| Date and venue | Title |
|---|---|
| 26-Jan-2013 San Diego Civic Theatre | San Diego Opera's season opening Daughter of the Regiment is a crowd-pleaser |
 Chicks dig the high notes. The enduring popularity of Donizetti’s The Daughter of the Regiment seems to indicate as much. The plot is silly (even by opera’s standards) and much of the music is not as memorable as some of Donizetti’s more popular works. Yet even without the notorious Ah! mes amis and its nine high C’s, the charming work can be a crowd-pleaser as evidenced by San Diego Opera’s season opening performance Saturday evening.
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| 21-Oct-2012 Opéra Bastille | An operatic high-note: Donizetti's La Fille du Régiment comes home to Paris |
 From time to time, audiences are presented with what I consider to be a rare event, a “dream” performer: one so convincing in his or her role that they become an ideal, establishing a standard to which all following interpretations will inevitably be compared – for example, Jacqueline du Pré’s interpretation of Elgar’s Cello Concerto has become a timeless benchmark.
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| 19-Apr-2012 Royal Opera House, Covent Garden | La Fille du Régiment at Covent Garden |
 The nationality of Gaetano Donizetti's La Fille du Régiment is as confused as that of its eponymous heroine. Written by a homesick Italian expatriate for that most Parisian of venues the Opéra-Comique, it both continued Donizetti's Italian colonisation of the Paris opera scene (much bemoaned by Berlioz) and showed him adapting his style to the conventions of French theatre.
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| 1-Jun-2010 Royal Opera House, Covent Garden | Natalie Dessay sings Donizetti's La Fille du Régiment |
COOPER.jpg) Natalie Dessay has been making a real signature role out of Marie, Donizetti's foundling "Daughter of the Regiment" who turns out to be of noble birth (well, partly, wherein lies the tale). We went to Covent Garden last night specially to see her, and she didn't disappoint: her performance was quite out of the ordinary.
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