Composer: WillemsFrom today| Date | Event | Composers, Works, Performers |
|---|---|---|
| Friday 24-May-13 08:00pm |
 Opernhaus, ZürichForsythe, Clug, Lightfoot /León |
Ballett Zürich |
 | ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Friday 24-May-13 08:00pm Forsythe, Clug, Lightfoot /León The second ballet evening of this season is characterised by a sense of inner drama. It combines two milestones of recent ballet history with a new creation, and offers the opportunity to witness the combination of three fascinating dance languages in one evening. The American William Forsythe has influenced and shaped ballet in the second half of the 20th century like no other choreographer. In his work, he explores and crosses the boundaries of dance as an art form, time and again. In New Sleep, created in 1987 for the San Francisco Ballet, three clown-like figures – accompanied by electronic music by Thom Willems – fall under the spell of a yardstick, a potted plant and a collection of bowling balls.
For the first time, Zurich Ballet will be working with the Romanian choreographer Edward Clug, who rose to international fame primarily thanks to his ballet Radio and Juliet, a modern interpretation of Shakespeare’s Romeo and Juliet set to the music of the rock band Radiohead. Clug’s pieces, which enchant audiences with their often absurd tempi and their wealth of choreographic detail, have been performed in Lisbon, Zagreb, Essen and at the Stuttgart Ballet, among other locations.
Having thrilled audiences in Zurich in 2004 with their furiously witty choreography, Skew Whiff, choreographers Lightfoot/León now present their ballet Sleight of Hand. The Englishman Paul Lightfoot and the Spanish woman Sol León met in 1987 in the ensemble of the Nederlands Dans Theaters (NDT) and are among the internationally most sought-after choreographers. They have succeeded Hans van Manen and Jiří Kylián as representatives of modern dance in the Netherlands. Paul Lightfoot took over the directorship of the NDT in the 2011/12 season. In the mysterious darkness of Sleight of Hand an encrypted fantasy unfurls; its dance and theatrical roots lie in the story of a family fraught with conflict. The title, Sleight of Hand, is a reference to the art of card-playing. | ||
| Thursday 30-May-13 07:30pm |
Opernhaus, Zürich Forsythe, Clug, Lightfoot /León |
Ballett Zürich |
| ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Thursday 30-May-13 07:30pm Forsythe, Clug, Lightfoot /León The second ballet evening of this season is characterised by a sense of inner drama. It combines two milestones of recent ballet history with a new creation, and offers the opportunity to witness the combination of three fascinating dance languages in one evening. The American William Forsythe has influenced and shaped ballet in the second half of the 20th century like no other choreographer. In his work, he explores and crosses the boundaries of dance as an art form, time and again. In New Sleep, created in 1987 for the San Francisco Ballet, three clown-like figures – accompanied by electronic music by Thom Willems – fall under the spell of a yardstick, a potted plant and a collection of bowling balls.
For the first time, Zurich Ballet will be working with the Romanian choreographer Edward Clug, who rose to international fame primarily thanks to his ballet Radio and Juliet, a modern interpretation of Shakespeare’s Romeo and Juliet set to the music of the rock band Radiohead. Clug’s pieces, which enchant audiences with their often absurd tempi and their wealth of choreographic detail, have been performed in Lisbon, Zagreb, Essen and at the Stuttgart Ballet, among other locations.
Having thrilled audiences in Zurich in 2004 with their furiously witty choreography, Skew Whiff, choreographers Lightfoot/León now present their ballet Sleight of Hand. The Englishman Paul Lightfoot and the Spanish woman Sol León met in 1987 in the ensemble of the Nederlands Dans Theaters (NDT) and are among the internationally most sought-after choreographers. They have succeeded Hans van Manen and Jiří Kylián as representatives of modern dance in the Netherlands. Paul Lightfoot took over the directorship of the NDT in the 2011/12 season. In the mysterious darkness of Sleight of Hand an encrypted fantasy unfurls; its dance and theatrical roots lie in the story of a family fraught with conflict. The title, Sleight of Hand, is a reference to the art of card-playing. | ||
| Friday 31-May-13 07:00pm |
Opernhaus, Zürich Forsythe, Clug, Lightfoot /León |
Ballett Zürich |
| ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Friday 31-May-13 07:00pm Forsythe, Clug, Lightfoot /León The second ballet evening of this season is characterised by a sense of inner drama. It combines two milestones of recent ballet history with a new creation, and offers the opportunity to witness the combination of three fascinating dance languages in one evening. The American William Forsythe has influenced and shaped ballet in the second half of the 20th century like no other choreographer. In his work, he explores and crosses the boundaries of dance as an art form, time and again. In New Sleep, created in 1987 for the San Francisco Ballet, three clown-like figures – accompanied by electronic music by Thom Willems – fall under the spell of a yardstick, a potted plant and a collection of bowling balls.
For the first time, Zurich Ballet will be working with the Romanian choreographer Edward Clug, who rose to international fame primarily thanks to his ballet Radio and Juliet, a modern interpretation of Shakespeare’s Romeo and Juliet set to the music of the rock band Radiohead. Clug’s pieces, which enchant audiences with their often absurd tempi and their wealth of choreographic detail, have been performed in Lisbon, Zagreb, Essen and at the Stuttgart Ballet, among other locations.
Having thrilled audiences in Zurich in 2004 with their furiously witty choreography, Skew Whiff, choreographers Lightfoot/León now present their ballet Sleight of Hand. The Englishman Paul Lightfoot and the Spanish woman Sol León met in 1987 in the ensemble of the Nederlands Dans Theaters (NDT) and are among the internationally most sought-after choreographers. They have succeeded Hans van Manen and Jiří Kylián as representatives of modern dance in the Netherlands. Paul Lightfoot took over the directorship of the NDT in the 2011/12 season. In the mysterious darkness of Sleight of Hand an encrypted fantasy unfurls; its dance and theatrical roots lie in the story of a family fraught with conflict. The title, Sleight of Hand, is a reference to the art of card-playing. | ||
| Sunday 2-Jun-13 02:00pm |
Opernhaus, Zürich Forsythe, Clug, Lightfoot /León |
Ballett Zürich |
| ||
| Opernhaus, Zürich, Opernhaus Falkenstrasse 1, Zürich 8008, Switzerland Sunday 2-Jun-13 02:00pm Forsythe, Clug, Lightfoot /León The second ballet evening of this season is characterised by a sense of inner drama. It combines two milestones of recent ballet history with a new creation, and offers the opportunity to witness the combination of three fascinating dance languages in one evening. The American William Forsythe has influenced and shaped ballet in the second half of the 20th century like no other choreographer. In his work, he explores and crosses the boundaries of dance as an art form, time and again. In New Sleep, created in 1987 for the San Francisco Ballet, three clown-like figures – accompanied by electronic music by Thom Willems – fall under the spell of a yardstick, a potted plant and a collection of bowling balls.
For the first time, Zurich Ballet will be working with the Romanian choreographer Edward Clug, who rose to international fame primarily thanks to his ballet Radio and Juliet, a modern interpretation of Shakespeare’s Romeo and Juliet set to the music of the rock band Radiohead. Clug’s pieces, which enchant audiences with their often absurd tempi and their wealth of choreographic detail, have been performed in Lisbon, Zagreb, Essen and at the Stuttgart Ballet, among other locations.
Having thrilled audiences in Zurich in 2004 with their furiously witty choreography, Skew Whiff, choreographers Lightfoot/León now present their ballet Sleight of Hand. The Englishman Paul Lightfoot and the Spanish woman Sol León met in 1987 in the ensemble of the Nederlands Dans Theaters (NDT) and are among the internationally most sought-after choreographers. They have succeeded Hans van Manen and Jiří Kylián as representatives of modern dance in the Netherlands. Paul Lightfoot took over the directorship of the NDT in the 2011/12 season. In the mysterious darkness of Sleight of Hand an encrypted fantasy unfurls; its dance and theatrical roots lie in the story of a family fraught with conflict. The title, Sleight of Hand, is a reference to the art of card-playing. | ||
| Thursday 27-Jun-13 07:30pm |
Staatsoper at Schiller Theater, Berlin Duato - Forsythe - Goecke |
Staatsballett Berlin |
 | ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Thursday 27-Jun-13 07:30pm Duato - Forsythe - Goecke Arcangelo Music by Corelli, Arcangelo (1653-1713)/Scarlatti, Alessandro (1660-1725) Choreography by Nacho Duato This ballet-evening is composed of works of three of the most significant choreographers of our time. Nacho Duato’s creation ARCANGELO is a choreography which had its world premiere in 2000 and which is one of the master pieces of the Spanish choreographer. William Forsythe’s HERMAN SCHMERMAN is from 1992 and is nowadays in the contemporary repertory of many classical companies. Marco Goecke, whose choreographies are shown all over Germany, developed a world premiere for Staatsballett Berlin for the first time: and the sky on that cloudy old day
45 minutes before each performance (except premieres), there is an introduction in the opera house.
It is prepared and moderated by students of the institute of dance studies (Institut für Tanzwissenschaft) of Freie Universität Berlin. June performances will use recorded music. | ||
| Saturday 29-Jun-13 07:30pm |
Staatsoper at Schiller Theater, Berlin Duato - Forsythe - Goecke |
Staatsballett Berlin |
| ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Saturday 29-Jun-13 07:30pm Duato - Forsythe - Goecke Arcangelo Music by Corelli, Arcangelo (1653-1713)/Scarlatti, Alessandro (1660-1725) Choreography by Nacho Duato This ballet-evening is composed of works of three of the most significant choreographers of our time. Nacho Duato’s creation ARCANGELO is a choreography which had its world premiere in 2000 and which is one of the master pieces of the Spanish choreographer. William Forsythe’s HERMAN SCHMERMAN is from 1992 and is nowadays in the contemporary repertory of many classical companies. Marco Goecke, whose choreographies are shown all over Germany, developed a world premiere for Staatsballett Berlin for the first time: and the sky on that cloudy old day
45 minutes before each performance (except premieres), there is an introduction in the opera house.
It is prepared and moderated by students of the institute of dance studies (Institut für Tanzwissenschaft) of Freie Universität Berlin. June performances will use recorded music. | ||
| Friday 27-Sep-13 07:30pm |
Staatsoper at Schiller Theater, Berlin Duato | Forsythe | Goecke |
Staatsballett Berlin |
| ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Friday 27-Sep-13 07:30pm Duato | Forsythe | Goecke Arcangelo Music by Corelli, Arcangelo (1653-1713)/Scarlatti, Alessandro (1660-1725) Choreography by Nacho Duato This ballet-evening is composed of works of three of the most significant choreographers of our time. Nacho Duato’s creation ARCANGELO is a choreography which had its world premiere in 2000 and which is one of the master pieces of the Spanish choreographer. William Forsythe’s HERMAN SCHMERMAN is from 1992 and is nowadays in the contemporary repertory of many classical companies. Marco Goecke, whose choreographies are shown all over Germany, developed a world premiere for Staatsballett Berlin for the first time: and the sky on that cloudy old dayImage credit: Staatsballet Berlin | ||
| Sunday 29-Sep-13 07:30pm |
Staatsoper at Schiller Theater, Berlin Duato | Forsythe | Goecke |
Staatsballett Berlin |
| ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Sunday 29-Sep-13 07:30pm Duato | Forsythe | Goecke Arcangelo Music by Corelli, Arcangelo (1653-1713)/Scarlatti, Alessandro (1660-1725) Choreography by Nacho Duato This ballet-evening is composed of works of three of the most significant choreographers of our time. Nacho Duato’s creation ARCANGELO is a choreography which had its world premiere in 2000 and which is one of the master pieces of the Spanish choreographer. William Forsythe’s HERMAN SCHMERMAN is from 1992 and is nowadays in the contemporary repertory of many classical companies. Marco Goecke, whose choreographies are shown all over Germany, developed a world premiere for Staatsballett Berlin for the first time: and the sky on that cloudy old dayImage credit: Staatsballet Berlin | ||
| Friday 11-Oct-13 07:30pm |
Staatsoper at Schiller Theater, Berlin Duato | Forsythe | Goecke |
Staatsballett Berlin |
| ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Friday 11-Oct-13 07:30pm Duato | Forsythe | Goecke Arcangelo Music by Corelli, Arcangelo (1653-1713)/Scarlatti, Alessandro (1660-1725) Choreography by Nacho Duato This ballet-evening is composed of works of three of the most significant choreographers of our time. Nacho Duato’s creation ARCANGELO is a choreography which had its world premiere in 2000 and which is one of the master pieces of the Spanish choreographer. William Forsythe’s HERMAN SCHMERMAN is from 1992 and is nowadays in the contemporary repertory of many classical companies. Marco Goecke, whose choreographies are shown all over Germany, developed a world premiere for Staatsballett Berlin for the first time: and the sky on that cloudy old day | ||
| Friday 11-Apr-14 07:30pm |
Staatsoper at Schiller Theater, Berlin Duato | Forsythe | Goecke |
Staatsballett Berlin |
| ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Friday 11-Apr-14 07:30pm Duato | Forsythe | Goecke Arcangelo Music by Corelli, Arcangelo (1653-1713)/Scarlatti, Alessandro (1660-1725) Choreography by Nacho Duato This ballet-evening is composed of works of three of the most significant choreographers of our time. Nacho Duato’s creation ARCANGELO is a choreography which had its world premiere in 2000 and which is one of the master pieces of the Spanish choreographer. William Forsythe’s HERMAN SCHMERMAN is from 1992 and is nowadays in the contemporary repertory of many classical companies. Marco Goecke, whose choreographies are shown all over Germany, developed a world premiere for Staatsballett Berlin for the first time: and the sky on that cloudy old dayImage credit: Staatsballett Berlin | ||
| Friday 18-Apr-14 07:30pm |
Staatsoper at Schiller Theater, Berlin Duato | Forsythe | Goecke |
Staatsballett Berlin |
| ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Friday 18-Apr-14 07:30pm Duato | Forsythe | Goecke Arcangelo Music by Corelli, Arcangelo (1653-1713)/Scarlatti, Alessandro (1660-1725) Choreography by Nacho Duato This ballet-evening is composed of works of three of the most significant choreographers of our time. Nacho Duato’s creation ARCANGELO is a choreography which had its world premiere in 2000 and which is one of the master pieces of the Spanish choreographer. William Forsythe’s HERMAN SCHMERMAN is from 1992 and is nowadays in the contemporary repertory of many classical companies. Marco Goecke, whose choreographies are shown all over Germany, developed a world premiere for Staatsballett Berlin for the first time: and the sky on that cloudy old dayImage credit: Staatsballett Berlin | ||
| Saturday 19-Apr-14 07:30pm |
Staatsoper at Schiller Theater, Berlin Duato | Forsythe | Goecke |
Staatsballett Berlin |
| ||
| Staatsoper at Schiller Theater, Berlin, Bismarckstraße 110, 10625 Berlin, Germany Saturday 19-Apr-14 07:30pm Duato | Forsythe | Goecke Arcangelo Music by Corelli, Arcangelo (1653-1713)/Scarlatti, Alessandro (1660-1725) Choreography by Nacho Duato This ballet-evening is composed of works of three of the most significant choreographers of our time. Nacho Duato’s creation ARCANGELO is a choreography which had its world premiere in 2000 and which is one of the master pieces of the Spanish choreographer. William Forsythe’s HERMAN SCHMERMAN is from 1992 and is nowadays in the contemporary repertory of many classical companies. Marco Goecke, whose choreographies are shown all over Germany, developed a world premiere for Staatsballett Berlin for the first time: and the sky on that cloudy old dayImage credit: Staatsballett Berlin | ||
