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About Kristinn Sigmundsson

See 6 performances featuring Kristinn Sigmundsson
Voice type: Bass
Future engagements in our database:
Past performances in our database:
Baron Ochs in Der Rosenkavalier (Metropolitan Opera, 2009)
Baron Ochs in Der Rosenkavalier (Metropolitan Opera, 2010)
Grand Inquisitor in Don Carlos (Deutsche Oper Berlin, 2012)
Heinrich der Vogler in Lohengrin (Los Angeles Opera, 2010)
Heinrich der Vogler in Lohengrin (Bavarian State Opera, 2011)
Heinrich der Vogler in Lohengrin (San Francisco Opera Company, 2012)
King Marke in Tristan and Isolde (Deutsche Oper Berlin, 2011)
Landgraf Hermann in Tannhäuser (New National Theatre, 2013)
Landgraf Hermann in Tannhäuser (Deutsche Oper Berlin, 2011)
Rocco in Fidelio (Houston Grand Opera, 2011)
Rocco in Fidelio (Houston Grand Opera, 2011)
Sarastro in The Magic Flute (Théâtre du Capitole, 2010)
Sarastro in The Magic Flute (San Francisco Opera Company, 2012)

Read our reviews

Date and venueTitle
20-Oct-2012
War Memorial Opera House
Lohengrin returns to San Francisco in effective new production
Image credit: Lohengrin Kristinn Sigmundsson, Brandon Jovanovich and Camilla Nylund, © Cory Weaver.Wagner’s Lohengrin was the last work the master completed before settling into a mid-career six-year slump. During this compositional hiatus, he wrote the poems for his Ring operas and ruminated in print on various topics, musical and otherwise, but work on the music dramas essentially ceased.
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29-Jun-2012
War Memorial Opera House
An English Magic Flute at San Francisco Opera
Image credit: Nathan Gunn (Papageno) © Cory WeaverIn keeping with its summer season of novelties, San Francisco Opera have produced a new English-language production of Mozart's The Magic Flute. Advertisements for the production showed baritone Nathan Gunn in a green, full-body leotard as a sort of frogman of a Papageno, leaping in the air and wearing a manic expression. This image on posters and direct mailing salvos implied a Romper Room-styled Magic Flute was coming to town: bring the kids for some good-ol' family fun.
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6-Aug-2011
Lincoln Center: Rose Theater
An enduring Don Giovanni
Image credit: Budapest, Palace of Arts © Zsuzsanna PetoLibrettist Lorenzo Da Ponte billed Don Giovanni a “dramma giocoso,” literally a “jocular drama,” and, unsurprisingly, finding the balance between comedy and drama is the key to any good production. As part of the Mostly Mozart Festival at the Rose Theater, Iván Fischer’s production held to the traditional precepts of the opera except for an ensemble of sixteen actors from the Budapest Acting Academy who served as both chorus and set.
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