive music the composer ever wrote.
Three Pieces for clarinet (1918) was dedicated to the tea millionaire, and amateur clarinettist, Weiner Reinhart, who financially supported several of Stravinsky's struggling concert series. The colourful pieces are among the first works in which Stravinsky experimented with incorporating aspects of jazz, describing them as ‘written-out portraits of improvisations'.
Suite Italienne (1932) is a set of six movements for cello and piano, based on music from Stravinsky's earlier Neo-Classical ballet Pulcinella. His starting point was a set of 18th-century pieces by (in some cases wrongly attributed to) Pergolesi. The work opens with two movements - one high-spirited, one a sombre aria - taken from the start of the ballet, while the remaining idiosyncratic movements, all twists on recognisable Baroque forms, come from the end of the work.
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| Thursday 9-Sep-10 08:00pm |
Hollywood Bowl, Los Angeles, CA Music of the Dance |
Weber, Invitation to the Dance, Op.65 (arr. Berlioz) |
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| Hollywood Bowl, Los Angeles, CA, Los Angeles, CA 90078, United States Thursday 9-Sep-10 08:00pm Music of the Dance Weber, Carl Maria von (1786-1826), Invitation to the Dance, Op.65 (arr. Berlioz) | ||
| Friday 10-Sep-10 03:45pm |
Kings Place: Hall One, London Mikhail Rudy - Russian Masterpieces: The Russian Cello Kings Place Festival |
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| Kings Place: Hall One, London, London N1 9AG, United Kingdom Friday 10-Sep-10 03:45pm Mikhail Rudy - Russian Masterpieces: The Russian Cello Tickets: £4.50
The charismatic pianist Mikhail Rudy is well known for his creative programmes, whether it be his dramatisation of The Pianist or collaboration with the jazz pianist Misha Alperin in Double Dream. He's also a worldclass virtuoso, capable of encompassing huge orchestral works on the piano, as we'll witness in his arrangement of Petrushka and performance of Mussorgsky's monumental Pictures at an Exhibition. In these concerts, Rudy delves into his Russian past. As he says, ‘Being Russian myself but living a great part of my life in the West, Russian music is for me a constant emotional link, a way of keeping Russia alive inside me.' He's joined in his second concert by his compatriot the cellist Alexander Ivashkin, a musical tour de force in his own right, being a soloist, conductor and Professor of Music at the University of London.
Stravinsky's Suite Italienne (1932) is an arrangement of an arrangement of an arrangement. In it - with the help of the great cellist Piatigorsky - he transcribed a violin-piano suite he'd made in 1925 of movements from his ballet Pulcinella (1919-20), itself founded upon a collection of 18th-century pieces by (or rather, often, wrongly attributed to) Pergolesi. Stravinsky does everything he can to upset the four-square Baroque phrasing by means of displaced accents, prominent syncopations, changes of timesignature, and so on. His rather Cubist re-ordering and re-imagining of the Baroque melodies and harmonies are taken a stage further when transferred to cello and piano, creating a kind of conscienceless neoclassicism, like a burlesque of Pergolesi's own sonatas.
Prokofiev's Cello Sonata is a late work, written in the dark days after February 1948, when the composer (along with Shostakovich) had been denounced by Stalin's henchman Zhdanov for writing ‘formalist, bourgeois decadent, anti-people music'. Though ill and depressed, Prokofiev felt that to be ‘working, always working' would be his personal salvation in this situation, and he was quick to spot the talent of the young Mstislav Rostropovich and to write a work especially for him. Though it does not have the barbaric dissonance of his middleperiod works, its combination of aching lyricism and spiky virtuosity is authentic Prokofiev. There is a defiant youthfulness to this music, rather than the spirit of elegy, encapsulated in his preface quote from Gorky: ‘Man, how proud the word sounds!'
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| Friday 10-Sep-10 05:00pm |
Kings Place: Hall One, London Mikhail Rudy - Russian Masterpieces: Petrushka Kings Place Festival |
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| Kings Place: Hall One, London, London N1 9AG, United Kingdom Friday 10-Sep-10 05:00pm Mikhail Rudy - Russian Masterpieces: Petrushka Tickets: £4.50
The charismatic pianist Mikhail Rudy is well known for his creative programmes, whether it be his dramatisation of The Pianist or collaboration with the jazz pianist Misha Alperin in Double Dream. He's also a worldclass virtuoso, capable of encompassing huge orchestral works on the piano, as we'll witness in his arrangement of Petrushka and performance of Mussorgsky's monumental Pictures at an Exhibition. In these concerts, Rudy delves into his Russian past. As he says, ‘Being Russian myself but living a great part of my life in the West, Russian music is for me a constant emotional link, a way of keeping Russia alive inside me.' He's joined in his second concert by his compatriot the cellist Alexander Ivashkin, a musical tour de force in his own right, being a soloist, conductor and Professor of Music at the University of London.
Prokofiev made his international reputation as a pianist-composer, an alchemist of brilliant keyboard miniatures, sometimes caustic, sometimes tender or sentimental. Twenty of these make up the Visions fugitives (1915-17), pieces meant to suggest the highly concentrated essence of a kaleidoscope of moods, each just a minute or so long: musical epigrams that stand in for unheard epics. The ballet Romeo and Juliet, by contrast, enshrines the far more expansive and genuinely romantic style of the later Prokofiev, and contains some of his best-loved melodies. We hear three numbers from the set of ten that Prokofiev himself arranged for piano.
Stravinsky's ballet Petrushka originated in the sound of the piano, for he originally conceived it as a Konzertstück for piano and orchestra. In his memoirs, he recalled it all began with his having ‘a distinct picture of a puppet, suddenly endowed with life, exasperating the patience of the orchestra with diabolical cascades of arpeggios'. He himself arranged three dances from the ballet for solo piano at the behest of Arthur Rubenstein, so the logic of Mikhail Rudy's own transcription is unimpeachable. In its combination of folksong and urban melodies with daring harmonic and rhythmic experiment, this is Stravinsky at his most subversively brilliant, as well as his great tribute to St Petersburg. As Rudy writes, ‘I completed this suite to make the entire Petrushka less driven by the idea of pianistic tour de force than by the desire to tell the story of the love, jealousy and ultimate death of a piece of wood, the puppet Petrushka, by the means of another piece of wood, the piano.'
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| Friday 10-Sep-10 08:00pm |
Philharmonie: Großer Saal, Berlin Berlin Philharmonic Orchestra |
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| Philharmonie: Großer Saal, Berlin, D10785 Berlin, Germany Friday 10-Sep-10 08:00pm Berlin Philharmonic Orchestra | ||
| Saturday 11-Sep-10 08:00pm |
Philharmonie: Großer Saal, Berlin Berlin Philharmonic Orchestra |
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| Philharmonie: Großer Saal, Berlin, D10785 Berlin, Germany Saturday 11-Sep-10 08:00pm Berlin Philharmonic Orchestra | ||
| Sunday 12-Sep-10 04:15pm |
Kings Place: St Pancras Room, London Royal Academy of Music - Pastiche, politics and all that jazz: Stravinsky, Weill and Eisler Kings Place Festival |
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| Kings Place: St Pancras Room, London, 90 York Way, Opp. Goods Way, London N1 9AG, United Kingdom Sunday 12-Sep-10 04:15pm Royal Academy of Music - Pastiche, politics and all that jazz: Stravinsky, Weill and Eisler Tickets: £4.50.
The impact of jazz on European music in the turbulent 1920s and 30s is difficult to overestimate, sharpening as it did the split between traditional and new values as composers embraced contemporary elements such as jazz and cabaret music for inspiration. Both Eisler and Weill turned away from the influences of their respective teachers Schoenberg and Busoni to write in styles combining elements of jazz, cabaret and popular music with astringent instrumentation and an acid tonality. The leftwing stance of both composers led them to work with the German poet, playwright and theatre director Bertold Brecht and Weill's first major collaboration with Brecht, on Die Dreigroschenoper (‘The Threepenny Opera') in 1928 was a colossal success, a fusion of popular music with a classical structure which is regarded by many as the embodiment of Weimar Republic satire at its finest.
Eisler was even more politically engaged as a composer and his commitment to socialism and his belief that music should be accessible to the proletariat led him to compose political choruses, protest songs, theatre music and film scores, often in a pungent, combative style.
That supreme and all-embracing cosmopolitan Igor Stravinsky's magpie tendencies drew him to take an ironic look at different musical conventions, including jazz. Tango may be a musical joke but the Piano Rag-Music is a more serious attempt to extend the horizons of the ragtime formula by means of more sophisticated techniques; the cadenza-like interludes - without bar lines - are composed in the improvisatory style of jazz ‘breaks'.
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| Sunday 12-Sep-10 08:00pm |
Philharmonie: Großer Saal, Berlin Berlin Philharmonic Orchestra |
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| Philharmonie: Großer Saal, Berlin, D10785 Berlin, Germany Sunday 12-Sep-10 08:00pm Berlin Philharmonic Orchestra | ||
| Thursday 16-Sep-10 08:00pm |
Jones Hall, Houston, TX Houston Symphony |
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| Jones Hall, Houston, TX, Houston, TX 77002, United States Thursday 16-Sep-10 08:00pm Houston Symphony | ||
| Friday 17-Sep-10 08:00pm |
Philharmonie: Großer Saal, Berlin Berlin Philharmonic Orchestra |
Berlin Philharmonic Orchestra Pierre Boulez, Conductor Emmanuel Pahud, Flute Marion Ralincourt, Flute Sophie Cherrier, Flute Jan Remmers, Tenor Wolfram Teßmer, Baritone Barbara Hannigan, Soprano: Nightingale Julia Faylenbogen, Mezzo-soprano: Death Stephanie Weiss, Mezzo-soprano: Death Ian Bostridge, Tenor: Fisherman Roman Trekel, Baritone: Emperor Peter Rose, Bass: Bonze Georg Zeppenfeld, Bass: Chamberlain Rundfunkchor Berlin |
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| Philharmonie: Großer Saal, Berlin, D10785 Berlin, Germany Friday 17-Sep-10 08:00pm Berlin Philharmonic Orchestra Boulez, Pierre (b. 1925), ...explosante-fixe... for flute with live electronics, 2 flutes and ensemble Berlin Philharmonic Orchestra Pierre Boulez, Conductor Emmanuel Pahud, Flute Marion Ralincourt, Flute Sophie Cherrier, Flute Jan Remmers, Tenor Wolfram Teßmer, Baritone Barbara Hannigan, Soprano: Nightingale Julia Faylenbogen, Mezzo-soprano: Death Stephanie Weiss, Mezzo-soprano: Death Ian Bostridge, Tenor: Fisherman Roman Trekel, Baritone: Emperor Peter Rose, Bass: Bonze Georg Zeppenfeld, Bass: Chamberlain Rundfunkchor Berlin | ||
| Saturday 18-Sep-10 08:00pm |
Jones Hall, Houston, TX Houston Symphony |
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| Jones Hall, Houston, TX, Houston, TX 77002, United States Saturday 18-Sep-10 08:00pm Houston Symphony | ||
| Saturday 18-Sep-10 08:00pm |
Philharmonie: Großer Saal, Berlin Berlin Philharmonic Orchestra |
Berlin Philharmonic Orchestra Pierre Boulez, Conductor Rundfunkchor Berlin Barbara Hannigan, Soprano Ian Bostridge, Tenor Julia Faylenbogen, Mezzo-soprano Roman Trekel, Baritone Peter Rose, Bass Georg Zeppenfeld, Bass Stephanie Weiss, Mezzo-soprano Emmanuel Pahud, Flute Jan Remmers, Tenor Wolfram Teßmer, Baritone |
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| Philharmonie: Großer Saal, Berlin, D10785 Berlin, Germany Saturday 18-Sep-10 08:00pm Berlin Philharmonic Orchestra Boulez, Pierre (b. 1925), ...explosante-fixe... for flute with live electronics, 2 flutes and ensemble Berlin Philharmonic Orchestra Pierre Boulez, Conductor Rundfunkchor Berlin Barbara Hannigan, Soprano Ian Bostridge, Tenor Julia Faylenbogen, Mezzo-soprano Roman Trekel, Baritone Peter Rose, Bass Georg Zeppenfeld, Bass Stephanie Weiss, Mezzo-soprano Emmanuel Pahud, Flute Jan Remmers, Tenor Wolfram Teßmer, Baritone | ||
| Sunday 19-Sep-10 02:30pm |
Jones Hall, Houston, TX Houston Symphony |
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| Jones Hall, Houston, TX, Houston, TX 77002, United States Sunday 19-Sep-10 02:30pm Houston Symphony | ||
| Thursday 23-Sep-10 08:00pm |
Severance Hall, Cleveland, OH Cleveland Orchestra |
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| Severance Hall, Cleveland, OH, Cleveland, 11001 , United States Thursday 23-Sep-10 08:00pm Cleveland Orchestra | ||
| Saturday 25-Sep-10 08:00pm |
Severance Hall, Cleveland, OH Cleveland Orchestra |
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| Severance Hall, Cleveland, OH, Cleveland, 11001 , United States Saturday 25-Sep-10 08:00pm Cleveland Orchestra | ||
| Friday 1-Oct-10 07:30pm |
Royal Festival Hall, London London Philharmonic Orchestra |
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| Royal Festival Hall, London, London, United Kingdom Friday 1-Oct-10 07:30pm London Philharmonic Orchestra As the 20th century loomed, Paris seized control of Western music's future. Even the conservative Saint-Saens began to suggest teh exotic in his highly stylised piano concertos, while also quoting a serene melody by his elegant pupil Faure in the Second. But no Parisian was quite prepared for Stravinsky's The Rite of Spring, which unleased a total reappraisal of both dance and music, replacing foot-led ballet with pelvic-born ritual dance and favouring the pounding, jagged rhythms of the earth over traditional principles of harmony. | ||
| Saturday 2-Oct-10 07:30pm |
Lakeside Arts Centre, Nottingham University, Djanogly Recital Hall Sinfonia Viva with Colin Currie (Marimba) |
Schwertsik, Concerto for marimba and strings (Now you hear me, now you don't) Stravinsky, Apollo (Apollon Musagète) (arrangement for string orchestra) |
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| Lakeside Arts Centre, Nottingham University, Djanogly Recital Hall, Nottingham NG7 2RD, United Kingdom Saturday 2-Oct-10 07:30pm Sinfonia Viva with Colin Currie (Marimba) Schwertsik, Kurt (b. 1935), Concerto for marimba and strings (Now you hear me, now you don't) Stravinsky, Igor (1882-1971), Apollo (Apollon Musagète) (arrangement for string orchestra) | ||
| Friday 8-Oct-10 07:30pm |
Birmingham Symphony Hall The Planets: An HD Odyssey (European Premiere) |
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| Birmingham Symphony Hall, Broad Street, Birmingham B1, United Kingdom Friday 8-Oct-10 07:30pm The Planets: An HD Odyssey (European Premiere) ‘The images . . . were often astonishing. Photographs from rovers and satellites, radar images and computer-generated graphics were combined to give the audience the impression of circling individual planets and sometimes flying over their awesomely barren landscapes.’ New York Times Holst’s The Planets was inspired by his interest in astrology. Nearly one hundred years later he would have been astounded by the state-of-the-art, high definition images from NASA’s exploration of the solar system. For tonight’s European Premiere, Producer Duncan Copp has brought these images together with a commentary by the world’s leading planetary scientists, all projected on a large screen above the orchestra. Classic FM’s Anne-Marie Minhall, says of tonight’s recommended concert: “Classical music reaches for the stars in this unique project between the Houston Symphony and NASA no less. Premiered in the Space Agency and Orchestra’s home city in January 2010, this will be your chance to watch some extraordinary images of our solar system alongside Holst’s astrological masterpiece”. Part of the Sounds of Space weekend at Town hall and Symphony Hall. | ||
| Saturday 9-Oct-10 07:30pm |
Leeds Town Hall Houston Symphony |
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| Leeds Town Hall, Leeds LS1 3AD, United Kingdom Saturday 9-Oct-10 07:30pm Houston Symphony | ||
| Sunday 10-Oct-10 03:00pm |
Royal Festival Hall, London Philharmonia Orchestra |
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| Royal Festival Hall, London, London, United Kingdom Sunday 10-Oct-10 03:00pm Philharmonia Orchestra Dancing tunes and jumping rhythms abound in this afternoon’s programme. Stravinsky’s music to The Firebird glitters with magical colours describing the fairytale of the magic bird and the heroic prince; meanwhile Rachmaninov takes one of Paganini’s most famous tunes and transforms it in every way imaginable, through dazzling displays of pianistic virtuosity to Variation 18 that swells in the epitome of Romanticism. Ravel’s orchestration of Mussorgsky’s promenade through an art gallery, with its evocative descriptions of the paintings therein, completes the programme. | ||
| Friday 15-Oct-10 07:30pm |
Wigmore Hall, London Alisa Weilerstein, cello |
Stravinsky, Pulcinella: Suite Italienne (arr. for cello and piano) |
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| Wigmore Hall, London, London, United Kingdom Friday 15-Oct-10 07:30pm Alisa Weilerstein, cello Stravinsky, Igor (1882-1971), Pulcinella: Suite Italienne (arr. for cello and piano) | ||
| Friday 15-Oct-10 07:45pm |
Anvil, Basingstoke Houston Symphony |
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| Anvil, Basingstoke, Basingstoke RG21 7QR, United Kingdom Friday 15-Oct-10 07:45pm Houston Symphony We make no apology for programming another performance of Holst's most well-known piece in order to present the remarkable project developed by the Houston Symphony, which marries the music to astounding still and moving images from NASA using material sent back by the Voyager, Mars Rover and other space missions. The rest of the concert keep the celestial theme, with Stravinsky's colourful depiction of fireworks, and the symphony by John Adams drawn from the music of his successful opera about Robert Oppenheimer and the creation of the atomic bomb. | ||
| Friday 15-Oct-10 08:00pm |
Palais des Beaux-Arts (BOZAR): Henri le Boeuf Concert Hall, Brussels Lyrisme, passion et bravoure |
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| Palais des Beaux-Arts (BOZAR): Henri le Boeuf Concert Hall, Brussels, Rue Ravensteinstraat 23, B1000 Brussels, Belgium Friday 15-Oct-10 08:00pm Lyrisme, passion et bravoure An evening of memorable storytelling from the NOB under James Gaffigan, full of lyricism, passion, and brilliance. Van Rossum's Lyrical Story is followed by Sergei Khachatryan's interpretation of Beethoven's Violin Concerto. We end with the tale of the Firebird, with his jewel eyes and fiery plumage, which so inspired Stravinsky. | ||
| Saturday 16-Oct-10 01:00pm |
Kings Place: Hall One, London REMIX: London Sinfonietta and Orchestra of the Age of Enlightenment - Music as Theft |
Monza, Air; Gavotte avec Double |
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| Kings Place: Hall One, London, London N1 9AG, United Kingdom Saturday 16-Oct-10 01:00pm REMIX: London Sinfonietta and Orchestra of the Age of Enlightenment - Music as Theft Price: £9.50 - £24.50
London Sinfonietta and the Orchestra of the Age of Enlightenment join forces in a concert showcasing works based on older musical ideas. The second half includes a new five-minute commission from composer Richard Causton, taking a movement of one of the first-half pieces as their starting point. Stravinsky's Pulcinella takes centre stage with its modern, neo-classical take on Pergolesi's 18th-century classic. Artists will join the audience in the bar after the performance.
Monza, Carlo Ignazio (c 1696-1739), Air; Gavotte avec Double | ||
| Saturday 16-Oct-10 07:30pm |
Albert Hall, Nottingham Nottingham Philharmonic Orchestra |
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| Albert Hall, Nottingham, Nottingham NG1 5AA, United Kingdom Saturday 16-Oct-10 07:30pm Nottingham Philharmonic Orchestra Free Pre-Concert talk by Mark Heron at 6.45pm Tickets on sale on the Door from 6.30pm | ||
| Saturday 16-Oct-10 07:30pm |
Barbican Centre, London Houston Symphony perform The Planets, an HD Odyssey |
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| Barbican Centre, London, London EC2Y 8DS, United Kingdom Saturday 16-Oct-10 07:30pm Houston Symphony perform The Planets, an HD Odyssey The Houston Symphony has collaborated with NASA, The Jet Propulsion Project and producer/director Duncan Copp to make a film of the latest, high-definition images that will accompany a live performance of Gustav Holst's The Planets. | ||
| Sunday 17-Oct-10 06:00pm |
Auditorium Parco della Musica di Roma, Sala Santa Cecilia, Rome Il Titano |
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| Auditorium Parco della Musica di Roma, Sala Santa Cecilia, Rome, 00196 Rome, Italy Sunday 17-Oct-10 06:00pm Il Titano | ||
| Wednesday 20-Oct-10 09:00pm |
Auditorium del Lingotto: Giovanni Agnelli, Turin Hilliard Ensemble and Orchestra Giovanile Italiana |
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| Auditorium del Lingotto: Giovanni Agnelli, Turin, Via Nizza 280, 10126 Turin, Italy Wednesday 20-Oct-10 09:00pm Hilliard Ensemble and Orchestra Giovanile Italiana | ||
| Thursday 21-Oct-10 08:00pm |
The Music Center at Strathmore, North Bethesda, MD Baltimore Symphony Orchestra |
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| The Music Center at Strathmore, North Bethesda, MD, North Bethesda, MD, United States Thursday 21-Oct-10 08:00pm Baltimore Symphony Orchestra | ||
| Friday 22-Oct-10 08:00pm |
Joseph Meyerhoff Symphony Hall, Baltimore, MD Baltimore Symphony Orchestra |
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| Joseph Meyerhoff Symphony Hall, Baltimore, MD, Baltimore, MD, United States Friday 22-Oct-10 08:00pm Baltimore Symphony Orchestra | ||
| Saturday 23-Oct-10 08:00pm |
Joseph Meyerhoff Symphony Hall, Baltimore, MD Baltimore Symphony Orchestra |
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| Joseph Meyerhoff Symphony Hall, Baltimore, MD, Baltimore, MD, United States Saturday 23-Oct-10 08:00pm Baltimore Symphony Orchestra | ||
| Sunday 24-Oct-10 08:45pm |
Teatro Nuovo Giovanni da Udine Hilliard Ensemble and Orchestra Giovanile Italiana |
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| Teatro Nuovo Giovanni da Udine, via Trento, 4, 33100 Udine, Italy Sunday 24-Oct-10 08:45pm Hilliard Ensemble and Orchestra Giovanile Italiana | ||
| Wednesday 27-Oct-10 07:30pm |
Musikverein: Großer Saal, Vienna Leonidas Kavakos and Elisabeth Leonskaja |
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| Musikverein: Großer Saal, Vienna, Vienna, Austria Wednesday 27-Oct-10 07:30pm Leonidas Kavakos and Elisabeth Leonskaja | ||
| Thursday 28-Oct-10 07:30pm |
Barbican Centre, London London Symphony Orchestra |
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| Barbican Centre, London, London EC2Y 8DS, United Kingdom Thursday 28-Oct-10 07:30pm London Symphony Orchestra Tickets £8 £14 £19 £25 £32 | ||
| Friday 29-Oct-10 07:30pm |
Musikverein: Großer Saal, Vienna Orchestre National de France |
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| Musikverein: Großer Saal, Vienna, Vienna, Austria Friday 29-Oct-10 07:30pm Orchestre National de France | ||
| Friday 29-Oct-10 07:30pm |
St Davids Hall, Cardiff Orchestra Of Welsh National Opera |
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| St Davids Hall, Cardiff, Cardiff CF10 2DP, United Kingdom Friday 29-Oct-10 07:30pm Orchestra Of Welsh National Opera Stravinsky's ballet, The Firebird, is one of the most brilliant debuts that any young composer has ever made: a dazzling evocation of the tales, mystery and barbaric splendour of ancient Russia. Hear it next to Rachmaninov's The Isle of the Dead - a spine-chilling evocation of the isle from which no-one returns, and Ravel's Piano Concerto with its still serene slow movement recalling the spirit of Mozart. Conductor/ Lothar Koenigs Soloist/ Jean-Phillippe Collard, Piano Rachmaninov/ The Isle of the Dead 21' Ravel /Piano Concerto in G 23' Webern/ Six Pieces for Orchestra 12' Stravinsky / Suite, The Firebird (1919) 25' | ||
| Monday 1-Nov-10 01:00pm |
Wigmore Hall, London Khatia Buniatishvili, piano |
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| Wigmore Hall, London, London, United Kingdom Monday 1-Nov-10 01:00pm Khatia Buniatishvili, piano | ||
| Tuesday 2-Nov-10 07:30pm |
Royal Concert Hall, Nottingham sinfonia ViVA |
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| Royal Concert Hall, Nottingham, Nottingham NG1 5ND, United Kingdom Tuesday 2-Nov-10 07:30pm sinfonia ViVA | ||
| Thursday 4-Nov-10 07:00pm |
Kennedy Center: Concert Hall, Washington, DC National Symphony Orchestra |
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| Kennedy Center: Concert Hall, Washington, DC, Washington, DC 20566, United States Thursday 4-Nov-10 07:00pm National Symphony Orchestra | ||
| Thursday 4-Nov-10 08:30pm |
Auditorium di Milano Fondazione Cariplo Orchestra Sinfonica di Milano Giuseppe Verdi |
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| Auditorium di Milano Fondazione Cariplo, Largo Gustav Mahler, Milan, Italy Thursday 4-Nov-10 08:30pm Orchestra Sinfonica di Milano Giuseppe Verdi | ||
| Friday 5-Nov-10 08:00pm |
Auditorium di Milano Fondazione Cariplo Orchestra Sinfonica di Milano Giuseppe Verdi |
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| Auditorium di Milano Fondazione Cariplo, Largo Gustav Mahler, Milan, Italy Friday 5-Nov-10 08:00pm Orchestra Sinfonica di Milano Giuseppe Verdi | ||
| Friday 5-Nov-10 09:00pm |
L'Auditori, Barcelona 06 Mahler Lieder |
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| More info... | ||
| L'Auditori, Barcelona, Lepanto, 150, Barcelona 08013, Spain Friday 5-Nov-10 09:00pm 06 Mahler Lieder | ||
| Saturday 6-Nov-10 07:00pm |
L'Auditori, Barcelona 06 Mahler Lieder |
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| More info... | ||
| L'Auditori, Barcelona, Lepanto, 150, Barcelona 08013, Spain Saturday 6-Nov-10 07:00pm 06 Mahler Lieder | ||
| Saturday 6-Nov-10 08:00pm |
Walt Disney Concert Hall, Los Angeles, CA Los Angeles Philharmonic: Saturday Evening 1 |
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| More info... | ||
| Walt Disney Concert Hall, Los Angeles, CA, Los Angeles, CA 90012, United States Saturday 6-Nov-10 08:00pm Los Angeles Philharmonic: Saturday Evening 1 | ||
| Saturday 6-Nov-10 08:00pm |
Kennedy Center: Concert Hall, Washington, DC National Symphony Orchestra |
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| More info... | ||
| Kennedy Center: Concert Hall, Washington, DC, Washington, DC 20566, United States Saturday 6-Nov-10 08:00pm National Symphony Orchestra | ||
| Sunday 7-Nov-10 11:00am |
L'Auditori, Barcelona 06 Mahler Lieder |
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| More info... | ||
| L'Auditori, Barcelona, Lepanto, 150, Barcelona 08013, Spain Sunday 7-Nov-10 11:00am 06 Mahler Lieder | ||
| Sunday 7-Nov-10 01:30pm |
Kennedy Center: Concert Hall, Washington, DC National Symphony Orchestra |
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| More info... | ||
| Kennedy Center: Concert Hall, Washington, DC, Washington, DC 20566, United States Sunday 7-Nov-10 01:30pm National Symphony Orchestra | ||
