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About Bernard Richter

See 7 performances featuring Bernard Richter
Voice type: Tenor
Future engagements in our database:
Past performances in our database:
Bénédict in Béatrice et Bénédict (Theater an der Wien, 2013)
Chevalier de la Force in Dialogues des Carmélites (Bavarian State Opera, 2010)
Chevalier de la Force in Dialogues des Carmélites (Bavarian State Opera, 2011)
Don Ottavio in Don Giovanni (Zurich Opera, 2011)
Don Ottavio in Don Giovanni (Opéra de Paris, 2012)
Ferrando in Così fan tutte (Théâtre des Champs-Elysées, 2012)
Froh in Das Rheingold (Opéra de Paris, 2013)
The Steersman in Der fliegende Holländer (Opéra de Paris, 2010)

Read our reviews

Date and venueTitle
24-Apr-2013
Theater an der Wien
Berlioz's Béatrice et Bénédict at the Theater an der Wien
Image credit: Arnold Schoenberg Chor © Brinkhoff/MögenburgBéatrice et Bénédict is Hector Berlioz’s last work; he wrote it between 1860 and 1862 for the theatre that patron Edouard Bénazet had built in Baden-Baden, then Germany’s most chic health resort. As the work proved an instant success, Bénazet probably never regretted that Berlioz had talked him out of a work set in the Thirty Years’ War in favour of a light opéra comique which is loosely based based on Shakespeare’s Much Ado About Nothing.
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4-Aug-2012
Felsenreitschule
A visually brilliant but serious Zauberflöte at the Salzburg Festival
Image credit: Markus Werba (Papageno), Elisabeth Schwarz (Papagena) © Monika RittershausThe new Zauberflöte at this summer’s Salzburg Festival is a visually brilliant production with sets tailored to the atmospheric venue of the Felsenreitschule (for people not familiar with Salzburg, this is where the singing contest was held in the film The Sound of Music). The set, by Mathis Neidhardt, consists of four interlocking box-type rooms with façades of doors and arches (imitating the arched walls of the Felsenreitschule), which in various configurations function as the forest, the temple, Pamina’s room, and the place of the trial by fire and water.
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