| Date and venue | Title |
|---|---|
| 12-Apr-2013 Usher Hall | Mediterranean moods: RSNO with Gilbert Varga and Miloš Karadaglić |
.jpg) In an engaging German-Scots accent, RSNO first violinist Ursula Heidecker Allen promised the pre-concert talk audience an evening of sunny Mediterranean moods. Time being a factor in these very worthwhile 25-minute, capacity-crowd events, she addressed only the programme’s two Respighi pieces, mentioning that he was a pupil of another programmed composer, Martucci.
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| 16-Feb-2013 Meyerson Symphony Center | Impressions: Debussy, Rodrigo and Prokofiev at the Dallas Symphony |
.jpg) After a series of Pops concerts featuring John Williams’ film scores, the Dallas Symphony Orchestra returned to standard classical fare this weekend with Canadian guest conductor Julian Kuerti. Debussy’s Ibéria never really got off the ground, but Mr Kuerti and the DSO had better luck in music by Joaquín Rodrigo and Prokofiev. Pairing the Debussy with Rodrigo’s Concierto de Aranjuez made for an all-“Spanish” first half, a well-worn programming device.Read full review... | |
| 15-Sep-2012 Dunbar Parish Church | Lammermuir Festival: Scottish Chamber Orchestra in Ravel, Rodrigo and Mozart |
 Picture the scene: Dunbar Parish Church nearing the end of major renovation. Looking heavenward, one sees two RSJ-type structures which appear to have facilitated the removal of all impediments to vision and light, the latter refracted through stained glass windows. In one corner of of the resulting square, facing the opposite corner, sit the Scottish Chamber Orchestra. The audience form a broad L-shape around them.
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| 1-Mar-2012 Sheldonian Theatre | Daniel Cohen shines in debut with Oxford Philomusica |
 It seems unfair to label a young conductor a 'discovery', especially since most young conductors labour tirelessly for many years prior to achieving wider recognition. But that's what Daniel Cohen was for me: a discovery, and a very pleasing one at that. On Thursday evening he made an extremely assured debut with Oxford Philomusica, bringing energy and understanding to each of the rather disparate works played.
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