| Date and venue | Title |
|---|---|
| 4-May-2013 Carnegie Hall: Stern Auditorium/Perelman Stage | "I'm in love with Vienna": Renée Fleming and friends at Carnegie Hall |
For the last concert of her Perspectives series at Carnegie Hall, Renée Fleming assembled one of the least coherent concept programmes imaginable. Billed as “Vienna: Window to Modernity”, it was never clear what was specifically Viennese about the music on show, nor what was particularly modern, nor what windows had to do with anything. If this was about the fin de siècle and the turbulent culture that accompanied the collapse of the Austrian empire, then historians are going to have to redefine what a siècle might be, let alone a fin.Read full review... | |
| 27-Apr-2013 Carnegie Hall: Stern Auditorium/Perelman Stage | A tribute to American song: Orpheus Chamber Orchestra with Gabriel Kahane |
Sitting in the majestic Carnegie Hall, Orpheus Chamber Orchestra almost looked dwarfed by the sheer size of the stage. Cristi Andrews Cohen’s voice echoed as she recited the poem by Richard Dehmel. But then soft hums emanated from the strings, incessant but quiet at first, slowing building to a larger, richer sound that enveloped the hall.
Read full review... | |
| 5-Oct-2012 Holywell Music Room | Dark fantasies at the Oxford Chamber Music Festival |
An introductory reading by local writer Philip Pullman was an appropriate introduction to the “Dusk to Dawn” concert, one of the last in this year’s Oxford Chamber Music Festival (themed “Fairytales and Fantasy”). The collision of a light-hearted surface with darker undertones was not just in Pullman’s retelling of the Grimm stories, but pervaded Artistic Director Priya Mitchell’s programming. An eclectic combination ranging from Beethoven to Tabakova, the evening featured a cluster of talented performers from across Europe.Read full review... | |
| 1-Sep-2012 Cadogan Hall | Passion and transfiguration from the Australian Chamber Orchestra |
Previously, for me, the term “Chamber Orchestra” has meant an ordinary orchestra, only smaller: apart from the sound being somewhat thinned out and consequently cleaner, I don't expect a fundamentally different experience. Or, didn't, that is, until last night at Cadogan Hall, where I saw the Australian Chamber Orchestra for the first time.Read full review... | |