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About Jonathan Best

Voice type: Bass
Past performances in our database:
Le Bailli in Werther (Scottish Opera, 2013)
Pastor Oberlin in Jakob Lenz (English National Opera, 2012)
Sarastro in The Magic Flute (Scottish Opera, 2012)
Saul in Saul, HWV 53 (Buxton Festival Opera, 2011)
Zebul in Jephtha (Buxton Festival Opera, 2012)

Read our reviews

Date and venueTitle
17-Feb-2013
Theatre Royal
Splendid singing in Scottish Opera's quirky production of Werther
Image credit: Scottish Opera, Werther © James GlossopThe world of opera can sometimes be hard for the newcomer to love as there are often fiendishly complicated and frequently unbelievable plots to get to grips with. Jules Massenet’s opera Werther is happily none of these: it is a straightforward story of unrequited love.
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27-Oct-2012
Theatre Royal
Scottish Opera's steampunk Magic Flute delights
Image credit: Richard Burkhard as Papageno in Scottish OperaFollowing acclaimed productions at Scottish Opera of The Marriage of Figaro and The Barber of Seville, recently revived, Thomas Allen returns to Glasgow to direct The Magic Flute. Taking inspiration from the city’s famed boisterous music hall history, the collections of William Hunter and his own childhood images of the shipyards on the Wear, Allen’s theme is Victorian industrial with a modern twist of steampunk.
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7-Jul-2012
Buxton Opera House
Strauss' Intermezzo at Buxton Festival
Image credit: Janis Kelly and Andrew Kennedy © Robert WorkmanBuxton, a small spa town in Derbyshire, has been home to one of the most imaginative and important festivals in Britain for over thirty years. In the intimate setting of the modestly sized opera house, the festival presents a staggering programme of literature, plays, opera and recitals every summer, remaining one of the principal hotspots in the country to hear both the familiar and the forgotten.
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17-Apr-2012
Hampstead Theatre
Rihm's Jakob Lenz at Hampstead Theatre: a Testament to Modern Opera
Image credit: Andrew Shore as Jakob Lenz, © Stephen CummiskeyIn the cosy confines of a packed Hampstead Theatre ENO’s English adaptation of Jacob Lenz produced an exciting, entertaining and emotionally draining 70 minutes of opera. Premiered in 1979 this is Rihm’s account of Sturm und Drang writer Jakob Lenz’s descent into madness. Friends with Goethe, Lenz was part of the romantic ‘set’ whose decline into madness is documented in Georg Büchner’s novella Lenz. The opera depicts his stay in a mountain retreat where his hallucinations, fantasies and the voices he hears lead him to attempt suicide no fewer than three times.
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