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About Bryn Terfel

See 23 performances featuring Bryn Terfel
Voice type: Baritone
Future engagements in our database:
Past performances in our database:
Baron Scarpia in Tosca (Royal Opera, 2009)
Baron Scarpia in Tosca (Metropolitan Opera, 2010)
Baron Scarpia in Tosca (Teatro alla Scala, 2011)
Baron Scarpia in Tosca (Royal Opera, 2011)
Baron Scarpia in Tosca (Royal Opera, 2011)
Baron Scarpia in Tosca (Bavarian State Opera, 2012)
Dutchman in Der fliegende Holländer (Zurich Opera, 2012)
Dutchman in Der fliegende Holländer (Zurich Opera, 2013)
Dutchman in Der fliegende Holländer (Teatro alla Scala, 2013)
Figaro in The Marriage of Figaro (Metropolitan Opera, 1998)
Hans Sachs in Die Meistersinger von Nürnberg (Royal Opera, 2012)
Leporello in Don Giovanni (Metropolitan Opera, 2012)
Leporello in Don Giovanni (Teatro alla Scala, 2011)
Sir John Falstaff in Falstaff (Welsh National Opera, 2008)
Sir John Falstaff in Falstaff (Teatro alla Scala, 2013)
Sir John Falstaff in Falstaff (Opéra de Monte-Carlo, 2010)
Wanderer in Siegfried (Metropolitan Opera, 2011)
Wanderer in Siegfried (Metropolitan Opera, 2011)
Wanderer in Siegfried (Metropolitan Opera, 2012)
Wanderer in Siegfried (Royal Opera, 2012)
Wotan in Die Walküre (Metropolitan Opera, 2011)
Wotan in Das Rheingold (Metropolitan Opera, 2011)
Wotan in Das Rheingold (Metropolitan Opera, 2010)
Wotan in Das Rheingold (Metropolitan Opera, 2010)
Wotan in Das Rheingold (Royal Opera, 2012)
Wotan in Das Rheingold (Metropolitan Opera, 2012)
Wotan in Die Walküre (Metropolitan Opera, 2012)
Wotan in Die Walküre (Royal Opera, 2012)
Wotan in Die Walküre (Metropolitan Opera, 2011)

Read our reviews

Date and venueTitle
4-May-2013
Auckland Town Hall
A magical gala evening with Bryn Terfel in Auckland
Image credit: Bryn TerfelThe New Zealand Symphony Orchestra really has the perfect Wagner sound. Their full, vibrant string tone and magnificent pealing brass were fully in evidence in a thrilling rendition of the concert version of the overture from Tannhäuser. Few moments in music are as exciting as the build-up to the Big Tune in this piece, and the orchestra’s performance here was barnstorming yet perfectly accurate.
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15-Dec-2012
Southbank Centre: Queen Elizabeth Hall
Gloom, doom, stormy seas, and a Dutchman flown over from Zurich: A concert Flying Dutchman in London
Opera being a strongly visual art form as well as a musical one, the idea of a pure concert performance seems a little strange to those unfamiliar with the form. However, removing the necessity for singers to run around (often in uncomfortable-looking costumes), negotiate (sometimes uncooperative) props and scenery, and bodily convey their thoughts and feelings in a manner visible to amphitheatre Row W, allows for 100% concentration on the music, in particular the expression of character and emotion through voice alone.
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18-Oct-2012
Royal Opera House, Covent Garden
Connolly and Terfel stand out in a thought-provoking Walküre at Covent Garden
Image credit: Simon OIf you've been brought up with the Judaeo-Christian ideal of an all-powerful, all-good God, Norse mythology can come as a bit of a shock. Wotan, the father of the gods, is philandering, deceitful, power-hungry, sentimental, violent and ultimately weak - the gamut of human frailties writ large. Combine all of those with a magic spear and the ability to control the weather and you know that things aren't going to end well.
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21-Jul-2012
National Theatre
An excellent Tosca in Munich with Terfel, Naglestad and Giordano
Image credit: Jonas Kaufmann (Mario Caravadossi), Karita Mattila (Floria Tosca) in the 2010 production at the Nationaltheater © Wilfried HöslIn Tosca there's a real sense of Puccini being at home. Written shortly after La Bohème, when he was right at the height of his powers, Tosca is a story of love, jealousy and political turmoil, taking place in Rome, the same city in which it was premiered. These are events and characters which Puccini could identify with, and the locale was one he knew, not the alien distance of Paris, the Orient or the US, where some of his other best-known operas are set.
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