| Date | Event | Composers, Works, Performers |
|---|---|---|
| Friday 7-Jun-13 08:00pm |
Château de Versailles: Royal Opera House, ParisCendrillon Versailles Festival |
Malandain Ballet Biarritz |
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| Château de Versailles: Royal Opera House, Paris, Place d’Armes, Entrance at the Gate of Honour, 78000 Paris, France Friday 7-Jun-13 08:00pm Lasts 1 hour 20 minutes without an interval. Tickets €50 - 130.Image credit: © Agathe Poupeney | ||
| Saturday 8-Jun-13 08:00pm |
Château de Versailles: Royal Opera House, ParisCendrillon Versailles Festival |
Malandain Ballet Biarritz |
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| Château de Versailles: Royal Opera House, Paris, Place d’Armes, Entrance at the Gate of Honour, 78000 Paris, France Saturday 8-Jun-13 08:00pm Lasts 1 hour 20 minutes without an interval. Tickets €50 - 130.Image credit: © Agathe Poupeney | ||
| Sunday 9-Jun-13 04:00pm |
Château de Versailles: Royal Opera House, ParisCendrillon Versailles Festival |
Malandain Ballet Biarritz |
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| Château de Versailles: Royal Opera House, Paris, Place d’Armes, Entrance at the Gate of Honour, 78000 Paris, France Sunday 9-Jun-13 04:00pm Lasts 1 hour 20 minutes without an interval. Tickets €50 - 130.Image credit: © Agathe Poupeney | ||
| Friday 14-Jun-13 07:00pm |
Staatsoper, HamburgRevival: Romeo and Juliet |
Hamburg Ballet |
| More info... | ||
| Staatsoper, Hamburg, Große Theaterstraße 25, 20354 Hamburg, Germany Friday 14-Jun-13 07:00pm Revival: Romeo and Juliet | ||
| Saturday 21-Sep-13 07:30pm |
National Theatre, MunichRomeo and Juliet |
Bavarian State Ballet |
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| National Theatre, Munich, Munich, Germany Saturday 21-Sep-13 07:30pm Even though John Cranko is South African, he counts as one of the most significant English choreographers of the 20th century. Furthermore, he is a central figure in German ballet history – after all, he contributed greatly to the fact that Germany returned to the forefront of the ballet world in the 1960s. In particular his version of Romeo and Juliet, created in 1962, directed the eyes of the ballet world back to the "Dance Country Germany" after it had been the catalyst of "Ausdruckstanz" and Modern Dance during the first third of the 20th century.
Cranko's Romeo and Juliet is told in the most clear and concise way, making explanations in the program book almost completely redundant. In his choreographic handwriting, each movement resembles an emotion. It is purely classical, but combines different styles and influences: from the near acrobatic virtuosity of the soviet ballet to the subtle elegance of the English style. This mixture is especially evident in his pas de deux between lovers. Ever since 1968, the ballet has been in the repertory of the Bavarian State Ballet. Every new generation of audiences and dancer alike is enchanted and devastated by the drama of this piece.
Prices G: 70 / 63 / 53 / 40 / 29 / 17 / 10 / 7.
Written orders are processed beginning 20th June 2013.Image credit: (c) Charles Tandy, Wilfried Hosl | ||
| Saturday 5-Oct-13 07:30pm |
National Theatre, MunichRomeo and Juliet |
Bavarian State Ballet |
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| National Theatre, Munich, Munich, Germany Saturday 5-Oct-13 07:30pm Even though John Cranko is South African, he counts as one of the most significant English choreographers of the 20th century. Furthermore, he is a central figure in German ballet history – after all, he contributed greatly to the fact that Germany returned to the forefront of the ballet world in the 1960s. In particular his version of Romeo and Juliet, created in 1962, directed the eyes of the ballet world back to the "Dance Country Germany" after it had been the catalyst of "Ausdruckstanz" and Modern Dance during the first third of the 20th century.
Cranko's Romeo and Juliet is told in the most clear and concise way, making explanations in the program book almost completely redundant. In his choreographic handwriting, each movement resembles an emotion. It is purely classical, but combines different styles and influences: from the near acrobatic virtuosity of the soviet ballet to the subtle elegance of the English style. This mixture is especially evident in his pas de deux between lovers. Ever since 1968, the ballet has been in the repertory of the Bavarian State Ballet. Every new generation of audiences and dancer alike is enchanted and devastated by the drama of this piece.
Prices G: 70 / 63 / 53 / 40 / 29 / 17 / 10 / 7.
Written orders are processed beginning 20th June 2013.Image credit: (c) Charles Tandy, Wilfried Hosl | ||
| Monday 7-Oct-13 07:30pm |
National Theatre, MunichRomeo and Juliet |
Bavarian State Ballet |
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| National Theatre, Munich, Munich, Germany Monday 7-Oct-13 07:30pm Even though John Cranko is South African, he counts as one of the most significant English choreographers of the 20th century. Furthermore, he is a central figure in German ballet history – after all, he contributed greatly to the fact that Germany returned to the forefront of the ballet world in the 1960s. In particular his version of Romeo and Juliet, created in 1962, directed the eyes of the ballet world back to the "Dance Country Germany" after it had been the catalyst of "Ausdruckstanz" and Modern Dance during the first third of the 20th century.
Cranko's Romeo and Juliet is told in the most clear and concise way, making explanations in the program book almost completely redundant. In his choreographic handwriting, each movement resembles an emotion. It is purely classical, but combines different styles and influences: from the near acrobatic virtuosity of the soviet ballet to the subtle elegance of the English style. This mixture is especially evident in his pas de deux between lovers. Ever since 1968, the ballet has been in the repertory of the Bavarian State Ballet. Every new generation of audiences and dancer alike is enchanted and devastated by the drama of this piece.
Prices G: 70 / 63 / 53 / 40 / 29 / 17 / 10 / 7.
Written orders are processed beginning 20th June 2013.Image credit: (c) Charles Tandy, Wilfried Hosl | ||
| Sunday 10-Nov-13 02:30pm |
National Theatre, MunichRomeo and Juliet |
Bavarian State Ballet |
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| National Theatre, Munich, Munich, Germany Sunday 10-Nov-13 02:30pm Even though John Cranko is South African, he counts as one of the most significant English choreographers of the 20th century. Furthermore, he is a central figure in German ballet history – after all, he contributed greatly to the fact that Germany returned to the forefront of the ballet world in the 1960s. In particular his version of Romeo and Juliet, created in 1962, directed the eyes of the ballet world back to the "Dance Country Germany" after it had been the catalyst of "Ausdruckstanz" and Modern Dance during the first third of the 20th century.
Cranko's Romeo and Juliet is told in the most clear and concise way, making explanations in the program book almost completely redundant. In his choreographic handwriting, each movement resembles an emotion. It is purely classical, but combines different styles and influences: from the near acrobatic virtuosity of the soviet ballet to the subtle elegance of the English style. This mixture is especially evident in his pas de deux between lovers. Ever since 1968, the ballet has been in the repertory of the Bavarian State Ballet. Every new generation of audiences and dancer alike is enchanted and devastated by the drama of this piece.
Prices F: 60 / 53 / 45 / 35 / 25 / 16 / 9 / 6.
Written orders are processed beginning 10th August 2013.Image credit: (c) Charles Tandy, Wilfried Hosl | ||
| Sunday 10-Nov-13 07:30pm |
National Theatre, MunichRomeo and Juliet |
Bavarian State Ballet |
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| National Theatre, Munich, Munich, Germany Sunday 10-Nov-13 07:30pm Even though John Cranko is South African, he counts as one of the most significant English choreographers of the 20th century. Furthermore, he is a central figure in German ballet history – after all, he contributed greatly to the fact that Germany returned to the forefront of the ballet world in the 1960s. In particular his version of Romeo and Juliet, created in 1962, directed the eyes of the ballet world back to the "Dance Country Germany" after it had been the catalyst of "Ausdruckstanz" and Modern Dance during the first third of the 20th century.
Cranko's Romeo and Juliet is told in the most clear and concise way, making explanations in the program book almost completely redundant. In his choreographic handwriting, each movement resembles an emotion. It is purely classical, but combines different styles and influences: from the near acrobatic virtuosity of the soviet ballet to the subtle elegance of the English style. This mixture is especially evident in his pas de deux between lovers. Ever since 1968, the ballet has been in the repertory of the Bavarian State Ballet. Every new generation of audiences and dancer alike is enchanted and devastated by the drama of this piece.
Prices G: 70 / 63 / 53 / 40 / 29 / 17 / 10 / 7.
Written orders are processed beginning 10th August 2013.Image credit: (c) Charles Tandy, Wilfried Hosl | ||
| Saturday 4-Jan-14 07:00pm |
Opernhaus, ZürichRomeo und Julia |
Ballett Zürich |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Saturday 4-Jan-14 07:00pm Romeo und Julia Running time 2 hours 20 minutes. Ticckets 198 - 32 CHF. | ||
| Friday 10-Jan-14 07:30pm |
Opernhaus, ZürichRomeo und Julia |
Ballett Zürich |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Friday 10-Jan-14 07:30pm Romeo und Julia Running time 2 hours 20 minutes. Ticckets 198 - 32 CHF. | ||
| Sunday 12-Jan-14 07:30pm |
Opernhaus, ZürichRomeo und Julia |
Ballett Zürich |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 12-Jan-14 07:30pm Romeo und Julia Running time 2 hours 20 minutes. Ticckets 198 - 32 CHF. | ||
| Tuesday 21-Jan-14 07:00pm |
Opernhaus, ZürichRomeo und Julia |
Ballett Zürich |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Tuesday 21-Jan-14 07:00pm Romeo und Julia Running time 2 hours 20 minutes. Ticckets 198 - 32 CHF. | ||
| Friday 28-Feb-14 07:30pm |
National Theatre, MunichRomeo and Juliet |
Bavarian State Ballet |
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| National Theatre, Munich, Munich, Germany Friday 28-Feb-14 07:30pm Even though John Cranko is South African, he counts as one of the most significant English choreographers of the 20th century. Furthermore, he is a central figure in German ballet history – after all, he contributed greatly to the fact that Germany returned to the forefront of the ballet world in the 1960s. In particular his version of Romeo and Juliet, created in 1962, directed the eyes of the ballet world back to the "Dance Country Germany" after it had been the catalyst of "Ausdruckstanz" and Modern Dance during the first third of the 20th century.
Cranko's Romeo and Juliet is told in the most clear and concise way, making explanations in the program book almost completely redundant. In his choreographic handwriting, each movement resembles an emotion. It is purely classical, but combines different styles and influences: from the near acrobatic virtuosity of the soviet ballet to the subtle elegance of the English style. This mixture is especially evident in his pas de deux between lovers. Ever since 1968, the ballet has been in the repertory of the Bavarian State Ballet. Every new generation of audiences and dancer alike is enchanted and devastated by the drama of this piece.
Prices G: 70 / 63 / 53 / 40 / 29 / 17 / 10 / 7.
Written orders are processed beginning 28th November 2013.Image credit: (c) Charles Tandy, Wilfried Hosl | ||
| Saturday 1-Mar-14 07:30pm |
National Theatre, MunichRomeo and Juliet |
Bavarian State Ballet |
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| National Theatre, Munich, Munich, Germany Saturday 1-Mar-14 07:30pm Even though John Cranko is South African, he counts as one of the most significant English choreographers of the 20th century. Furthermore, he is a central figure in German ballet history – after all, he contributed greatly to the fact that Germany returned to the forefront of the ballet world in the 1960s. In particular his version of Romeo and Juliet, created in 1962, directed the eyes of the ballet world back to the "Dance Country Germany" after it had been the catalyst of "Ausdruckstanz" and Modern Dance during the first third of the 20th century.
Cranko's Romeo and Juliet is told in the most clear and concise way, making explanations in the program book almost completely redundant. In his choreographic handwriting, each movement resembles an emotion. It is purely classical, but combines different styles and influences: from the near acrobatic virtuosity of the soviet ballet to the subtle elegance of the English style. This mixture is especially evident in his pas de deux between lovers. Ever since 1968, the ballet has been in the repertory of the Bavarian State Ballet. Every new generation of audiences and dancer alike is enchanted and devastated by the drama of this piece.
Prices G: 70 / 63 / 53 / 40 / 29 / 17 / 10 / 7.Image credit: (c) Charles Tandy, Wilfried Hosl | ||
| Monday 3-Mar-14 07:30pm |
National Theatre, MunichRomeo and Juliet |
Bavarian State Ballet |
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| National Theatre, Munich, Munich, Germany Monday 3-Mar-14 07:30pm Even though John Cranko is South African, he counts as one of the most significant English choreographers of the 20th century. Furthermore, he is a central figure in German ballet history – after all, he contributed greatly to the fact that Germany returned to the forefront of the ballet world in the 1960s. In particular his version of Romeo and Juliet, created in 1962, directed the eyes of the ballet world back to the "Dance Country Germany" after it had been the catalyst of "Ausdruckstanz" and Modern Dance during the first third of the 20th century.
Cranko's Romeo and Juliet is told in the most clear and concise way, making explanations in the program book almost completely redundant. In his choreographic handwriting, each movement resembles an emotion. It is purely classical, but combines different styles and influences: from the near acrobatic virtuosity of the soviet ballet to the subtle elegance of the English style. This mixture is especially evident in his pas de deux between lovers. Ever since 1968, the ballet has been in the repertory of the Bavarian State Ballet. Every new generation of audiences and dancer alike is enchanted and devastated by the drama of this piece.
Prices G: 70 / 63 / 53 / 40 / 29 / 17 / 10 / 7.Image credit: (c) Charles Tandy, Wilfried Hosl | ||
| Friday 18-Apr-14 08:00pm |
Royal Opera House, MuscatRomeo and Juliet |
Bavarian State Ballet |
| More info... | ||
| Royal Opera House, Muscat, Al Kharjiyah St, Muscat, Oman Friday 18-Apr-14 08:00pm Even though John Cranko is South African, he counts as one of the most significant English choreographers of the 20th century. Furthermore, he is a central figure in German ballet history – after all, he contributed greatly to the fact that Germany returned to the forefront of the ballet world in the 1960s. In particular his version of Romeo and Juliet, created in 1962, directed the eyes of the ballet world back to the "Dance Country Germany" after it had been the catalyst of "Ausdruckstanz" and Modern Dance during the first third of the 20th century. Cranko's Romeo and Juliet is told in the most clear and concise way, making explanations in the program book almost completely redundant. In his choreographic handwriting, each movement resembles an emotion. It is purely classical, but combines different styles and influences: from the near acrobatic virtuosity of the soviet ballet to the subtle elegance of the English style. This mixture is especially evident in his pas de deux between lovers. Ever since 1968, the ballet has been in the repertory of the Bavarian State Ballet. Every new generation of audiences and dancer alike is enchanted and devastated by the drama of this piece. | ||
| Saturday 19-Apr-14 08:00pm |
Royal Opera House, MuscatRomeo and Juliet |
Bavarian State Ballet |
| More info... | ||
| Royal Opera House, Muscat, Al Kharjiyah St, Muscat, Oman Saturday 19-Apr-14 08:00pm Even though John Cranko is South African, he counts as one of the most significant English choreographers of the 20th century. Furthermore, he is a central figure in German ballet history – after all, he contributed greatly to the fact that Germany returned to the forefront of the ballet world in the 1960s. In particular his version of Romeo and Juliet, created in 1962, directed the eyes of the ballet world back to the "Dance Country Germany" after it had been the catalyst of "Ausdruckstanz" and Modern Dance during the first third of the 20th century. Cranko's Romeo and Juliet is told in the most clear and concise way, making explanations in the program book almost completely redundant. In his choreographic handwriting, each movement resembles an emotion. It is purely classical, but combines different styles and influences: from the near acrobatic virtuosity of the soviet ballet to the subtle elegance of the English style. This mixture is especially evident in his pas de deux between lovers. Ever since 1968, the ballet has been in the repertory of the Bavarian State Ballet. Every new generation of audiences and dancer alike is enchanted and devastated by the drama of this piece. | ||
| Sunday 20-Apr-14 08:00pm |
Royal Opera House, MuscatRomeo and Juliet |
Bavarian State Ballet |
| More info... | ||
| Royal Opera House, Muscat, Al Kharjiyah St, Muscat, Oman Sunday 20-Apr-14 08:00pm Even though John Cranko is South African, he counts as one of the most significant English choreographers of the 20th century. Furthermore, he is a central figure in German ballet history – after all, he contributed greatly to the fact that Germany returned to the forefront of the ballet world in the 1960s. In particular his version of Romeo and Juliet, created in 1962, directed the eyes of the ballet world back to the "Dance Country Germany" after it had been the catalyst of "Ausdruckstanz" and Modern Dance during the first third of the 20th century. Cranko's Romeo and Juliet is told in the most clear and concise way, making explanations in the program book almost completely redundant. In his choreographic handwriting, each movement resembles an emotion. It is purely classical, but combines different styles and influences: from the near acrobatic virtuosity of the soviet ballet to the subtle elegance of the English style. This mixture is especially evident in his pas de deux between lovers. Ever since 1968, the ballet has been in the repertory of the Bavarian State Ballet. Every new generation of audiences and dancer alike is enchanted and devastated by the drama of this piece. | ||
| Monday 21-Apr-14 08:00pm |
Royal Opera House, MuscatRomeo and Juliet |
Bavarian State Ballet |
| More info... | ||
| Royal Opera House, Muscat, Al Kharjiyah St, Muscat, Oman Monday 21-Apr-14 08:00pm Even though John Cranko is South African, he counts as one of the most significant English choreographers of the 20th century. Furthermore, he is a central figure in German ballet history – after all, he contributed greatly to the fact that Germany returned to the forefront of the ballet world in the 1960s. In particular his version of Romeo and Juliet, created in 1962, directed the eyes of the ballet world back to the "Dance Country Germany" after it had been the catalyst of "Ausdruckstanz" and Modern Dance during the first third of the 20th century. Cranko's Romeo and Juliet is told in the most clear and concise way, making explanations in the program book almost completely redundant. In his choreographic handwriting, each movement resembles an emotion. It is purely classical, but combines different styles and influences: from the near acrobatic virtuosity of the soviet ballet to the subtle elegance of the English style. This mixture is especially evident in his pas de deux between lovers. Ever since 1968, the ballet has been in the repertory of the Bavarian State Ballet. Every new generation of audiences and dancer alike is enchanted and devastated by the drama of this piece. | ||
| Tuesday 22-Apr-14 08:00pm |
Royal Opera House, MuscatRomeo and Juliet |
Bavarian State Ballet |
| More info... | ||
| Royal Opera House, Muscat, Al Kharjiyah St, Muscat, Oman Tuesday 22-Apr-14 08:00pm Even though John Cranko is South African, he counts as one of the most significant English choreographers of the 20th century. Furthermore, he is a central figure in German ballet history – after all, he contributed greatly to the fact that Germany returned to the forefront of the ballet world in the 1960s. In particular his version of Romeo and Juliet, created in 1962, directed the eyes of the ballet world back to the "Dance Country Germany" after it had been the catalyst of "Ausdruckstanz" and Modern Dance during the first third of the 20th century. Cranko's Romeo and Juliet is told in the most clear and concise way, making explanations in the program book almost completely redundant. In his choreographic handwriting, each movement resembles an emotion. It is purely classical, but combines different styles and influences: from the near acrobatic virtuosity of the soviet ballet to the subtle elegance of the English style. This mixture is especially evident in his pas de deux between lovers. Ever since 1968, the ballet has been in the repertory of the Bavarian State Ballet. Every new generation of audiences and dancer alike is enchanted and devastated by the drama of this piece. | ||
| Wednesday 23-Apr-14 08:00pm |
Royal Opera House, MuscatRomeo and Juliet |
Bavarian State Ballet |
| More info... | ||
| Royal Opera House, Muscat, Al Kharjiyah St, Muscat, Oman Wednesday 23-Apr-14 08:00pm Even though John Cranko is South African, he counts as one of the most significant English choreographers of the 20th century. Furthermore, he is a central figure in German ballet history – after all, he contributed greatly to the fact that Germany returned to the forefront of the ballet world in the 1960s. In particular his version of Romeo and Juliet, created in 1962, directed the eyes of the ballet world back to the "Dance Country Germany" after it had been the catalyst of "Ausdruckstanz" and Modern Dance during the first third of the 20th century. Cranko's Romeo and Juliet is told in the most clear and concise way, making explanations in the program book almost completely redundant. In his choreographic handwriting, each movement resembles an emotion. It is purely classical, but combines different styles and influences: from the near acrobatic virtuosity of the soviet ballet to the subtle elegance of the English style. This mixture is especially evident in his pas de deux between lovers. Ever since 1968, the ballet has been in the repertory of the Bavarian State Ballet. Every new generation of audiences and dancer alike is enchanted and devastated by the drama of this piece. | ||
| Friday 16-May-14 07:00pm |
Opernhaus, ZürichRomeo und Julia |
Ballett Zürich |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Friday 16-May-14 07:00pm Romeo und Julia Running time 2 hours 20 minutes. Ticckets 198 - 32 CHF. | ||
| Sunday 18-May-14 02:00pm |
Opernhaus, ZürichRomeo und Julia |
Ballett Zürich |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 18-May-14 02:00pm Romeo und Julia Running time 2 hours 20 minutes. Ticckets 198 - 32 CHF. | ||
| Sunday 25-May-14 08:00pm |
Opernhaus, ZürichRomeo und Julia |
Ballett Zürich |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 25-May-14 08:00pm Romeo und Julia Running time 2 hours 20 minutes. Ticckets 198 - 32 CHF. | ||
| Wednesday 4-Jun-14 07:00pm |
Opernhaus, ZürichRomeo und Julia |
Ballett Zürich |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Wednesday 4-Jun-14 07:00pm Romeo und Julia Running time 2 hours 20 minutes. Ticckets 198 - 32 CHF. | ||
| Friday 6-Jun-14 07:00pm |
Opernhaus, ZürichRomeo und Julia |
Ballett Zürich |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Friday 6-Jun-14 07:00pm Romeo und Julia Running time 2 hours 20 minutes. Ticckets 198 - 32 CHF. | ||
| Sunday 15-Jun-14 02:00pm |
Opernhaus, ZürichRomeo und Julia |
Ballett Zürich |
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| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 15-Jun-14 02:00pm Romeo und Julia Running time 2 hours 20 minutes. Ticckets 198 - 32 CHF. | ||