| Date and venue | Title | Submitted by |
|---|---|---|
| 23-Feb-2013 Sadler's Wells | Like lovers looking at the moon: Pina Bausch's Vollmond at Sadler's Wells | Katja Vaghi |
 There is nothing more fascinating than being able to see two pieces by the same choreographer a brief distance apart. This is particularly so if the choreographer is Pina Bausch. Last year, the company spoiled the London dance community with a ten-show marathon in a month-long residency at the Barbican and at Sadler's Wells, a titanic endeavour for dancers and technicians. Even though this year the company has presented only two works, it is still possible to see how Bausch’s style changed over the years.Read full review... | ||
| 14-Feb-2013 Sadler's Wells | So close yet so far apart: Pina Bausch's Two Cigarettes in the Dark at Sadler's Wells | Katja Vaghi |
_Jochen_Viehoff.jpg) It is Valentine’s evening and there is a special atmosphere in the foyer of Sadler’s Wells as the audience is about to see Two Cigarettes in the Dark, a 1985 piece by Pina Bausch remounted two years ago by her company. A silence of trepidation envelops the auditorium as the performance begins and Mechthild Großmann, also part of the original cast, crosses the white stage in high heels and a long black dress to invite us in as her “husband is at war”.Read full review... | ||
| 16-Jun-2012 Barbican Theatre | Tanztheater Wuppertal Pina Bausch at the Barbican | Kit Brown |
 World Cities 2012 is a set of ten pieces created between 1986 and 2009, the year of Pina Bausch’s death. Each is a response to a different city on the globe. Ten Chi, just one chapter of this very alternative travel guide, marks time spent immersed in the day-to-day of Saitama, Japan.
Read full review... | ||
| 12-Jun-2012 Sadler's Wells | Tanztheater Wuppertal Pina Bausch at Sadler's Wells: ...como el musguito en la piedra... | Erin Johnson |
 In celebration of the 2012 London Olympic Games, Tanztheater Wuppertal Pina Bausch is in London performing ten different works inspired by places around the world, and last night’s Chile-inspired …como el musguito en la piedra, ay si, si, si… was a polished example of the excellence of the company’s dancers and the genius of Pina Bausch. Como el musguito, like the other global works, was part of an international series of co-productions, where Bausch and her company would live in cities around the world, then make work based on their experiences.Read full review... | ||
| 27-Oct-2010 Sadler's Wells | Iphigenie auf Tauris, Tanztheater Wuppertal | Julie Taylor |
foto_ulli_weiss.jpg) This performance of Iphigenie auf Tauris is the first time Pina Bausch’s company, Tanztheater Wuppertal, has appeared at Sadler’s Wells since her death in 2009 and in the world of modern dance it is the hottest ticket in town.
Read full review... | ||
