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About Sonata in F major for flute, viola and harp

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See 8 performances with Sonata in F major for flute, viola and harp

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Date and venueTitle
6-Mar-2013
The Morgan Library and Museum
A Parisian affair at the Morgan Library, New York
Image credit: Sean Shepherd 2011 © Jamie KinghamRegular concert-goers are used to hearing the harp on a church altar or mixed in with a large symphony, barely audible above the mass of strings, bass and brass. But the St Luke’s Chamber Ensemble put the harp center stage, in an evening of 20th-century French music, no less.
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27-Aug-2012
Cadogan Hall
Proms Chamber Music 7: The Nash Ensemble illustrate the musical contrasts of the 20th century
Image credit: Members of the Nash Ensemble © Hanya Chlala/ArenaPALThe seventh of the chamber music Proms this year brought together two of the greatest composers of the early 20th century. Though Debussy was twelve years Schoenberg’s senior, of the two works performed it is Schoenberg’s Pierrot Lunaire which was written first, in 1912, with Debussy’s Sonata for flute, viola and harp following three years later in 1915.
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11-Jul-2012
Pittville Pump Room
Back to 1915: Kraggerud, Isserlis and more at the Cheltenham Music Festival
Image credit: Henning Kraggerud © Robert RomikThe concert opened with BBC newsreader Julia Somerville, summarising news from the year 1915 at an old-fashioned broadcasting desk complete with microphone. It was informative, and set the scene for this recital, one in a series of ‘time capsule’ concerts, solely featuring music composed in 1915 – including two of Debussy’s last chamber pieces.
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13-Apr-2011
Limelight at the 100 Club
Milos Karadaglic and London Philharmonic Orchestra’s Foyle Future Firsts
Image credit: For those of you who think classical music just isn't your thing, think again. Limelight brings classical music underground to the 100 Club, inviting audiences to experience what classical music can sound, look and feel like. A sold out show, Wednesday night’s performance featured classical guitarist Milos Karadaglic, a recent graduate of the Royal Academy of Music, and up-and-coming musicians from the London Philharmonic's Foyle Future Firsts programme. Seamlessly moving between centuries and across musical styles, this Limelight performance broke all kinds of boundaries.
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