| Date and venue | Title |
|---|---|
| 21-Nov-2012 The London Coliseum | Danger, sleaze, passion: Carmen re-imagined at ENO |
 Alastair Muir-sm.jpg) Carmen has always been in my head as a “pretty” opera: lovely tunes, colourful setting, exotically alluring gypsy brushing up against hunky bullfighter and handsome soldier - not exactly French Grand Opera, perhaps, but a far cry from gritty verismo. Calixto Bieito changed all that last night, with a production for ENO that strips the story down to its bare essentials, and left me thrilled beyond measure.
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| 18-Oct-2012 Royal Opera House, Covent Garden | Connolly and Terfel stand out in a thought-provoking Walküre at Covent Garden |
 If you've been brought up with the Judaeo-Christian ideal of an all-powerful, all-good God, Norse mythology can come as a bit of a shock. Wotan, the father of the gods, is philandering, deceitful, power-hungry, sentimental, violent and ultimately weak - the gamut of human frailties writ large. Combine all of those with a magic spear and the ability to control the weather and you know that things aren't going to end well.
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| 28-Jan-2012 The London Coliseum | A stellar cast lights up ENO's Rosenkavalier |
 English National opera's first première of 2012 is a revival of David McVicar's 2008 production of Richard Strauss's Der Rosenkavalier, in splendid rococo period setting. They pulled out all the stops in casting: the four lead roles were all sung and acted wonderfully by English singers at the very top of their game. There were some big stars even in the smaller roles: having just seen Gwyn Hughes-Jones as Cavaradossi in Tosca, it was a surprise to see him filling in the tiny cameo role of the Italian opera singer with plenty of brio.
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| 27-Jun-2011 The London Coliseum | Two Boys, ENO |
 It's about time someone wrote an opera about the internet. And who better than Nico Muhly - snarky blogger, snappy Tweeter, and according to the Daily Telegraph "the hottest young composer around"? Add seasoned playwright Craig Lucas, top Broadway director Bartlett Sher and some of Britain's finest singers, and you might expect them to cook up a success. The ingredients do sound promising, but the souffle fails to rise.
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