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About Rudolf Schasching

See 8 performances featuring Rudolf Schasching
Voice type: Tenor
Future engagements in our database:
Past performances in our database:
Aaron in Moses and Aron (Zurich Opera, 2011)
Aegisthus in Elektra (Zurich Opera, 2010)
Bernardo Novagerio in Palestrina (Zurich Opera, 2011)
Bernardo Novagerio in Palestrina (Zurich Opera, 2012)
Herod in Salome (Zurich Opera, 2010)
Herod in Salome (Zurich Opera, 2012)
High Priest in Idomeneo, rè di Creta (Zurich Opera, 2010)
Monostatos in The Magic Flute (Zurich Opera, 2010)
Prince Shuisky in Boris Godunov (Zurich Opera, 2010)
Valzacchi in Der Rosenkavalier (Zurich Opera, 2012)

Read our reviews

Date and venueTitle
4-Aug-2012
Felsenreitschule
A visually brilliant but serious Zauberflöte at the Salzburg Festival
Image credit: Markus Werba (Papageno), Elisabeth Schwarz (Papagena) © Monika RittershausThe new Zauberflöte at this summer’s Salzburg Festival is a visually brilliant production with sets tailored to the atmospheric venue of the Felsenreitschule (for people not familiar with Salzburg, this is where the singing contest was held in the film The Sound of Music). The set, by Mathis Neidhardt, consists of four interlocking box-type rooms with façades of doors and arches (imitating the arched walls of the Felsenreitschule), which in various configurations function as the forest, the temple, Pamina’s room, and the place of the trial by fire and water.
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24-May-2012
Carnegie Hall: Stern Auditorium/Perelman Stage
Nina Stemme comes out ahead in Cleveland Orchestra's Salome
Image credit: Franz Welser-Möst, Nina Stemme, Eric Owens, Jane Henschel © Roger Mastroianni“When I looked at you, I heard secret music,” says Salome in her monologue to the severed head of John the Baptist. Richard Strauss’s opera trades in the unseeable and the unknowable—from the range of metaphors applied to the moon to the nearly impossible staging of a ten-minute striptease performed by a dramatic soprano—which makes it unusually well suited to concert presentation. Strauss’ high-octane, atmospheric music can seem all the more lurid and mysterious when its subjective visualization is left to the imagination.
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