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About Jochen Schmeckenbecher

See 14 performances featuring Jochen Schmeckenbecher
Voice type: Bass-baritone
Future engagements in our database:
Past performances in our database:
Alberich in Das Rheingold (Oper Frankfurt, 2010)
Amfortas in Parsifal (Oper Frankfurt, 2010)
Frank in Die Fledermaus, Op.56 (Staatsoper Berlin, 2009)
Kurwenal in Tristan and Isolde (Opéra de Lyon, 2011)
Marquis de la Force in Dialogues des Carmélites (Bavarian State Opera, 2012)
Marquis de la Force in Dialogues des Carmélites (Theater an der Wien, 2011)
Marquis de la Force in Dialogues des Carmélites (Theater an der Wien, 2011)
Music Master in Ariadne auf Naxos (Theater an der Wien, 2010)
Music Master in Ariadne auf Naxos (Vienna State Opera, 2013)
Music Master in Ariadne auf Naxos (Vienna State Opera, 2012)
Peter / Father in Hänsel and Gretel (Opéra de Paris, 2013)
Wozzeck (Opéra de Marseille, 2011)

Read our reviews

Date and venueTitle
29-Dec-2012
Staatsoper
Bechtolf's Ariadne auf Naxos at the Vienna Staatsoper
Image credit: Daniela Fally (Zerbinetta) © Wiener Staatsoper / Michael PöhnA new production of Ariadne auf Naxos is a major draw in itself, but a queue for standing room whose end is on the other side of the opera house is news even in Vienna, especially when the performance is not the première, but the fourth in a run of five and also the one that Franz Welser-Möst left to Jeffrey Tate, who has conducted the piece to positive reviews before. But with no rehearsals and a pit full of substitutes, he found himself unfairly challenged by scratchy violins, impure brass and winds, and botched entries from all directions.
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21-Apr-2011
Theater an der Wien
The Theater an der Wien’s subtle Dialogues des Carmélites
Image credit: © Armin BardelNever a city to shy away from seasonal programming, this Easter Vienna is offering productions of Poulenc’s Dialogues des Carmélites, Gounod’s Faust, and Wagner’s Parsifal. The latter two, at the Staatsoper, are familiar, but audiences should run to see the Theater an der Wien’s enthralling revival of Poulenc’s relatively rarely-produced masterwork.
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