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About Klaus Florian Vogt

See 13 performances featuring Klaus Florian Vogt
Voice type: Tenor
Future engagements in our database:
Past performances in our database:
Alwa in Lulu (Royal Opera, 2009)
Boris in Katya Kabanova (Vienna State Opera, 2011)
Boris in Katya Kabanova (Vienna State Opera, 2011)
Erik in Der fliegende Holländer (Opéra de Paris, 2010)
Erik in Der fliegende Holländer (Bavarian State Opera, 2012)
Erik in Der fliegende Holländer (Bavarian State Opera, 2013)
Erik in Der fliegende Holländer (Teatro alla Scala, 2013)
Florestan in Fidelio (Dresden State Opera, 2010)
Lohengrin (New National Theatre, 2012)
Lohengrin (Bavarian State Opera, 2012)
Lohengrin (Dresden State Opera, 2009)
Mario Cavaradossi in Tosca (Deutsche Oper Berlin, 2012)
Paul in Die Tote Stadt (The Dead City) (Madrid Opera, 2010)
Prince in Rusalka (Bavarian State Opera, 2010)
Siegmund in Die Walküre (Bavarian State Opera, 2012)
Sir Huon of Bordeaux in Oberon (Théâtre du Capitole, 2011)
Tito in La clemenza di Tito (Opéra de Paris, 2011)

Read our reviews

Date and venueTitle
8-Jul-2011
Deutsche Oper
Klaus Florian Vogt impresses in Wagner at the Deutsche Oper
Image credit: © Alex LippIn recent years the German tenor Klaus Florian Vogt has gained fame for his lyrical portrayals of Wagnerian characters like Lohengrin, Parsifal, and Walther von Stolzing in Die Meisteresinger von Nürnberg. His concert at the Deutsche Oper Berlin with conductor Peter Schneider and the house orchestra showed a wider range of repertoire, but it is still in his home Wagnerian territory that his greatest strengths lie.
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27-Feb-2011
Cadogan Hall
Mahler for Chamber Orchestra/a great tenor's UK debut?
Image credit: © PGWTwice in a week we have enjoyed ideal concert experiences in which all the elements came together; Mozart at Wigmore Hall and this at Cadogan Hall. In both cases the acoustics made an essential contribution, Wigmore Hall's giving lustre to Kristian Bezuidenhout's fortepiano and that of the beautiful Cadogan Hall (sold out for this Zurich International Concert and heard from the gallery where the sound is best) enhancing the richness of the chamber orchestra for Wagner and Mahler.
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