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About Violin Concerto in D major, Op.35

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See 9 performances with Violin Concerto in D major, Op.35See 1 video-on-demand performances with Violin Concerto in D major, Op.35

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Date and venueTitle
4-Nov-2012
Meyerson Symphony Center
Vienna at the opera (and movies): Beethoven and Korngold with the Dallas Symphony Orchestra
Image credit: Hilary Hahn © Glenn RossTwo Viennese masters, Beethoven and Erich Wolfgang Korngold, shared the stage in the Dallas Symphony Orchestra’s concerts this weekend. Maestro Jaap van Zweden conducted Beethoven’s Leonore Overture no. 3 and Symphony no. 5 in C minor, and in between these was joined by violinist Hilary Hahn for Korngold’s Violin Concerto in D major.
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1-Nov-2012
Southbank Centre: Royal Festival Hall
Nicola Benedetti and the Royal Philharmonic Orchestra at the Royal Festival Hall
Image credit: Nicola Benedetti © Decca / Simon FowlerFor those who like their orchestral music Romantic, strident and generally unrelenting, the Royal Philharmonic Orchestra’s concert on 1 November was just the job. Korngold’s Violin Concerto in D major, played by Nicola Benedetti, was sandwiched in between two emotionally charged pieces of Tchaikovksy as the RPO under Diego Matheuz played to a packed Royal Festival Hall.
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16-Jun-2012
Lincoln Center: Avery Fisher Hall
New York Philharmonic with Gilbert and Kavakos: Nielsen steals the show
Image credit: Alan Gilbert © Chris LeeA concert juxtaposing masters and lesser-knowns can have two effects: it can illustrate the genius of the master, or it can unveil an unjustly neglected gem. New York Philharmonic’s recent offering accomplished both. The combination of Beethoven, Korngold, and Nielsen spanned a huge swath of what is loosely called Romantic music, demonstrating the peaks and valleys possible in the style.
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15-Feb-2012
Barbican Centre: Hall
A Night Off the Opera: Pappano Conducts the LSO
Image credit: Leonidas Kavakos, © Yannis BourniasAt first glance, Sir Antonio Pappano was not the obvious choice for a programme of twentieth-century orchestral works. The conductor is established as one of the leading lights of the operatic world, his tenure as Music Director of the Royal Opera House likely to go down as one of the great operatic partnerships of all time, but how would he fare in this tricky repertoire, with all attention focused on the orchestra?
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