Country: Germany| Date | Event | Composers, Works, Performers |
|---|---|---|
| Saturday 25-May-13 07:30pm |
 National Theatre, MunichLa Bayadère - Revival |
Bavarian State Ballet |
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| National Theatre, Munich, Munich, Germany Saturday 25-May-13 07:30pm La Bayadère - Revival La Bayadère was the first work in a series of successful reconstructions of 19th century repertory which has been – almost – completed in Munich. This splendid full-length gem of a true Russian classic by master choreographer Marius Petipa, focuses on the two characters of Nikija and Solor, caught in a complicated triangle relationship. Petipa stands for the great era of the Russian Imperial ballet at the Mariinsky Theater St. Petersburg. Most audiences today associate him with the famous and ever popular Tchaikovsky-ballets: The Sleeping Beauty and Swan Lake or Don Quixote with music by Ludwig Minkus.
Created in 1877, La Bayadère is a mixture of an exotic tale, a thriller and a celebration of virtuosity. At its center are the two lovers: the priestess, the Bayadère, Nikija and the soldier Solor. The ladder however is promised in marriage to Gamzatti, the daughter of the Radja, whilst the Great Brahman has fallen in love with his priestess Nikija. Nikija falls victim to murder by her rival and Solor dreams himself into the 'Kingdom of Shades' in order to be reunited with his love. What follows is one of the most famous, magnificent white acts in ballet history.
The Bavarian State Ballet has worked on this version, together with the French choreographer Patrice Bart and the Japanese stage- and costume designer Tomio Mohri. The heart of the piece, the 'Kingdom of Shades' act, the betrothal celebration scene with it ceremonious line filing dance and some elaborate pantomime scenes can be seen in its original version.
The final act, lost in Russia since the beginning of the century, is part a new creation, part reconstruction.Image credit: Wilfried Hösl | ||
| Sunday 26-May-13 07:30pm |
Staatsoper at Schiller Theater, Berlin Caravaggio |
Staatsballett Berlin |
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| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Sunday 26-May-13 07:30pm Caravaggio Music by Moretti, Bruno (b. 1960)/Monteverdi, Claudio (1567-1643) Choreography by Mauro Bigonzetti Caravaggio, born Michelangelo Merisi, has entered history due to his paintings of dramatic intensity. Caravaggio used to venture the threshold beyond the pale throughout his life. He was seen for admiration of his work and harsh opposition towards his extraordinary realism in painting human beings. Due to his passionate personality, he encountered more than several conflicts with people around him, sponsors, and the law. One of his foremost artistic twists was the extreme contrast between brightness and darkness, light and shadow.
Mauro Bigonzetti is one of the leading choreographers of the Italian ballet which freed itself from the predominance of mainly classical opera companies in the 80’s. He created his choreographies mainly for the Aterballetto in Reggio Emilia that helped him to fame and worldwide attention. “When I think of Caravaggio, I think of the artist and the human being at the same time. These are the two sides of the human existence that interest me in particular. The relations of these two worlds are the inspiration for this work: the inner world on the one hand – and how it evolves artistically on the other.”
Mauro Bigonzetti has developed the piece CARAVAGGIO in collaboration with the Staatsballett Berlin.
45 minutes before each performance (except premieres), there is an introduction in the opera house (in German).
It is prepared and moderated by students of the institute of dance studies (Institut für Tanzwissenschaft) of Freie Universität Berlin. | ||
| Tuesday 28-May-13 07:30pm |
Mainfranken Theater Würzburg Cyrano de Bergerac Mozartfest Würzburg |
Ballettcompagnie des Mainfranken Theaters Würzburg |
| More info... | ||
| Mainfranken Theater Würzburg, Theaterstraße 21, 97070 Würzburg, Germany Tuesday 28-May-13 07:30pm | ||
| Friday 31-May-13 08:00pm |
National Theatre, Munich Heroes - Première |
Bavarian State Ballet |
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| National Theatre, Munich, Munich, Germany Friday 31-May-13 08:00pm Heroes - Première "To become a hero, one must be different. The deeds of a hero shall bring him glory, they can be of physical or intellectual nature: Courage, a willingness to make sacrifices and to stand up for ideals and fellow human beings. Heroes are the counterpart of villains and cowards – or so they should be.”
With Once Upon An Ever After stage designer rosalie and choreographer Terence Kohler have produced a celebrated blockbuster of dance as the centerpiece of the 100 years of Ballets Russes bill. For Heroes the two artists will once again collaborate to create the premiere of the Ballet Festival Week 2013 on the Bavarian State Ballet. Terence Kohler chose musical scores by Alfred Schnittke for his piece. In addition he is working with composer Lera Auerbach. New production.Image credit: Once Upon an Ever After © Wilfried Hösl | ||
| Saturday 1-Jun-13 07:30pm |
National Theatre, Munich Heroes - Première |
Bavarian State Ballet |
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| National Theatre, Munich, Munich, Germany Saturday 1-Jun-13 07:30pm Heroes - Première "To become a hero, one must be different. The deeds of a hero shall bring him glory, they can be of physical or intellectual nature: Courage, a willingness to make sacrifices and to stand up for ideals and fellow human beings. Heroes are the counterpart of villains and cowards – or so they should be.”
With Once Upon An Ever After stage designer rosalie and choreographer Terence Kohler have produced a celebrated blockbuster of dance as the centerpiece of the 100 years of Ballets Russes bill. For Heroes the two artists will once again collaborate to create the premiere of the Ballet Festival Week 2013 on the Bavarian State Ballet. Terence Kohler chose musical scores by Alfred Schnittke for his piece. In addition he is working with composer Lera Auerbach. New production.Image credit: Once Upon an Ever After © Wilfried Hösl | ||
| Saturday 1-Jun-13 09:00pm |
Oliver-Arena, Würzburg Mozart meets Breakdance Mozartfest Würzburg |
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| Oliver-Arena, Würzburg, Stettiner Str.1, 97072 Würzburg, Germany Saturday 1-Jun-13 09:00pm Mozart meets Breakdance is a complete new performance, which will be show at the Mozartfest as world premiere. Live piano music from Mozart will be played by Christoph Hagel and the reigning world champions in break dancing will perform their steps and moves to Mozart - especially interesting for young adults and teenagers. Tickets: 30,- € (Kat. I) / 20,- € (Kat. II) / 15,- € (Kat. III) | ||
| Sunday 9-Jun-13 06:00pm |
Staatsoper, Hamburg Revival: Scenes from Shakespeare |
Hamburg Ballet |
| More info... | ||
| Staatsoper, Hamburg, Große Theaterstraße 25, 20354 Hamburg, Germany Sunday 9-Jun-13 06:00pm Revival: Scenes from Shakespeare | ||
| Monday 10-Jun-13 08:00pm |
Neues Theater, Halle Il Pianto d'Orfeo: A cross-genre dance project Händel Festival Halle |
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| Neues Theater, Halle, Große Ulrichstraße 51, 06108 Halle, Germany Monday 10-Jun-13 08:00pm Il Pianto d'Orfeo: A cross-genre dance project | ||
| Tuesday 11-Jun-13 08:00pm |
Neues Theater, Halle Il Pianto d'Orfeo: A cross-genre dance project Händel Festival Halle |
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| Neues Theater, Halle, Große Ulrichstraße 51, 06108 Halle, Germany Tuesday 11-Jun-13 08:00pm Il Pianto d'Orfeo: A cross-genre dance project Il Pianto d'Orfeo Tickets €20, 15Music by Monteverdi, Claudio (1567-1643) / Peri, Jacopo (1561-1633) / Caccini, Giulio (1551-1618) / Allegri, Gregorio (1582-1652) | ||
| Thursday 13-Jun-13 07:30pm |
Theater Bonn Highlights des Internationalen Tanzes |
(play) (Music: Castaldi / Mozart / Chopin / Bach J.S. / Visée / Vivaldi / Glass / de Lassus / Shostakovich, Ch: Kvanström) Helsinki Dance Company |
| More info... | ||
| Theater Bonn, Opernhaus/Werkstatt, , Am Boeselagerhof 1, , 53111 Bonn, Bonn, Germany Thursday 13-Jun-13 07:30pm Highlights des Internationalen Tanzes (play) Music by Castaldi, Bellerofonte (1580-1649) / Mozart, Wolfgang Amadeus (1756-1791) / Chopin, Fryderyk Franciszek (1810-1849) / Bach, Johann Sebastian (1685-1750) / Visée, Robert de (1660-1725) / Vivaldi, Antonio (1678-1741) / Glass, Philip (b. 1937) / de Lassus, Orlande (1532-1594) / Shostakovich, Dmitri (1906-1975) Choreography by Kenneth Kvanström | ||
| Friday 14-Jun-13 07:00pm |
Staatsoper, Hamburg Revival: Romeo and Juliet |
Hamburg Ballet |
| More info... | ||
| Staatsoper, Hamburg, Große Theaterstraße 25, 20354 Hamburg, Germany Friday 14-Jun-13 07:00pm Revival: Romeo and Juliet | ||
| Friday 14-Jun-13 07:00pm |
National Theatre, Munich Illusions - like Swan Lake |
Bavarian State Ballet |
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| National Theatre, Munich, Munich, Germany Friday 14-Jun-13 07:00pm Illusions - like Swan Lake Music by Tchaikovsky, Pyotr Ilyich (1840-1893) Choreography by John Neumeier …Silence. An empty room in a gloomy castle. Scattered throughout the room, concealed sculptures fill the empty space. Shown in by reverent guards, a man stares into nowhere. The gate slams shut behind him. Gradually, the king begins to grasp – imprisoned and deprived of power – his situation, his surroundings. In an introverted gesture, he places his hand on his heart… the music meets his lament with the first notes of Swan Lake...
The premiere of llusions – Like Swan Lake was a celebrated success of the Ballet Festival Week of 2011. Finally, John Neumeier’s ballet about the fairy tale king had been brought to its original setting.
Illusions is a Royal thriller with traditional folklore dancing, complete with a good dose of local Bavarian color. The ever-present reference to one of the greatest works in ballet history becomes most apparent in the second act, where Lew Iwanow’s original choreography is integrated: “The reconstruction of a golden hour of St. Petersburg ballet history, elaborate stage design magic supported by the captivating musical score. Most of all, it is a ballet drama that touches us right at the core because of its soulful, vivid characters, instead of showcasing lifeless swans and princes.”Image credit: Charles Tandy | ||
| Friday 14-Jun-13 07:30pm |
Theater Bonn Highlights des Internationalen Tanzes |
(play) (Music: Castaldi / Mozart / Chopin / Bach J.S. / Visée / Vivaldi / Glass / de Lassus / Shostakovich, Ch: Kvanström) Helsinki Dance Company |
| More info... | ||
| Theater Bonn, Opernhaus/Werkstatt, , Am Boeselagerhof 1, , 53111 Bonn, Bonn, Germany Friday 14-Jun-13 07:30pm Highlights des Internationalen Tanzes (play) Music by Castaldi, Bellerofonte (1580-1649) / Mozart, Wolfgang Amadeus (1756-1791) / Chopin, Fryderyk Franciszek (1810-1849) / Bach, Johann Sebastian (1685-1750) / Visée, Robert de (1660-1725) / Vivaldi, Antonio (1678-1741) / Glass, Philip (b. 1937) / de Lassus, Orlande (1532-1594) / Shostakovich, Dmitri (1906-1975) Choreography by Kenneth Kvanström | ||
| Sunday 16-Jun-13 03:00pm |
National Theatre, Munich Illusions - like Swan Lake |
Bavarian State Ballet |
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| National Theatre, Munich, Munich, Germany Sunday 16-Jun-13 03:00pm Illusions - like Swan Lake Music by Tchaikovsky, Pyotr Ilyich (1840-1893) Choreography by John Neumeier …Silence. An empty room in a gloomy castle. Scattered throughout the room, concealed sculptures fill the empty space. Shown in by reverent guards, a man stares into nowhere. The gate slams shut behind him. Gradually, the king begins to grasp – imprisoned and deprived of power – his situation, his surroundings. In an introverted gesture, he places his hand on his heart… the music meets his lament with the first notes of Swan Lake...
The premiere of llusions – Like Swan Lake was a celebrated success of the Ballet Festival Week of 2011. Finally, John Neumeier’s ballet about the fairy tale king had been brought to its original setting.
Illusions is a Royal thriller with traditional folklore dancing, complete with a good dose of local Bavarian color. The ever-present reference to one of the greatest works in ballet history becomes most apparent in the second act, where Lew Iwanow’s original choreography is integrated: “The reconstruction of a golden hour of St. Petersburg ballet history, elaborate stage design magic supported by the captivating musical score. Most of all, it is a ballet drama that touches us right at the core because of its soulful, vivid characters, instead of showcasing lifeless swans and princes.”Image credit: Charles Tandy | ||
| Sunday 16-Jun-13 07:30pm |
Staatsoper, Hamburg Revival: Nijinsky-Epilogue |
Hamburg Ballet |
| More info... | ||
| Staatsoper, Hamburg, Große Theaterstraße 25, 20354 Hamburg, Germany Sunday 16-Jun-13 07:30pm Revival: Nijinsky-Epilogue In "Le Pavillon d'Armide" and "Le Sacre" John Neumeier depicts aspects of legendary dancer Vaslaw Nijinsky's life and work. The double-bill evening is set to complement Neumeier's ballet "Nijinsky". | ||
| Thursday 20-Jun-13 08:00pm |
Karlskaserne: Reithalle, Ludwigsburg Open for everything | Constanza Macras Ludwigsburg Festival |
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| More info... | ||
| Karlskaserne: Reithalle, Ludwigsburg, Hindenburg Strasse 29, 71638 Ludwigsburg, Germany Thursday 20-Jun-13 08:00pm Open for everything | Constanza Macras | ||
| Friday 21-Jun-13 08:00pm |
Karlskaserne: Reithalle, Ludwigsburg Open for everything | Constanza Macras Ludwigsburg Festival |
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| More info... | ||
| Karlskaserne: Reithalle, Ludwigsburg, Hindenburg Strasse 29, 71638 Ludwigsburg, Germany Friday 21-Jun-13 08:00pm Open for everything | Constanza Macras | ||
| Saturday 22-Jun-13 07:00pm |
National Theatre, Munich Illusions - like Swan Lake |
Bavarian State Ballet |
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| National Theatre, Munich, Munich, Germany Saturday 22-Jun-13 07:00pm Illusions - like Swan Lake Music by Tchaikovsky, Pyotr Ilyich (1840-1893) Choreography by John Neumeier …Silence. An empty room in a gloomy castle. Scattered throughout the room, concealed sculptures fill the empty space. Shown in by reverent guards, a man stares into nowhere. The gate slams shut behind him. Gradually, the king begins to grasp – imprisoned and deprived of power – his situation, his surroundings. In an introverted gesture, he places his hand on his heart… the music meets his lament with the first notes of Swan Lake...
The premiere of llusions – Like Swan Lake was a celebrated success of the Ballet Festival Week of 2011. Finally, John Neumeier’s ballet about the fairy tale king had been brought to its original setting.
Illusions is a Royal thriller with traditional folklore dancing, complete with a good dose of local Bavarian color. The ever-present reference to one of the greatest works in ballet history becomes most apparent in the second act, where Lew Iwanow’s original choreography is integrated: “The reconstruction of a golden hour of St. Petersburg ballet history, elaborate stage design magic supported by the captivating musical score. Most of all, it is a ballet drama that touches us right at the core because of its soulful, vivid characters, instead of showcasing lifeless swans and princes.”Image credit: Charles Tandy | ||
| Sunday 23-Jun-13 07:00pm |
National Theatre, Munich Illusions - like Swan Lake |
Bavarian State Ballet |
| ||
| National Theatre, Munich, Munich, Germany Sunday 23-Jun-13 07:00pm Illusions - like Swan Lake Music by Tchaikovsky, Pyotr Ilyich (1840-1893) Choreography by John Neumeier …Silence. An empty room in a gloomy castle. Scattered throughout the room, concealed sculptures fill the empty space. Shown in by reverent guards, a man stares into nowhere. The gate slams shut behind him. Gradually, the king begins to grasp – imprisoned and deprived of power – his situation, his surroundings. In an introverted gesture, he places his hand on his heart… the music meets his lament with the first notes of Swan Lake...
The premiere of llusions – Like Swan Lake was a celebrated success of the Ballet Festival Week of 2011. Finally, John Neumeier’s ballet about the fairy tale king had been brought to its original setting.
Illusions is a Royal thriller with traditional folklore dancing, complete with a good dose of local Bavarian color. The ever-present reference to one of the greatest works in ballet history becomes most apparent in the second act, where Lew Iwanow’s original choreography is integrated: “The reconstruction of a golden hour of St. Petersburg ballet history, elaborate stage design magic supported by the captivating musical score. Most of all, it is a ballet drama that touches us right at the core because of its soulful, vivid characters, instead of showcasing lifeless swans and princes.”Image credit: Charles Tandy | ||
| Tuesday 25-Jun-13 07:00pm |
Prinzregententheater, Munich Biped |
Bavarian State Ballet |
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| Prinzregententheater, Munich, 81675 Munich, Germany Tuesday 25-Jun-13 07:00pm "Biped is a signature piece of Merce Cunningham’s late body of works. 42 minutes of pure dance co-exist on stage without correlation to projection and music.
„It was one of the first new musical compositions commissioned by Merce Cunningham since the death of John Cage in 1992. Like all of Merce‘s work it involved a collaboration with visual artists, in this case Paul Kaiser and Shelley Eshkar who had developed a very striking technique of video motion capture. In working on the music Merce and I agreed that we would follow the method established between himself and John Cage of working independently but towards a common goal, thereby avoiding any planned one-to-one relationship between music, dance and décor.”
(Composer Gavin Bryars about Biped)
Ballet by Richard Siegal
„…suddenly, Richard Siegal stops the rehearsal, tells what he intended to insert here and there, asks the audience for their opinion, drops all inquiries and jumps to the next scene (…) it takes a while to realize what game is being played here – but even then, a hint of uncertainty is left behind. The means of presentation are chosen intentionally: the casual tone of voice, the official tone, minute details in choreographed passages where he articulates every single muscle like a cat, stand-up comedy followed by solemn seriousness. A wide-spectrum.” – TANZ magazine wrote about Richard Siegal as choreographer and performer. His new creation is yet to be named.Image credit: Merce Cunningham © Annie Liebovitz | ||
| Tuesday 25-Jun-13 07:30pm |
Staatsoper, Hamburg Liliom |
Hamburg Ballet Philharmoniker Hamburg Simon Hewett, Conductor Dancers: Carsten Jung: Liliom Alina Cojocaru: Julie Aleix Martinez: Louis |
| More info... | ||
| Staatsoper, Hamburg, Große Theaterstraße 25, 20354 Hamburg, Germany Tuesday 25-Jun-13 07:30pm Philharmoniker Hamburg Simon Hewett, Conductor Dancers: Carsten Jung: Liliom Alina Cojocaru: Julie Aleix Martinez: Louis | ||
| Wednesday 26-Jun-13 07:00pm |
Prinzregententheater, Munich Biped |
Bavarian State Ballet |
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| Prinzregententheater, Munich, 81675 Munich, Germany Wednesday 26-Jun-13 07:00pm "Biped is a signature piece of Merce Cunningham’s late body of works. 42 minutes of pure dance co-exist on stage without correlation to projection and music.
„It was one of the first new musical compositions commissioned by Merce Cunningham since the death of John Cage in 1992. Like all of Merce‘s work it involved a collaboration with visual artists, in this case Paul Kaiser and Shelley Eshkar who had developed a very striking technique of video motion capture. In working on the music Merce and I agreed that we would follow the method established between himself and John Cage of working independently but towards a common goal, thereby avoiding any planned one-to-one relationship between music, dance and décor.”
(Composer Gavin Bryars about Biped)
Ballet by Richard Siegal
„…suddenly, Richard Siegal stops the rehearsal, tells what he intended to insert here and there, asks the audience for their opinion, drops all inquiries and jumps to the next scene (…) it takes a while to realize what game is being played here – but even then, a hint of uncertainty is left behind. The means of presentation are chosen intentionally: the casual tone of voice, the official tone, minute details in choreographed passages where he articulates every single muscle like a cat, stand-up comedy followed by solemn seriousness. A wide-spectrum.” – TANZ magazine wrote about Richard Siegal as choreographer and performer. His new creation is yet to be named.Image credit: Merce Cunningham © Annie Liebovitz | ||
| Thursday 27-Jun-13 07:30pm |
Staatsoper, Hamburg The Little Mermaid |
Hamburg Ballet |
| More info... | ||
| Staatsoper, Hamburg, Große Theaterstraße 25, 20354 Hamburg, Germany Thursday 27-Jun-13 07:30pm | ||
| Thursday 27-Jun-13 07:30pm |
Staatsoper at Schiller Theater, Berlin Duato - Forsythe - Goecke |
Staatsballett Berlin |
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| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Thursday 27-Jun-13 07:30pm Duato - Forsythe - Goecke Arcangelo Music by Corelli, Arcangelo (1653-1713)/Scarlatti, Alessandro (1660-1725) Choreography by Nacho Duato This ballet-evening is composed of works of three of the most significant choreographers of our time. Nacho Duato’s creation ARCANGELO is a choreography which had its world premiere in 2000 and which is one of the master pieces of the Spanish choreographer. William Forsythe’s HERMAN SCHMERMAN is from 1992 and is nowadays in the contemporary repertory of many classical companies. Marco Goecke, whose choreographies are shown all over Germany, developed a world premiere for Staatsballett Berlin for the first time: and the sky on that cloudy old day
45 minutes before each performance (except premieres), there is an introduction in the opera house.
It is prepared and moderated by students of the institute of dance studies (Institut für Tanzwissenschaft) of Freie Universität Berlin. June performances will use recorded music. | ||
| Friday 28-Jun-13 09:45am |
Probenhaus, Munich Ballet extra: A day of rehearsal with the Bavarian Stat Ballet |
See More info... for programme details. Bavarian State Ballet |
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| Probenhaus, Munich, Platzl 7, 80331 Munich, Germany Friday 28-Jun-13 09:45am Ballet extra: A day of rehearsal with the Bavarian Stat Ballet Tickets €9 | ||
| Friday 28-Jun-13 07:00pm |
Prinzregententheater, Munich Biped |
Bavarian State Ballet |
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| Prinzregententheater, Munich, 81675 Munich, Germany Friday 28-Jun-13 07:00pm "Biped is a signature piece of Merce Cunningham’s late body of works. 42 minutes of pure dance co-exist on stage without correlation to projection and music.
„It was one of the first new musical compositions commissioned by Merce Cunningham since the death of John Cage in 1992. Like all of Merce‘s work it involved a collaboration with visual artists, in this case Paul Kaiser and Shelley Eshkar who had developed a very striking technique of video motion capture. In working on the music Merce and I agreed that we would follow the method established between himself and John Cage of working independently but towards a common goal, thereby avoiding any planned one-to-one relationship between music, dance and décor.”
(Composer Gavin Bryars about Biped)
Ballet by Richard Siegal
„…suddenly, Richard Siegal stops the rehearsal, tells what he intended to insert here and there, asks the audience for their opinion, drops all inquiries and jumps to the next scene (…) it takes a while to realize what game is being played here – but even then, a hint of uncertainty is left behind. The means of presentation are chosen intentionally: the casual tone of voice, the official tone, minute details in choreographed passages where he articulates every single muscle like a cat, stand-up comedy followed by solemn seriousness. A wide-spectrum.” – TANZ magazine wrote about Richard Siegal as choreographer and performer. His new creation is yet to be named.Image credit: Merce Cunningham © Annie Liebovitz | ||
| Saturday 29-Jun-13 07:30pm |
Staatsoper at Schiller Theater, Berlin Duato - Forsythe - Goecke |
Staatsballett Berlin |
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| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Saturday 29-Jun-13 07:30pm Duato - Forsythe - Goecke Arcangelo Music by Corelli, Arcangelo (1653-1713)/Scarlatti, Alessandro (1660-1725) Choreography by Nacho Duato This ballet-evening is composed of works of three of the most significant choreographers of our time. Nacho Duato’s creation ARCANGELO is a choreography which had its world premiere in 2000 and which is one of the master pieces of the Spanish choreographer. William Forsythe’s HERMAN SCHMERMAN is from 1992 and is nowadays in the contemporary repertory of many classical companies. Marco Goecke, whose choreographies are shown all over Germany, developed a world premiere for Staatsballett Berlin for the first time: and the sky on that cloudy old day
45 minutes before each performance (except premieres), there is an introduction in the opera house.
It is prepared and moderated by students of the institute of dance studies (Institut für Tanzwissenschaft) of Freie Universität Berlin. June performances will use recorded music. | ||
| Saturday 29-Jun-13 07:30pm |
Staatsoper, Hamburg Revival: Scenes from Shakespeare |
Hamburg Ballet |
| More info... | ||
| Staatsoper, Hamburg, Große Theaterstraße 25, 20354 Hamburg, Germany Saturday 29-Jun-13 07:30pm Revival: Scenes from Shakespeare | ||
| Saturday 29-Jun-13 08:00pm |
Staatsoper, Hamburg Revival: Preludes CV |
Hamburg Ballet |
| More info... | ||
| Staatsoper, Hamburg, Große Theaterstraße 25, 20354 Hamburg, Germany Saturday 29-Jun-13 08:00pm Revival: Preludes CV | ||
| Tuesday 2-Jul-13 07:30pm |
National Theatre, Munich Forever Young |
Bavarian State Ballet |
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| National Theatre, Munich, Munich, Germany Tuesday 2-Jul-13 07:30pm Forever Young Forever Young – the title of a mixed-bill program featuring José Limón’s The Moor‘s Pavane and Choreartium by Léonide Massine, with a hint of irony, reflects on a central theme of dance research which recently has been strongly endorsed by the National Culture Foundation: What is dance heritage and how do we pass it on? How do we handle the responsibility of keeping alive the legacies created by past choreographers? When the quality of the work itself transcends all of its contemporary ties and cross-references, it carries over seamlessly to the next generation: it is indeed Forever young… A certain part of this legacy arguably is to be kept in archives – the rest needs to stay alive through performance.
The Bavarian State Ballet responds to the call for innovation in dance during the season by dedicating it to the classic modernity as well as challenging its audience’s perceptions with original contemporary works. With his masterpiece Choreartium, originating from the tradition of the Ballets Russes, choreographer Léonide Massine laid the groundwork for future artists by visualizing music through dance. Thereby, he created unsentimental works that, apart from their metaphysical content, stand for pure aesthetic 'material' which will be accessible to many generations to come. José Limón’s ballet The Moor‘s Pavane, a take on Shakespeare’s drama between Otello and Desdemona, focuses on the human inability to love, trust and his lack of compassion and empathy. To this day, the ballet by Mexican-American choreographer José Limón from 1949 is considered one of the key-repertory pieces of American Modern dance.Image credit: José Limón | ||
| Sunday 7-Jul-13 07:30pm |
National Theatre, Munich Heroes - Première |
Bavarian State Ballet |
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| National Theatre, Munich, Munich, Germany Sunday 7-Jul-13 07:30pm Heroes - Première "To become a hero, one must be different. The deeds of a hero shall bring him glory, they can be of physical or intellectual nature: Courage, a willingness to make sacrifices and to stand up for ideals and fellow human beings. Heroes are the counterpart of villains and cowards – or so they should be.”
With Once Upon An Ever After stage designer rosalie and choreographer Terence Kohler have produced a celebrated blockbuster of dance as the centerpiece of the 100 years of Ballets Russes bill. For Heroes the two artists will once again collaborate to create the premiere of the Ballet Festival Week 2013 on the Bavarian State Ballet. Terence Kohler chose musical scores by Alfred Schnittke for his piece. In addition he is working with composer Lera Auerbach. New production.Image credit: Once Upon an Ever After © Wilfried Hösl | ||
| Wednesday 10-Jul-13 08:00pm |
Semperoper, Dresden Dresdner Ballettgala |
Programme not known Dresden SemperOper Ballet |
| More info... | ||
| Semperoper, Dresden, Theaterplatz 2, 01067 Dresden, Germany Wednesday 10-Jul-13 08:00pm Dresdner Ballettgala Programme not known | ||
| Friday 12-Jul-13 07:30pm |
Prinzregententheater, Munich La fille mal gardée - revival Munich Opera Festival |
Bavarian State Ballet |
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| Prinzregententheater, Munich, 81675 Munich, Germany Friday 12-Jul-13 07:30pm La fille mal gardée - revival Who, if not an Englishman, and what Englishman, if not Sir Frederick Ashton, could look back at the times of the first narrative ballet that has been passed down to us with such a “very British” perception – so naïve and yet so sophisticated, so charming and yet so technically virtuosic? Needless to say, love triumphs across the board at the end – the badly guarded daughter gets her beloved Alain – neither her mother, the widow Simone, nor the rich farmer with his dolt of a son can prevent it. And the widow surprisingly gets a man as well. | ||
| Saturday 13-Jul-13 07:30pm |
Prinzregententheater, Munich La fille mal gardée - revival Munich Opera Festival |
Bavarian State Ballet |
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| Prinzregententheater, Munich, 81675 Munich, Germany Saturday 13-Jul-13 07:30pm La fille mal gardée - revival Who, if not an Englishman, and what Englishman, if not Sir Frederick Ashton, could look back at the times of the first narrative ballet that has been passed down to us with such a “very British” perception – so naïve and yet so sophisticated, so charming and yet so technically virtuosic? Needless to say, love triumphs across the board at the end – the badly guarded daughter gets her beloved Alain – neither her mother, the widow Simone, nor the rich farmer with his dolt of a son can prevent it. And the widow surprisingly gets a man as well. | ||
| Sunday 14-Jul-13 03:00pm |
Prinzregententheater, Munich La fille mal gardée - revival Munich Opera Festival |
Bavarian State Ballet |
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| Prinzregententheater, Munich, 81675 Munich, Germany Sunday 14-Jul-13 03:00pm La fille mal gardée - revival Who, if not an Englishman, and what Englishman, if not Sir Frederick Ashton, could look back at the times of the first narrative ballet that has been passed down to us with such a “very British” perception – so naïve and yet so sophisticated, so charming and yet so technically virtuosic? Needless to say, love triumphs across the board at the end – the badly guarded daughter gets her beloved Alain – neither her mother, the widow Simone, nor the rich farmer with his dolt of a son can prevent it. And the widow surprisingly gets a man as well. | ||
| Tuesday 16-Jul-13 07:30pm |
Prinzregententheater, Munich Biped |
Bavarian State Ballet |
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| Prinzregententheater, Munich, 81675 Munich, Germany Tuesday 16-Jul-13 07:30pm "Biped is a signature piece of Merce Cunningham’s late body of works. 42 minutes of pure dance co-exist on stage without correlation to projection and music.
„It was one of the first new musical compositions commissioned by Merce Cunningham since the death of John Cage in 1992. Like all of Merce‘s work it involved a collaboration with visual artists, in this case Paul Kaiser and Shelley Eshkar who had developed a very striking technique of video motion capture. In working on the music Merce and I agreed that we would follow the method established between himself and John Cage of working independently but towards a common goal, thereby avoiding any planned one-to-one relationship between music, dance and décor.”
(Composer Gavin Bryars about Biped)
Ballet by Richard Siegal
„…suddenly, Richard Siegal stops the rehearsal, tells what he intended to insert here and there, asks the audience for their opinion, drops all inquiries and jumps to the next scene (…) it takes a while to realize what game is being played here – but even then, a hint of uncertainty is left behind. The means of presentation are chosen intentionally: the casual tone of voice, the official tone, minute details in choreographed passages where he articulates every single muscle like a cat, stand-up comedy followed by solemn seriousness. A wide-spectrum.” – TANZ magazine wrote about Richard Siegal as choreographer and performer. His new creation is yet to be named.Image credit: Merce Cunningham © Annie Liebovitz | ||
| Tuesday 16-Jul-13 07:30pm |
Theater Bonn Highlights des Internationalen Tanzes |
Ballett am Rhein |
| More info... | ||
| Theater Bonn, Opernhaus/Werkstatt, , Am Boeselagerhof 1, , 53111 Bonn, Bonn, Germany Tuesday 16-Jul-13 07:30pm Highlights des Internationalen Tanzes | ||
| Wednesday 17-Jul-13 07:30pm |
Theater Bonn Highlights des Internationalen Tanzes |
Ballett am Rhein |
| More info... | ||
| Theater Bonn, Opernhaus/Werkstatt, , Am Boeselagerhof 1, , 53111 Bonn, Bonn, Germany Wednesday 17-Jul-13 07:30pm Highlights des Internationalen Tanzes | ||
| Saturday 14-Sep-13 09:45am |
Probenhaus, Munich Ballet Extra: A Rehearsal with the Bavarian State Ballet |
See More info... for programme details. Bavarian State Ballet |
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| Probenhaus, Munich, Platzl 7, 80331 Munich, Germany Saturday 14-Sep-13 09:45am Ballet Extra: A Rehearsal with the Bavarian State Ballet An open rehearsal with the ensemble and ballet master of the Bavarian State Ballet, beginning with morning training. Tickets €9. Written orders will begin on 20 June 2013. | ||
| Saturday 21-Sep-13 07:30pm |
National Theatre, Munich Romeo and Juliet |
Bavarian State Ballet |
 Charles Tandy, Wilfried Hosl.jpg "Image credit: (c) Charles Tandy, Wilfried Hosl") | ||
| National Theatre, Munich, Munich, Germany Saturday 21-Sep-13 07:30pm Even though John Cranko is South African, he counts as one of the most significant English choreographers of the 20th century. Furthermore, he is a central figure in German ballet history – after all, he contributed greatly to the fact that Germany returned to the forefront of the ballet world in the 1960s. In particular his version of Romeo and Juliet, created in 1962, directed the eyes of the ballet world back to the "Dance Country Germany" after it had been the catalyst of "Ausdruckstanz" and Modern Dance during the first third of the 20th century.
Cranko's Romeo and Juliet is told in the most clear and concise way, making explanations in the program book almost completely redundant. In his choreographic handwriting, each movement resembles an emotion. It is purely classical, but combines different styles and influences: from the near acrobatic virtuosity of the soviet ballet to the subtle elegance of the English style. This mixture is especially evident in his pas de deux between lovers. Ever since 1968, the ballet has been in the repertory of the Bavarian State Ballet. Every new generation of audiences and dancer alike is enchanted and devastated by the drama of this piece.
Prices G: 70 / 63 / 53 / 40 / 29 / 17 / 10 / 7.
Written orders are processed beginning 20th June 2013.Image credit: (c) Charles Tandy, Wilfried Hosl | ||
| Friday 27-Sep-13 07:30pm |
Staatsoper at Schiller Theater, Berlin Duato | Forsythe | Goecke |
Staatsballett Berlin |
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| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Friday 27-Sep-13 07:30pm Duato | Forsythe | Goecke Arcangelo Music by Corelli, Arcangelo (1653-1713)/Scarlatti, Alessandro (1660-1725) Choreography by Nacho Duato This ballet-evening is composed of works of three of the most significant choreographers of our time. Nacho Duato’s creation ARCANGELO is a choreography which had its world premiere in 2000 and which is one of the master pieces of the Spanish choreographer. William Forsythe’s HERMAN SCHMERMAN is from 1992 and is nowadays in the contemporary repertory of many classical companies. Marco Goecke, whose choreographies are shown all over Germany, developed a world premiere for Staatsballett Berlin for the first time: and the sky on that cloudy old dayImage credit: Staatsballet Berlin | ||
| Saturday 28-Sep-13 08:00pm |
Probenhaus, Munich Ballet Extra: Shakespeare in Ballet |
See More info... for programme details. Bavarian State Ballet |
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| Probenhaus, Munich, Platzl 7, 80331 Munich, Germany Saturday 28-Sep-13 08:00pm Ballet Extra: Shakespeare in Ballet A look behind the scenes with open rehearsal in the intimate setting of a ballet studio, with master classes, discussions and lectures. Tickets €12. Written orders will begin on 20 June 2013. | ||
| Sunday 29-Sep-13 07:30pm |
Staatsoper at Schiller Theater, Berlin Duato | Forsythe | Goecke |
Staatsballett Berlin |
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| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Sunday 29-Sep-13 07:30pm Duato | Forsythe | Goecke Arcangelo Music by Corelli, Arcangelo (1653-1713)/Scarlatti, Alessandro (1660-1725) Choreography by Nacho Duato This ballet-evening is composed of works of three of the most significant choreographers of our time. Nacho Duato’s creation ARCANGELO is a choreography which had its world premiere in 2000 and which is one of the master pieces of the Spanish choreographer. William Forsythe’s HERMAN SCHMERMAN is from 1992 and is nowadays in the contemporary repertory of many classical companies. Marco Goecke, whose choreographies are shown all over Germany, developed a world premiere for Staatsballett Berlin for the first time: and the sky on that cloudy old dayImage credit: Staatsballet Berlin | ||
| Saturday 5-Oct-13 07:30pm |
Staatsoper at Schiller Theater, Berlin Caravaggio |
Staatsballett Berlin |
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| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Saturday 5-Oct-13 07:30pm Caravaggio Music by Moretti, Bruno (b. 1960)/Monteverdi, Claudio (1567-1643) Choreography by Mauro Bigonzetti Caravaggio, born Michelangelo Merisi, has entered history due to his paintings of dramatic intensity. Caravaggio used to venture the threshold beyond the pale throughout his life. He was seen for admiration of his work and harsh opposition towards his extraordinary realism in painting human beings. Due to his passionate personality, he encountered more than several conflicts with people around him, sponsors, and the law. One of his foremost artistic twists was the extreme contrast between brightness and darkness, light and shadow.
Mauro Bigonzetti is one of the leading choreographers of the Italian ballet which freed itself from the predominance of mainly classical opera companies in the 80’s. He created his choreographies mainly for the Aterballetto in Reggio Emilia that helped him to fame and worldwide attention. “When I think of Caravaggio, I think of the artist and the human being at the same time. These are the two sides of the human existence that interest me in particular. The relations of these two worlds are the inspiration for this work: the inner world on the one hand – and how it evolves artistically on the other.” Mauro Bigonzetti has developed the piece CARAVAGGIO in collaboration with the Staatsballett Berlin. Image credit: Staatsballet Berlin | ||
| Saturday 5-Oct-13 07:30pm |
National Theatre, Munich Romeo and Juliet |
Bavarian State Ballet |
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| National Theatre, Munich, Munich, Germany Saturday 5-Oct-13 07:30pm Even though John Cranko is South African, he counts as one of the most significant English choreographers of the 20th century. Furthermore, he is a central figure in German ballet history – after all, he contributed greatly to the fact that Germany returned to the forefront of the ballet world in the 1960s. In particular his version of Romeo and Juliet, created in 1962, directed the eyes of the ballet world back to the "Dance Country Germany" after it had been the catalyst of "Ausdruckstanz" and Modern Dance during the first third of the 20th century.
Cranko's Romeo and Juliet is told in the most clear and concise way, making explanations in the program book almost completely redundant. In his choreographic handwriting, each movement resembles an emotion. It is purely classical, but combines different styles and influences: from the near acrobatic virtuosity of the soviet ballet to the subtle elegance of the English style. This mixture is especially evident in his pas de deux between lovers. Ever since 1968, the ballet has been in the repertory of the Bavarian State Ballet. Every new generation of audiences and dancer alike is enchanted and devastated by the drama of this piece.
Prices G: 70 / 63 / 53 / 40 / 29 / 17 / 10 / 7.
Written orders are processed beginning 20th June 2013.Image credit: (c) Charles Tandy, Wilfried Hosl | ||
| Monday 7-Oct-13 07:30pm |
National Theatre, Munich Romeo and Juliet |
Bavarian State Ballet |
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| National Theatre, Munich, Munich, Germany Monday 7-Oct-13 07:30pm Even though John Cranko is South African, he counts as one of the most significant English choreographers of the 20th century. Furthermore, he is a central figure in German ballet history – after all, he contributed greatly to the fact that Germany returned to the forefront of the ballet world in the 1960s. In particular his version of Romeo and Juliet, created in 1962, directed the eyes of the ballet world back to the "Dance Country Germany" after it had been the catalyst of "Ausdruckstanz" and Modern Dance during the first third of the 20th century.
Cranko's Romeo and Juliet is told in the most clear and concise way, making explanations in the program book almost completely redundant. In his choreographic handwriting, each movement resembles an emotion. It is purely classical, but combines different styles and influences: from the near acrobatic virtuosity of the soviet ballet to the subtle elegance of the English style. This mixture is especially evident in his pas de deux between lovers. Ever since 1968, the ballet has been in the repertory of the Bavarian State Ballet. Every new generation of audiences and dancer alike is enchanted and devastated by the drama of this piece.
Prices G: 70 / 63 / 53 / 40 / 29 / 17 / 10 / 7.
Written orders are processed beginning 20th June 2013.Image credit: (c) Charles Tandy, Wilfried Hosl | ||
| Friday 11-Oct-13 07:30pm |
Staatsoper at Schiller Theater, Berlin Duato | Forsythe | Goecke |
Staatsballett Berlin |
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| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Friday 11-Oct-13 07:30pm Duato | Forsythe | Goecke Arcangelo Music by Corelli, Arcangelo (1653-1713)/Scarlatti, Alessandro (1660-1725) Choreography by Nacho Duato This ballet-evening is composed of works of three of the most significant choreographers of our time. Nacho Duato’s creation ARCANGELO is a choreography which had its world premiere in 2000 and which is one of the master pieces of the Spanish choreographer. William Forsythe’s HERMAN SCHMERMAN is from 1992 and is nowadays in the contemporary repertory of many classical companies. Marco Goecke, whose choreographies are shown all over Germany, developed a world premiere for Staatsballett Berlin for the first time: and the sky on that cloudy old day | ||
| Sunday 13-Oct-13 07:30pm |
National Theatre, Munich Midsummer Night's Dream |
Bavarian State Ballet |
 Charles Tandy.jpg "Image credit: (c) Charles Tandy") | ||
| National Theatre, Munich, Munich, Germany Sunday 13-Oct-13 07:30pm A Midsummer Night's Dream [Neumeier] Music by Mendelssohn, Felix (1809-1847)/Ligeti, György (1923-2006) Choreography by John Neumeier Why have composers and choreographers been fascinated for decades by Shakespeare's A Midsummer Night's Dream? Maybe it is the historical period of the play, maybe the caste system, maybe the versatile stylistic means of writing and the tangled plot? Fairy tale characters like Oberon and Titania fight sensual and witty battles, next to figures from Greek mythology, such as Theseus and Hippolyta which cause great confusion in the life of a clumsy craftsman and a group of lovers from present times.
Choreographer John Neumeier created his version of Sommernachtstraum in 1977 and the piece has been a steady part of the Bavarian State Ballet's repertory since 1993. After a 10 year break, the revival will now return to the stage of the Nationaltheater.
Though the mastermind behind this creation is of American descend, it was made in and for the "Dance Country Germany". Proof lies in its unique and thoughtful, virtuosic approach to developing drama. After all, the complex mixture of musical layers would be worth a separate panel discussion. Felix Mendelssohn Bartholdy's atmospheric musical score for Sommernachtstraum reflects the world of the mortals, while Györgi Ligeti's siren-esque organ pieces bring to mind the fairy kingdom depicted in Shakespeare's play. The craftsmen's dance is underlined by dominant opera paraphrases for the barrel organ which satirize even the noblest melodies.
As with the musical layers, together with his stage- and costume designer Jürgen Rose, Neumeier mixes the historical settings cleverly. What would be more suited to the sounds of Mendelsohn's score than a sweet Biedermeier set? An olive tree is a perfect symbol of the antique, mythology and fairy tales in one.
John Neumeier's Sommernachtstraum always has been a wonderful representation of an full-length classical ballet made in the ladder half of the 20th century, the 1970s in Germany. A time of departure from the narrative through Pina Bausch's work – a chapter that is also closed now, and is also being re-examined by today's dance artists and scholars.Tickets €8-€88. Written orders will be begin on June 20, 2013. | ||
| Monday 14-Oct-13 07:30pm |
National Theatre, Munich Midsummer Night's Dream |
Bavarian State Ballet |
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| National Theatre, Munich, Munich, Germany Monday 14-Oct-13 07:30pm A Midsummer Night's Dream [Neumeier] Music by Mendelssohn, Felix (1809-1847)/Ligeti, György (1923-2006) Choreography by John Neumeier Why have composers and choreographers been fascinated for decades by Shakespeare's A Midsummer Night's Dream? Maybe it is the historical period of the play, maybe the caste system, maybe the versatile stylistic means of writing and the tangled plot? Fairy tale characters like Oberon and Titania fight sensual and witty battles, next to figures from Greek mythology, such as Theseus and Hippolyta which cause great confusion in the life of a clumsy craftsman and a group of lovers from present times.
Choreographer John Neumeier created his version of Sommernachtstraum in 1977 and the piece has been a steady part of the Bavarian State Ballet's repertory since 1993. After a 10 year break, the revival will now return to the stage of the Nationaltheater.
Though the mastermind behind this creation is of American descend, it was made in and for the "Dance Country Germany". Proof lies in its unique and thoughtful, virtuosic approach to developing drama. After all, the complex mixture of musical layers would be worth a separate panel discussion. Felix Mendelssohn Bartholdy's atmospheric musical score for Sommernachtstraum reflects the world of the mortals, while Györgi Ligeti's siren-esque organ pieces bring to mind the fairy kingdom depicted in Shakespeare's play. The craftsmen's dance is underlined by dominant opera paraphrases for the barrel organ which satirize even the noblest melodies.
As with the musical layers, together with his stage- and costume designer Jürgen Rose, Neumeier mixes the historical settings cleverly. What would be more suited to the sounds of Mendelsohn's score than a sweet Biedermeier set? An olive tree is a perfect symbol of the antique, mythology and fairy tales in one. John Neumeier's Sommernachtstraum always has been a wonderful representation of an full-length classical ballet made in the ladder half of the 20th century, the 1970s in Germany. A time of departure from the narrative through Pina Bausch's work – a chapter that is also closed now, and is also being re-examined by today's dance artists and scholars. Tickets €8-€88. Written orders will be begin on June 20, 2013. | ||
| Thursday 17-Oct-13 07:30pm |
Staatsoper at Schiller Theater, Berlin Caravaggio |
Staatsballett Berlin |
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| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Thursday 17-Oct-13 07:30pm Caravaggio Music by Moretti, Bruno (b. 1960)/Monteverdi, Claudio (1567-1643) Choreography by Mauro Bigonzetti Caravaggio, born Michelangelo Merisi, has entered history due to his paintings of dramatic intensity. Caravaggio used to venture the threshold beyond the pale throughout his life. He was seen for admiration of his work and harsh opposition towards his extraordinary realism in painting human beings. Due to his passionate personality, he encountered more than several conflicts with people around him, sponsors, and the law. One of his foremost artistic twists was the extreme contrast between brightness and darkness, light and shadow.
Mauro Bigonzetti is one of the leading choreographers of the Italian ballet which freed itself from the predominance of mainly classical opera companies in the 80’s. He created his choreographies mainly for the Aterballetto in Reggio Emilia that helped him to fame and worldwide attention. “When I think of Caravaggio, I think of the artist and the human being at the same time. These are the two sides of the human existence that interest me in particular. The relations of these two worlds are the inspiration for this work: the inner world on the one hand – and how it evolves artistically on the other.” Mauro Bigonzetti has developed the piece CARAVAGGIO in collaboration with the Staatsballett Berlin. Image credit: Staatsballet Berlin | ||
