|Date and venue||Title|
|Scottish Opera's steampunk Magic Flute delights|
|Following acclaimed productions at Scottish Opera of The Marriage of Figaro and The Barber of Seville, recently revived, Thomas Allen returns to Glasgow to direct The Magic Flute. Taking inspiration from the city’s famed boisterous music hall history, the collections of William Hunter and his own childhood images of the shipyards on the Wear, Allen’s theme is Victorian industrial with a modern twist of steampunk.
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