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About John Tessier

Voice type: Tenor
Past performances in our database:
Count Almaviva in The Barber of Seville (Boston Lyric Opera, 2012)
Jaquino in Fidelio (Seattle Opera, 2012)
John F Kennedy in Waiting for Miss Monroe (De Nederlandse Opera, 2012)
Nemorino in L'Elisir d'Amore (English National Opera, 2010)
Tamino in The Magic Flute (Seattle Opera, 2011)
Tamino in The Magic Flute (Vancouver Opera, 2013)
Tito in La clemenza di Tito (Vancouver Opera, 2011)
Tonio in La Fille du Régiment (Vienna State Opera, 2013)

Read our reviews

Date and venueTitle
28-Mar-2013
Carnegie Hall: Stern Auditorium/Perelman Stage
The many faces of Christ: Hanno Müller-Brachmann stars in OSL's St Matthew Passion
Image credit: Hanno Müller-Brachmann © Monika RittershausIn his biography of Richard Wagner, Michael Tanner writes that Tristan und Isolde is one of two great masterpieces that have the musical brilliance, the intellectual strength and the emotional power to convert you to its philosophical cause. The other, naturally, is the St Matthew Passion.
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9-Mar-2012
Citi Performing Arts Center, Shubert Theater
Boston Lyric Opera offers an irresistible Barber of Seville
Image credit: Jonathan Beyer as Figaro, Sarah Coburn as Rosina, and Steven Condy as Dr. Bartolo in Boston Lyric Opera’s The Barber of Seville, © Eric Antoniou for Boston Lyric Opera, 2012Boston Lyric Opera's production of The Barber of Seville looks, sounds and feels like a storybook come to life. Wildly improbable and completely over the top, the story recounts the antics of Count Almaviva and his quest to win the love of Rosina, freeing her from her vile guardian in the process. If not for Rossini's delicious score, The Barber of Seville would be the operatic equivalent of a basket of brightly-colored rubber balls dropped from the flyspace. Instead, it is a ridiculous romp that's as musically gratifying as it is just plain fun.
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20-Dec-2011
Harris Theater, Millennium Park
Hallelujah Heaven at the Harris Theater
Image credit: Stanley Sperber conducting the Do-It-Yourself Messiah at the Harris Theatre, ChicagoTwo years ago, my voice teacher invited to my very first Messiah performance with the Downers Grove Choral Society, of which he was the director. During the three-hour performance, I vividly recall feeling incredibly uplifted in indescribable spiritual bliss for the whole time I spent in the seat, intensely listening to the historically-informed rendition. This year, I was delighted to learn about the International Music Foundation’s annual Do-It-Yourself Messiah, a longtime Chicago tradition in which the entire audience serves as the chorus.
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