Composer: HeroldFrom today| Date | Event | Composers, Works, Performers |
|---|---|---|
| Friday 12-Jul-13 07:30pm |
 Prinzregententheater, MunichLa fille mal gardée - revival Munich Opera Festival |
Bavarian State Ballet |
 | ||
| Prinzregententheater, Munich, 81675 Munich, Germany Friday 12-Jul-13 07:30pm La fille mal gardée - revival Who, if not an Englishman, and what Englishman, if not Sir Frederick Ashton, could look back at the times of the first narrative ballet that has been passed down to us with such a “very British” perception – so naïve and yet so sophisticated, so charming and yet so technically virtuosic? Needless to say, love triumphs across the board at the end – the badly guarded daughter gets her beloved Alain – neither her mother, the widow Simone, nor the rich farmer with his dolt of a son can prevent it. And the widow surprisingly gets a man as well. | ||
| Saturday 13-Jul-13 07:30pm |
Prinzregententheater, Munich La fille mal gardée - revival Munich Opera Festival |
Bavarian State Ballet |
| ||
| Prinzregententheater, Munich, 81675 Munich, Germany Saturday 13-Jul-13 07:30pm La fille mal gardée - revival Who, if not an Englishman, and what Englishman, if not Sir Frederick Ashton, could look back at the times of the first narrative ballet that has been passed down to us with such a “very British” perception – so naïve and yet so sophisticated, so charming and yet so technically virtuosic? Needless to say, love triumphs across the board at the end – the badly guarded daughter gets her beloved Alain – neither her mother, the widow Simone, nor the rich farmer with his dolt of a son can prevent it. And the widow surprisingly gets a man as well. | ||
| Sunday 14-Jul-13 03:00pm |
Prinzregententheater, Munich La fille mal gardée - revival Munich Opera Festival |
Bavarian State Ballet |
| ||
| Prinzregententheater, Munich, 81675 Munich, Germany Sunday 14-Jul-13 03:00pm La fille mal gardée - revival Who, if not an Englishman, and what Englishman, if not Sir Frederick Ashton, could look back at the times of the first narrative ballet that has been passed down to us with such a “very British” perception – so naïve and yet so sophisticated, so charming and yet so technically virtuosic? Needless to say, love triumphs across the board at the end – the badly guarded daughter gets her beloved Alain – neither her mother, the widow Simone, nor the rich farmer with his dolt of a son can prevent it. And the widow surprisingly gets a man as well. | ||
