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About Barry Wordsworth

See 2 performances featuring Barry Wordsworth

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Date and venueTitle
22-Feb-2013
Royal Opera House, Covent Garden
Two new works in an inspiring triple bill from The Royal Ballet
Image credit: Marianela Nunez in Apollo © Johan Persson / ROHLast Friday, The Royal Ballet presented an exciting bill composed of George Balanchine’s iconic Apollo (1928) and two new ballets by acclaimed choreographers Alexei Ratmansky and Christopher Wheeldon. The programme was cleverly designed, since Ratmansky and Wheeldon are renowned explorers of the neoclassical style inaugurated by Balanchine. However, the success of the evening was uneven, since not all the pieces proved to be equally effective.
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17-Nov-2012
Royal Opera House, Covent Garden
A fitting memorial: Kenneth MacMillan triple bill at Covent Garden
Image credit: Melissa Hamilton and Thiago Soares in Las Hermanas © Bill Cooper, courtesy of ROHWith all the new works put on by The Royal Ballet this year, we haven’t seen as much of Kenneth MacMillan’s choreography as usual. This triple bill of mid-century works is an in-your-face reminder of what an omission that is: Concerto, Las Hermanas and Requiem show MacMillan at his versatile best, and The Royal Ballet are on top form to match.
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17-Jul-2012
Royal Opera House, Covent Garden
Titian 2012: A cultural olympiad of new works from the Royal Ballet
Image credit: Marianela Núñez and The Royal Ballet in Diana and Actaeon © Johan Persson, courtesy of ROHMetamorphosis: Titian 2012 invited artists from different disciplines, mainly the visual arts, dance and music, to respond to Titian's three magnifient paintings of the Diana and Actaeon myth. The results are displayed in an exhibition at the National Gallery (alongside Titian's originals), and in an triple bill of new ballets at the Royal Opera House.
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30-Jun-2012
Royal Opera House, Covent Garden
A Journey: The Royal Ballet perform Ashton and Nijinska
Image credit: Christina Arestis and artists of The Royal Ballet in Les Noces © Tristram Kenton, courtesy of ROHThe penultimate programme of The Royal Ballet’s season takes the audience on a journey, from a joyous celebration with seven imperially dressed ballerinas, to a summer dacha filled with tense emotions, and finally back in time to the ceremonial rites of a Russian peasant wedding. The link to the three ballets is the great English choreographer Sir Frederick Ashton, who created two of the works and personally arranged for the third to be re-staged, thus saving it for posterity.
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