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About Anna Virovlansky

See 12 performances featuring Anna Virovlansky
Voice type: Soprano
Future engagements in our database:
Past performances in our database:
Adele in Die Fledermaus, Op.56 (Bavarian State Opera, 2012)
Adele in Die Fledermaus, Op.56 (Bavarian State Opera, 2011)
Blanche de la Force in Dialogues des Carmélites (Deutsche Oper am Rhein, 2010)
Despina in Così fan tutte (Bavarian State Opera, 2012)
Despina in Così fan tutte (Bavarian State Opera, 2011)
Manon (Deutsche Oper am Rhein, 2011)
Marzelline in Fidelio (Bavarian State Opera, 2011)
Marzelline in Fidelio (Bavarian State Opera, 2012)
Musetta in La Bohème (Bavarian State Opera, 2010)
Musetta in La Bohème (Bavarian State Opera, 2011)
Pamina in The Magic Flute (Bavarian State Opera, 2012)
Princess in L'enfant et les sortilèges (Bavarian State Opera, 2011)
Sister Constance in Dialogues des Carmélites (Bavarian State Opera, 2012)
Sophie in Der Rosenkavalier (Bavarian State Opera, 2011)
Sophie in Der Rosenkavalier (Bavarian State Opera, 2011)
Waldvogel (the woodbird) in Siegfried (Bavarian State Opera, 2013)
Waldvogel (the woodbird) in Siegfried (Bavarian State Opera, 2012)

Read our reviews

Date and venueTitle
26-Feb-2012
Hong Kong Cultural Centre: Grand Theatre
Bavarian State Opera: Così fan tutte at the Hong Kong Arts Festival
Image credit: Così fan tutte, © Wilfried HöslFor its 40th anniversary, the Hong Kong Arts Festival chose Mozart’s Così fan tutte as its main opera offering. Whatever you may call it – opera buffa, comedy of manners, or “dramma giocoso” – Mozart’s lovely music makes Così fan tutte wonderful entertainment. That’s what the Bavarian State Opera delivered on Sunday afternoon to commemorate this important milestone of the Festival.
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27-Nov-2011
National Theatre
More Bieito than Beethoven: Fidelio at the Bayerische Staatsoper
Image credit: Dean Power (First Prisoner), Jussi Myllys (Jailer), Laura Tatulescu (Marzelline), Franz-Josef Selig (Rocco), Wolfgang Koch (Pizarro), Tareq Nazmi (Second Prisoner), Anja Kampe (Leonore), Bavarian State Opera Choir, © Wilfried HöslBeethoven took over nine years to write and edit Fidelio, his only opera. It tells the story of Leonore, whose husband Florestan is being illegally held in prison. She disguises herself as a man, Fidelio, and gets a job in the prison in an attempt to save him. Over the course of its creation it turned from a three-act opera into a two-act one, changed its name, and went through four separate overtures!
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6-Nov-2011
National Theatre
Nasty Children at the Bayerische Staatsoper
Image credit: Kevin Conners (Teapot), Tara Erraught (The Child), Okka von der Damerau (Teacup) © Wilfried HöslThe pairing of Ravel’s L’Enfant et les Sortilèges (“The Child and the Spells”) with Zemlinsky’s Der Zwerg (“The Dwarf”) is an interesting juxtaposition. The two works have some strong similarities: both were written shortly after 1920, with scenarios by authors who were known for their homosexual promiscuity (Colette, and Oscar Wilde respectively) and both are fairytales, with unpleasant children taking the lead roles.
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