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About Six Pieces For Orchestra, Op.6

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See 9 performances with Six Pieces For Orchestra, Op.6

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Date and venueTitle
4-May-2013
Birmingham Symphony Hall
Birdsong in Birmingham: Mitsuko Uchida with Andris Nelsons and the CBSO
Image credit: Mitsuko Uchida © Jean RadelIt wasn’t only Mitsuko Uchida’s hands that were agile. Her arrival on stage was accompanied by the deepest bow imaginable, bending from the waist until she resembled a tuning fork. Such Japanese formality was paired with a warm, glowing smile and a real connection with players and audience alike.
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29-Jan-2013
Southbank Centre: Queen Elizabeth Hall
London Sinfonietta tackles Webern for The Rest is Noise
Image credit: Anton Webern in Stettin, October 1912The works of Anton Webern – famously described by Stravinksy as “dazzling diamonds” – have been “unwrapped” as part of The Rest is Noise festival this month. This was a timely project, as the output of this Second Viennese School composer has often been misrepresented due to its considerable (and problematic) impact on 20th- and 21st-century music.
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16-Jun-2012
Birmingham Symphony Hall
Simon Rattle and the Vienna Philharmonic: Brahms, Webern and Schumann
Image credit: Simon Rattle © Mat Hennek EMI ClassicsSimon Rattle returned to Birmingham's Symphony Hall, a construction of his own initiation and the home of his successes with the CBSO, to conduct the Vienna Philharmonic Orchestra in a concert as part of the hall's 21st birthday celebrations. He arrived on stage to the kind of reception usually reserved for the end of a concert and masterfully led a rich and intriguing programme of Brahms, Webern and Schumann.
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29-Apr-2012
Kimmel Center for Performing Arts, Verizon Hall
The Philadelphia Orchestra in works by Brahms, Webern and Schumann
Image credit: The Philadelphia Orchestra at Verizon Hall, The Kimmel Center for the Performing Arts © Ryan DonnellFor its concert on Sunday afternoon, the Philadelphia Orchestra under Simon Rattle performed symphonic works which, the programme notes claimed, “invite us to think about the possibilities of hidden musical meaning”.
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